1228~1230_世界上最透明的故事2

Under Ten Million? Anything’s Possible!

Under Ten Million? Anything's Possible!
  • 9 1733
    1925
  • 信用卡分期: 60利率  每期 289更多分期
    分期價:除不盡餘數於第一期收取
    30利率 每期578 接受26 家銀行
    60利率 每期289 接受26 家銀行
    30利率  接受26家銀行
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    120利率  接受26家銀行
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    土地銀行、合作金庫、第一銀行、華南銀行、上海銀行、台北富邦、花旗(台灣)銀行、澳盛銀行、臺灣企銀、渣打商銀、滙豐(台灣)銀行、臺灣新光商銀、陽信銀行、聯邦銀行、遠東銀行、元大銀行、玉山銀行、星展銀行、台新銀行、日盛銀行、安泰銀行、中國信託
  • ※ 普發一萬放大術:滿千登記抽萬元好禮
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普發一萬放大術:滿千登記抽萬元好禮

大數據幫你找下一本愛書!今天填寫,隔天立刻揭曉!

內容簡介

The indie horror/fantasy/sci-fi scene has waned slightly since peaking around 2016/2017 ), the accent now firmly on "mockbusters" or disaster movies to the extent that everything else (horror and sci-fi) has been shunted into the sidelines. By indie, I refer to those films made by Asylum (The Global Asylum), Full Moon, Cinetel Films, Castel Films Romania, Nu Image and a host of other names unfamiliar to the average fan. Low-budget features can be produced by the big boys; some hit the jackpot, others fall by the wayside, but at least they're being made. These days, with up to (and over) $200 million being splashed out on the likes of Kong: Skull Island, Jurassic World: Fallen Kingdom, Transformers: The Last Knight, Pacific Rim, Godzilla: King of the Monsters and all those superhero escapades, 10 million can feel like small change. Independent film companies exist in a totally different kind of cinematic universe, quite happy to appeal to its niche audience, providing them (via DVD, TV, streaming, film conventions, FrightFests or a very limited and selected cinema release) with a never-ending supply of cut-price goodies and bypassing the masses, most of who are completely unaware of their existence. Cameron's Avatar? Yeah, great movie. Jim Wynorski's Shockwave? Who? What? Battle Los Angeles? Loved it. Battle of Los Angeles? Eh? Thought there was only Battle Los Angeles. The 7 Adventures of Sinbad? Sorry -surely you mean The 7th Voyage of Sinbad. Mega Piranha? Well, I've heard of Piranha but Mega Piranha? Jurassic City? Are you referring to Jurassic World? For those of us weary of the pretentious, who have become blas矇 to the over-hyped and indifferent to the bloated, are put off by the constant trumpeting surrounding the latest innovations in the field of special effects (and some turn out to be not all that special), or have tired of the parade of self-gratulatory A-listers, products like Hydra, Ice Twisters, Evil Angel, Lake Mungo, Dark Circles, May, The Dinosaur Project, Dr. Moreau's House of Pain, Howl, Ogre, Bigfoot, Autumn, Reptisaurus, Dark Angel: The Ascent, Age of Dinosaurs, Flight 7500, The Reef, Alien Dawn, The Blackout and 2-Headed Shark Attack are like a breath of fresh cinematic air. These features hark back in many ways to the innocence, zeal and creativeness displayed in the fantasy output of the '50s and '60s, the genre's golden decades. Disaster, end-of-world, outer space, aliens, vampires, werewolves, zombies, teen horror, Frankenstein, serial killer, slasher/splatter, torture-porn, psychological drama, medical horror, other worlds, ghosts, mad doctors, the supernatural, asylums, haunted houses, dinosaurs, mutated insects, lost/found footage, weather formations, giant reptiles and mega sharks---you name it, it's probably been covered by an indie outfit somewhere; there's something to cater to everyone's tastes, a tasty diet of enriching, altogether more divergent, fodder which otherwise would never have been made or seen the light of day. After all, would any of the big motion picture companies take the financial risk of tackling something as unconventional as The Human Centipede (First Sequence) and its two disgusting sequels? I think not. And as for Nude Nuns with Big Guns ...!


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詳細資料

詳細資料

    • 語言
    • 英文
    • 裝訂
    • 紙本平裝
    • ISBN
    • 9781644301333
    • 分級
    • 普通級
    • 頁數
    • 0
    • 商品規格
    • 出版地
    • 美國
    • 適讀年齡
    • 全齡適讀
    • 注音
    • 級別

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