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The Beloved Woman
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Ollanta; an Ancient Peruvian Indian Drama
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When Sarah Saved the Day
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Little Rivers
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In Camp and Trench
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Tiverton Tales
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The Better Sort
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The Early American Novel
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The Far Cry
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Within the Rim
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Essays, Letters, And Poems
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Nelly's Silver Mine
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Hey Rub-a-dub-dub; A Book Of The Mystery And Wonder And Terror Of Life
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A Hoosier Chronicle
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Mackinac and Lake Stories
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Closed Doors
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Saracinesca
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Painted Veils
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The White People
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The Work of Washington Irving
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A Daughter of the Vine
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The Philosophy Of Jake Haiden (late Jacob K. Huff) Selected From The Columns Of The Reading Times, Reading, Pennsylvania
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May-Day
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Following the Equator
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The Clarion
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Tallulah
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The Wing-and-Wing
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The Garden of Dreams
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The Sixty-First Second
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The Song of Hiawatha
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The Burnt Offering
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The Conquest of America
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Nathaniel Hawthorne
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The Henry James Year Book
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Anne's Wedding
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Poems, Dramatic and Miscellaneous.
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The Eagle's Shadow
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Poems
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Phases, Mazes and Crazes of Love
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Bookman
William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.
Omar's Interpreter; A New Life of Edward FitzGerald
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A Kentucky Cardinal
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The Beau of Bath
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Moon-calf
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Dreams Out of Darkness
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Letters of Edward FitzGerald to Fanny Kemble
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A Prince To Order
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Men of Iron
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