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Personal Voice
Offering a definitive approach by which any individual may learn to unleash the power of the personal, this book provides the reader with an exhaustive guide on how to tell the stories they're uniquely qualified to tell.
Orgy Plus Massacre 3
Post-war cinema saw a rapid rise in the production of B-movies - low-budget genre films dealing with such subjects as horror, science fiction, juvenile delinquency and beatniks, bad girls and women in prison, bikers, gangsters, jungle terror, mondo, drug culture, and finally sexploitation, which eventually flourished due to a constant push-back against censorship. By the end of the 1960s, explicit sex and graphic violence had both become accepted in the mainstream. This new liberalism peaked in the mid-70s, when pretty much anything could be legally seen on commercially available film in one form or another, from picture houses to backstreet projection booths. ORGY PLUS MASSACRE is a book series which examines the three decades from 1950 to 1979, when film-makers were increasingly free to express their most expansive, exploratory, and often excessive visions on celluloid.ORGY PLUS MASSACRE 3 includes over 150 rare and unusual photographs, with accompanying informative texts, from the years 1960 to 1962. The book is divided into five sections: Horror, Science Fiction, Mayhem, Myth, and Sex.
Warfare + Civil War
Includes the screenplays for Warfare and Civil War, with an accompanying interview on screenwriting with Iraq War verteran Ray Mendoza, who co-wrote and co-directed Warfare with Alex Garland.Warfare embeds audiences with a platoon of American Navy SEALs in the home of an Iraqi family, overwatching the movement of US forces through insurgent territory. A visceral, boots-on-the-ground story of modern warfare, told like never before: in real time, and based on the memory of the people who lived it -- co-writer/co-director Ray Mendoza was a part of the platoon. From Alex Garland comes Civil War, a journey across a dystopian future America following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House. The film stars Kirsten Dunst, Cailee Spaeny, Wagner Moura, Stephen McKinley Henderson and Nick Offerman.
If....
In his compelling study of if.... (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson's depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film's title is a sardonic nod to Rudyard Kipling's most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if.... provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. In his foreword for this new edition, Mark Sinker considers if.... 's continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson's ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press.
King Kong
The 1933 KING KONG was not just a terrifying monster movie. It was also an epic fairy tale, a tragic love story, and a landmark piece of cinema that introduced one of the most beloved characters in motion picture history-a universally recognizable cultural icon whose legacy encompasses a vast multimedia universe consisting of more than ten feature films as well as numerous television shows, books, comics, toys, collectibles, and even a Broadway musical.In this extensively revised and updated edition of a classic book first published two decades ago, King Kong: The History of a Movie Icon is the definitive account of the most famous simian in pop-culture history. It spans the whole of the Eighth Wonder's filmography, chronicling in detail the making of every Kong movie beginning with the 1933 original and continuing through the giant gorilla's Japanese adventures and the epic Dino De Laurentiis and Peter Jackson remakes before concluding with the most recent films that place the great ape within an ever-expanding "Monsterverse." Author and Kongophile Ray Morton also offers entertaining looks at the character's appearances in other media, along with plenty of trivia and reflections on the franchise's enduring appeal. Packed with photographs and based on extensive new research and exclusive interviews, this is by far the most complete and comprehensive guide to all things Kong.Included here are: The creation of the Kong character by Merian C. Cooper The development, production, and release of the original 1933 film and its many successors The Cartoon Kong: the giant gorilla's animated incarnations. Kong on the Stage: theatrical productions featuring the Eighth Wonder. Kong on the Page: the many publications devoted to the great ape. The Sons of Kong: Kong variants, spoofs, and rip-offs such as Mighty Joe Young, Queen Kong, and A*P*E*. The Kongs that Never Were: Kong projects that never made it to the screen The innumerable Kong-related products generated over the past century
That Very Witch
That Very Witch explores the cyclical rise and fall of the cinematic witch in American culture and her relationship to feminist movements over time.Through historical analysis and dozens of case studies, Payton McCarty-Simas demonstrates how the cinematic witch's evolution across decades reflects major shifts in how feminism is perceived politically and interpreted (counter-)culturally in America. From Mia Farrow to the Moral Majority, from the Satanic Panic to Riot Grrrl, from #MeToo to the 2024 election, the witch can be found at the heart of the zeitgeist. What can we learn from her presence?
Feng Xiaogang's New Year Films
This book offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s.
Japanese Cinema and Punk
In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan's film industry. Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shin'ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson's Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japan's punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.
Sick and Dirty
Longlisted for the National Book Critics Circle Award, NonfictionAN ALLSTORA'S QUEER HISTORY 101 BOOK CLUB PICK "An absorbing landmark of film criticism." --The Chicago Tribune, "The 10 Best Books of the Year" A blazingly original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code. From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included "any inference" of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood's censorship regime, lambasting many midcentury films as the bigoted products of a "celluloid closet." But there is more to these movies than meets the eye. In this insightful, wildly entertaining book, cinema historian Michael Koresky finds new meaning in "problematic" classics of the Code era like Hitchcock's Rope, Minnelli's Tea and Sympathy, and-bookending the period and anchoring Koresky's narrative-William Wyler's two adaptations of The Children's Hour, Lillian Hellman's provocative hit play about a pair of schoolteachers accused of lesbianism. Lifting up the underappreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant inquiry, Sick and Dirty reveals the "bad seeds" of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents' bids to silence it.
Globalized Queerness
Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.
Uncanny Landscapes in 21st Century British Cinema
A consideration of how some recent British films are defined by their atmospheres of unease, which grow out of a bold and distinctive treatment of landscape. An uncertain tendency in recent British cinema has been to conjure atmospheres of eerie unease, depicting landscapes through which lost figures wander. The films of, among others, Andrea Arnold, Clio Barnard, Paddy Considine, Shane Meadows and Ben Wheatley play out against these landscapes, which are formed of abandoned sites that are neither rural nor urban, but somewhere in between. These liminal spaces are disorientating enclosures from which the viewer infers something malign: the pestilence in the ditch. These contaminated metaphysical spaces are travelled by the films' characters and viewers alike.
When the Carry on Stopped
Uncover the turbulent transition of the Carry On series and its stars during the 1960s.When the Carry On Stopped looks at how the Carry On film series made its painful transition from one film company, Anglo-Amalgamated, to another, the Rank Organisation. In examining this little-known but fascinating story, the growth of Anglo-Amalgamated is highlighted through the success of its owners, partners Stuart Levy and Nat Cohen. Levy's sudden death in 1966 encouraged Cohen to ditch the Carry Ons in favour of more prestigious feature films.Without a film distributor, the series' producer Peter Rogers, was forced to search for another, eventually finding the series a new home at Rank. However, Rank was unwilling to endorse the work of a rival and so dropped the 'Carry On' title. The Carry On series looked doomed.When the Carry On Stopped also sheds new light on the careers of the Carry On stars at this critical time. We learn of Barbara Windsor's involvement in the stage disaster Twang!!, of Jim Dale's stage success, Sid James' first heart attack and Charles Hawtrey losing his mother. The book calls out the fat shaming of Joan Sims as one of the many injustices shown to her by the producer.This is essential reading for Carry On fans and those interested in the machinations of the British entertainment industry in the 1960's.
The Real Pink Panther
Unveils the untold story of the iconic franchise, exploring its origins, secrets, and the complex legacy of Peter Sellers.The Pink Panther series is one of the most enduring and financially successful franchises in movie history, beginning with 1963's The Pink Panther, which introduced audiences to the iconic Inspector Clouseau, unforgettably played by Peter Sellers.Drawing on previously unseen material and 'exclusive' interviews with stars of the films and crew members, along with friends and colleagues of Peter Sellers, Robert Sellers presents, for the very first time, the untold story and some of the secrets behind the Pink Panther films.The original Pink Panther movie proved popular enough to spawn eight sequels. The films also inspired a popular animated TV series based on the pink panther cartoon character that appeared in the film's credit sequences. There were also spin-off toys, games, clothes, even breakfast cereal. In the 2000s, comedy legend Steve Martin twice stepped into the role of Inspector Clouseau.But behind the laughs, there was madness and darkness, and at the series' heart was one of cinema's most tragic figures: Peter Sellers. A comedic genius, Sellers could be temperamental, unprofessional, and unpredictable. Add to that a heart problem Sellers feared could kill him at any moment.This book reveals many of the Pink Panther's secrets for the first time, shining a spotlight behind the scenes at the making of some of the most beloved comedies of all time, and the extraordinary personalities that brought them to life.
Monsters vs. Patriarchy
Across the globe, the violent effects of patriarchy are manifest. Women, trans people, gender-nonconforming people, and the racialized Other are regularly subjected to physical danger, beginning with the denial of vitally important health care, and, in its most horrific form, rape, trafficking, and murder. Monsters vs. Patriarchy links these real-world horrors to the monstrification and dehumanization of people as expressed in contemporary global cinema. This monstrification has been achieved through a toxic imagination attributed to women, a trait that historically referred to the power of women to negatively affect others, including their own children in the womb, with only the use of their imagination. This process reflects the misogynist and racist world in which we live, where female bodies, people of color, and alternative identities represent a threat to patriarchal power. Monsters vs. Patriarchy examines female monstrosity as it appears in horror films from around the world and considers specific political, scientific, and historical contexts to better understand how we construct and reconstruct monstrosity, using an intersectional approach to examine the imposition of gender and racial hierarchies that support national power structures. The authors contend that monstrous female cinematic subjects, including ghosts, witches, cannibals, and posthuman beings, are becoming empowered, using the tools of their monstrification to smash the colonial, white supremacist, and misogynist structures that created them.
The Creative Producing Handbook
Written by the head of physical production at New Line Cinema, The Creative Producing Handbook: An Insider's Guide to Production provides a detailed overview of creative film production and what it takes to make it as a producer or executive in today's industry.
Virtual Production
This book, written by industry experts, provides a comprehensive understanding of virtual production processes, concepts, and technology - helping readers get to grips with this nascent technology.
Marketing for Microbudget Films
In Marketing for Microbudget Films, feature film director, producer and educator Nick Smith shares a combination of blockbuster and indie techniques for targeting a dedicated audience. Smith provides hands-on suggestions for strategies designed to match a variety of genres, territories and viewer tastes.
Marleen Gorris
Dutch director Marleen Gorris is known chiefly for two films: A Question of Silence (1982), her fiercely feminist first film, in which three women meet by chance in a women's clothing boutique and ritually murder its male owner; and Antonia's Line (1995), her fourth film and winner of the 1996 Oscar for Best Foreign Language Film, which traces four generations of Antonia's female 'line' in the matriarchal community she establishes in postwar rural Holland. Both have been extensively discussed, though rarely together, and appear on university syllabuses. Her second Dutch language film, Broken Mirrors (1984), and her five films in English, however, have received far less, and in some cases no critical attention. Using feminist reformulations of ideas of vulnerability and resistance, this first book-length study of her films examines their revisionings of narrative, time and space, and the possibilities they present of other narratives, other subjectivities and other relationships.
Be the Bombshell
Date better, raise your standards, and learn to be true to yourself with these heartfelt lessons from the Villa. "Can I pull you for a chat?" "Where's your head at?" "Maybe we should call it the 'friendship island'?" "Do I put all my eggs in one basket?" "Am I a mug?" These are the questions that plague the Love Islanders competing for love in their sun-soaked villa--and those of us in the trenches of modern dating. They share the dilemmas that keep us up at night as we swipe, text, and ghost our way to finding a romantic spark. The #1 hit reality TV dating show does more than offer riveting poolside drama, genuinely touching romances (and bromances), and hours of contestants in bikinis having the most mundane conversations on the terrace. It provides an unvarnished portrait of dating, with plenty to say about love, self-worth, and putting yourself back together after a brutal recoupling. Be the Bombshell is a cheeky, laugh-out-loud playbook to navigating singlehood by embracing the absolute ten-out-of-ten, proper fit, total bombshell that you are. Feeling awkward about approaching people in public? Here's how to pull someone for a chat. Overcome by an "ick?" Maybe you just need to move beyond your "type on paper." Recently been pied--or dumped? Invest in yourself before choosing to go out there again. In this unofficial title, Rebecca Jennings takes the most iconic and unforgettable moments from Love Island to remind us dating should be fun--not just tolerable. A witty love letter to Love Island superfans, hopeless romantics, and serial swipers, Be the Bombshell will teach you to demand what you want unapologetically and to tell the difference between what's worth the compromise and what's settling for less than you deserve. Your very own group chat to the best, worst, and weirdest parts of dating, Be the Bombshell steers you through the highs, lows, and the DMs you probably shouldn't send. Are you ready? A hot new bombshell has entered the Villa! This book is not authorized, sponsored, or affiliated with the television show Love Island.
Backstage at the Dean Martin Show
This book lets you peek behind teh curtians at all the fun, friendship, a nd occasional star tantrums that went inot making this top-rated variety program.
A Chronology of Film
A Chronology of Film presents a fresh perspective on the medium by taking a purely chronological approach to its history, tracing the complex links between technical innovations, social changes, and artistic interventions.Organized around a central timeline that charts the development of film from the earliest moving images to present-day blockbusters, it features key films, together with commentaries and contextual information about the social, political, and cultural events of the period in which they were produced. Special feature spreads highlight important technical developments and key practitioners. Covering a wide selection of genres, styles, and directors, this Chronology is invaluable as a comprehensive guide to film in all its different forms.
Hopeful Vision
This monograph recuperates the concept of entertainment as a legitimate basis for 'small screen' criticism. It suggests that critical approaches to television might treat the text as an object of potential which actively engages and provides for aesthetic experience through entertainment. Aesthetic experience is characterised by emotion, and this study shows how the textual production of specifically forward feelings such as anticipation, aspiration, fear or dread may be mobilised and made sense of, shaping our sense of the future and its objects of hope. The argument is demonstrated by case studies arranged from 'light' to 'dark' in tone - as varied as Eurovision and Succession, The Repair Shop and The Leftovers - showing how these provide potentially significant, affecting encounters that are 'hopeful' in varying degrees and guises. Hope is adopted both as a theme of analysis and as a critical strategy of interpretation which privileges entertainment efficacy, and thus moves towards a more viewer-centric appreciation of cultural value.
Production Management on Location
This book is your essential companion for mastering the complexities of international documentary production. Written by an experienced production manager who has spent years on location, this book offers a rare, hands-on look at the realities of producing unscripted documentaries in diverse global settings.
Marleen Gorris
Dutch director Marleen Gorris is known chiefly for two films: A Question of Silence (1982), her fiercely feminist first film, in which three women meet by chance in a women's clothing boutique and ritually murder its male owner; and Antonia's Line (1995), her fourth film and winner of the 1996 Oscar for Best Foreign Language Film, which traces four generations of Antonia's female 'line' in the matriarchal community she establishes in postwar rural Holland. Both have been extensively discussed, though rarely together, and appear on university syllabuses. Her second Dutch language film, Broken Mirrors (1984), and her five films in English, however, have received far less, and in some cases no critical attention. Using feminist reformulations of ideas of vulnerability and resistance, this first book-length study of her films examines their revisionings of narrative, time and space, and the possibilities they present of other narratives, other subjectivities and other relationships.
How to Make a Movie
How to Make a Movie is a comprehensive guide for aspiring filmmakers, offering step-by-step instructions and expert advice on every aspect of the filmmaking process. Whether you're just starting out or looking to refine your skills, this book provides the essential tools, techniques, and insights you need to bring your cinematic vision to life. From developing your initial story concept to navigating the complexities of post-production and distribution, How to Make a Movie covers it all.The journey begins with an introduction to the basics of filmmaking, exploring the different roles involved, the various phases of production, and the essential equipment required. You'll also learn how to make a movie on a budget, making this guide accessible to filmmakers at all levels. The book then delves into the importance of story development, guiding you through the process of writing a compelling screenplay, creating engaging characters, and crafting authentic dialogue.As you move forward, How to Make a Movie helps you plan your film with chapters on storyboarding, budgeting, casting, and location scouting. You'll discover how to assemble a talented team, from working with a producer and cinematographer to building a collaborative environment on set. The book provides essential tips on pre-production, ensuring you're prepared for the challenges of directing your film, managing the cinematography and lighting, and capturing high-quality sound.In the post-production phase, How to Make a Movie guides you through the editing process, from organizing footage to adding visual effects and color grading. The book also covers marketing and distribution, offering strategies for building an online presence, designing promotional materials, and navigating film festivals. Additionally, you'll find valuable insights on independent filmmaking, including tips on crowdfunding and collaborating with other indie filmmakers.Finally, the book encourages you to evolve as a filmmaker by learning from your experiences, experimenting with new genres, and building a strong filmmaking portfolio. How to Make a Movie concludes with practical advice for staying inspired and creative in the ever-changing world of filmmaking, making it an indispensable resource for anyone passionate about bringing stories to the screen.
Paul Newman
One of America's most iconic stars, seen through the lens of six top celebrity photographers: Terry O'Neill, Eva Sereny, Al Satterwhite, Lawrence Fried, Milton Greene, and Douglas Kirkland. "Who doesn't know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know." -- Parade Magazine "Newman's preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." -- Peter Sheridan, Daily Express "Hollywood Hunk Paul Newman as you've never seen him before." -- Yahoo! News "Paired with raw and unvarnished commentary from the photographers themselves, Newman's incomparable authenticity and appealing persona bleed through each page."-- Newsweek Once, when asked how he'd like to be remembered, Paul Newman replied: "I'd like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences' connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O'Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman's movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography -- including never before seen images -- in a celebration of an actor who was always... cool. Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman's work and in his life a true hero.
At Large: Behind the Camera with Brian Large
Behind the scenes with the man responsible for filming some of the greatest classical music performances in television historyA captivating and lively memoir of a life shaped by music, At Large--Behind the Camera with Brian Large begins in the ruins of war-torn London and from there takes the reader on a riveting odyssey around the globe. Through his camera lens, Brian Large (born 1937) immortalized historical performances of the most renowned singers, dancers and musicians of the past half-century, bringing the magic of live presentations into the homes of millions. In this engaging bildungsroman, Large recounts his career with wisdom, warmth and wit, presenting intimate and revelatory glimpses of an astounding cast of characters featuring Luciano Pavarotti, Mirella Freni, Pl獺cido Domingo, Leonard Bernstein, Marilyn Horne, Igor Stravinsky, Leontyne Price, Carlos Kleiber, Birgit Nilsson, Georg Solti, Cecilia Bartoli, Benjamin Britten, Queen Elizabeth II and Frank Zappa.Originally a concert pianist, Large switched careers, joined BBCTV2 at its founding and continued to push the boundaries of what television could achieve by capturing the immediacy and emotion of the moment for viewers everywhere. His groundbreaking work includes award-winning productions such as the Centenary Ring at Bayreuth, the original Three Tenors from the Baths of Caracalla, the live broadcast of Tosca from Rome's historic sites and two decades of directing the Vienna Philharmonic's beloved New Year's Concerts. Written in collaboration with Jane Scovell, whose previous works include biographies with Elizabeth Taylor and Ginger Rogers, and a definitive biography of Oona O'Neill Chaplin, this memoir, with a foreword by Ren矇e Fleming, is a must-read for music lovers and those interested in the history of video technology.
God and the Devil
"Immensely insightful." The Guardian"A commanding portrait." Total Film "Indispensable . . . rich, engaging, thorough." Sight & Sound The first biography of Bergman in 40 years, containing exclusive extracts from workbooks and letters. 'Bergman's films stand alone as beacons in film history.' Wim Wenders A chronicle of the life and career of one of film's defining figures, God and the Devil draws on exclusive extracts from Bergman's diaries, letters and production workbooks. Peter Cowie brings us close to the man and the artist, as he wrestled with themes of love, sex and betrayal - with the figure of Death always hovering overhead.
Global London on Screen
Global London on screen presents a m矇lange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious, or extraordinary in terms of circumstances as captured cinematically in this superdiverse city. This book portrays a segment of such superdiversity by historicising and theorising various cinematic reproductions of London by filmmakers coming to this megacity from abroad. As visitors, cosmopolitans, or even migrant filmmakers, their treatment of London's zonal locations as both foreign and familiar is fascinating; their narratives and visualisations of London's spatial and architectural uniqueness is given a sojourners' touch; while other foreign filmmakers showcase and sometimes problematise London's socio-cultural globality and locality as both British and a city open (and sometimes closed off) to the world.
Developing 007
Since his debut on the paperback rack in 1953, Ian Fleming's James Bond 007 has become a staple of pop culture. However, fans of the films far outnumber readers of Fleming's original novels, which is a shame. If you've ever wondered how closely the films followed the books they are based on, this is the tome for you as it charts the writing process of the novels and the screenplays based upon them. In the books, you'll see Bond save London from the Moonraker rocket, battle a giant squid on the island of Dr. No, and take down the diamond-smuggling Spangled Mob outside of Las Vegas. In discarded screenplays, you'll see 007 trail Hugo Drax to Loch Ness, team with Goldfinger's twin brother to take down Blofeld, and become a SPECTRE double agent. Lastly, in addition to EON's classic productions beginning with Dr. No (1962), this book also charts the history of forgotten outliers like the 1954 Climax! live TV episode devoted to Casino Royale along with the 1967 big budget spoof starring Peter Sellers and David Niven.
Television/Death
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead. Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama. Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma. Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds' and images' propensity to 'bring back the dead'. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
East Asian Film Remakes
This wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field.
Iconoclasm in European Cinema
Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image's ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can encourage an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.
Film Regulation in a Cultural Context
This book examines a sampling of cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irre穫versible, Ken Park, The Brown Bunny, Wolf Creek, and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within the institutions of formal film censorship in Britain, Canada, and Australia. Parallels and distinctions are drawn between governmental film regulation policies in these countries and social control mechanisms at work within a wider network of institutions, including news media, film festivals, and advocacy groups. The study examines the means by, and ends to, which the social control of film content persists in the "post-censorship" media landscape of Britain, Canada, Australia, and the United States, and how concepts of film "classification" manifest in commercial market contexts, journalistic criticism, and practices of distribution and advertising.
Hong Kong Crime Films
Hong Kong Crime Films is the first book detailing the post-war history of the genre before the release of John Woo's A Better Tomorrow (1986), the film that put Hong Kong action-crime on the global map. Focusing on what it calls the mode of 'criminal realism' in the crime film, the book shows how depictions of Hong Kong's social reality (including crime) were for decades anxiously policed by colonial censors, and how crime films tended (and still tend) to confound and transgress critical definitions of realism. Drawing on extensive archival research, Hong Kong Crime Films covers several neglected topics in the study of Hong Kong cinema, such as the evolving generic landscape of the crime film prior to the 1980s, the influence of colonial film censorship on the genre, and the prominence and contestation of "realism" in the local history of the crime film.
Vampires in Silent Cinema
Despite the enormous cultural impact of Nosferatu (1922) on modern entertainment, the history of vampires in silent film is largely unknown. Vampires in Silent Cinema covers the subject from 1896-1931, reclaiming a large array of forgotten films from countries ranging from the United States and France to Hungary and Russia. Drawing on thousands of primary sources, Rhodes explores vampirism in all of its manifestations, from the supernatural undead to the natural vamp.
Film Style in Indonesian Cinema, 1998-2018
Film Style in Indonesian Cinema, 1998-2018 investigates the role of film style during the rebirth of Indonesian cinema following the collapse of General Suharto's New Order regime. Purnama argues that the renewal of Indonesian cinema was influenced by filmmakers who revamped the cinematic images of Indonesian film by foregrounding visual stylisation using cinematography and production design techniques. They transformed the aesthetic of Indonesian film to become stylistically complex with a pronounced degree of visual sophistication, offering local audiences pictorially appealing and engaging cinematic experiences.Through a close analysis of lighting, production design, and camera movement in contemporary films such as Sang Pencerah, Laskar Pelangi, and The Raid: Redemption, Purnama highlights the significance of film style and the art of film-making to the cinematographers and production designers who revitalised Indonesian cinema in the 21st Century.
Animals and Greek Cinema
This book offers a non-anthropocentric account of a national cinema. Drawing on cutting-edge developments in Animal (film) studies, the book gathers a wide range of species and genres to discuss the Greek cinematic animal. This en-tails recalibrating the readers'/viewers' gazes to include particular nonhumans, often displaced in the frame's margins. While acknowledging the cost paid in animal suffering for Greek cinema to rise, the book features instances of animal-human bonding. Combining close readings with interviews with directors, human actors, screenwriters, cinematographers, producers, special effects artists, and animal wranglers, this book proposes a paradigm of human-animal praxis, arguing that revisiting nonhuman images can lead to renewed ethical relations, and to less speciesist cinemas, film industries, and societies..
Save the Cat!(r) Writes Horror
"It's he-e-e-re"... the most heart-pounding, jump-out-of-your-seat, scream-worthy book in the Save the Cat! series.Veteran horror screenwriter and novelist Jamie Nash leads us into the shadows of Blake Snyder's legendary Monster in the House genre--and sheds light over the secrets to crafting truly terrifying tales.Save the Cat! Writes Horror is your guide to writing and delivering blood-chilling films and novels using the world's most successful storytelling method, including: - A deep dive into horror's core ingredients--Monster, House, and Sin--with subtypes, examples, and tools to help you design your own uniquely terrifying tale- The mad science of turning Save the Cat!'s 15 beats into a horror story that builds tension, sharpens scares, and leaves your audience squirming- How to balance Scares, Gross-outs, and Dread to torment your audience just right- Why knowing your horror's heartbeat--Slow Burn vs. Relentless--changes everything- How to use the Dread-O-Meter to engineer terrifying scenes with precision- How to build memorable horror characters--from first-to-die victims to final girls and guys--while exploring how their flaws, choices, and arcs mirror deeper fears and social truths- Plus: real case studies, scarecraft tools, career advice, and a deep dive into what makes the genre tick (and bleed)Whether you're a screenwriter, novelist, or seasoned horrorhound, Save the Cat! Writes Horror will help you write the kind of story that lingers long after the lights go out.
Archivability of Television
This anthology critically evaluates archives and archival processes that collect, order, and preserve elements of television as historically, culturally, socially, politically, and economically significant material. What do we know about how television moved from ephemeral broadcasts and mounds of paperwork documenting bureaucratic and creative processes to become historical material housed in archives? This book's guiding principles are to interrogate where television as historical material "lives" and to collect the stories of some ways television preservation has been and continues to be deeply circumstantial and idiosyncratic. Bringing together work by academics, archivists, and practitioners, the book offers insights into the archival processes that confer television programs with historical value. With a focus on television's archival spaces, the book contributes more broadly to theories, histories, and practices of archiving. Likewise, the theories and questions about archives provide insights into the specificities of the medium, the relations between technologies and culture, the political economy of the culture industries, and the minutiae of television's "place" in American society.
Shoot Like Wes
It's time to build your very own Wes Anderson world. Inspired by the distinctive vision of director Wes Anderson, Shoot Like Wes is packed with rich imagery and in-depth analysis of the auteur's remarkable body of work. This is the only guide you'll need to create your own cinematic masterpiece, transforming everyday scenes into vibrant, storytelling moments worthy of the big screen. Comprehensive and artful, Shoot Like Wes breaks down the techniques behind the iconic Wes Anderson films--from the God's-eye view in The Royal Tenenbaums to the low-angle in Fantastic Mr. Fox, and the symmetry used in The Grand Budapest Hotel. Each chapter focuses on a specific aspect of the Wes Anderson aesthetic and includes illustrated, step-by-step photography challenges for you to follow with your camera or smartphone. Chapter highlights include: Shooting at Magic HourDeep FocusHow to use Low-Angle Shots Framing Faces And much more! Discover the secrets of Wes's unique style and learn how to apply these techniques to your own photography, with suggested exercises to practice. Once you've been inspired by films, let Shoot Like Wes teach you the know-how to create your own whimsical world.
Gooey Media
The Graphic User Interface, or GUI, is the adhesive centre of today's screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated. However, it does not do so without leaving viscous traces, and Gooey Media: Screen Entertainment and the Graphic User Interface examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media.Focusing on aesthetics and adopting a media agnostic approach, Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era.
Secret Museums
When Arthur Lipsett's first film was nominated for an Academy Award in 1962, the event marked the arrival of an influential turn in cinema. The film's dark humour and dancing rhythms had captured the spirit of his times. When Lipsett committed suicide in 1986, the humour and joy of his work was eclipsed by that sardonic darkness. It all came to feel like an omen. Secret Museums is a study in the life and work of Canadian collage filmmaker Arthur Lipsett, whose struggles with mental illness have overshadowed his vital and innovative work. Author Stephen Broomer explores the spiritual themes and formal challenges posed by Lipsett's films and the artist's absurdist, comic, beatnik sensibility. As a critical biography, Secret Museums follows the trajectory of Lipsett's life through his years as a filmmaker (1960-1975) and after, with new interpretations and analysis of his eight completed films. In Secret Museums, Lipsett's films are recognized as riotous comedies that reflect the artist's resilience. It serves as a new interpretation of Lipsett and his films, positioning him as both a visionary force and a holy fool, illuminating fresh pathways through his work that reflect his understandings of his sources and his world.
Welcome to the O.C.
"A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV." --Town & CountryWelcome to the O.C., b*tch: it's the definitive oral history of beloved TV show The O.C., from the show's creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today. On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino--he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth's dream girl and Marissa's loyal--and fearless--best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country.Just in time for the show's twentieth anniversary, The O.C.'s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With Rolling Stone's chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened, Welcome to the O.C. will offer the definitive inside look at the beloved show--a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu.The O.C. paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it's time to go back where we started from and experience it all over again. Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more! This comprehensive oral history goes beyond the screen to reveal the full story: Unfiltered Cast and Crew Interviews: Hear directly from Ben McKenzie, Mischa Barton, Adam Brody, Rachel Bilson, and creators Josh Schwartz and Stephanie Savage as they share candid memories of overnight fame, on-set dynamics, and the moments that defined their careers.Behind-the-Scenes Secrets: Discover the real stories behind the casting shake-ups, creator clashes with the network, and the creative decisions that shaped all four seasons of the iconic show.Anatomy of a Pop Culture Phenomenon: Trace the show's journey from a risky idea to a global sensation that influenced music, fashion, and an entire generation of television.A 20th Anniversary Celebration: Packed with nostalgic details, this is the definitive companion for original fans and new viewers, commemorating two decades of Chrismukkah, Captain Oats, and California dreams.
