Everything Is Photograph
Everything Is Photograph
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9折 1710元
1900元
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預計最高可得金幣85點
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可100%折抵
活動加倍另計 -
HAPPY GO享100累1點 4點抵1元 折抵無上限
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分類：英文書＞人文社科＞史地傳記＞傳記追蹤? 追蹤分類後，您會在第一時間收到分類新品通知。
- 作者： Patricia,Albers 追蹤 ? 追蹤作者後，您會在第一時間收到作者新書通知。
- 出版社： Other Press (NY) 追蹤 ? 追蹤出版社後，您會在第一時間收到出版社新書通知。
- 出版日：2026/01/15
活動訊息
中文書、漫畫輕小說5折起、電子書35元起，全館滿$1,000送100點金幣
內容簡介
The first full biography of the innovative "father of modern photography" vividly depicts his life and works, from Hungary to France and America, across the 20th century. Born in Budapest in 1894, Andr矇 Kert矇sz soared to star status in Jazz Age Paris, tumbled into poverty and obscurity in wartime New York, slogged through 15 years shooting for House & Garden, then improbably reemerged into the spotlight with a 1964 retrospective at New York's Museum of Modern Art. By the time of his death in 1985, he had exhibited around the world, taken more than 100,000 images, and steered the medium in new and vital directions: He was the first major photographer to embrace the Leica, the camera now mythically linked to street photography, and he pioneered subjective photojournalism, publishing what is arguably the world's first great photo essay. Drawing on dozens of interviews, previous scholarship, and deep archival research, and interrogating the images themselves, Patricia Albers retrieves aspects of Kert矇sz's life that he and his pictures gloss over, among them the ordeals of trench warfare, the impact of the Holocaust, and the tale of his tangled romances. She takes Kert矇sz from the Eastern front in World War I to the Paris of Piet Mondrian, Colette, Alexander Calder, and a lively central European diaspora. From Cond矇 Nast's postwar media empire to the "photo boom" of the 1970s. She revisits Kert矇sz's relationships with other photographers, among them his "frenemy" Brassa簿 and prot矇g矇 Robert Capa. She breathes life into a gentle, generous, and unassuming man endowed with Old-World charm but also sputtering with grievance and rage and inclined to indulge in deception. Everything Is Photograph immerses readers in the heyday of a now lost version of photography. Formally vigorous, emotionally rich, and aesthetically charged, Kert矇sz's images speak of the medium as a tool for human connection, self-narration, self-invention, and inquiry about the world, even as they project its mysteries.
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