Jacqueline Poncelet
Jacqueline Poncelet
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分類:英文書>藝術設計>美術/美學>繪畫追蹤? 追蹤分類後,您會在第一時間收到分類新品通知。
- 作者: Jacqueline,Poncelet 追蹤 ? 追蹤作者後,您會在第一時間收到作者新書通知。
- 出版社: Hurtwood Press 追蹤 ? 追蹤出版社後,您會在第一時間收到出版社新書通知。
- 出版日:2025/04/30
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內容簡介
The first trade monograph on London- and South Wales-based mixed-media artist Jacqueline Poncelet (b. 1947, Li癡ge, Belgium), surveying 50 years of the artist's practice exploring material, shape, form, and pattern in urban and rural contexts. This, the first monograph on acclaimed London- and South Wales-based artist Jacqueline Poncelet (b. 1947, Li癡ge, Belgium), surveys 50 years of the artist's practice. Working across diverse media, Poncelet transforms patterns from urban and rural contexts, exploring how fashions play out in the ways humans dress, decorate living spaces, and shape architecture.
Having trained in ceramics, Poncelet moved into sculpture, painting, and textiles before turning to public commissions. The publication presents works from different eras, including small-scale ceramics from the 1970s, large, brightly colored paintings and textiles from the 1990s, as well as woven textiles, watercolors, and wallpapers made in the 2020s.
The publication, which includes documentation of In the Making, an exhibition by Poncelet at MIMA, Middlesbrough Institute of Modern Art, in 2024, features a foreword by Laura Sillars; an essay by Elinor Morgan; texts by Salena Barry, Claire Doherty, and Penelope Curtis; and an interview by Hettie Judah.
Having trained in ceramics, Poncelet moved into sculpture, painting, and textiles before turning to public commissions. The publication presents works from different eras, including small-scale ceramics from the 1970s, large, brightly colored paintings and textiles from the 1990s, as well as woven textiles, watercolors, and wallpapers made in the 2020s.
The publication, which includes documentation of In the Making, an exhibition by Poncelet at MIMA, Middlesbrough Institute of Modern Art, in 2024, features a foreword by Laura Sillars; an essay by Elinor Morgan; texts by Salena Barry, Claire Doherty, and Penelope Curtis; and an interview by Hettie Judah.
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