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Russ Meyer
Russ Meyer: Interviews offers a detailed look into the mind, life, and successful career of the maverick filmmaker Russ Meyer. Known for his audacious visual style and boundary-pushing content, Meyer (1922-2004) carved out a unique niche in the film industry with his provocative and often controversial works, including Faster, Pussycat! Kill! Kill!; Beyond the Valley of the Dolls; and Vixen! In this volume, Meyer talks over the course of eighteen newspaper and magazine interviews--conducted between the late 1960s and early 1990s--about assignments in still- and motion-picture combat photography during World War II, learning all aspects of the filmmaking craft when he was shooting industrial films after the war, later stumbling into the business of photographing pin-up girls for magazines, and how that segued into his first forays in what would become the sexploitation movie market. Working with small budgets and small crews, Meyer became a skilled director and pitchman for his own work, hitting the road with reels of film in his car, going from town to town, getting them shown in small moviehouses, building an audience, making big profits, then using them to make his next film. The films were expertly photographed, inventively edited, and featured intriguing (and violent, carnal, and funny) storylines, and ticket sales numbers eventually caught the eyes of the Hollywood studio system, for which Meyer briefly worked, before once again striking out on his own with ever-more violent, sexual, and cartoonish features. Meyer made fortunes, he lost fortunes, then he made them again, and he was always game for getting involved in controversy, which was easy due to the content of his films. After his final theatrical feature--Beneath the Valley of the Ultra-Vixens--in 1979, Meyer reinvented himself as an entrepreneur by making his films available on the burgeoning home video market, leaving him a celebrated and very wealthy man.
The Afterlife of Palestinian Images
The Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Additional video content for this book is available through the SN More Media App.
Zoinks!
This is Zoinks!, the critically-acclaimed book all about Scooby-Doo by acclaimed folklorist and podcaster Mark Norman. Recognised internationally for his expertise in folklore and known by many for his Folklore Podcast, Mark is the perfect guide for a tour through the myths and legends that have inspired the iconic cartoon.For over half a century, a gang of teens - Fred, Daphne, Velma, Shaggy - and their dog, Scooby, have captivated audiences with their super-natural sleuthing, operated under the banner of their company Mystery Incorporated. Yet the stories that have inspired the gang's adventures are often much, much older. In this book, Mark Norman extensively explores the various myths and legends that the show's writers have drawn on to deliver the wealth of memorable villains we've seen over the years. With insights from a number of these writers as well as producers and other contributors, we learn how real-world folklore has influenced the show's portrayals of ghosts, witches, monsters, and more.The combination of both popular culture and the author's extensive knowledge of the kind of tales whispered about on dark nights is not only hugely entertaining but also utterly fascinating and will appeal to fans of the cartoon as well as anyone with an interest in the strange, the odd, the perplexing and the paranormal.
Show and Biz: The Market Economy in TV Series and Popular Culture(2000-2020)
How is capitalism represented in popular culture today? Are profits seen as a legitimate reward of entrepreneurship? Are thrift and effort still considered a cornerstone of a healthy society? Or is it that inequalities are eliciting scandal and reproach? How is the ecosystem portrayed, vis-?-vis profit seeking companies? Are they irreconcilable, or maybe not? Are there any established trends with respect to the presentation of entrepreneurship, and that complex legal artefact that is the modern limited liability company? These are questions that will be at the core of this book. But they are not examined through the usual theoretical point of references, but looking at TV series produced in 2000-2020. Each chapter of this book is a case studies, covering some of the most popular, successful and engaging TV shows of the last 20 years. And showing how deep economic ideas and biases lie, at the roots of some of our times' most successful entertainment products.
Decoding Disney’s Arab and Muslim Narratives
This book examines the depiction of Arabs and Muslims in Disney animated films through innovative mixed-methods analyses. The authors provide key insights for scholars and media professionals by demonstrating how biased representations influence public perceptions.
The New Russian Documentary
Over the last three decades, Russian filmmakers and audiences have engaged with documentary cinema with an intensity unseen since the 1920s, when Soviet documentarians helped pioneer the mode. What started as a trickle of artistically minded films in the 1990s, expanded in the 2000s to include a broad range of works, chief among them films seeking to re-evaluate the country's past and take stock of its present. This efflorescence went hand in hand with the creation of new institutions--film schools, festivals, and online platforms. The rise of YouTube, in particular, helped propel documentary into the cultural mainstream. Russia's invasion of Ukraine on 24 February 2022 and the Kremlin's subsequent crackdown on independent media put an end to all this. The New Russian Documentary thus seeks to introduce readers to the key figures, institutions, and practices involved in this vibrant, if ultimately doomed, oppositionary movement.
Theology, Religion, and The Office
This book explores the profound and enduring impact of The Office, and delves beyond its humor to uncover deeper philosophical, religious, and theological insights. It will be a compelling read for academics interested in the intersections of religion, theology, and popular culture.
The Vatican to Vegas
A guided tour through the nuanced politics of architectural illusion, The Vatican to Vegas takes the reader from lavish Baroque fantasies of the seventeenth century to the Electronic Baroque of today. The >scripted spacesThe Vatican To Vegas has emerged as a classic across many fields, from media and architecture, to the fine arts and urban planning. Its timing was ironic: Klein assumed in 2004 that the future of scripted illusion was about to radically shift. This new edition brings the ironic story up to the present, and into the digitally overwhelmed >scripted spaces
Return of the Western
Transmitting the crisis that Frederick Jackson Turner and Theodore Roosevelt feared when the frontier closed, the Western has returned to reveal a cultural watershed at work in twenty-first century America, revitalized with horror, terror and the peccant. Darkened and dystopic, contemporary Westerns point to a national bankruptcy, upending the notion that regenerative, civilizing impulses direct nation-building. Exploring films like Open Range (2003), Yahşi Batı (2010), The Keeping Room (2015), Little Woods (2018), and First Cow (2019), as well as television series like Justified (2010-1015), Longmire (2012-2017), Westworld (2016-2022), and Yellowstone (2020 -), this thought-provoking collection examines re-constituted masculinities, feminine re-fashioning and new directions in Western filmmaking. Covering a wide range of aesthetic and thematic concerns, Return of the Western: Refracting Genre, Representing Gender in the Twenty-First Century reminds us how deeply this versatile genre is grounded in the American psyche.
Girls' Hairstories
Why have dynamic and shifting hairstyles, from Katniss Everdeen's Power Plait to JoJo Siwa's outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, this book shows how across different cultural levels and aimed at different audiences, girls' hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.
Race- Nation and Cultural Power in Film Adaptation
In Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures. A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies' rejection of 'fidelity criticism' to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves.
Refocus: The Films of Kim Ki-Young
World-renowned South Korean directors, including Park Chan-wook and Bong Joon Ho, cite Kim Ki-young as being the greatest Korean influence on their work. During his thirty year career, Kim Ki-young produced thirty-three films and became revered by critics within the national and international community as one of the few South Korean 'auteurs'. As the first comprehensive scholarly volume on Kim Ki-young in English, ReFocus: The Films of Kim Ki-young covers his entire career and history of cinematic work, highlighting the thematic and stylistic singularity of Kim's oeuvre, which was produced relative to the specific historical and cultural conditions of post-war South Korea. It offers an innovative departure point from which to explore South Korean film relative to the wider history of world cinema, in addition to situating Kim's work within the broader fields of Korean modern history, transnational cinema and cultural studies.
Refocus: The Films of Jane Campion
Jane Campion's work shines a spotlight on gender relations, often through complex female characters and an innovative approach to the screen representation of women functioning at the edges of society. Campion is vocal about the under-representation of women in the film industry more generally, though her commitment to the notion of feminism is tempered by an ambivalence towards the term. Despite this ambiguity, Campion's continued focus on women merits an exploration of her work through a feminist lens particularly in the wake of #MeToo, which has had a wide-ranging impact on the film industry.
Silicon Valley Cinema
Silicon Valley corporations now dominate our daily lives to the extent that many of us now question their ability to determine the direction of human life in the twenty-first century. The 2010s saw Hollywood filmmakers engaging in this very debate. Through a sequence of films ranging from biopics of key Silicon Valley leaders to science fiction action films and whimsical workplace comedies, Hollywood films probed Silicon Valley's impact on our past, present, and future. Silicon Valley Cinema analyses these films, arguing that they seek to encourage scepticism about our Silicon Valley overlords and have us step back from our immersion in Silicon Valley's world. Doing so, they suggest, might make our working lives more pleasurable, our world a better place, and might even help us avoid a war with genetically enhanced apes or avert a robot-led apocalypse.
Stars, Fan Magazines and Audiences
Stars, Fan Magazines and Audiences focuses on movie magazines, publications first produced in 1911 for movie fans in the United States, but soon reaching movie fans on a global scale. Bringing together scholars from different disciplinary and international contexts, this collection considers fan magazines as objects of material and visual history. The designer's toolkit aided movie magazines in seducing their readers, with visual elements, such as fonts, photographs, and illustrations, plied across both editorial content and advertisements. In this way, each issue was subtly designed to stir desire in readers and moviegoers alike. By focusing on the visual aspects of fan magazines, a key pleasure for readers, this collection provides detailed examples of how visual elements engendered aspiration and longing, thus putting the visual contents of the fan magazines at the heart of every chapter.
The Films of Aleksandr Rou
More than half a century after his death, Soviet filmmaker Aleksandr Rou remains a cinematic icon across Russia and other countries of the former Soviet Union and Eastern Europe. Dubbed 'King of the Fairy Tales' and 'The Main Storyteller of the Country', Rou revolutionized Soviet fantasy and fairy-tale cinema during a remarkable directorial career spanning from 1938 to 1972. Deftly navigating the shifting ideological landscapes of the Stalin, Khrushchev and Brezhnev eras, Rou created an idiosyncratic succession of weird, witty and wonderful films that celebrated and perpetuated the nation's folkloric traditions while constantly refreshing them for new generations of appreciative young audiences. In English-speaking countries, by contrast, Rou's films remain relatively little known. With streaming platforms now increasing their accessibility to western viewers, this book provides a timely introduction to his unique and exhilarating blend of mirth and magic. 'This book takes us on a journey through the fairy-tale films of Alexander Rou, one of the Soviet Union's most prolific and inventive filmmakers of the genre. Deborah Allison's always engaging and enjoyable writing provides the cultural and technical contexts as she reveals the features that make up Rou's personal style, whilst also highlighting the narratives, actors and special effects in Rou's work. To put it in fairy-tale language: this is a beautifully woven carpet, whose intricate pattern emerges as we read and takes us on a flight into Rou's fairy-tale world.' -Birgit Beumers, Professor emerita in Film Studies, Aberystwyth University
Rewriting Television
Rewriting Television suggests that it is time for a radical overhaul of television studies. If we don't want to merely recycle the same old methods, approaches, and tropes for another twenty years, we need to consider major changes in why and how we do our work. This book offers a new model for doing television (or film or media) studies that can be taken up around the world. It synthesizes ideas from production studies, screenwriting studies, and the idea of "writing otherwise" to create a new way of studying television. It presents an entirely original approach to working with practitioner interviews that has never been seen before in film, television, or media studies. It then offers a series of original reflections on form, story, and voice and considers how these reflections could shape future writing in our discipline(s). Ultimately, this is a book of ideas. This book asks "what if?" This book is an opportunity to imagine differently.
Failed Masculinities
Satyajit Ray belonged to a category of filmmakers and artists from newly independent countries whose work was used to define 'national culture'. Failed Masculinities: The Men in Satyajit Ray's Films argues that a study of his films will give us a purchase on the moral trajectory of India in its first few decades of independence, particularly through examination of his male characters and their narratives. Films discussed by Sanyal include the Apu Trilogy, Shakha Prasakha, Ghare Baire and Kapurush.
Contemporary Screen Ethics
Contemporary Screen Ethics focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Ranci癡re are joined by an array of different voices - Ferreira da Silva, Gill, Lugones, Milroy, Mu簽oz, Sheshadri-Crooks, Verg癡s - to unlock contemporary screen ethics.
Strangelove Country
D. Harlan Wilson's Strangelove Country is an original, dynamic study of Stanley Kubrick's relationship with science fiction that explores how the genre shaped his cinematic identity and how that identity reshaped the genre. Focusing on Kubrick's futurist trilogy-Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange-as well as his collaboration with Steven Spielberg on A.I. Artificial Intelligence, Wilson takes a unique approach that is at once scholarly and defiant of academic stodge. Specifically, he views the "Kubrickian consciousness" through the lens of schizoanalysis and filmosophy, methods of inquiry that he uses to probe how Kubrick's oeuvre forms a singular, autonomous, interstitial "filmind" distinct from the director, with its own manner of thinking, seeing, and being. Synthesizing film theory, critical analysis, and certain novelistic techniques, Wilson reaffirms Kubrick's status as one of the twentieth century's greatest auteurs while casting new light on the filmmaker's extraordinary contribution to the history of cinema.
Carnal Knowledge
Este libro es una colecci籀n de ensayos presentados en el Simposio de dos d穩as sobre Sexo y Sexualidad en el Cine y las Letras Hispanas que tendr穩a lugar en la Universidad de Pittsburgh en abril de 1991. Los invitados de honor fueron Gustavo Sainz, el director de cine Jos矇 Luis Borau y Manuel Puig, quien lamentablemente falleci籀 el a簽o anterior y a la memoria del cual este volumen est獺 dedicado. Los art穩culos recopilados aqu穩 representan un enfoque cr穩tico contempor獺neo del trabajo de muchos per穩odos diferentes, que van desde la 'Carta Jamaica' de Col籀n (1503) hasta ejemplos m獺s recientes y expl穩citos de narrativa y poes穩a. Estas nuevas visiones cr穩ticas comparten una visi籀n com繳n en el levantamiento de tab繳es y la relajaci籀n del decoro. This book is a collection of essays presented at the two day Symposium on Sex and Sexuality in Hispanic Film and Letters that would take place at the University of Pittsburgh in April 1991. The guests of honour were Gustavo Sainz, film director Jos矇 Luis Borau and Manuel Puig who unfortunately passed away the year prior and to whom this volume is dedicated. The papers compiled here represent a contemporary critical approach to the work of many different periods, ranging from Columbus's 'Carta Jamaica' (1503) to more recent and explicit examples of narrative and poetry. These new critical visions share a common vision in the lifting of taboos and the loosening of the stronghold of decorum.
Soho on Screen
Despite Soho's rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within post-war British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Ecrans
Contributeurs: Martine Beugnet, Remi Fontanel, Mary Harrod, Nedjma Moussaoui, Benjamin Thomas, Luc Vancheri, David Vasse, Valerie Vignaux, Ginette Vincendeau et Emma Wilson.
Where Is Abbas Kiarostami?
When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema--and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's artworld, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film-philosophy.
Slander!
A meditative, research-driven narrative dive into the history of Malayan filmmakingAn experimental novel intertwining 1950s Malayan film scripts and film narratives, a fictionalized autobiographic diary, film theory and more, Slander! brings voice to the culture of Southeast Asia's Hollywood counterpart.
An Atonal Cinema
This is a book about Palestinians elsewhere and Palestinian elsewheres. Articulating an ambiguous right to remain out-of-place as a spatialized response to the fossilized present, the films and filmmakers in this book examine Palestine, as a place and idea, from the dissonance of exile. An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestinetheorizes a transnational consciousness within contemporary Palestinian cinema as one which articulates an 'atonal' cinema, utilizing contrapuntal dialogue as a mode of resistance with which to respond critically to the 'place-myth' of Palestine in films produced within Palestine but without Palestinians. Drawing on a genealogy of Edward Said's atonal thinking of counterpoint, I argue that the films in this book display a 'double-consciousness', through which Palestine is simultaneously elided and re-inscribed in a contrapuntal dialogue between the 'here' of its contemporary reality and the 'elsewhere' of its historical image. An Atonal Cinema's radical approach includes cinematic texts from Europe, South America and Israel in its corpus, which have both triggered and been shaped by critical responses in contemporary Palestinian Cinema. Drawing on both literature and cinema, An Atonal Cinema draws on the work of Edward Said, Mahmoud Darwish, Jean Genet and Carlo Levi. Films by Pier Paolo Pasolini, Jean-Luc Godard, Menahem Golan and Miguel Litt穩n are read contrapuntally through contemporary responses from Ayreen Anastas, Basma Alsharif, Mohanad Yaqubi, Elia Suleiman and Kamal Aljafari.
Stand-up Comedy and Contemporary Feminisms
What are the barriers to women's participation in live comedy, and how are these barriers maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women. Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gr獺inne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.
The Metropolitan Police and the British Film Industry, 1919-1956
This groundbreaking book investigates the murky relationship between the Metropolitan Police Press Bureau and the British film industry, shedding new light on police-media relations. Beginning with the culture of suppression during the interwar period, when retired police inspectors were threatened with loss of pension should they become involved with the film industry, the relationship shifted when a forgotten pioneer of public relations, Percy Fearnley, was appointed to the role of Metropolitan Police Public Information Officer in 1945. Fearnley was the first-ever journalist to take up this role and, through him, the Metropolitan Police embarked on a series of collaborations with the highest echelons of postwar British cinema, including J. Arthur Rank, Ealing Studios and Gainsborough Studios. Using newly-declassified internal Metropolitan Police and Home Office correspondence, Alexander Charles Rock tells the story of the Metropolitan Police's project to manipulate the British film industry into producing propaganda under the guise of mainstream entertainment cinema. In doing so he offers a radical re-reading of the context of production of a number of canonical British films such as The Blue Lamp (1950), I Believe In You (1952) and Street Corner (1953).
Thai Cinema
One of the fastest growing and most internationally renowned cinemas in Southeast Asia is that of Thailand. In the first ever book devoted solely to this major centre of creative filmmaking, experts on contemporary and historic Thai film provide a timely overview and discussion of key films, directors and current movements in the region in a comprehensive encyclopaedia format. What many critics, analysts and scholars have retrospectively christened `New Thai Cinema' began to take shape in the late 1990s when national film moved away from its position as lower-class and provincial entertainment and became a firm fixture in Bangkok multiplexes and festivals worldwide. This book will provide information on the influential figures behind the films - up to and succeeding the 1997 watershed film Dang Bireley's and Young Gangsters that began the breakaway movement - as well as detailing and explaining the traditions of popular and art-house genres specific to Thailand. Featuring contributions on Thai visionaries such as Apichatpong Weerasethakul and Wisit Sasanatieng and providing rare insight into early Thai cinema, this is an essential scholarly guide to a vibrant aspect of Southeast Asian cinema - its history, industry and aesthetic trends - for scholars and students alike.
The History of German Literature on Film
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
Contemporary Art Cinema Culture in China
How do contemporary Chinese audiences access art cinema? What are the alternative channels for the distribution and exhibition of art cinema in China? How is Chinese art cinema changing with the booming of internet media and commodity culture in the 21st century? To answer these questions, Xiang Fan explores the dynamic networks of art cinema in China in the 21st century, highlighting the cultural practices of intermediaries such as independent programmers, internet critics, and fan translators. Offering insights gleaned from original ethnographic research, Fan reveals how these intermediary practitioners think about cinema, negotiate judgement and appreciation, construct a discourse of value and taste, and most importantly, constitute a coordinated and interrelated network for the sharing of art cinema. She argues that although their motivation was derived from a cinephilia seeking to forge an alternative mode of distribution and reception, the 'new' cinema culture they have produced simultaneously negotiates a subtly complicit relationship with authoritative and market forces. In doing so, she offers an original interdisciplinary perspective on contemporary art cinema culture in Chinese society.
Czechoslovak cinema Czech cinema
Czechoslovak cinema experienced a golden age in the 1960s, both in qualitative terms and in terms of international recognition, when it won two successive Oscars for Best Foreign Film and made the festival circuit with a bang and admiration that included awards and hype at Cannes. This phase began in the early 1960s and had a precise end; the day the Warsaw Pact tanks invaded the country, putting an end to the Prague Spring. From this moment on, some filmmakers remained in the country, filming in much more difficult conditions, while others, as is customary after an authoritarian coup, went into exile, mainly to Hollywood, where only Milos Forman managed to pursue a remarkable career. Ricardo Luiz de Souza works on Czechoslovak cinema, emphasising the 1960s, i.e. its golden age, but he also pays attention to films that were produced later and that sometimes managed to match the great films produced at the time.
Beyond Virtual Production
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia.
Stories In Motion
Transform Chaos into Cinematic Mastery with Stories in Motion: The Filmmaker EntrepreneurAre you a filmmaker struggling to balance creativity with the demands of running a business?Do you find yourself overwhelmed by budgets, crew management, and the endless logistics of production?Ever wonder how to navigate the chaos of filmmaking while staying true to your artistic vision?Leif is a young, ambitious filmmaker who thought he could survive in the industry on passion alone. Living in a cluttered apartment and juggling dreams with reality, He is all about the art of storytelling - until he's thrown into the uncharted waters of film production's business side. His journey is one of discovery, resilience, and transformation, revealing the harsh but exhilarating realities of being a filmmaker and an entrepreneur.Stories in Motion gives a raw and humorous account of the ups and downs of filmmaking, peeling back the layers of what it truly takes to bring a creative vision to life. And through Leif's experiences, you'll discover what it actually takes to not just survive but thrive in the demanding world of film.How to manage a film crew without losing your sanity...Master the art of pitching to investors, even with a limited budget...Strategies to navigate the constant chaos of film production...Insights into crowdfunding and securing funding for your dream project...Tested ways to balance creativity with practical business needs...The importance of a supportive network and collaboration...Inspiration from real-life examples of overcoming setbacks in filmmaking...It's time to embrace the journey, learn from the setbacks, and fuel your next project with the wisdom of those who've been in the trenches.
LEXX Unauthorized, Series 3
LEXX Unauthorized, Series 3 - It's Hot and It's Cold. The continuing story of Kai, an undead assassin, Zev, a combination of love slave and cluster lizard, Stanley Tweedle, a hapless security guard and 790, a robot head, careening through space together in the LEXX, a stolen, planet destroying, biological warship shaped like a dragonfly. The third series sees a radical reinvention of the show into a thirteen episode serial, as the LEXX falls into a stationary orbit between two warring planets, Fire and Water, which are really Heaven and Hell. Special Bonus - A behind the scenes look at the principal Creators and Stars of the show. LEXX was one of the strangest and most wildly surreal space operas ever conceived, owing as much to Luis Bunuel and Alejandro Jodorowsky as to to Star Trek and Star Wars. It was unique and unforgettable, mixing black comedy and absurdism with epic drama, and an astonishing visual sense. Backstage, the story of the creation of the series was even more extraordinary, a tale of regional Atlantic film makers, renegade artists, cult film makers, wild experimentation, Canadian cultural nationalism, German entrepreneurs, new computer generated imagery technologies and backstage chaos intersecting in wildly unpredictable ways, to create truly exotic images and stories. The product of years of research and dozens of interviews, this is a 'must buy' for any fan of the show itself or of science fiction movies television generally, and an eye opening insight into film and television production, especially Canadian and international productions.
Maverick Secrets
At a city-run Senior Center in San Antonio, a multicultural group of seniors is playing Texas Hold'Em poker and chatting. These casual friends have developed a habit to gather mornings to play cards before the Center's free lunch service begins. They overhear an old Western being broadcast on TV monitors from the nearby exercise area. They discuss how Westerns unconsciously influenced them as children to hold biased attitudes about cultural minorities, women's roles, and openly-carried firearms.Bonnie is a Jewish, divorced woman who moved to South Texas from back East and is fascinated by the contrasted cultures.Mashawn is a Black man, married guardian of his pre-teen grandson whose father is incarcerated. This Center is near his child's school.Valinda is a Black, single, wheelchair-bound diabetic woman, who in younger days danced on the TV show, Soul Train. Her daughter was shot to death by an abusive boyfriend. Keith, of Irish extraction, is native Texan, a married, retired military man. He became an expert card player in the service and also developed passions for gun ownership and game hunting.Lupe, a married Mexican-American woman, has lived with her family in Tejas for many generations, since the first migrations of Canary Islanders and Spaniards in the 1600s.Maverick Secrets. Decoding Early TV Westerns is a dramatic script developed by Catherine Lee, funded in 2024 with a Literary Arts grant to her as an Individual Artist from the City of San Antonio, Texas, Department of Arts & Culture. It is extensively notated and contains bibliographies of both Works Cited and Research Consulted for opinions expressed by the characters.
Organisations and environmental approaches
With the advent of market transformations and the emergence of new management models, organisations have realised the importance of the environmental aspect. Nowadays, the environmental degradation caused to the environment is no longer acceptable, after all, it is from the environment that the material inputs that become goods to be consumed are extracted. Therefore, it is inseparable that goods and services are possible to meet current needs, but at the same time, a compatible balance must be sought that allows future generations to also enjoy this right. Therefore, this work presents a brief perception of the environmental paradigm, within the studies carried out, and encourages discussions on the subject.
Hallyuwood
Ride the Korean wave (Hallyu) of cinema and explore the most exciting and captivating films in the world today. From smash hits like Parasite to cult favorites Oldboy, The Handmaiden, and Train to Busan, Korean cinema has revolutionized the film industry. Hallyuwood is a comprehensive, cultural dive into Korean cinema from 1900 to the present highlighting more than 100 major films from Golden Age classics to intriguing indies. Asian film expert and writer Bastian Meiresonne explores how Korean cinema found its roots and the cultural, historical, and political forces that have shaped the industry over the last 125 years. With vibrant film stills and original movies posters throughout, Hallyuwood is a celebration of the past, present, and future of Korean cinema and a gateway to everything you need to know about these unique and thrilling movies.
LEXX Unauthorized, Series 2
LEXX Unauthorized, Series 2 - The Light At the End of the Universe. LEXX, one of the strangest and most wildly surreal space operas ever conceived. In the second series, our intrepid crew travels from the Dark Zone back to the Light Universe, searching for a new home, or at least a good time, while in their wake a mysterious force is destroying the universe. Featuring detailed information on the production of both made and unmade episodes based on extensive interviews with cast and crew.
LEXX Unauthorized, Backstage at the Dark Zone
LEXX Unauthorized, Backstage at the Dark ZoneThe Story of Kai, an undead assassin; Zev, a combination of love slave and cluster lizard, Stanley Tweedle, a hapless security guard, and 790 a lovestruck robot head, careening through space together in the LEXX, a stolen planet-destroying biological warship shaped like a dragonfly.The strangest and most wildly surreal space opera ever conceived, owing as much to Bunuel and Jodorowsky as to Star Trek and Star wars. Unique and unforgettable, LEXX mixed black comedy and absurdism with epic drama and an astonishing visual sensibility. The product of years of research and dozens of interviews, LEXX Unauthorized is a 'must buy' for any fan of the show itself or of science fiction movies and television generally. It is an eye opening window into film and television production.
