Cinematic Vistas
Dive into the intriguing and colorful history of Croatian cinema, from its inception in the early 20th century to its dynamic and promising state in the 21st. Uncover the transformation of Croatian filmmaking through diverse political and cultural eras, with every turn marked by resiliency, creativity, and innovation. Experience the stories behind groundbreaking films, iconic directors, and the socio-political changes reflected in the cinema of the day. Discover the evolution of different genres, themes, and styles, as well as the influence of Croatian cinema on the international stage. This extensive and detailed exploration celebrates the richness and diversity of Croatian cinema, offering a comprehensive view of its past, present, and exciting future potential.
Stay Tuned
STAY TUNED is used to keep all your channel surfing information in one place for easy access.Don't let your favorite shows slip through the cracks of memory. Keep your television-watching experiences organized, accessible, and easily expandable with Stay Tuned. Whether you're a casual viewer or a devoted binge-watcher, this book will help you stay on top of your entertainment game, ensuring that you never miss a beat in the ever-evolving landscape of television.Inside the book are pages for you to list your favorite shows, channels, episodes, and ratings. Also included are pages for your usernames and passwords and a list of the shows you want to watch in the future.
Freaks, Gleeks, and Dawson’s Creek
The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson's Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape is defined by influential and ambitious shows for and about teenagers. Groundbreaking series like Euphoria, Sex Education, and Pen15 dominate awards season and lead the way when it comes to progressive, diverse, and creative storytelling. So how did we get here from Beverly Hills, 90210? In Freaks, Gleeks, and Dawson's Creek, entertainment journalist Thea Glassman takes readers behind the scenes of seven of the most culturally significant series of the last three decades, drawing on dozens of new interviews with showrunners, cast, crewmembers, and more. These shows not only launched the careers of such superstars as Will Smith, Michael B. Jordan, Claire Danes, and Seth Rogen, but they also took young people seriously, proving that teen TV could be smart, revolutionary, and "important"--and stay firmly entrenched in pop culture long after it finished airing. And while many critics insist that prestige dramas like The Sopranos and Mad Men paved the way for television, some of the most groundbreaking work was actually happening inside the fictional hallways of high schools across America in teen shows whose impact remains visible on our screens today.
The Spanish Quinqui Film
This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, Jos矇 Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly.
The Pallisers
This is a reference book on the 1974 RV series The Pallisers. The book contains all 26 episodes in original date transmission order, complete cast listings, numerous photographs, directorial credits, a story synopsis for each episode, plus an introduction and table of contents.
Stanley Kubrick Photographs. Through a Different Lens
Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. It features around 300 images, many previously unseen, as well as rare Look magazine tear sheets and an introduction by noted photography critic Lucy Sante.These still photographs attest to Kubrick's innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.
Bela Lugosi
Chris Wade explores the film career of movie icon Bela Lugosi. From his silent films in Europe, his early American movies, the iconic roles in the likes of Dracula, The Black Cat, and White Zombie, through the low budget B movies of the 1940s, up to his final screen work for Ed Wood, Wade celebrates the great man's performances in a series of essays, examining the career of a man who never escaped the Dracula persona but whose films are now highly regarded by his legions of fans. The book also features Q and As with those who knew and worked with him. Other films explored include: The Raven, Murders in the Rue Morgue, The Devil Bat, Son of Frankenstein, The Corpse Vanishes, Abbott and Costello Meet Frankenstein, and many more...
Dueling Harlows
In 1965 producers Joseph E. Levine and Bill Sargent were racing to get their problem-laden biopics of Jean Harlow (both titled Harlow) into theaters first. Levine's film starred Carroll Baker in a big-budget, color production. Sargent's movie starred Carol Lynley in a quickie, black and white production shot in a new process called Electronovision. In the press the two producers conducted one of the nastiest feuds Hollywood had ever witnessed, nearly culminating in fisticuffs at the 1965 Academy Awards ceremony. In recounting the making of the two films, this book (expanded from the original self-published edition) touches on Jean Harlow's life, the failed attempts to make a Harlow biopic in the 1950s, and the reviled, bestselling 1964 biography. It details the aftermath of each movie's release, from scathing reviews to disappointing box office returns to the several lawsuits. Newly discussed are the portrayals of Jean Harlow on stage shortly after the Levine and Sargent films, and the making of the 1977 film Hughes and Harlow: Angels in Hell starring Lindsay Bloom as Jean Harlow. The book is generously illustrated and includes interviews with people associated with all three films, including Carol Lynley and Lindsay Bloom.
Realist Film Theory and Bicycle Thieves
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Realist Film Theory and Bicycle Thieves offers a concise introduction to realist film theory in jargon-free language and shows how this theory can be deployed to interpret Vittorio De Sica's 1948 Italian neo realist masterpiece Bicycle Thieves. Hilary Neroni explores the original realist film theorists from the 1940s: Andr矇 Bazin, Siegfried Kracauer, and Cesare Zavattini, among others. But rather than seeing realist film theory as simply a theory of the past to be moved beyond, the book argues that the prevalence of realism in many different forms within practice and theory suggests the importance of updating this original realist film theory with an understanding of realism that would sustain its viability. Throughout the book, Neroni analyzes neorealist film movements-such as Italian Neorealism, Parallel Cinema of India, and the Iranian New Wave-that challenge mainstream realism with a more radical form that exposes the social order instead of hiding it. Her in-depth investigation of Bicycle Thieves provides a realist methodology that reveals the radicality of its combination of realist techniques, a melodramatic story, and humanist values.
Helen of Troy in Hollywood
How a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TV Helen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen's Troy and the Star Trek episode "Elaan of Troyius," going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition. A luminous work of scholarship by one of today's leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.
What Film Is Good for
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical--and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
Abandoned in the Wasteland
Winner of the Silver Gavel Award from the American Bar Association Two well-known experts-Newton N. Minow is a former chairperson of the FCC-suggest bold new ways to think about television and its influence on American life and, most urgently, on American children. The authors argue that to defend an unrestricted freedom to broadcast by invoking the First Ammendent is an improper use of constitutional principle. They remind us that broadcasters are required by law to serve the public interest, and that the Supreme Court and Congress have affirmed that service to children is a broadcaster's legal obligation.
Being John Malkovich
What do you get when a down-on-his-heels puppeteer working as a file clerk on the seventh-and-a-half floor of a Manhattan office building discovers a secret portal into the brain of John Malkovich? Hilarity, drama, and perhaps the most unique film of the 90s. Being John Malkovich, which stars John Cusack, Cameron Diaz and, of course, John Malkovich as himself, is Charlie Kaufman's screenwriting debut. The movie premiered to universal acclaim and is guaranteed to become a classic of modern cinema.
What Film Is Good for
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical--and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
Torturous Etiquettes
"Etiquette," as noted toastmaster Herbert V. Prochnow once pointed out, "is knowing how to yawn with your mouth closed"--that is, to spare the feelings of the other person, one must stifle one's own. To be polite, therefore, is to perform. Onscreen, closeups often reveal the effort that goes into maintaining that performance: with a fleeting frown or a slight scowl, an actor reveals the "torture" of mannered behavior. In Torturous Etiquettes, Daniel Varndell examines such gestures to reveal the difficulties of the social encounter. Drawing on the history of etiquette, the book deconstructs an array of examples from classical and contemporary Hollywood and European cinema, taking a close look at onscreen representations of rudeness, ridiculing, racist and sexist etiquettes, hospitality, table manners, and more. In doing so, it reveals etiquette to be a persistent theme in cinema and questions the role it plays in either upholding or denying the basic humanity of others.
America Goes To The Movies
America Goes to the Movies explores the top earning films of the 90s, year by year, top ten list by top ten list, in a nostalgic journey complete with facts, rumors, and commentary provided by the author, spurred on by his own 90s memories and all of the coffee he drank while trying to recall them. Get your VCRs ready, we're reading a book!
The Monster Movies of Universal Studios
In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, the author recounts the movie's production, provides critical commentary, considers the film's commercial reception, and offers an overall assessment of the movie's significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages--and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema.
Colorization
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR - BOOKLISTS' EDITOR'S CHOICE - ONE OF NPR'S BEST BOOK OF THE YEAR "At once a film book, a history book, and a civil rights book.... Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read." --Shondaland This unprecedented history of Black cinema examines 100 years of Black movies--from Gone with the Wind to Blaxploitation films to Black Panther--using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation--which glorified the Ku Klux Klan and became Hollywood's first blockbuster--Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves--including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.
Television and Repetition
Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres.
Contemporary Screen Ethics
Contemporary Screen Ethics focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Ranci癡re are joined by an array of different voices - Ferreira da Silva, Gill, Lugones, Milroy, Mu簽oz, Sheshadri-Crooks, Verg癡s - to unlock contemporary screen ethics.
Silicon Valley Cinema
Silicon Valley corporations now dominate our daily lives to the extent that many of us now question their ability to determine the direction of human life in the twenty-first century. The 2010s saw Hollywood filmmakers engaging in this very debate. Through a sequence of films ranging from biopics of key Silicon Valley leaders to science fiction action films and whimsical workplace comedies, Hollywood films probed Silicon Valley's impact on our past, present, and future. Silicon Valley Cinema analyses these films, arguing that they seek to encourage scepticism about our Silicon Valley overlords and have us step back from our immersion in Silicon Valley's world. Doing so, they suggest, might make our working lives more pleasurable, our world a better place, and might even help us avoid a war with genetically enhanced apes or avert a robot-led apocalypse.
From Silent Film Idol to Superman
A popular romantic actor with a fan club rivalling that of Ivor Novello, John Stuart was frequently mobbed by his adoring fans. He starred in films by Alfred Hitchcock and G.W. Pabst, played opposite British stars such as Madeleine Carroll, Fay Compton, Gracie Fields, and German actor Conrad Veidt, and was also the first actor to ever speak on screen in Britain. Yet despite a film career lasting six decades and 172 films, his name and achievement are little known today. With access to Stuart's private archive, his surviving films, press cuttings, film reviews, interviews, profiles, features, and gossip columns, his son Jonathan Croall presents a detailed account of an actor who made a significant contribution to the British film industry of the 20th century.
The Representation of Women in Ancient Comedy and the Modern Sitcom. A Comparison and Analysis
Bachelor Thesis from the year 2022 in the subject Communications - Movies and Television, grade: 1.0, University of Tubingen, language: English, abstract: This paper sets out to analyse and compare the representation of women in ancient comedy and the modern sitcom, arguing that both adhere to a dichotomy of presenting women as either "mothers" or "whores". First, it establishes the sitcom as the modern descendant of the ancient comedy while also considering crucial differences, such as the all-male cast in ancient plays and the concentration on indoor spaces (sitcom) versus outdoor spaces (ancient comedy). Subsequently, by analysing select episodes of "The Big Bang Theory" and plays such as Plautus' "Cistellaria" and Aristophanes' "Assemblywomen", it establishes essential ways in which the dichotomy manifests.
Documentary Editing
This book offers clear and detailed strategies for tackling every stage of the documentary editing process. Written by an award-winning documentary editor, this book presents a guide for how to turn seemingly shapeless footage into focused scenes, and how to craft a structure for a documentary of any length.
Collaborative Screenwriting and Story Development
This is a comprehensive guide to teach writing and story development from a collaborative perspective, explaining how to take advantage of opportunties, both locally and globally.
The Final Rewrite
This book offers the unique perspective on crafting your screenplay from the eye of an editor. Special features include before and after examples from preproduction scripts to postproduction final cuts giving screenwriters an opportunity to understand how their screenplay is visualized in the editing room.
Ellery Queen
This is a reference book on the 1975-76 TV series Ellery Queen, starring Jim Hutton and David Wayne. All 22 episodes are included, along with two pilot films. The book also contains the episodes in original date transmission order, complete cast listings, numerous photographs, directorial credits, and a story symopsis for each entry.
The Last Bohemian
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst's films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst's qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile's attachment to Ireland. How in the early twenty-first century has Hurst's career been reclaimed and recognized, and by whom? Why in 2012 was Hurst's name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
The Last Bohemian
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst's films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst's qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile's attachment to Ireland. How in the early twenty-first century has Hurst's career been reclaimed and recognized, and by whom? Why in 2012 was Hurst's name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Dark Dreams 2.0
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
The Worst We Can Find
The Worst We Can Find looks at how "riffing" of films came about, the history of the shows, and why what could be an annoying habit in the theater has become a long-lasting franchise in entertainment over the years.
Cinema of Discontent
From the mid-1950s to the mid-1970s, Japan experienced an unprecedented level of economic growth, transforming itself from a war-devastated country to a global economic power. Our image of postwar Japan has been shaped by this event, and we tend to see its history as a story of great national success. Cinema of Discontent challenges this view and details the tensions generated by massive and intense capitalist development through analyses of popular cinema produced during the era of high-speed growth. The films discussed in this book, directed by Kawashima Yūzō, Masumura Yasuzō, Inoue Akira, Ezaki Mio, and Kumashiro Tatsumi, attracted broad audiences yet remain understudied. Cinema of Discontent contextualizes these films in relation to the politics, economy, intellectual discourse, and cultural texts of the time. By doing so, it demonstrates how these films address problems immanent to Japan's postwar capitalism, including uneven development, increasing corporate control over individuals, precarious and contingent work, and militarized peace and prosperity.
Revolutionary Becomings
Winner, 2025 Lionel Trilling Book Award, Columbia College Winner, 2024 Book Award, History Division, Association for Education in Journalism and Mass Communication Honorable Mention, 2024 Aldo and Jeanne Scaglione Prize for East Asian Studies, Modern Language Association From the toppling of the Qing Empire in 1911 to the political campaigns and mass protests in the Mao and post-Mao eras, revolutionary upheavals characterized China's twentieth century. In Revolutionary Becomings, Ying Qian studies documentary film as an "eventful medium" deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China's revolutionary movements. With meticulous historical excavation and attention to intermedial practices and transnational linkages, Qian discusses how early media practitioners at the turn of the twentieth century intermingled with rival politicians and warlords as well as civic and business organizations. She reveals the foundational role documentary media played in the Chinese Communist Revolution as a bridge between Marxist theories and Chinese historical conditions. In considering the years after the Communist Party came to power, Qian traces the dialectical relationships between media practice, political relationality, and revolutionary epistemology from production campaigns during the Great Leap Forward to the "class struggles" during the Cultural Revolution and the reorganization of society in the post-Mao decade. Exploring a wide range of previously uninvestigated works and intervening in key debates in documentary studies and film and media history, Revolutionary Becomings provides a groundbreaking assessment of the significance of media to the historical unfolding and actualization of revolutionary movements.
Video Production Handbook
This brand new edition walks students through the full video production process, from inception of idea to final distribution. Concentrating on the techniques and concepts behind the latest equipment, the book demonstrates the fundamental principles needed to create good video content on any kind of budget. Interviews with industry professionals provide insights into how the field really works and over 300 full color images of onsite work demonstrate how to achieve the techniques discussed.Ideal for students, the new edition features fully updated information on the latest DSLR and cinema cameras, LED lighting, digital distribution and much more.
Horror Galore
If you already know the Universal Monsters, deadites, cenobites, people under the stairs, silver shamrocks, maniacs with blades on their fingers and others with a love for machetes, then it's time to take your fandom to the next level by diving deep into the DVD bins for some horrific hidden gems.Horror Galore is the most comprehensive compendium of lesser-known films in the genre with 300 truly awesome titles that all share the common distinction of being underseen and underappreciated. Are you brave enough to watch them all? Check them off one by one as you make your way through the extensive list of vampires, zombies, sharks, sorcerers, animated spooks, haunted houses, evil coastal towns, rubber-suited monsters, theme park massacres, dinner party disasters, summer camp slashers, and so much more!With its entertaining layout and wide variety of recommendations, Horror Galore will help you pick what horror flick to watch next, no matter what you're currently craving.
Horror Galore
If you already know the Universal Monsters, deadites, cenobites, people under the stairs, silver shamrocks, maniacs with blades on their fingers and others with a love for machetes, then it's time to take your fandom to the next level by diving deep into the DVD bins for some horrific hidden gems.Horror Galore is the most comprehensive compendium of lesser-known films in the genre with 300 truly awesome titles that all share the common distinction of being underseen and underappreciated. Are you brave enough to watch them all? Check them off one by one as you make your way through the extensive list of vampires, zombies, sharks, sorcerers, animated spooks, haunted houses, evil coastal towns, rubber-suited monsters, theme park massacres, dinner party disasters, summer camp slashers, and so much more!With its entertaining layout and wide variety of recommendations, Horror Galore will help you pick what horror flick to watch next, no matter what you're currently craving.
Oscar Wars
The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama.America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don't be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood--and of America itself--unfolds in dramas large and small. The road to the Oscars may be golden, but it's paved in blood, sweat, and broken hearts.In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas--some iconic, others never-before-revealed--that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.
Hollywood Confidential
Hollywood Confidential is the first truly in-depth look at the sexy, humorous, violent, and tragic history of the mob in Hollywood from the 1920s, when Joe Kennedy decided to buy a motion picture company, to the 1980s when the last vestiges of mob influence were revealed through investigations of former Screen Actors Guild President Ronald Reagan and his union backers. The revelations continue into the 1980s when the major studios were no longer important, the independents were on the rise, and it was no longer possible to buy, bribe, or blackmail in a meaningful way. There were deals and bad guys, but the mob as it existed was finished in Hollywood.
Biopolitical Ethics in Global Cinema
Biopolitical Ethics in Global Cinema takes a new approach to world cinema through critical theory. Whereas world cinema often refers to non-American films deemed artistic or peripheral, Seung-hoon Jong examines its mapping frames: the territorial 'national frame, ' the deterritorializing 'transnational frame, ' and the 'global frame.' If world cinema studies have mostly displayed national cinemas and their transnational mutations, his global frame highlights two conflicting ethical facets of globalization: the 'soft-ethical' inclusion of differences in multicultural, neoliberal systems and their 'hard-ethical' symptoms of fundamentalist exclusion and terror. Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical 'abjection' and ethical 'agency.' In this frame, the book explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Jeong comparatively navigates these films, highlighting less essentialist particularities than compatible localities that perform universal aspects of biopolitical ethics and its alternatives by centering the narrative of 'double death': the abject as symbolically dead struggle for lost subjectivity or new agency until physically dying. This narrative pervades global cinema from Hollywood blockbusters and European art films to Middle Eastern dramas and Asian genre films. Ultimately, the book renews critical discourses on global issues--including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia--through a core cluster of political, ethical, and psychoanalytic philosophies.
Beyond Continuity
A guide to the craft of script supervising, the updated second edition features practical instruction through real-world examples that demonstrate and explain the skills needed by a professional script supervisor.
Cognition, Emotion, and Aesthetics in Contemporary Serial Television
This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.
Screening American Independent Film
This indispensable collection offers 51 chapters, each focused on a distinct American independent film.
The Misogynistic Backlash Against Women-Strong Films
This book is an exploration of the political struggle for visibility engendered by the growing number of women-centered popular films and a critical analysis of the intensifying misogynistic backlash that have accompanied such advances in the depiction of women on screen.
Christian Petzold
Christian Petzold (b. 1960) is the best-known filmmaker associated with the "Berlin School" of postunification German cinema. Identifying as an intellectual, Petzold self-consciously approaches his work for both the big and the small screen by weaving critical reflection on the very conditions of contemporary filmmaking into his approach. Archeologically reconstructing genre filmmaking in a national film production context that makes the production of genre cinema virtually impossible, he repeatedly draws on plots from classic films, including Alfred Hitchcock's, in order to provide his viewers with the distinct pleasures only cinema can instill without, however, allowing his audience the comforts the "cinema of identification" affords them. Including thirty-five interviews, Christian Petzold: Interviews is the first book in any language to document how one of Germany's best-known director's thinking about his work has evolved over the course of a quarter of a century, spanning his days as a flailing student filmmaker in the early 1990s in postunified Germany to 2020, when his reputation as one of world cinema's most respected auteurs has been firmly enshrined. The interviews collected here--thirty of which are published in English for the first time--highlight Petzold's career-long commitment to foregrounding how economic operations affect individual lives. The volume makes for a rich resource for readers interested in Petzold's work or contemporary German cinema but also those looking for theoretically challenging and sophisticated commentary offered by one of global art cinema's leading figures.
Christian Petzold
Christian Petzold (b. 1960) is the best-known filmmaker associated with the "Berlin School" of postunification German cinema. Identifying as an intellectual, Petzold self-consciously approaches his work for both the big and the small screen by weaving critical reflection on the very conditions of contemporary filmmaking into his approach. Archeologically reconstructing genre filmmaking in a national film production context that makes the production of genre cinema virtually impossible, he repeatedly draws on plots from classic films, including Alfred Hitchcock's, in order to provide his viewers with the distinct pleasures only cinema can instill without, however, allowing his audience the comforts the "cinema of identification" affords them. Including thirty-five interviews, Christian Petzold: Interviews is the first book in any language to document how one of Germany's best-known director's thinking about his work has evolved over the course of a quarter of a century, spanning his days as a flailing student filmmaker in the early 1990s in postunified Germany to 2020, when his reputation as one of world cinema's most respected auteurs has been firmly enshrined. The interviews collected here--thirty of which are published in English for the first time--highlight Petzold's career-long commitment to foregrounding how economic operations affect individual lives. The volume makes for a rich resource for readers interested in Petzold's work or contemporary German cinema but also those looking for theoretically challenging and sophisticated commentary offered by one of global art cinema's leading figures.
WHEN ARDH SATYA MET HIMMATWALA THE MANY LIVES OF 1980s’ BOMBAY CINEMA
The 1980s. In Hindi cinema, it was the decade of the dark and powerful policedrama Ardh Satya. It was the decade of the kitschy excess of the action comedyHimmatwala. It was a decade of opposites.It was a time when the best of NewWave 2.0 won acclaim and awards across theglobe, and B-grade'sex films' drew crowds into rundown small-town theatres;when ridiculous lyrics set to'disco music' created massive chartbusters, and thepoetry of Kabir, Tulsidas and Faiz also found space in film songs.It was a time when Amitabh Bachchan's injury had all of India praying for amiracle; when Peter Pan Jeetendra was spending more time shooting in Madrasthan in Bombay; when Rekha still ruled but Sridevi was rising to superstardom;when Naseer, Shabana, Om and Smita were the Fab Four of arthouse cinema;when the flamboyant dancing stars Mithun and Govinda brought a whole newaesthetic to Bollywood; when North and South met and mated like never before.It was a time of furious change beyond the silver screen, too: video cassettesbrought cinema to drawing rooms and bedrooms; television and one-day cricketemerged as fierce competition to films; piracy put movie theatres in crisis; filmstars were elected to the Indian Parliament in surprising numbers.In this thoroughly researched and entertaining book, Avijit Ghosh, author of theacclaimed bestsellers Cinema Bhojpuri and 40 Retakes, narrates the fascinating story ofperhaps the most eventful, disruptive and transformative decade of Hindi cinema.
