Collective Creativity and Artistic Agency in Colonial Latin America
Collective Creativity and Artistic Agency in Colonial Latin America
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1740元
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分類：英文書＞藝術設計＞美術/美學＞藝術史追蹤? 追蹤分類後，您會在第一時間收到分類新品通知。
- 作者： Maya,Stanfield-Mazzi 追蹤 ? 追蹤作者後，您會在第一時間收到作者新書通知。
- 出版社： University of Florida Press 追蹤 ? 追蹤出版社後，您會在第一時間收到出版社新書通知。
- 出版日：2023/04/14
活動訊息
中文書、漫畫輕小說5折起、電子書35元起，全館滿$1,000送100點金幣
內容簡介
Rethinking the role of the artist and recovering
the work of unacknowledged creators in colonial society This
volume addresses and expands the role of the artist in colonial Latin American
society, featuring essays by specialists in the field that consider the ways
society conceived of artists and the ways artists defined themselves. Broadening
the range of ways that creativity can be understood, contributors show that
artists functioned as political figures, activists, agents in commerce,
definers of a canon, and revolutionaries. Chapters
provide studies of artists in Peru, Mexico, and Cuba between the
sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals
working alone to chart new artistic paths, contributors focus on human
relationships, collaborations, and exchanges. The volume offers new
perspectives on colonial artworks, some well known and others previously
overlooked, including discussions of manuscript painting, featherwork, oil
painting, sculpture, and mural painting. Most
notably, the volume examines attitudes and policies related to race and
ethnicity, exploring various ethnoracial dynamics of artists within their
social contexts. Through
a decolonial lens not often used in the art history of the era and region,
Collective Creativity and Artistic Agency in Colonial
Latin America
examines artists' engagement in society and their impact within it.
Contributors: Derek S. Burdette Ananda
Cohen-Aponte Emily C. Floyd Aaron M. Hyman Barbara E. Mundy Linda Marie
Rodriguez Jennifer R. Saracino Maya Stanfield-Mazzi Margarita Vargas-Betancourt
Publication of this work made possible
by a Sustaining the Humanities through the American Rescue Plan grant from the
National Endowment for the Humanities.
the work of unacknowledged creators in colonial society This
volume addresses and expands the role of the artist in colonial Latin American
society, featuring essays by specialists in the field that consider the ways
society conceived of artists and the ways artists defined themselves. Broadening
the range of ways that creativity can be understood, contributors show that
artists functioned as political figures, activists, agents in commerce,
definers of a canon, and revolutionaries. Chapters
provide studies of artists in Peru, Mexico, and Cuba between the
sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals
working alone to chart new artistic paths, contributors focus on human
relationships, collaborations, and exchanges. The volume offers new
perspectives on colonial artworks, some well known and others previously
overlooked, including discussions of manuscript painting, featherwork, oil
painting, sculpture, and mural painting. Most
notably, the volume examines attitudes and policies related to race and
ethnicity, exploring various ethnoracial dynamics of artists within their
social contexts. Through
a decolonial lens not often used in the art history of the era and region,
Collective Creativity and Artistic Agency in Colonial
Latin America
examines artists' engagement in society and their impact within it.
Contributors: Derek S. Burdette Ananda
Cohen-Aponte Emily C. Floyd Aaron M. Hyman Barbara E. Mundy Linda Marie
Rodriguez Jennifer R. Saracino Maya Stanfield-Mazzi Margarita Vargas-Betancourt
Publication of this work made possible
by a Sustaining the Humanities through the American Rescue Plan grant from the
National Endowment for the Humanities.
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