The Uncollected Louis Zukofsky
A goldmine of treasures grant access into this twentieth century modernist poet's extraordinary work. Includes unpublished essays, drama, and poetry that enhances Zukofsky's stature withing the revolutionary modernist movement. The American poet Louis Zukofsky (1904-1978) was a master craftsman in a wide range of forms both traditional and invented. He was a crucial bridge between the "high" modernism of Eliot, Pound, Stein, Stevens, Williams, and Moore and various postwar innovative schools. The Uncollected Louis Zukofsky gathers a variety of his works, some long out of print, some never before published, in diverse genres. The centerpieces of this collection are two substantial works--the play Arise, Arise and the pamphlet-length version of First Half of "A"-9--but these texts are complemented by a rich selection of Zukofsky's uncollected poems, translations, and prose works as well as some fascinating musical arrangements of passages from "A." Contextualized by notes and a critical introduction by the editors, The Uncollected Louis Zukofsky is a must-read for anyone interested in twentieth-century poetry and poetics.
Peach Pit Coraz籀n
Judith Ortiz Cofer (1952-2016), a prominent Latina writer, was, among various recognitions, nominated for a Pulitzer Prize for her 1989 first novel, The Line of the Sun (Georgia); awarded the coveted O. Henry Prize for her short story "The Latin Deli" in 1994; and inducted into the Georgia Writer's Hall of Fame in 2010. Beginning her literary career as a poet, Ortiz Cofer was a prolific writer of novels, short stories, and creative nonfiction essays, often inspired by her diverse cultural background. She was born in Hormigueros, Puerto Rico, and moved to Paterson, New Jersey, as a child in the mid-1950s. In Paterson, she witnessed the rise of a Puerto Rican community. During her early teenage years, her family left for Augusta, Georgia, the state where she put down roots. She joined the English Department at the University of Georgia in 1984, eventually being named the Franklin Professor of English and Creative Writing, before retiring from teaching in 2014. Her work often engaged with the intersections of the various geographies, cultures, and languages of the places she called home throughout her life. Rafael Ocasio's critical introduction and commentary on representative literary pieces are guided by interviews conducted during his twenty-seven-year friendship with Ortiz Cofer. One common subject of their conversations, as they joked, was labeling themselves as "Georgia-Ricans." From a temporal hindsight point of view, as a Georgia-Rican writer, Ortiz Cofer recalls events that led to her rise as a Latina writer who was celebratory of a Latinx identity, a multiethnic community that comprised a range of socioeconomic backgrounds, while also being critical of their traditional binary concepts pertaining to gender and sexual orientations.
Porque Estamos Aqu穩
A future classic collection of Puerto Rican feminist writing that spans time, terrain, and phases, invokes voices across generations and fields, and bridges island and diaspora.In her years of scholarship and activism with fellow Puerto Rican feminists, editor Jessica N. Pab籀n-Col籀n reached for a feminism to ground her work and validate the women who paved her way--but in her search for a specific tradition of Puerto Rican feminism, what she found were gaps, disappearances, and unanswered questions. Despite the presence of Puerto Ricans in US pop culture and the long history of Boricua resistance to US subjugation, both on the archipelago and in the diaspora, she did not find a feminist lens to link the myriad identities and geographies of Ricanness or to focus critique on Puerto Rico's status as an American neo-colony.Counteracting such erasure, Porque Estamos Aqu穩 maps Boricua feminisms of the past, the present, and the future, defining what it means to be a "bad subject" of US empire. Engaging in radical collectivity, Pab籀n-Col籀n joins forces with Puerto Rican scholars, memoirists, artists, and activists--including feminist legends like Aurora Levins Morales and political trailblazers like Rosa Clemente--to ground this anthology in a tradition of resistance to empire at home. Through essays, roundtables, historiographies, poems, and other cross-genre writing, Porque Estamos Aqu穩 asserts that Puerto Rican feminists are undeniably, irreducibly here and will guide generations of our shared movement for years to come.
A River Dream
An anthology and tribute to a unique independent publisher, Clark City Press. In 1987, the painter and author and fly fisherman Russell Chatham, renowned for his stunning landscape paintings and his appetite for life, decided to take control of his own career by creating a publishing house in Livingston, Montana. As one does, at least if they are Russell Chatham. "Control" was probably the wrong concept--for the next five years, Clark City Press was the chaotic home of beautifully produced works by an eclectic, talented collection of writers and artists, many of them given a painting in lieu of a publishing advance. What began as an effort to publish Chatham's own work and that of his friends (a large and varied group) in elegant trade paperbacks morphed into something grander and more wayward. Chatham could talk almost anyone into anything, and before the press imploded, all sorts of people said yes: Barry Gifford signed on for A Good Man to Know, a fictionalized memoir about his gangster father, Jim Harrison traded paintings for The Theory & Practice of Rivers and Just Before Dark, and Rick Bass wrote about the first wolves to resettle the continental United States in The Ninemile Wolves. Clark City Press published Thomas McGuane on fishing and memory, Guy de la Valdene on hunting woodcock, Richard Hugo's only mystery, James Crumley's short stories, and Peter Stackpole's Life photos from the golden age of Hollywood. In A River Dream, Clark City's former editor, novelist Jamie Harrison, has collected some of the best of the press's prose, art, and poetry, in a glorious celebration of a small and lost world.
Inside Harare Alcatraz and Other Short Stories
''Inside Harare Alcatraz and Other Short Stories affords Andrew Chatora to tell his story with more urgency than before. Chatora roars into centre stage with this charmed confluence of the novella, the essay, the treatise, the short story and the vignette. Here is a collection to startle you out of your complacency.''--Memory Chirere, University of ZimbabweIn his fourth literary offering, Andrew Chatora gives us eleven stories written in a wide range of settings and painting the lives of Zimbabweans from different walks of life. From the impenetrable Harare prison to the working class Mutare and its domain of shebeen queens to suburban Harare and a politically charged United Kingdom in a post Brexit world, Chatora takes the reader on a grand tour of outrage. Notwithstanding the shifts in scene and setting, these stories have one pervasive theme in common - they capture the suffocation and desperation of Zimbabwe and her Diaspora and fully describe the precariousness of living in environments that are increasingly hostile."Inside Harare Alcatraz and Other Short Stories" transcends the grass is never greener perspective with a nuanced interrogation of the socio-political realities of its characters. Chatora fashions a diverse cast of characters whose complexities and eccentricities evoke the utmost in us. Endorsement: Chatora writes exceptionally well on Black identity and Black experience and what it means to try and walk straight in a crooked white world.─DAVID CHASUMBA(2023) NAMA Prize winner and author of The Mad Man of First Street and Other Short StoriesAbout the Author: Andrew Chatora grew up in the dusty streets of Dangamvura, Mutare, Zimbabwe for which he has an enduring fondness. He acknowledges it is from those formative years he got his inspiration to write, and his humble upbringing engendered his groundedness and affinity for the downtrodden and ordinary folks. Andrew also equally credits his mother for being a great storyteller, who incidentally was the repository of his early story arcs. Chatora has published three novels and is currently working on his fourth novel: Born Here, But Not In My Name. Chatora's work is critically acclaimed for its depiction of migrants and the many challenges they face. He writes well on Black identity, the Black experience and what it means to try and walk straight in a crooked white world. Chatora's third book Harare Voices and Beyond was favourably received globally and selected for a Wayfarer's Intralingo book club nomination.
Writing the Southwest
First published in 1995, this assemblage of interviews, bibliographies, excerpts, and criticism on fourteen of the Southwest's most important authors has been updated and expanded. The accompanying 74-minute compact disc provides excerpts from the authors. Tony Hillerman discusses how blindness in the army helped shape his writings; Terry McMillan explains her start as a writer and why she thought, when she was young, that African-Americans didn't write books. Each recorded interview ranges from 4 to 10 minutes.Reviews of the first edition: "Much more than an ordinary compilation. . . . A vivid composite of the region's best-known writers, Writing the Southwest is an excellent sampling of unique viewpoints and deep roots."-Publishers Weekly"The writers included here . . . represent the vital ethnic mixture of the Southwest past and present. . . . For modern literature students, as well as those who are curious about the backgrounds of some of their favorite writers, this is a good choice."--Kliatt
Writing the Southwest
First published in 1995, this assemblage of interviews, bibliographies, excerpts, and criticism on fourteen of the Southwest's most important authors has been updated and expanded. The accompanying 74-minute compact disc provides excerpts from the authors. Tony Hillerman discusses how blindness in the army helped shape his writings; Terry McMillan explains her start as a writer and why she thought, when she was young, that African-Americans didn't write books. Each recorded interview ranges from 4 to 10 minutes.Reviews of the first edition: "Much more than an ordinary compilation. . . . A vivid composite of the region's best-known writers, Writing the Southwest is an excellent sampling of unique viewpoints and deep roots."-Publishers Weekly"The writers included here . . . represent the vital ethnic mixture of the Southwest past and present. . . . For modern literature students, as well as those who are curious about the backgrounds of some of their favorite writers, this is a good choice."--Kliatt
Bad Americans
Summer 2020: the Covid-19 Pandemic is raging. A reclusive billionaire, Olive Mixer, calls twelve diverse & lonely Americans to his mansion complex in the Hamptons: nurses, lawyers, mechanics, social workers, students, financial analysts, soldiers, Uber drivers, engineers, hair salon operators. During the day, the guests meet, compete, date, dine, flirt and fight. Each night, one must tell the group a story.Their tales range widely in subject, style, length and decorum. Many stories respond to each other. They trigger passionate debate and fiery resistance. They change how characters perceive each other and affect the trajectory of the frame narrative. They make us ponder the nature of storytelling itself.Bad Americans is part Boccaccio and part The Bachelor, but it is a creation all its own. Both a novel and short story collection, Bad Americans is at once a powerful portrait of the American pandemic experience and an examination of narrative itself. Bad Americans: Part I includes the frame narrative and the first six stories. Bad Americans: Part II will conclude the frame narrative and include six additional stories. These two books are the second and third volumes of the profound and daring anthology series The Human Tragedy, following the subversive classic Good Americans.
Bad Americans
Summer 2020: the Covid-19 Pandemic is raging. A reclusive billionaire, Olive Mixer, calls twelve diverse & lonely Americans to his mansion complex in the Hamptons: nurses, lawyers, mechanics, social workers, students, financial analysts, soldiers, Uber drivers, engineers, hair salon operators. During the day, the guests meet, compete, date, dine, flirt and fight. Each night, one must tell the group a story.Their tales range widely in subject, style, length and decorum. Many stories respond to each other. They trigger passionate debate and fiery resistance. They change how characters perceive each other and affect the trajectory of the frame narrative. They make us ponder the nature of storytelling itself.Bad Americans is part Boccaccio and part The Bachelor, but it is a creation all its own. Both a novel and short story collection, Bad Americans is at once a powerful portrait of the American pandemic experience and an examination of narrative itself. Bad Americans: Part I includes the frame narrative and the first six stories. Bad Americans: Part II will conclude the frame narrative and include six additional stories. These two books are the second and third volumes of the profound and daring anthology series The Human Tragedy, following the subversive classic Good Americans.
Crisis of the Weimar Republic
Contents: The Uncompleted World of the Revolution & the Origins of the Dispute Over the Princes' Properties; The First Stages of the Controversy, Nov. 1925 to Jan. 1926: The Communists Set the Pace; The Social Democratic Party Astride Two Horses: The SPD's Decision to Support the Referendum, Jan., 1926; The Dilemma of the Middle Parties: Could the Reichstage Find an Alternative to the Initiative Proposal? Jan.-March, 1926; "The Center Party Must Remain the Center Party"; From the Initiative to the Referendum, March-June, 1926: Chances for Parliamentary Action Fade; & The Failure of the Referendum & Its Aftermath.
Order Microsauria
This volume discusses in particular the suggested relationship of microsaurs with reptiles and the determination of the ancestry of the various groups of living amphibians. Twenty-five general of microsaurs are recognized in this work. Contents: History of the Microsaur Concept; Definition of Micrausaurs; Methods of Study; Taxonomy; Systematic Description; Comparative Anatomy; Relationships of Microsaurs; Geological and Geographical Distribution and Biology of Microsaurs; Summary; and References Cites. Illustrations.
Italian Weights and Measures
Unlike most metrological systems throughout W. Europe, the Italian developed during the Middle Ages (MA) & Early Modern era without any ref. to a commonly accepted set of nat.-ethnic standards. Italy, with its many kingdoms, duchies, communes, etc., was never able to attain any level of metrological standardization outside the confines of severely restricted, small, independent, political jurisdictions. Not until unification in 1871, were Italian weights & measures (W&M) given a totally nat. character. And it was the metric system, & not a conglomerate of units from the old, that finally accomplished the task. This book presents a quantitative compilation, synthesis, & analysis of the principal pre-metric W&M employed throughout Italy & in those areas controlled or influenced by Italy from the Later MA to the age of metrication in the later 19th cent. Tables.
Science and Society in Early America
These 12 essays reflect Dr. Bell's interests not only as a distinguished scholar of Benjamin Franklin & of the cultural & scientific life of early Amer., but also as Librarian & Exec. Officer of the APS. Contents: Remarks by Jonathan Rhoads; Biographical Sketch of Dr. Bell, with Selected Biblio.; Benjamin Franklin,"The Old England Man" by Esmond Wright; Frustration & Benjamin Franklin's Medical Books, by Edwin Wolf 2nd; William Byrd Reports on His Mission to the Cherokee in 1758, by W. W. Abbot; The Men of '68: Graduates of Amer's. First Medical School, by Randolph Klein; The Search for the State House Yard Observatory, by Silvio Bedini; Benjamin Henry Latrobe, "Learned Engineer," The APS, & the Promotion of Useful Knowledge & Works, 1798-1809, by Edward Carter II; The Phila. Soc. For Alleviating the Miseries of Public Prisons, 1787-1829, by Marvin Wolfgang; Cotton Textiles & Industrialism, by Thomas Cochran; The Amer. Industrial Revolution Through its Survivals, by Brooke Hindle; A Catalog of Books Belonging to Benjamin Smith Barton, by Joseph Swan; Foreign Membership of Biological Scientists in the APS During the 18th & 19th Cent., by Bentley Glass; & Louis Agassiz as an Early Embryologist in Amer., by Jane Oppenheimer. Illus.
Old Provencal Versification
The major portion of this study is devoted to the lyric poems of the 12th & 13th century which constitute Southern France's greatest contribution to world literature. Nevertheless, chronology requires that this study begins by glancing briefly at two narrative pieces, the oldest Provencal poems of which we have any knowledge. Contents: The Earliest Provencal Verse: "Boeci," & the "Chanson de Sainte Foy"; Guilhem VII, Comte de Peitieu (or Peiteus); Marcabru; Marcabru's Contemporaries; "Trobar clus"; "Trobar leu"; The Generation of '80; Thematic Genres in the 13th Century; Genres Based on Form; Non-lyric Genres; & Bibliography.
Southern Literary Messenger
Dive into the rich tapestry of 19th-century American literature with volumes 26-27 of the "Southern Literary Messenger". This esteemed periodical, "Devoted To Every Department Of Literature And The Fine Arts," showcases a diverse collection of writings from prominent figures such as Edgar Allan Poe, James E. Heath, Thomas W. White, Benjamin Blake Minor, John Reuben Thompson, George William Bagby, and Frank H. Alfriend.Originally established by Thomas W. White in 1834, the "Southern Literary Messenger" became a vital platform for Southern writers and intellectuals, featuring a wide range of genres, including short stories, poetry, essays, and literary criticism. These volumes offer a unique glimpse into the literary tastes and cultural concerns of the antebellum South, providing valuable insights into the region's history and intellectual life. Experience the enduring appeal of this important literary journal and rediscover the voices that shaped American letters.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Henry at Work
What Thoreau can teach us about working--why we do it, what it does to us, and how we can make it more meaningful Henry at Work invites readers to rethink how we work today by exploring an aspect of Henry David Thoreau that has often been overlooked: Thoreau the worker. John Kaag and Jonathan van Belle overturn the popular misconception of Thoreau as a navel-gazing recluse who was scornful of work and other mundanities. In fact, Thoreau worked hard--surveying land, running his family's pencil-making business, writing, lecturing, and building his cabin at Walden Pond--and thought intensely about work in its many dimensions. And his ideas about work have much to teach us in an age of remote work and automation, when many people are reconsidering what kind of working lives they want to have. Through Thoreau, readers will discover a philosophy of work in the office, factory, lumber mill, and grocery store, and reflect on the rhythms of the workday, the joys and risks of resigning oneself to work, the dubious promises of labor-saving technology, and that most vital and eternal of philosophical questions, "How much do I get paid?" In ten chapters, including "Manual Work," "Machine Work," and "Meaningless Work," this personal, urgent, practical, and compassionate book introduces readers to their new favorite coworker: Henry David Thoreau.
J.m. Bellew's Readings From American Authors
J.M. Bellew's Readings from American Authors presents a curated selection of prose and poetry from prominent American writers of the 19th century. Compiled by John Chippendall Montesquieu Bellew, this collection offers a rich tapestry of literary voices that shaped the American identity. From classic essays to evocative poems, the anthology showcases the diverse styles and perspectives prevalent during a formative period in American history. This volume serves as an invaluable resource for students, scholars, and anyone interested in exploring the depths of American literary heritage. Rediscover timeless works and gain insights into the cultural and intellectual landscape of 19th-century America through the words of its most influential authors. "J.M. Bellew's Readings" provides a window into the past, illuminating the enduring power of American literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
J.m. Bellew's Readings From American Authors
J.M. Bellew's Readings from American Authors presents a curated selection of prose and poetry from prominent American writers of the 19th century. Compiled by John Chippendall Montesquieu Bellew, this collection offers a rich tapestry of literary voices that shaped the American identity. From classic essays to evocative poems, the anthology showcases the diverse styles and perspectives prevalent during a formative period in American history. This volume serves as an invaluable resource for students, scholars, and anyone interested in exploring the depths of American literary heritage. Rediscover timeless works and gain insights into the cultural and intellectual landscape of 19th-century America through the words of its most influential authors. "J.M. Bellew's Readings" provides a window into the past, illuminating the enduring power of American literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Life, Literature and Legacy of Luis J. Rodr穩guez
Luis Rodr穩guez is a prominent Latinx poet, memoirist and activist renowned for his candid visceral accounts of urban working-class life that includes youth gang violence, incarceration and drug abuse, gruelling factory work and union organising activities and collective approaches to redemption and political empowerment, which have resonated across multiple communities in the United States and abroad. Accordingly, whilst Rodr穩guez has been the focus of some critical scholarship, huge segments of his life, work and legacy remain unexamined. This anthology has commissioned new and unique critical essays and reflections on Rodr穩guez's life and works, putting forward new ideas about bringing the voices of 'barrio organic intellectuals' to the fore. The anthology deliberately includes traditional academics as well as more public intellectuals and creative writers from across Europe and the Americas to reflect Rodriguez's own diverse outputs as a prisoner author and activist.
Finding June
For June Walker, time is running out. All her life, she's lived for her children, but now her family's falling apart. Her husband, Nick, who used to be fun, has turned grumpy. Worse, he's retiring to take care of her. Sure, she's getting forgetful, but having Nick fuss over her is the last thing she wants. June's son, Jonathan, is an alcoholic. Estranged from the family, he's moved far away from the Toronto area to BC. June's daughter, Martha, has inherited her father's work ethic and has made partner in the same law firm, but missed out on the fun gene.June wishes and hopes her daughter will brighten, her son will return, at times believing they are still young and happy. But, day by day even the simplest tasks become increasingly baffling - how does she get into this bra? But despite the dementia that's eating away at her mental acuity - or because of it - she might yet succeed in pulling her family together before her time runs out altogether. It's June's daughter, Martha, who ultimately has to take on managing everything. Martha's twin brother, Jonathan, says he'll come help, but then ghosts her for months.When Jonathan does show up, he's in recovery and comes bearing surprises: a husband and a child. Martha's certainly not shocked about the husband. But the child - how unfair! Martha can't have children. Yet irresponsible, feckless Jonathan breezes in as if to save the day (to their mom's delight!), with the world's cutest little girl in tow.Martha's father, Nick, has his own struggles, especially after he moves himself and June into a retirement home. June gets the care she needs, but Nick feels his life narrowing to a depressing pinch point.Jonathan's presence provides some relief. Nick's had a fraught relationship with him, but June's decline provides perspective, and Nick finds it easy to remember his love for his son. If Jonathan could only stay with them... But he can't, and Nick has to find who he is by himself and get his mojo back without a granddaughter to restore his youth.It's Martha who travels furthest. At the start, she tries to almost bully her mother into a healthier lifestyle, bringing kale salads and other nutritious inedibles. Meanwhile, Martha's own life narrows even more. Her marriage exhausts itself, with barely enough energy for rancour.But Martha, always closer to her father, begins to forge a new relationship with her mother, even as June's mind slips away. Martha also comes to terms with her jealousies - yes, their mother cared more for Jonathan, but only because he needed her more, and of course his daughter is irresistible. If Martha can't be a mother, she can at least be an aunt.Will the family pull together to face June's decline?
Southern Literary Messenger
The "Southern Literary Messenger, Volume 29," presents a captivating snapshot of 19th-century American literature and thought. This volume showcases a diverse collection of writings, reflecting the intellectual and cultural landscape of the era. As a prominent literary journal, it features short stories, poems, essays, and reviews that capture the spirit of the times.Edited, in part, by Edgar Allan Poe, the "Southern Literary Messenger" offers readers a glimpse into the literary tastes and intellectual debates of the period. It remains a valuable resource for scholars and enthusiasts interested in American literary history and the development of Southern literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Southern Literary Messenger
The "Southern Literary Messenger, Volume 29," presents a captivating snapshot of 19th-century American literature and thought. This volume showcases a diverse collection of writings, reflecting the intellectual and cultural landscape of the era. As a prominent literary journal, it features short stories, poems, essays, and reviews that capture the spirit of the times.Edited, in part, by Edgar Allan Poe, the "Southern Literary Messenger" offers readers a glimpse into the literary tastes and intellectual debates of the period. It remains a valuable resource for scholars and enthusiasts interested in American literary history and the development of Southern literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Out of the Woods
Out of the Woods: Voices from the Forest City - An Anthology from London Writers SocietyNestled amidst the lush forests of London, Ontario and its surrounding communities, a vibrant tapestry of voices emerges from the trees. Out of the Woods brings together an extraordinary collection of stories and poems-each one a testament to the power of storytelling and the diverse perspectives of writers in the London Writers Society.Curated by acclaimed author Emma Donoghue (Room, The Pull of the Stars, The Wonder, The Paris Express) and featuring a foreword by award-winning Canadian author Terry Fallis, this anthology offers a rare glimpse into the minds of 35 established and emerging authors. From historical dramas and contemporary slices of life to lyrical poetry and gripping speculative fiction, the works within Out of the Woods reflect the breadth and depth of our shared human experience.Featuring works by: Nancy Abra, J.R. Boudreau, Charlotte H. Broadfoot, Laurie Browne, Krista Carson, Trudy Cloudt, Donna Costa, Emily De Angelis, Michael Ross Dolan, C.J. Frederick, Bess Hamilton, Stacie Hanson, Catherine Heighway, V. Gregory Houlton, Mackenzie Howson, Eleanor Huber, Barbara Johnson, Mari Johnson, Caroline Kaiser, Diane Kirby, Christine Langlois, Bruce Lord, Adam Love, Brenda Martin, Mary Lou McRae, Dominique Millette, Martha Morrison, J. Edward Orchard, Janice Phillips, Jayn Reed, Stephanie Reisler, Jan Sims, George Allan Tucker, Heather Vanderkam, and Laura Wythe.Praise for Out of the Woods"Out of the Woods is a harvested banquet-the impressively varied fruits of new writing from London. Whether telling stories that are historical, futuristic, or urgently contemporary, in fiction, poetry, or narrative non-fiction, these voices speak movingly about a wide range of lives." Emma Donoghue, award-winning author and screenwriter"The London Writers Society deserves the thanks of every reader for creating its inaugural anthology, Out of the Woods. I enjoyed its variety." Douglas Gibson, Canadian publisher, editor, and author
Freelancer
In the vibrant yet unforgiving world of Ottawa's art scene, Alex Emin-a struggling artist haunted by family trauma and romantic failures-fights to carve out his legacy while navigating the shadows of great creators like Michelangelo and Picasso. As he wrestles with ambition, love, and identity, Alex's journey unfolds as a raw and introspective exploration of the human spirit, blending the grit of modern realism with the timeless struggles of literary heroes. Freelancer is a poignant and richly textured tale of resilience, artistry, and the search for meaning in a world that demands both beauty and survival. ★★★★★ Praise for FREELANCER: "Freelancer is a tour de force-a novel that captures the soul of an artist and the struggles of living for your craft. CristianS. Aluaș has created a work that is both deeply personal and universally relatable." "Freelancer is a powerful story of an artist's heart and hustle. Aluaș crafts a tale that feels personal yet speaks to everyone." Cristian S. Aluaș, acclaimed author and artist, invites readers into the raw, unfiltered world of FREELANCER a gripping novel that explores the struggles, triumphs, and heartbreaks of a young artist. Set against the backdrop of Ottawa's art scene, FREELANCER is a deeply personal and evocative tale of Alex Emin, a comic book illustrator and painter whodreams of transcending his freelance gigs to achieve artistic greatness. Through vivid prose and poignant storytelling, Aluaș captures the essence, the sacrifices, and the demands of the creative spirit. The novel delves into themes of love, identity, and resilience, as Alex (a first generation immigrant) grapples with the complexities of relationships, the weight of family history, and the relentless pursuit of recognition. From intimatemoments of vulnerability to the adrenaline of art shows, FREELANCER paints a vivid portrait of the artist's journey-one marked by passion, self-doubt, and the unyielding drive to create. Cristian S. Aluaș brings authenticity to the narrative, drawing from his own experiences in the art world. His ability to blendfiction with the raw realities of creative life makes FREELANCER a compelling read for artists, dreamers, and anyone whohas ever dared to chase their passion. Featuring one of the most poetic beginnings and one of the most memorable endings. Excerpt: Dreams are funny...I neared the driver's side of my father's truck, like a police officer giving a ticket. His window was open. I leaned my head in close to his. His bitter breath stung my nostrils but I welcomed it. He was out of breath. It felt like I was catching him at time of death. My face was close to his, nearly cheek-to-cheek and eye-to-eye. What he said next, he said without moving his lips. He spoke in neither Romanian nor English. He spoke in the most altruistic spirit I've ever heard from him. I wish you and this young lady well, he said. I want you to be as happy together as you could possibly be.And that's when I woke up crying and angry. Angry that he was never willing to be hopeful like that when he was alive. And crying just because love hurts sometimes. About the Author: Cristian S. Aluaș is a Romania-born Canadian artist and writer, now residing in Chicago. With a backgroundin animation and creative writing, he has thrived as a freelancer since 2002, earning over a thousand five-starreviews on platforms like Upwork for his work in illustration and comics. He's the creator of the "Big Boss"graphic novel series and author of IT'S A LIVING: Surviving as a Freelancer in the 21st Century. He nowlaunches FREELANCER, a compelling novel that intertwines his experiences as a freelance artist with apoignant story of ambition, love, and self-discovery.
I Am Cuba
"A high-stakes historical thriller where personal and political forces collide, with the cost of freedom measured in blood and secrets." In 1959 Cuba, a secret lies buried beneath the island's sunbaked soil-one that has fueled Fidel Castro's meteoric rise to power. Deep in the Guant獺namo province rests the lost city of Atlantis and its mysterious mineral, Orichalcum, a discovery Jos矇 Vasquez made as a boy and shared only with his childhood friend, Fidel. Now, as Castro's revolution reshapes the nation, Jos矇's daughter Isabella finds herself at the center of a dangerous game of international espionage.Raised as Castro's beloved goddaughter, Isabella believes in the revolution until she discovers the true cost of her father's discovery. When she meets Gabriel, a charismatic stranger with hidden ties to her family and the American government, their forbidden attraction forces both to question their loyalties. Together, they uncover a web of deception spanning generations, one that has turned Cuba into a chessboard where two superpowers wage their Cold War battles.As Isabella delves deeper into the mystery of Orichalcum, she realizes that her godfather's vision for Cuba may destroy the very island he claims to protect. With time running out and the world's most powerful nations circling, Isabella and Gabriel must choose between duty to their countries and their growing love for each other. Their choices will determine not just their own fate but the destiny of Cuba and the entire Caribbean region.In this sweeping tale of love, betrayal, and revolution, magic and reality intertwine as Isabella fights to protect both her homeland and the ancient power that lies beneath it. But in a world where every ally could be an enemy, the truth becomes the deadliest weapon of all.
The Second Coming
"The Second Coming: A Vision" is a collection of poetry that blends spiritual themes with profound imagery. Written by Frederic Arnold Kummer and Henry P. Janes, this volume explores themes of faith, revelation, and the potential for renewal through evocative verse. The poems delve into the mysteries of existence and offer a unique perspective on the promise of divine intervention.Perfect for readers interested in classic American poetry, spiritual exploration, and the power of visionary writing, "The Second Coming" invites contemplation and reflection on the eternal questions of life and belief. Kummer and Janes craft a compelling narrative through their combined poetic voices, making this a timeless addition to any poetry lover's collection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Second Coming
"The Second Coming: A Vision" is a collection of poetry that blends spiritual themes with profound imagery. Written by Frederic Arnold Kummer and Henry P. Janes, this volume explores themes of faith, revelation, and the potential for renewal through evocative verse. The poems delve into the mysteries of existence and offer a unique perspective on the promise of divine intervention.Perfect for readers interested in classic American poetry, spiritual exploration, and the power of visionary writing, "The Second Coming" invites contemplation and reflection on the eternal questions of life and belief. Kummer and Janes craft a compelling narrative through their combined poetic voices, making this a timeless addition to any poetry lover's collection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Tales And Poems Of Edgar Allan Poe
Dive into the macabre world of Edgar Allan Poe with this essential collection of his most chilling tales and haunting poems. This volume, featuring 'Tales of Humour, ' showcases Poe's versatile genius, from the darkly comedic to the profoundly unsettling. Explore the depths of human psychology through iconic works such as 'The Tell-Tale Heart, ' 'The Cask of Amontillado, ' and 'The Fall of the House of Usher, ' each a masterpiece of suspense and psychological horror. Complementing these tales are Poe's timeless poems, including 'The Raven, ' 'Annabel Lee, ' and 'The Bells, ' renowned for their musicality, melancholic beauty, and exploration of themes of love, loss, and the supernatural. This collection, curated with an introduction by John Henry Ingram, offers a comprehensive overview of Poe's literary contributions, solidifying his place as a cornerstone of American literature and a master of the Gothic tradition. Perfect for both longtime admirers and new readers, this edition captures the enduring power and haunting allure of Edgar Allan Poe.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Works
This second volume of Edgar Allan Poe's "Works," edited by John Henry Ingram, offers a comprehensive look into the brilliant and often tormented mind of one of America's most iconic writers. Containing a selection of Poe's most celebrated short stories, poems, and critical essays, this collection showcases the breadth and depth of his literary genius. From the haunting verses of "The Raven" to the chilling prose of "The Fall of the House of Usher," readers will rediscover the stories that have captivated audiences for generations. Ingram's insightful annotations provide valuable context, shedding light on Poe's life, influences, and creative process. This volume is an essential addition to any literary collection, offering a timeless exploration of the dark and mysterious realms of the human psyche.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Tales And Poems Of Edgar Allan Poe
Dive into the macabre world of Edgar Allan Poe with this essential collection of his most chilling tales and haunting poems. This volume, featuring 'Tales of Humour, ' showcases Poe's versatile genius, from the darkly comedic to the profoundly unsettling. Explore the depths of human psychology through iconic works such as 'The Tell-Tale Heart, ' 'The Cask of Amontillado, ' and 'The Fall of the House of Usher, ' each a masterpiece of suspense and psychological horror. Complementing these tales are Poe's timeless poems, including 'The Raven, ' 'Annabel Lee, ' and 'The Bells, ' renowned for their musicality, melancholic beauty, and exploration of themes of love, loss, and the supernatural. This collection, curated with an introduction by John Henry Ingram, offers a comprehensive overview of Poe's literary contributions, solidifying his place as a cornerstone of American literature and a master of the Gothic tradition. Perfect for both longtime admirers and new readers, this edition captures the enduring power and haunting allure of Edgar Allan Poe.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Norton Anthology of African American Literature
The Norton Anthology of African American Literature brings together an extraordinary array vast in scope and deep in cultural and historical significance. Preeminent scholar and public intellectual Henry Louis Gates Jr., who presided over the book's creation in the 1990s, continues as general editor, working with a team of highly respected and creative period editors to keep the anthology teachable, up to date, and authoritative.This long-anticipated Fourth Edition, available in both print and ebook formats, introduces new works in every period, in particular a generous selection of the brilliant writing by African Americans in the twenty-first century.
Works
This second volume of Edgar Allan Poe's "Works," edited by John Henry Ingram, offers a comprehensive look into the brilliant and often tormented mind of one of America's most iconic writers. Containing a selection of Poe's most celebrated short stories, poems, and critical essays, this collection showcases the breadth and depth of his literary genius. From the haunting verses of "The Raven" to the chilling prose of "The Fall of the House of Usher," readers will rediscover the stories that have captivated audiences for generations. Ingram's insightful annotations provide valuable context, shedding light on Poe's life, influences, and creative process. This volume is an essential addition to any literary collection, offering a timeless exploration of the dark and mysterious realms of the human psyche.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Library of American Literature, From the Earliest Settlement to the Present Time
"A Library of American Literature, From the Earliest Settlement to the Present Time," compiled by Edmund Clarence Stedman, Ellen Mackay Cortissoz, and Arthur Stedman, stands as a comprehensive anthology showcasing the breadth and depth of American literary expression. Spanning from the nation's earliest days to the late 19th century, this collection offers readers a rich tapestry of voices, styles, and perspectives that have shaped the American literary landscape. This extensive library features selections from prominent poets, novelists, essayists, and orators, providing invaluable insights into the cultural, social, and political currents that have defined the United States. Readers will discover both celebrated classics and lesser-known gems, carefully curated to offer a balanced and representative view of American literary achievements. This collection remains a vital resource for students, scholars, and anyone interested in exploring the rich heritage of American letters. Its historical significance and literary merit ensure its enduring appeal for generations to come.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Library of American Literature, From the Earliest Settlement to the Present Time
"A Library of American Literature, From the Earliest Settlement to the Present Time," compiled by Edmund Clarence Stedman, Ellen Mackay Cortissoz, and Arthur Stedman, stands as a comprehensive anthology showcasing the breadth and depth of American literary expression. Spanning from the nation's earliest days to the late 19th century, this collection offers readers a rich tapestry of voices, styles, and perspectives that have shaped the American literary landscape. This extensive library features selections from prominent poets, novelists, essayists, and orators, providing invaluable insights into the cultural, social, and political currents that have defined the United States. Readers will discover both celebrated classics and lesser-known gems, carefully curated to offer a balanced and representative view of American literary achievements. This collection remains a vital resource for students, scholars, and anyone interested in exploring the rich heritage of American letters. Its historical significance and literary merit ensure its enduring appeal for generations to come.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Al Burt’s Florida
This book takes readers on a tour of Florida through the writing of Al Burt, longtime reporter for the Miami Herald, exploring the charm, substance, and fantasy of a complex and fascinating state.
Appalachian Review - Winter & Spring 2024
This issue of the Appalachian Review features fiction from Jennifer Dickinson, Kay McSpadden, and Audrey Wick; creative nonfiction from Skylar Bensheimer, Emily Warren, and Courtney Hill Gulbro; poetry from Marianne Worthington, John P. Lackey, Adam Edelman, Karen Kilcup, Horacio Sierra, Tanner Howard, Chase Harker, Alison Terjek, and Kevin Nance; a conversation with George Ella Lyon and Silas House; and more. For more information including how to subscribe to the journal please visit appalachianreview.net.
