’bad’ Women of Bombay Films
'bad' Women of Bombay Films
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分類：英文書＞藝術設計＞電視電影追蹤? 追蹤分類後，您會在第一時間收到分類新品通知。
- 作者： Saswati,Sengupta 追蹤 ? 追蹤作者後，您會在第一時間收到作者新書通知。
- 出版社： Palgrave M 追蹤 ? 追蹤出版社後，您會在第一時間收到出版社新書通知。
- 出版日：2021/01/08
活動訊息
普發一萬放大術：滿千登記抽萬元好禮
大數據幫你找下一本愛書！今天填寫，隔天立刻揭曉！
內容簡介
1. Saswati Sengupta, Shampa Roy and Sharmila Purkayastha: Introduction: Breaking BadThe Disorderly Presence at Home2. Ira Bhaskar: Desire, Deviancy and Defiance in Bombay Cinema (1937-1960)3. Shampa Roy, Saswati Sengupta: "haan, haan mein alaida hoon!" (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962)4. Mrinal Pande: The Goddess of Mean Things: the Mother-in-law in Hindi Films5. Anjali Yadav, Anusha Choudhary, Divya Gupta, Ifsha Zehra, Neha Jaji Varghese, Prachi Khari, Shaifali Singh, Soumya Sharma, Tooba Towfiq, Violina Barman: "ek admi tha, usne shadi karli!" ("There was a man who got married!"): Female Agency and Domestication in Omkara (2006)
The Business of the Body6. Deepika TandonThe Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966)7. Ruth Vanita: Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015)8. Sameera Mehta: The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s9. Neha Yadav: Guns, Gangsters and "Gandagi": the Moll in Hindi Cinema10. Rakesh Shukla: Sex Workers in Hindi Cinema: Imagos and RealitiesThe Question of Violence11. Smita Banerjee: The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963)12. Menka Ahlawat: "itni bhhi mahaan main nahi hoon, raja!" ("I'm not that great, O king"): the Angry Young Woman of the 1970s13. Neha Dixit: Outcast[e] / Outlawed: The Bandit Queen (1996)14. Isha Purkayastha: The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s.15. Nonica Datta: Honoured Mother and 'Honour' Killing: Ammaji in NH10 (2015)
The Advent of the New Woman16. Nupur Mittal: Of Pallus and Pants: Fabricating the New Woman of the New Nation Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955)17. Megha Anwer: Consumer Pleasures and Hindi Cinema's En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011)18. Puja Sen: Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014)19. Abhija Ghosh: Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018). The Screening of the Actress
20. Shikha Kothiyal: "naye naam nit naye roop dhar" (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema21. An Interview with Swara Bhaskar: Playing Anaarkali: Gender, Morality and Erotica.
The Business of the Body6. Deepika TandonThe Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966)7. Ruth Vanita: Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015)8. Sameera Mehta: The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s9. Neha Yadav: Guns, Gangsters and "Gandagi": the Moll in Hindi Cinema10. Rakesh Shukla: Sex Workers in Hindi Cinema: Imagos and RealitiesThe Question of Violence11. Smita Banerjee: The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963)12. Menka Ahlawat: "itni bhhi mahaan main nahi hoon, raja!" ("I'm not that great, O king"): the Angry Young Woman of the 1970s13. Neha Dixit: Outcast[e] / Outlawed: The Bandit Queen (1996)14. Isha Purkayastha: The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s.15. Nonica Datta: Honoured Mother and 'Honour' Killing: Ammaji in NH10 (2015)
The Advent of the New Woman16. Nupur Mittal: Of Pallus and Pants: Fabricating the New Woman of the New Nation Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955)17. Megha Anwer: Consumer Pleasures and Hindi Cinema's En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011)18. Puja Sen: Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014)19. Abhija Ghosh: Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018). The Screening of the Actress
20. Shikha Kothiyal: "naye naam nit naye roop dhar" (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema21. An Interview with Swara Bhaskar: Playing Anaarkali: Gender, Morality and Erotica.
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