Last Artist Standing
A look at how seasoned artists stay relevant and inspire new generations. Last Artist Standing presents essays on the lives of thirty-one artists over the age of fifty, which explore how they have sustained their creative lives and the different paths they have taken throughout their artistic careers. The artists discussed here have learned how to thrive and be creative through decades of life's challenges, and they have become mentors to other artists. This collection addresses the ability of these artists to remain contemporary as they adapt through generational shifts, the challenges--the physical, financial, and professional--they have overcome to remain vibrant and sustaining artists, and their role as inspirational models to others who may be turning to art late in their lives. By sharing these artists' stories, this book hopes to offer examples of living an engaged and creative life that can be replicated across all age groups, both within and beyond the art world. Cover image: Jaq Chartier Blues w/8 Whites 2020 16" x 16" Acrylic, inks, dyes, stains & spray paint on wood panel Courtesy of the artist
The Scores Project
A collection of essays examining experimental scores and source documents from the postwar avant-gardes, interpreted by experts on art, music, dance, and poetry. Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the mid-twentieth century began to use experimental scores in ways that revolutionized artistic practice and opened up new forms of interdisciplinary collaboration. Their experimental methods--associated with the neo-avant-garde, neo-Dadaism, intermedia, Fluxus, and postmodernism--exploded in notoriety during the 1960s in locales from New York to Europe, East Asia, and Latin America, becoming foundational to global trends in contemporary art and performance. The Scores Project provides an in-depth view of this historical moment. Through expert commentaries from an interdisciplinary team of scholars with accompanying illustrations, this publication examines a series of experimental scores by John Cage, George Brecht, Sylvano Bussotti, Morton Feldman, Allan Kaprow, Alison Knowles, Jackson Mac Low, Benjamin Patterson, Yvonne Rainer, Mieko Shiomi, David Tudor, and La Monte Young. Ambitious, provocative, and playful, The Scores Project is an illuminating resource to scholars and students who seek to understand this innovative and historically complex moment in the history of art. The free online edition of this open-access publication is available at www.getty.edu/publications/scores/. Also available are free PDF and EPUB downloads of the book.