Stop Screwing Around and Write a Screenplay that SELLS
All you need to know about writing a screenplay that sells. 12 short chapters reveal the secrets to writing a screenplay that stands above the competition and has the greatest chance of selling. Read this book and keep it by your side as you write your next screenplay. You'll avoid the pitfalls and problems that mark you as an amateur.
Organized Crime on Page and Screen
Thanks to writers like Mario Puzo, filmmakers like Francis Ford Coppola and Martin Scorsese, and actors like Al Pacino and James Gandolfini, American and Sicilian Mafia characters are well-known figures in contemporary popular culture. Other powerful organized crime groups appearing in popular media include the Neapolitan Camorra and Mexican drug cartels. This book takes a close look at all these examples of organized crime by examining the different ways these organizations and their members have been portrayed in many of our most popular novels, movies, and TV series, and how the gangster figure has evolved from its earliest depictions in a trio of Hollywood films in the 1930s up to the present day.
Democrazy in Spain: Cinema and New Forms of Social Life (1968-2008)
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM.The 2008 financial crisis prompted the most significant social protests since 1968 in the Middle East, Europe, and the United States. These protests generated not only social reform but also collaborative and affective affiliations, often seen through artistic and cultural materials. Taking Spain as a focal point, this book examines film production at both points in time, showing how it emerges from simultaneously divergent and comparable economic and political milieux. The book aims to recognize and celebrate the political responsibility exercised and expressed by a new generation of Spaniards deeply immersed in those protests. Through the convergences of two markedly significant periods in two separate centuries, filmmakers expose the deficiencies of Spain's democracy in 2008--the D MOCRAZY in the title, a slogan seen on a banner carried by the protesters--while creating a new sensibility and forms of social life that bring back the notions of community and the common good that had been forgotten in the midst of such a brittle environment.
New Hollywood and Countercultural Whiteness
In the late 1960s, the white counterculture enters the screens with Bonnie and Clyde and Easy Rider; in 1976, a backlash seems to have taken place with white male protagonists such as Travis Bickle, Howard Beale, and Rocky Balboa being surrounded by non-white and female others. But these films cannot be neatly identified as left-wing or right-wing, liberal or conservative; in their politics of affect, they rather express important affinities. This study proposes the New Hollywood as an entry point into a cultural history of the postwar era sensitive to the intersections of affect, race, and gender. Following a narrative that spreads from the immediate postwar years to the 1970s, the study examines how New Hollywood films were part of a discursive and affective reconfiguration of white masculinity: the emergence of a subject position of countercultural whiteness and its affective style of expressivity. Examining affective affinities between films of the era complicates the narrative of polarization that shapes commentary on the history of American politics, emphasizing instead the shared racialized and gendered politics of the white counterculture and those reactionary forces that allegedly lashed back against it.
Autobiographical Reenactment in French and Belgian Film
We live in 'reenactive times'. Recent decades have witnessed a marked proliferation of various forms of reenactment across numerous cultural contexts and domains to the point that it is today seemingly impossible to enter museums, heritage sites, art galleries or even to turn on the television without encountering at least some elements of this veritable boom. In such a way, reenactment has become a ubiquitous cultural means of representing, commemorating and investigating the past, called upon for a variety of reasons, by a variety of practitioners and with a variety of effects. By bringing the autobiographical work of four experimental filmmakers from France and Belgium - Chantal Akerman (1950-2015), Vincent Dieutre (1960-), Boris Lehman (1944-), Agn癡s Varda (1928-2019) - into dialogue, Autobiographical Reenactment in French and Belgian Film: Repetition, Memory, Self considers them in relation to this broad cultural shift and explores the various forms of 'autobiographical reenactment' that their films contain. In the work of these four filmmakers, autobiographical reenactment offers a radical and varied technique of self-investigation and self-representation that sustains often challenging engagements with identity, subjectivity, memory, knowledge, time, feeling, loss, truth, reality and history, whilst leading us to continually rethink our understanding of what autobiography can be and can do.Tom Cuthbertson is a Leverhulme Early Career Research Fellow in the School of Modern Languages at Newcastle University.
Starlost Unauthorized
THE GIANT EARTHSIP ARK, DRIFTING THROUGH DEEP SPACE OVER EIGHT HUNDRED YEARS INTO THE FAR FUTURE, ITS PASSENGERS DESCENDANTS OF THE LAST SURVIVORS OF THE DEAD PLANET EARTH, LOCKED IN SEPARATE WORLDS HEADING FOR DESTRUCTION... The Starlost (1973). The most controversial Sci Fi Television series ever made. It began with high hopes, created by Harlan Ellison with participation by such luminaries as Ben Bova and Ursula K. LeGuin, featuring special effects by 2001: A Space Odyssey's Doug Trumbull, starring 2001's Keir Dullea. Somehow it all went wrong, Harlan Ellison denounced his creation, and the series became legendary as "the worst ever!' But was it really? Produced in Canada, constrained physically and financially, the show began to reflect Canadian issues and sensibilities, at a time when Canada and Canadians were going through a national identity crisis, forming a nation, building a culture and confronting challenges from regionalism within, to the overwhelming presence of the United States without. What was Canada? What did it and its people stand for, and where were they going? The Starlost became a mirror of national concerns and preoccupations as the stars confronted alien and interlopers, industrialization, pollution, militarism, ethics and morality and ultimately humanity's place in the world. This extensively researched work, written with dry humor and deep insight, draws on interviews and correspondence with stars Robin Ward and Gay Rowan, series writer Norman Klenman, and features a comprehensive episode guide with detailed reviews encompassing behind the scenes information and thematic analysis, as well as a full section on the production process and making of the show. STARLOST UNAUTHORIZED is the most comprehensive and detailed work ever produced on this unique and controversial television series.
Inspector Morse
This is a reference book on the TV series Inspector Morse, comprised of 33 feature-length episodes between 1987 and 2000, starring John Thaw. The book contains all episodes in date order, complete cast lists, numerous photos, directorial credits, and a story synopsis for each entry.The series was based on novels by Colin Dexter. Aside from Thaw, regulars in the cast included Kevin Whately as Sergeant Lewis, and James Grout as Chief Superintendent Strange, Morse's superior. The 33 episodes were approximately 100 minutes long, with 20 minutes reserved for commercials. It was made by Zenith Productions for C.I.T., and initially shown on ITV.
Horror Films as an Allegory for Social Horrors
Since horror became a narrative genre, it has become impossible to dissociate it from real life. Every vampire, werewolf or monster hides an everyday fear. No wonder horror becomes more relevant and present in the arts in times of great social tension. In The Horror Films as Allegory for Social Horrors, the most striking productions of the 1950s, 1960s and 1970s are dissected, thus creating a panorama of the real fears experienced in those periods.
Isabelle Huppert, Modernist Performance
Isabelle Huppert's modernist performance style illustrated through detailed readings of key films, demonstrating her immense social impact. Isabelle Huppert's oeuvre constitutes perhaps the most significant feminist body of work to have emerged in the wake of the second wave of the women's movement, a period of intense social change. The emphasis on autonomy, or the "anti-victim," which comes to define Huppert's persona, is supported by a modernist style of performance. Huppert's refusal to surrender herself to the viewer through a character one fully knows disrupts the expectations of identification, inviting a distinctive approach to her characters. By creating a character informed by who she is, Huppert signals a process usually kept invisible. Huppert's performances invite an active form of critical reading, directing one to fill in gaps and consider the character in relation to the social world. The directors she works with welcome her collaboration; Huppert's performance, in conjunction with the mise-en-sc癡ne, generic conventions, and the film in its totality, creates the "meaning" of the film. Thus, Isabelle Huppert, Modernist Performance demonstrates its premise through close readings considering how performance must be read in tandem with the whole.
Stop Screwing Around and Format Your Screenplay Like a Pro
This book delivers the point-by-point essentials behind successful screenplay formatting and shows you how to demonstrate the professional expertise that will get your scripts noticed. All you need to know about formatting your screenplay to align with professional standards in a quick-reading and to-the-point page turner. This little book gets to the bottom line with an irreverent no-nonsense approach to putting your formatting on a level with Hollywood's working professional screenwriters. Making movies is a complex matter that is so difficult that very few people do it. And it all starts with writing a properly formatted script. This is the only step-by-step guide that quickly gives you all the tools you need to format your screenplay like a pro.
Stop Screwing Around and Format Your Screenplay Like a Pro
All you need to know about formatting your screenplay to align with professional standards in a quick-reading and to-the-point page turner. This book delivers the point-by-point essentials behind successful screenplay formatting and shows you how to demonstrate the professional expertise that will get your scripts noticed.
Green Filmmaking
Beyond the principles of reduce, reuse, recycle, this book looks at how every department on a production can minimize its environmental impact.
Smartphone Cinema
This book guides the reader through the process of using your phone to create different kinds of video and audio for TV, theaters, YouTube, TikTok, and podcasts.
Comprehending Cinema
Comprehending Cinema is a collection of in-depth interviews and panoramic essays that models a generalist approach to modern audiovisual media, prioritizing remarkable cinematic accomplishments that can get lost within our overwhelming modern mediascape. The 18 interviewees featured in this publication include Oscar-winning documentarians Daniel Lindsay and TJ Martin; Dean Fleischer Camp, whose Marcel the Shell with Shoes On was an internet smash, then an Oscar nominee; canonical filmmakers Guy Maddin and Su Friedrich, still building on remarkable careers; renowned poet (and cineaste) John Ashbery; Irish independent Tadhg O'Sullivan who is entranced by the moon; indefatigable cine-historian, Paul Cronin; LA artist Jennifer West, who collaborated with 11,500 visitors on New York City's High Line to produce a new kind of City Symphony; Penny Lane, whose documentary films continually surprise; a collaborative filmmaking team who provide an immersive motion study of a crowd taking selfies with the Mona Lisa; cine-explorers Lucien Castaing-Taylor and V矇r矇na Paravel; master of the cine-archive Bill Morrison; cine-scientist Erin Espelie; video-essayist Chlo矇 Galibert-La簾n矇; and the Alloy Orchestra, who entertained silent-film audiences for three decades. Comprehending Cinema combines engaging conversations with accomplished filmmakers and essayistic explorations of recent contributions to modern media-making by filmmakers creating a tradition of "cine-nocturnes," and by filmmakers exploring archival representations of World War 1. The book offers a reading adventure dedicated to opening the door to exciting new kinds of film experience.
The Tropoholic's Guide to Hook Romance Tropes
NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 32 iconic hook romance tropes, stories that explore ways your hero and heroine meet and come together as a couple and how that initial meeting establishes a set of problems that must be overcome before the hero and heroine can achieve their happily ever after..Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You'll write faster, cleaner, and deliver your audience a story they'll recognize and love.If you're writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you're writing a love story specifically, or you're writing any genre of fiction in which you'd like to include a romantic relationship, this book is for you.Each trope entry includes: a detailed definition and analysisdescriptions of all obligatory scenes necessary to structure this trope correctlylists of additional key scenes important to this tropean extensive list of questions to think about when writing this tropean extensive list of traps to avoid when writing this tropereasons why audiences love this tropea list of similar tropesa list of examples of each trope in action taken from television, film, and novels...writers in every genre of fiction are going to want these guides in their go-to reference books......a tour de force how-to on creating stories audiences adore......the books every writer has been waiting for-a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind...
Nora Ephron at the Movies
The first illustrated monograph on writer, journalist, and director Nora Ephron, the visionary behind When Harry Met Sally, Sleepless in Seattle, and You've Got Mail. "A visual celebration of the writer-director's distinctive approach to world-building." (Vanity Fair) Nora Ephron at the Movies offers an unfiltered look at Ephron as a champion of the rom-com and as a feminist Hollywood trailblazer. It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron's key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy. With her singular voice, Nora Ephron flourished as a dominant force in the entertainment industry, focusing on the idiosyncrasies of romance that were universally relatable. The women in her stories paralleled reality--the veil was lifted, the glossy sheen removed. Her protagonists share an unwavering sense of humor about life's mishaps, and they never take themselves too seriously--like Julie trying to master the art of cooking lobsters in Julie & Julia, Sally's theatrical fake orgasm in Katz's deli in When Harry Met Sally, or Rachel perfecting a key lime pie only to throw it in her cheating husband's face in Heartburn. Through her keenly self-aware humor and semi-autobiographical stories, Ephron left behind a groundbreaking legacy as a beloved journalist, essayist, screenwriter, author, producer, director, and feminist who delivered stories of resilience embedded in sharp wit and upper-crust landscapes. Through that lens, she became emblematic of rom-coms, shifting and redefining conversations around the complexities of relationships and the women who have them.
Merchant-Ivory
Merchant-Ivory: Interviews gathers together, for the first time, interviews made over a span of fifty years with director James Ivory (b. 1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (1927-2013). Beginning with their earliest work in India, and ending with James Ivory's last film, The City of Your Final Destination (2009), the book traces their career, while offering valuable insights into their creative filmmaking process. The volume serves as a corrective to the prevailing critical orthodoxy attached to Merchant-Ivory's work, which tends to regard them as being solely concerned with historically accurate costumes and settings. As independent filmmakers, they have developed an idiosyncratic approach that resists facile classification. Merchant-Ivory have insisted on maintaining their independence. More importantly, this book shows how Merchant-Ivory have always taken considerable care in casting their films, as well as treating actors with respect. This is a deliberate policy, designed to bring out one of the triumvirate's principal thematic concerns, running throughout their work--the impact of the "clash of cultures" on individuals. Partly this has been inspired by their collective experiences of living and working in different cultures. They do not offer any answers to this issue; rather they believe that their task is simply to raise awareness; to make filmgoers conscious of the importance of cultural sensitivities that assume paramount significance in any exchange, whether verbal or nonverbal.
Sideways Uncorked
Two stories unspool in Sideways Uncorked: the story behind Alexander Payne's modern movie classic adapted from a most unlikely source--an unpublished novel by a burnt-out ex-filmmaker and wine connoisseur Rex Pickett--and the world of Pinot Noir (and Merlot) winemaking before and after Sideways was released. For as Kirk and Mira Advani Honeycutt show, the movie was a pop-culture phenomenon that dramatically impacted the wine industry. Sideways Uncorked offers a tour of the lush Santa Barbara wine country that forms the iconic backdrop to Sideways, tracing the effect the story eventually had there and elsewhere. With ample narrative and special features (such as a wine lineup of recommendations from various wine regions), this is a one-of-a-kind illustrated book that will dazzle the palate of oenophiles and cinephiles alike.
Alfred Hitchcock All the Films
Organized chronologically and covering every short film, television episode, and classic film that the "Master of Suspense" directed over the course of his illustrious, 60-year career, Alfred Hitchcock All the Films draws upon years of research to tell the behind the scenes stories of how each project was conceived, cast, and produced, down to the creation of the costumes, the search for perfect locations, and of course, the direction of some of cinema's most memorable scenes. Spanning more than six decades, and including stories of work with longtime collaborators like costume designer Edith Head, title designer Saul Bass, and composer Bernard Herrmann, this book details the creative processes that resulted in numerous classic films like Vertigo, The Birds, Psycho, Rear Window, North By Northwest, andTo Catch a Thief (to name a few). The director's classic TV series are also covered extensively along with original release dates, lesser-known short films, box office totals, surreptitious casting details, and other insider scoops that will keep fans and students alike turning pages. Featuring hundreds of vivid photographs that celebrate one of cinema's most iconic artists, Alfred Hitchcock All the Films is a visual feast that's perfect for the movie fan in your life.
Refocus: The Films of Wes Craven
This edited collection provides an insightful look at the career and output of American horror director Wes Craven, whose most famous films - such as The Last House on the Left (1972), A Nightmare on Elm Street (1984) and Scream (1996) - came to define the form in the later decades of the 20th century. Also paying attention to Craven's more underrated work, from Deadly Friend (1986) through to his melodrama Music of the Heart (1999), this academic study argues that the filmmaker's influence can still be felt on cinema today, many years after his passing. Featuring 16 chapters and an extensive introduction, this addition to the ReFocus line will prove to be essential reading for scary movie connoisseurs and brings a valuable contribution to the growing field of horror film studies.
Refocus: The Films of Alejandro Jodorowsky
Known as the father of the "midnight cult movie" and co-founder of the avant-garde Panic movement in France, Alejandro Jodorowsky Prullansky defies all basic categorization. He is known as a provocateur, a performance artist, a visionary filmmaker, a controversial playwright, a philosopher, and a tarot reader, among other disparate classifications. These varied dimensions of artist and filmmaker converge seamlessly into his practice. He is recognized by audiences as a creator of controversial and mesmerizing films characterized by visual delirium, the injection of radical politics and mystical philosophy, and a post-surrealist aesthetics. ReFocus: The Films of Alejandro Jodorowsky pursues an interdisciplinary approach to analyze and contextualize Jodorowsky's films according to a variety of conceptual modalities: from occult and mystical orientations, to the political and decolonial aspects of his major films. This collection examines the formative metaphysical elaborations involved in Jodorowsky's earliest films, his pioneering of a truly unique independent film practice in Mexico, and his emergence and development as a visionary international filmmaker.
Danish and German Silent Cinema
The book examines how Danish and German film interacted with one another from 1910 through World War I till the advent of sound around 1930. The film businesses of the two countries were closely connected, and many film professionals crossed back and forth across national borders. The studies in this book include production and distribution history, censorship, celebrity studies, and aesthetic analysis. They contribute to European film and cultural history through extensive empirical investigation of films, persons and companies. The underlying perspective is that of entangled film history, an approach that stresses cross-border interchanges and mutual influences. Written by an international team of scholars, the book marks the conclusion of a four-year collective research project running alongside the stumfilm.dk initiative to digitise the entire Danish silent film heritage.
Young Soviet Film Makers
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre. Drawing largely on unpublished sources, it provides lively case studies of workers' theatre in the USSR, Germany and the United Kingdom. They range from the Russian mass spectacles in front of the Winter Palace, through the thousands of factory and courtyard performances in Germany, to the May Day activities of the Workers' Theatre Movement all over Britain. The authors worked for many years in political theatre in Britain, Austria and Germany, and they draw on their wide experience to focus on both major theoretical controversies and their practical ramifications. They show how workers' theatre became an instrument, a weapon, for political change, helping to raise the consciousness of thousands of workers and encouraging them to take action. They describe how worker-actors, musicians, writers and directors formed small, flexible troupes which contributed locally to the day-to-day struggles of their class, while at the same time participating in national and international political campaigns. Developments in dramatic structure are analysed, from the simple review form to the more complex scene-and-song montage. Placing the work of Meyerhold, Eisenstein, Piscator, Brecht and Eisler in this context, the authors demonstrate how the montage principle became the significant factor in the political theatre of this period. The book is illustrated with rare photographs which reflect the atmosphere of those mass movements. Unique in its coverage, Theatre as a Weapon is above all an analysis of how the mirror of realistic theatre was transformed into a dynamic weapon for social change. It fills an important gap in the history of working-class culture.
3... 2...1... We're on the Air
Imagine what it's like to make hundreds of decisions in just two hours on "live" network television with your work seen by millions of people. That's what a sports television producer does each time they sit in "the big chair." In 3...2...1... We're on the Air, Emmy Award Winning Producer Robert Steinfeld takes readers inside the world of sports television through his career producing some of the biggest sporting events, such as the Summer Olympics, the NBA and WNBA, the MLB, and the FIFA World Cup. Along the way he crossed paths with athletic stars like Cal Ripken, Alex Rodriguez, Nolan Ryan, Nancy Lieberman, Tim Duncan, David Robinson, Bill Walton and announcers Bob Costas, Jim Nantz, and Robin Roberts. Join Robert Steinfeld on his path from eager, ambitious teenage journalist to ultimately realizing his dream producing major sporting events. So, "3...2...1...We're On the Air!"
Cinema Under National Reconstruction
Cinema under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Toy Story
When it exploded in 1995 with Toy Story, the Pixar studio had no idea of the consequences and influence its work would have on the whole of animated cinema. This work covers the first century of animated cinema and the characteristics that have become part of Pixar's storytelling. Its successes, as well as its mistakes over almost 20 years of film production. All this, starting with a short film about toys...
A New Heritage of Horror
Winner of the Dark Fest Film Festival Award for Best Genre Author 2024 David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.
London as Screen Gateway
London as Screen Gateway explores how London features within screen narratives and as a location of screen industry activity. Reflecting the diversity of roles the city plays both on screen and within the screen industries, the volume explores the intersection between London as a material place and its position within a cultural imaginary.Conceptualising London as an archival city, as a collection of specific places and spaces, and as a part of national and international cultural and economic flows, contributors from film studies, television studies and media studies approach London through the lenses of textual analysis, historical work, industry studies and user experience. Chapters explore how London has appeared on screen across film and television, how screen content frames notions of place and belonging within the diasporic communities across the city, how the city has become a hub for the UK and global screen industries and how it intersects with national and local media policy.This interdisciplinary volume will be of interest to scholars and students of film studies, television studies, media industry studies, games studies, cultural and media studies.
A New Heritage of Horror
Winner of the Dark Fest Film Festival Award for Best Genre Author 2024 David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.
New Scotland Yard
This is a reference book on the TV series New Scotland Yard, which aired from 1972-74, consisting of 46 episodes in four series. The book includes all episodes in date order, numerous photographs, complete cast listings, directorial credits, and a story synopsis for each episode. New Scotland Yard was a police drama series produced by London Weekend Television (LWT) for the ITV network between 1972 and 1974. It features the activities of two officers from the C.I.D. in the Metropolitan Police Force headquarters at New Scotland Yard, as they dealt with the assorted criminals of the day. John Woodvine and John Carlisle starred.
Shadows in a Phantom Eye, Volume 15 (1947-1949)
Since the late 19th century, film has been the ultimate medium by which to express and illuminate the darker, wilder recesses of man's imagination. An alchemical convergence of magic lantern experiments and new photographic technology led to the production of the very first moving images, including visual captures of magic, mystery, violence, cruelty, crime, sex, nudity, devilry and death.SHADOWS IN A PHANTOM EYE Volume 15 reveals a flickering carnival of attractions and aberrations from the years 1947-1949, a time when the global film industry, and the world in general, were rebuilding after the devastation of World War 2, with movie producers gearing up for a new age of glorious Technicolor and other innovations to compete with rise of television as mass entertainment. This volume references approximately 550 films, and features around 100 photographic illustrations from film productions and also from relevant documentary sources. It also contains as a quick reference tool a 100-page appendix which includes the film title index from each of the preceding fourteen volumes.SHADOWS IN A PHANTOM EYE is the ultimate multi-volume guide for those wishing to explore an alternative global history of the moving image in its inaugural decades - a history that reveals a wild, often disturbing and provocative world which includes Hollywood but also stretches far, far beyond.
Shadows in a Phantom Eye, Volume 14 (1944-1946)
Since the late 19th century, film has been the ultimate medium by which to express and illuminate the darker, wilder recesses of man's imagination. An alchemical convergence of magic lantern experiments and new photographic technology led to the production of the very first moving images, including visual captures of magic, mystery, violence, cruelty, crime, sex, nudity, devilry and death.SHADOWS IN A PHANTOM EYE Volume 14 reveals a flickering carnival of attractions and aberrations from the years 1944-1946, a period when film noir emerged from the shadows and the golden age of horror movies entered its terminal stages, supplanted by the real-life newsreel images of destruction, atrocity and terror emerging from the ruins of war-torn Europe. This volume references approximately 900 films from all countries and reproduces over 200 rare photographic images, posters and illustrations, many newly unearthed from international film archives and never before published.SHADOWS IN A PHANTOM EYE is the ultimate multi-volume guide for those wishing to explore an alternative global history of the moving image in its inaugural decades - a history that reveals a wild, often disturbing and provocative world which includes Hollywood but also stretches far, far beyond.
A Seriously Groovy Movie Christmas
The 1960s and 70s formed the wilderness years of the Christmas movie. Sandwiched between the genre's post-war golden age and its commercial revival in the 1980s, these decades have come to be regarded as the Bermuda Triangle of festive cinema - where many features have become lost in the mists of Christmas past and have subsequently been forgotten by later generations.Far from a creative backwater, however, this period would bear witness to some of the most fascinating, unconventional and experimental Christmas movies ever to reach the big screen, with features such as "The Apartment", "The Lion in Winter" and "Black Christmas" all subverting expectations of the holiday season to produce compelling narratives and memorable themes through wildly different artistic approaches.From the author of "The Golden Age of Christmas Movies", "A Righteously Awesome Eighties Christmas" and "A Totally Bodacious Nineties Christmas", this book considers the festive cinema of the sixties and seventies in detail, taking a look at the movies that came to define this unpredictable period in recent history while also reflecting on those features that broke the mould in entirely different ways - including "Santa and the Ice Cream Bunny", "The Magic Christmas Tree" and (perhaps most infamously of all) "Santa Claus Conquers the Martians". When these tempestuous decades carried the torch for Christmas films, the features on offer may rarely have been traditional, but even today they remain captivating, intriguing and very difficult to ignore for those who are willing to revisit them.
Rod Serling at 100
Emmy-winning writer and lifelong Rod Serling fan Joseph Dougherty (thirtysomething, Pretty Little Liars) takes a deep dive into the writing of the Twilight Zone creator on the occasion of his 100th birthday.The year 2024 marks the centenary of Rod Serling, creator of The Twilight Zone and Night Gallery. Emmy-winning writer Joseph Dougherty (thirtysomething, Pretty Little Liars) picked this special anniversary to reflect on Serling and his contributions to television drama. An appreciation and exploration of the six-time Emmy-winning writer's catalogue, Rod Serling at 100: One Writer's Acknowledgment looks at some of Serling's best known work and also some of his least acknowledged, inviting a new perspective on a master storyteller. In the process, Dougherty takes a personal look at the time he spent in The Twilight Zone that led to his own award-winning writing career
Never Sleep Again The Elm Street Legacy
In 1984, a new vision of horror was unleashed upon terrified moviegoers-a razor-gloved bogeyman who slashed his way through the children of those who had murdered him years before. In doing so, this cinematic monster would not just invade the dreams of his victims but give those watching a brand-new nightmare to fear forever.His name was Freddy Krueger, and the man who created him was master of horror Wes Craven.Since its release decades ago, A Nightmare on Elm Street has become synonymous with archetypical genre cinema. Now, go deeper than anyone ever has inside the making of this groundbreaking classic. Exclusive cast and crew interviews with those who survived the blood, sweat, and tears will take you through incredible behind-the-scenes triumphs, struggles, and controversies as they worked to bring Craven's vision to life.No one would have imagined that the in-the-shadows, rancorous killer would become a global pop-culture phenomenon and the star of a franchise that would scare up nearly half a billion dollars at the box office. Firmly rooted in the mainstream, it has become clear that Freddy Krueger may never rest in peace.Including rare and never-before-seen material, this extensively researched, comprehensive look back is the definitive account of the film that began what many have called the best, most frightening, and imaginative horror franchise in motion picture history.And remember: if you think you know everything about Wes Craven's 1984 horror classic... you must be dreaming!
Scene-Writing for Film and TV
Focusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts.
The Short: Personal Writing Tools to Free the Imagination
There is magic in the short form - a style that has evolved to create an entirely new universe of stories for us to uncover.Short form captivates the world through narratives, documentary shorts, web series, music videos, social media, and more. In The Short, Rae Shaw helps you deploy the tools of screenwriting through a short form lens, helping you master a powerful tool of creative expression.
Brazilian Cinema and the Aesthetics of Ruins
Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph.Guilherme Carr矇ra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carr矇ra analyses three groups of unconventional documentaries focused on distinct geographies: Bras穩lia - The Age of Stone(2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carr矇ra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropic獺lia and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.
Cosmopolitan Cinema
This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. It is funded by the University of Manchester. Films are produced, reviewed and watched worldwide, often circulating between cultural contexts. The book explores cosmopolitanism and its debates through the lens of East Asian cinemas from Hong Kong, China, Malaysia and Singapore, throwing doubt on the validity of national cinemas or definitive cultural boundaries. Case studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar and the intimate connection between cinema and identity in Hirokazu Koreeda's Afterlife (1998). Considering films, their audiences and tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com. Open access was funded by the University of Manchester, UK
Ethnicity as Desire
What can ethnic differences tell us about the desiring gaze while addressing the motives that result from the power and desire in gay ethnic pornography in Europe? How do pornographic films authenticate their ethnic subject in different European countries and how can the fetishism of presenting an authentically foreign body be best approached? Is the transformation of sex tourism, which affects countries differently, reflected through the ever-evolving history of gay pornography in Europe? And how does this transformation contrast or overlap with the legacies of Orientalism and colonialism? In addressing these questions, this book will participate in ongoing debates concerning Orientalism and colonialism, and make a contribution to the growing field of pornography studies. While recent works by scholars have considered the relation between US mainstream gay pornography and its representations of ethnicity and 'race, ' and have also discussed examples from Europe (predominantly France), no historical study has yet bridged the gap between earlier European gay ethnic pornography and its current, specifically German-Turkish manifestations. Furthermore, this exploration of recent studios like GayHeim will also contribute to discussions on the mobility issues of non-European men, while illustrating how these new productions can be refugee--or migrant--positive while simultaneously perpetuating Orientalism.
Abraham Lincoln on Screen
President Abraham Lincoln is the most frequently portrayed American historical figure in the history of the film and television arts, appearing onscreen as a character in more than 250 productions since the birth of the motion picture medium. This work covers each film and television portrayal of Lincoln, providing essential cast, production and release information, and discussion of each work's historical accuracy and artistic merits. This updated edition provides commentary on all new screen works produced in recent years, including Steven Spielberg's award-winning 2012 film Lincoln starring Daniel Day-Lewis in the title role.
Hard to Watch
Hard to Watch is a joyous celebration of works that might seem boring, pretentious, or offensive at first glance but that offer their own distinctive pleasures when we give ourselves over to them.
Some of My Best Friends are Murders
Can you enjoy a crime television show if you already know whodunit? As Columbo proved, definitely! In nearly every episode, Lieutenant Columbo, played by Peter Falk, is paired off against a murderer who'd supposedly committed the perfect crime. Columbo would question, trick, and even befriend the very different killers in order to make an arrest. But despite the standard formula for the episodes, each guest murderer was very different. This book will explore the killers who believed they were too clever to be caught, only to be undone by a detective who kept asking about just one more thing...
