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【電子書】English Exposed：Common Mistakes Made by Chinese Speakers
Having analysed the most common English errors made in over 600 academic papers written by Chinese undergraduates, postgraduates, and researchers, Steve Hart has written an essential, practical guide specifically for the native Chinese speaker on how to write good academic English. English Exposed: Common Mistakes Made by Chinese Speakers is divided into three main sections. The first section examines errors made with verbs, nouns, prepositions, and other grammatical classes of words. The second section focuses on problems of word choice. In addition to helping the reader find the right word, it provides instruction for selecting the right style too. The third section covers a variety of other areas essential for the academic writer, such as using punctuation, adding appropriate references, referring to tables and figures, and selecting among various English date and time phrases. Using English Exposed will allow a writer to produce material where content and ideas—not language mistakes—speak the loudest.
【電子書】版權、網絡和權利平衡
創造力是社會和經濟發展的發動機。在法律制度中，版權制度和創造力特別是與文化創意產業相關的創造力關係最密切，但只有顧及各方利益的平衡版權制度才能夠促進創造力。因此，我們必須經常審視現存的版權制度是否能夠反映現實各方的利益及需要，尤其是在互聯網環境下社會對創造的需要。 《版權、網絡和權利平衡》圍繞互聯網環境下版權的合理使用、使用者的權利和地位、權利的濫用和平衡、網絡侵權盜版與網絡服務商的責任等角度，探討中國大陸、香港、台灣版權制度在這些方面的立法和司法改革，進而探究在互聯網環境下版權如何能夠達到最佳平衡，並更大限度激發社會的創造力。本書共八章，分載兩個部分。第一部分探討版權的平衡、濫用與合理使用；第二部分側重探討網絡侵權與責任認定。
【電子書】Tracing China：A Forty–Year Ethnographic Journey
Tracing China’s journey began from exploring rural revolution and reconstitutions of community in South China. Spanning decades of rural-urban divide, it finally uncovers China’s global reach and Hong Kong’s cross-border dynamics. Helen Siu traverses physical and cultural landscapes to examine political tumults transforming into everyday lives, and fathom the depths of human drama amid China’s frenetic momentum toward modernity. Highlighting complicity, Siu portrays how villagers, urbanites, cadres, entrepreneurs, and intellectuals—laden with historical baggage—venture forward. But have they victimized themselves in the process? This essay collection, informed by critical social theories and shaped by careful scrutiny of fieldwork and archival texts, is woven by key historical/anthropological themes—culture, history, power, place-making, and identity formation. Siu stresses process and contingency and argues that culture and society are constructed through human actions with nuanced meanings, moral imagination, and contested interests. Challenging the notion that social/political changes are mere linear historical progressions, she traces layers of the past in present realities.
【電子書】When True Love Came to China
Most people suppose that the whole world knows what it is to love; that romantic love is universal, quintessentially human. Such a supposition has to be able to meet three challenges. It has to justify its underlying assumption that all cultures mean the same thing by the word ‘love’ regardless of language. It has to engage with the scholarly debate on whether or not romantic love was invented in Europe and is uniquely Western. And it must be able to explain why early twentieth-century Chinese writers claimed that they had never known true love, or love by modern Western standards. By addressing these three challenges through a literary, historical, philosophical, biographical and above all comparative approach, this highly original work shows how love’s profile in China shifted with the rejection of arranged marriages and concubinage in favour of free individual choice, monogamy and a Western model of romantic love.
【電子書】宪法权利与宪政: 当代中国宪法问题研究
本書是香港大學法律學院舉辦的首屆《中國憲法青年學者論壇》的成果。書中所收集的十多篇大陸和香港青年憲法學者的論文，反映了中國新一代憲法學者對於中國憲法各方面問題的觀點和質疑，把中國憲法研究推到了一個新的層次。在本書所收集的十多篇論文裏，新一代中國青年憲法學者基於他們自身獨特的知識背景、留學經驗和對學術的喜好，以不同的學術方法和風格來探討中國憲法的各方面問題，對憲法問題提出新的觀點、新的批判和質疑，為中國憲政研究提供了新的題材和動力。本書分為四部分：第一部分主要從歷史角度分析中國憲法及憲法理論的發展；第二部分探討憲法中有關勞動權和民生的問題；第三部分對憲法和政治的關係以及中國的違憲審查制度進行研究；第四部分從不同領域的政府制度的角度探討與之相關的憲政問題。本書收錄的論文突破了傳統憲政研究的框架。透過青年學者對中國憲法的各方面問題提出的尖銳批判，本書讓從事中國憲政研究的學者感受到新一代的憲政觀和中國憲法學的未來。
【電子書】当代中国新思虑: 艺术与美学的批判声音
當今中國對國際藝朮市場的陶醉和熱愛正在減退，藝朮和文化界的批判聲音使他們對個人的日常生活作出評估。他們對世界各地的激進動盪，傳統習俗被根除後的持續意義，以至新自由主義的盛行所生產的矛盾等周遭的體驗充滿疑問。本冊的十六章從美學藝朮到戲劇攝影各方面生動地講解“新思慮”。
【電子書】TV Drama in China
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China’’s aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South
【電子書】The Dynamics of Beijing–Hong Kong Relations：A Model for Taiwan？
The author contends that there has been a gradual process of mainlandization of the HKSAR, meaning that Hong Kong is increasingly economically dependent on the People’’s Republic of China (PRC), politically deferent to the central government on the scope and pace of democratic reforms, socially more patriotic toward the motherland and more prone to media self-censorship, and judicially more vulnerable to the interpretation of the Basic Law by the National People’’s Congress. This book aims to achieve a breakthrough in relating the development of Hong Kong politics to the future of mainland China and Taiwan. By broadening the focus of the "one country, two systems" from governance to the process of Sino-British negotiations and their thrust-building efforts, this book argues that the diplomats from mainland China and Taiwan can learn from the ways in which Hong Kong’’s political future was settled
【電子書】Island On The Edge：Taiwan New Cinema and After
This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming).Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation
