Xeno Glossia

Illuminations: A Series in American Poetics

Edited by Jon Thompson

Compelled by the historical milieu, intriguing life story, and multi-faceted work of Late Medieval francophone poet Christine de Pizan, XENO GLOSSIA blends critical autotheory, multimodal translation, and interventionist poetics to advocate liberatory practices for twenty-first-century readers, thinkers, and makers of language-and beyond.

What People Are Saying

In her luminously inventive hybrid Xeno >> Glossia: An Illuminated Study of Christine de Pizan, Marci Vogel conjures the spirited poet herself in her day. As Vogel notes, "I undertook the long-ago language in which she wrote, so that I might gain entrance to the treasure." And what glory that treasure is in Vogel's hands! Part splendid translation, part poetic inquiry into the life and works of the first woman in history to earn her living by her pen, Vogel portrays the newly widowed Christine as she confronts the dangerous world of the medieval French court. To keep her family afloat, she must be politic, but found ways-in such works as Christine's Vision and The City of Ladies-to protest inequities that persist to this day, as Vogel reminds us. In her contemplation of how language illuminates us, she draws on an array of sources, including scholarship, theorists of translation, and avant-garde poetics. Vogel's exploratory approach comprises a cultural and linguistic pilgrimage of sorts, and the resulting work is riveting. Xeno >> Glossia is a dazzling achievement. -Cynthia Hogue, author of instead, it is dark and co-translator of Distantly

The guest speaks in a strange tongue, and so does the ghost, and so does the host. And the tongue is a strange tool of speech and song-it seems to act as translator for the mind, but true authority is more mysterious: the mind is a translation of the tongue. Marci Vogel's Xeno >> Glossia should be considered a primer to such mysteries, a book that is many books at once. At times a translation of the medieval poet Christine de Pizan (first woman to make a living by her pen), it is also a book that translates translation itself, no postmodern meta-take on the seeming ambiguities words evoke, but the root-deep invocation of meaning tangled within other meaning, a fecund sense of expression's loamy possibilities. At the same time-an intimate exploration of learning to speak with another person's tongue in your mouth. The strangeness of words alone allows the miracle to occur-centuries reveal themselves not as an unbridgeable chasm, but the synapse between nerves, and translation properly felt is no more, no less, than the electric leap that leads not simply to thought, but to sensation. It's an intimacy that borders on the erotic, a gift of love because so gifted by it, that lets us live inside another's life, and sing another's song with such questioning fervor, it is as if our own. Or we are its. A love-knot. A translation. A poem. This book. -Dan Beachy-Quick, author of Circle's Apprentice and Variations on Dawn and Dusk

About the Author

Marci Vogel is a first-generation scholar, poet, translator, and educator. She is the author of Death and Other Holidays (Melville House, 2018), winner of the Miami Book Fair / de Groot Prize for the Novella, and At the Border of Wilshire & Nobody, selected for the inaugural Howling Bird Press Poetry Prize. Vogel holds a PhD in Literature and Creative Writing from the University of Southern California, where she served as a Mellon Postdoctoral Fellow in the Humanities and the University of the Future.