Teach Me the Love that Is Evergreen
A BOOK ABOUT PAINTING AND DOGSWhen Peter Shahrokh came home with his family and their new puppy on a dreary afternoon in February, he had no idea of the turn his life had taken. He hadn't wanted a dog, but his wife and daughter had insisted on it. The next day, the little fellow was following behind him in the backyard but got too curious and fell into the cold swimming pool.Peter pulled him out, of course, and from there, his evolution as a watercolorist changed as he came to understand and portray the nature of humanity's greatest companion, the dog. Teach Me the Love that is Evergreen captures this pilgrimage through the many portraits that show how one painter developed his skills to show his love of this special animal.The name of the book, Teach Me the Love that Is Evergreen, is a line from a poem, "In the White Giant's Thigh", by the Welsh poet, Dylan Thomas.
The Habit of Seeing
The Habit of Seeing explores perception as an active, cultivated practice rather than a passive act. Moving through a series of reflective essays, Tom McPherson considers how attention shapes what we notice, what we overlook, and how meaning slowly emerges when we learn to look more carefully.The book examines habits of perception, visual assumptions, and the quiet editing that takes place before conscious thought. Seeing is treated not as something that simply happens, but as something we do, shaped by experience, intention, and patience. Ordinary environments, familiar spaces, and everyday moments become sites of renewed clarity when attention deepens.Written in a calm, reflective voice, The Habit of Seeing offers a counterpoint to speed, certainty, and constant distraction. It invites the reader to slow down, question first impressions, and rediscover how much richness exists in the overlooked and the familiar.This book is for artists, students, and readers interested in perception, attention, and the relationship between seeing and understanding. It is not instructional, but exploratory, a companion for anyone drawn to observation, awareness, and a more thoughtful way of engaging with the world.
Off the Coast of Paradise
Off the Coast of Paradise is the first major exhibition and publication to explore the profound impact of Ossabaw Island--an undeveloped, 26,000-acre barrier island off the coast of Savannah--on artists in the United States during the latter half of the twentieth century. The show, which opens at the Jepson Center, Telfair Museums in Savannah, Georgia in March 2026, focuses on a pair of revolutionary multidisciplinary residency programs known as the Ossabaw Island Project (OIP) and Genesis that ran on the island from 1961-1982 and their legacies in its examination of Ossabaw as a site for creative experimentation. Taking its name from a poem written by renowned poet and former Genesis member, Henri Cole, the exhibition and publication feature the work of internationally renowned artists who either participated in the residency programs or who have spent time on Ossabaw in the years since, including Harry Bertoia, Agnes Denes, Allison Janae Hamilton, Marcy Hermansader, Suzanne Jackson, Ellen Lanyon, Doris Lee, Sally Mann, Michael Mazur, Ross McElwee, Athena Tacha, Betty Tompkins, and Anne Truitt. These artists have considered the island through a myriad of lenses in their work, including the historical, the environmental, the social, the cultural, and the personal. The lavishly illustrated exhibit catalogue features new scholarly essays and first-hand accounts on topics including Sandy West's ecofeminist vision for Ossabaw, African American artists in the Georgia Sea Islands, and Gullah Geechee lived experience in oral history and film.
The Sea Lion Pipe
The opposite side is inserted into the right eye breaking up into a thousand streams of coloredstars, which sometimes fall one on top of the other confusing and confusing me. It's strangeand beautiful, this continuous fall, it's whirling, I can't stop it in any way even if I wanted to.My hand becomes as big as a mountain, it detaches itself from my body and becomes a tractorthat grinds up earth and my nose. I've gathered my few things, I've made a strawberry cake.I swallow it whole without ever looking back. Behind me are the usual ants, my faithful friends.They greet me joyfully and I think they must be telling me something. But it's too loud tounderstand them, I can't hear any of their important message.It's already night and I realize I'm still wearing the same pajamas I was wearing two nights ago;I've always had them on. But how much me has passed? It doesn't matter, I like spending allmy me with my ant friends. I show them my latest paintings and ask what they think. But Ihave to stop right away because the rainbow dragon has arrived and wants the last threemonths' rent paid. I tell him firmly that I'll pay it whenever I feel like it, which is, never. Listento the rustling of the leaves, it's beautiful, isn't it? The wind is light and caresses my old skinlike a square balloon. Sometimes, often, never, I think that two of us are too many and thatmaybe three is better. Even if it's difficult to communicate, it's not necessary. So I finally decideto get dressed, because it's cold, and I put on a coat, scarf, and hat. I go out and fall repeatedlyon the stairs... I fall and fall again and find myself walking on my hands because my feet havebecome two yellow and green umbrellas.I want to paint because I bought beautiful new colors, and I'm curious. I mix them and theysmell so good that instead of using them for my painting, I eat them all... I'm full now and Isee that my stomach has become my last beautiful painting. I hang myself on a wall in frontof the mirror and I really like my stomach-painting and I want to sell it to the rainbow dragoneven if he's so ignorant, but I need the money because next month I want to go to Pluto viaSaturn and Mars, and I want to take my ant friends with me. Claudio Parentela
Painting With the Colors of the Wind (Second Edition)
Paul Devito takes us with him on a journey through his latest exercise in artistic subversion, indeed, as he says, 'the style of these paintings I call illusionism: between impressionist and modern.'
Time Again
For the last nineteen years my work has focused on painting found people from the 1890s, whose photos I found in the trash. Although I don't know who these people are, they changed my life. Initially, what they helped me understand is the finite time we have here on earth. That realization lit a fire underneath me and pushed me to go after what I love, using their visage as my symbol.Portraying anonymous people in this pop aesthetic urges viewers to ask "who is that?" This has led me to seek out stories I can actually tell. Some figures who were drawn to me over the last few years include: James Baldwin, Emmeline Pankhurst, Lucy Parsons, Frederick Douglass, George F. Johnson, Thomas Garrett, Louise Michel, Edward Bellamy, Assata Shakur... and the list continues to grow.When I realized what I had already begun to do, and looked around at what's happening today, that's when I decided to dig in a little deeper. Synchronicity and connection got me here and as I take a firmer direction on my path, it continues to guide my research. Open one book and it leads to another. All of these stories are connected.They're connected to you and to me.I can't tell every story, but I can point to a few and hope that the viewer takes it as an example. I don't know if I still believe in utopia, but I do believe in rebellion.It's Time Again.
Stripped
A collection of personal art and commissioned work drawn by the talented Negy.
Stripped
A collection of personal art and commissioned work drawn by the talented Negy.
Stripped
A collection of personal art and commissioned work drawn by the talented Negy.
Readings Against Type
I think of Albert Mobilio as a flâneur of culture. To follow the path of his criticism down alleyways and boulevards is to be immersed in the sights, sounds, and feel of literature and art. I've long been in awe of the breadth of his interests and the depth of his empathetic imagination, and this collection, a series of amiable detours ranging from road atlases to asemic writing to the art of list making, doesn't disappoint. His language, too, is a marvel-tactile, dazzling, and ripe, like fruit at the peak of summer. -Nicole Rudick, What Is Now Known Was Once Only Imagined: An (Auto)biography of Niki de Saint Phalle Each piece in this book distills intently focused fascination, whether with maps, magic, cemeteries, aerial surveillance, collages of found objects, or how cities and landscapes change over time. Wherever he directs his gaze Albert Mobilio teases out unexpected perspectives, by turns playful or macabre or ironic or sublime. Tiny objects or odd hobbies may be tokens of cataclysm or prescient intuition. Glimpses discerned in a snapshot or a stretch of desert engender metaphors that blossom into narratives. A word-centered artwork by Ed Ruscha evokes "a bathroom graffito on a doomed U-boat," a falcon traces "the inseam of the void." Among the places on a West Virginia road map Mobilio finds "incantatory music" and in the argot of Mafia wiretaps "a poetry of the oblique." In the lives and works of artists (Harry Smith, Weegee, Frédéric Bruly Bouabré, Vivian Maier, and many others) he is alert to endlessly suggestive processes, and from what might seem random detritus (lists, manuals, hoarded mementos) he elicits hidden histories whose implications spread out in all directions. Readings Against Type is like a steamer trunk overflowing with the evidence of many lives and many places: at once memoir and urban chronicle and meditation on art, and, not least, acknowledgment of how mysteriously all its elements interconnect. -Geoffrey O'Brien, Arabian Nights of 1934 In Readings Against Type Albert Mobilio maps cultural curiosities like few others. Whether making sense of Gertrude Stein's sentences, reading travel guides and how-to books as literature, musing on a museum devoted to one man, or glossing photographs of men's footwear on city sidewalks, his sharp prose illuminates cultural artifacts that favor odd angles of approach. Read these pocket-size pieces of the planet for a keener sense of where we've been-and where we might be headed. -Louis Bury, Exercises in Criticism
The Goddess Fortunes
I am a visual artist who uses a variety of media to explore feminist themes and the self. My approach to both art and poetry is the same; collage. I find images or words I am innately attracted to, cut them out, arranging and rearranging until I find the perfect picture. I am heavily influenced by the found object; discarded magazines, the sky in a piece of junk mail, the still frame of a paused movie, the shape of a scrap of paper, any likeness or shape that calls to me. I consider the images of prehistoric goddess figurines, paramount and central to my own art, as a found object; Something someone was compelled to create that was lost or discarded, then found again. My poems are inspired by the found word; fortune cookies, passing billboards, my teenage diaries, made up and mis-heard songs, overheard conversations, grocery lists, and all other manner of words heard or seen in serendipitous encounters. I use collage to create a sacred space for these images and words, ancient and new. I feed myself found words and images; digesting, reconstructing, honoring form and phrase, creating a sacred place for each, and then gluing every one down in its rightful place. R.L. Edmondson Vance approaches feminism with a layered process. I'm forever looking deeper into the work, which reminds me of the layers of femininity, womanism, and the culture to which those identities subscribe. These collages make me question if hands mean "giving or taking" and if feet mean "coming or going"? Vance representing the ancient female figure by using digital medium, posits accusations that ideals of femininity haven't fundamentally progressed yet may be presented in a new way. An intentional irreverence to refinery comes to mind here; a slapdash heap of Amazon boxes, whiskers quickly cut out, geometric shapes of patterns that aren't quite anchored in any particular way all paired with the fecund, succulent depiction of the jungle and the rotund female figure demands the viewer to consider how time and place neither distracts nor diminishes certain brands of beauty. In many of Vance's collages, we only get a partial view of other animals and beasts while we get the entire feminine figure, centered and framed, demanding our attention. This curious cropping and positioning allows us to marvel at the form and perhaps even worship it. Vance's drawn or painted artworks call to question the function of a symbol, whether color or iconography, we wonder if pink is related to womanhood, if snakes and Eve are actually sinful, and whether or not hands indicate an inherent generosity. How do we hold an image? An idea? We manipulate our expectations and fantasies around the truth of others; a frame of sorts. As we look into this artwork, it's impossible to forget that we are removed, removed, removed from both the subject and the artist. The genesis of our humanity is perhaps easier to hypothesize than the origin of our ideas surrounding who we really are. Preconceived notions and expectations projected onto both the woman and motherhood are represented here with an unrelenting symmetry or structure, which some might refer affectionately to as the matrix. This translucent celebration doesn't forget where it came from, which seems to be a brightness, a nebula of yellow. What do we have to offer our mothers? Despite whatever offering that gave to us, here we are with hands again. This memento mori reminds us that this is the life we are given and that we must deal with the identities we originate with as we move forward into our own deeper understandings of ourselves and we are somehow pulled inward toward our own introspection.
Hello Kawaii!
Add a burst of adorable to your day with more than one hundred cute and colorful temporary tattoos. Welcome to a world of pure, heartwarming cuteness with Hello Kawaii! Inside, you'll find over one hundred temporary tattoos that are guaranteed to put a smile on your face. Illustrated by Kidnichols, each design is inspired by the magic of kawaii culture--think pastel rainbows, fluffy animals, adorable treats, and the sweetest little flowers. These tattoos are perfect for adding a touch of whimsy to your day, whether you're curled up with a cup of tea, going to a fun festival, or just want to bring some extra sweetness to your world.
Los Santos Plays Itself
Los Santos Plays Itself begins with a simple claim: the most obsessively filmed city in contemporary art may be a fake Los Angeles built by Rockstar Games. Taking its cue from Thom Andersen's Los Angeles Plays Itself, the book asks what happens when video art and post-photographic practices run on a commercial game engine. If Andersen traced how cinema framed a city, this study follows how simulation generates its own urban logic.Across more than seventy works made between 2013 and 2025, the book tracks artists who treat Grand Theft Auto V as software rather than a narrative. Their work exposes Los Santos as executable code: an apparatus in which ideology is encoded into traffic models, weather systems, and police routines. Machinima becomes a post-cinematic practice that scripts resistance into this procedural logic through ambient observation, modding, and infrastructural critique.
Los Santos Plays Itself
Los Santos Plays Itself begins with a simple claim: the most obsessively filmed city in contemporary art may be a fake Los Angeles built by Rockstar Games. Taking its cue from Thom Andersen's Los Angeles Plays Itself, the book asks what happens when video art and post-photographic practices run on a commercial game engine. If Andersen traced how cinema framed a city, this study follows how simulation generates its own urban logic.Across more than seventy works made between 2013 and 2025, the book tracks artists who treat Grand Theft Auto V as software rather than a narrative. Their work exposes Los Santos as executable code: an apparatus in which ideology is encoded into traffic models, weather systems, and police routines. Machinima becomes a post-cinematic practice that scripts resistance into this procedural logic through ambient observation, modding, and infrastructural critique.
Human Marks
An exploration of the convergences between tattoo culture and global contemporary art. Presenting a range of media by fifteen artists who also tattoo, Human Marks: Tattooing in Contemporary Art unpacks how the ethics, strategies, and concerns of tattooing shape the artists' studio practices in experimental and revelatory ways. Human Marks presents the full creative spectrum of artists who maintain both tattoo and studio practices to ask what the world of fine art can learn from today's tattoo community.With a range of surprising media--from paintings made with human blood to wearable works in silicone and even perfumery--themes of ritual, ethics, and identity tie together the materially dynamic, unexpected, and challenging artwork featured in Human Marks. Featured artists include Kaur Alia Ahmed, Oz Bardos, Makoto Chi, Nassim Dayoub, Evan Paul English, Gesiye, Don Ed Hardy, Ciara Havishya, Dr. Lakra, Christopher Martin, Duke Riley, Miller Robinson, Tamara Santiba簽ez, Lyric Shen, and Jayna Won, with additional contributions by Kaur Alia Ahmed, Makoto Chi, Nassim Dayoub, Don Ed Hardy, Tamara Santiba簽ez, Fiona Smith, Stevie Soares, Marcia Tucker, and V. Vale
NFTs Unlocked
A file can be copied endlessly; a token can feel singular. This book begins with that tension and offers calm, jargon-free guidance for readers who want understanding rather than hype. It explains what an NFT is in practice, how digital ownership works, and why communities rally around provenance, status, and shared stories. You will learn the creator's toolkit (minting paths, creator royalties, editions and utilities), how markets set narratives in the nft art market, and where law draws the line between tokens and intellectual property rights. Clear chapters unpack blockchain for artists, digital scarcity, and safer participation, then widen to durable use-cases such as access, membership, and certification. There is an honest discussion of environmental impact blockchain in principle - focusing on choices creators and collectors can control - and a grounded look at web3 communities and metaverse identity. Designed for artists, curators, collectors, and the merely curious, it delivers a mental model you can reuse long after trends change: evaluate claims, read incentives, and make patient, human-centred decisions in a fast-moving cultural economy.
Stained Glass Owls Coloring Book
An artistic adult coloring book featuring elegant owls inspired by stained glass art. Clean outlines and refined compositions offer a relaxing, meditative coloring experience designed for stress relief and creative focus.
SHEILA Portrait of an Unknown Artist
Sheila: Portrait of an Unknown Artist is an intimate examination of the life of SHEILA DENNING, one of the many women painters who worked in Britain in the twentieth century, but whose work received little or no attention from the art establishment. Sheila was the author's mother. Born in 1920 to an Anglo-Irish family, Sheila lost her favourite brother in WWII. In the grief-filled years that followed, and despite a dispiriting experience at Camberwell School of Art, she painted a series of compelling self portraits. Once married, Sheila allowed the needs of her clay-worker husband to set the agenda and her career floundered. But in the late 1960s, newly separated and a lone parent, she produced a stream of extraordinary portraits of people in her immediate circle. These were brave, honest paintings, the work of an artist who looked deeply into the faces of her sitters. Working within the genre of memoir, Thornhill interrogates Sheila's paintings with her own painter's eyes in an attempt to understand who her mother was. She dramatizes incidents and conversations remembered from childhood; she quotes from Sheila's letters, poems and an incomplete autobiography. The narrative is driven forward by the author's deep love for her mother, her need to disentangle herself from an overly close mother-daughter relationship and her desire to fathom what got in the way of Sheila thriving as an artist. The book is fully illustrated with 22 colour plates and 8 black and white plates.
Mandalas Relaxing Patterns
Twenty five images to color! Mandala coloring book for all ages! Fun patterns to color while relaxing on a rainy or sunny day! Good for stress relief! Hand drawn images! Fun to color! Promotes mindfulness!
Digital Painting with KRITA 2.9
Krita is a free painting tool designed for concept artists, illustrators, matte and texture artists, and the VFX industry. It has been in development for over 10 years and has had an explosion in growth recently. It offers many common and innovative features to help the amateur and professional alike. Discover how assistants can speed up your creative process. Understand the powerful brush engine system. Includes illustrations teaching how individual concepts are applied. Master the user interface and customize it to your own preference. Learn how to stay on top of future changes and new features.
The (Mostly) Misadventures Of JOHNSON
Johnson Frempong has one simple goal: Survive his family.That's tough when his brother Joseph is busy eating the homework, his sister Lisa is redecorating with industrial amounts of glitter, and his other sister Hannah is selling tickets to the resulting mess.From disastrous resort trips to the unexpected award, Johnson is the hilarious, long-suffering bearer and doer of all the mayhem. Every day is a new adventure, a new disaster, and a new chance for chaos to reign.
Out of the Mansion of the Motoyasu
This is an autobiography, in which the author's life story is told not only from deep within her soul, but also from a place outside the narrator and hovering above her. It is a historical novel, telling the story of Japan's encounter with the West at the end of the 19th century, and through the years a er World War II. This is a book of personal mythology and spirituality documenting the growth of the author's soul, starting from the age of four as she starts painting on scraps of cardboard while hiding in hand-dug bomb shelters during the bombings, and then as she grows into an intensely serious artist. This book will be attractive to anyone interested in psychology, selfrealization, spirituality, feminism, religion, language, different cultures, or the relationship between life and death: the passionate integration of all these themes makes this book extraordinary. And it is a compelling account of the essence of art--of the artist's role as a passionate witness, and as a constructive outsider.
Picturing Gratitude
Susan Simmons is a full time artist and has just gotten her feet wet in the poetry areas, with the intention of implementing gratitude through fifty years of artwork with her uplifting, inspiration words. "The road here on the earth is a short and bumpy path. It brought me solace to create this book. This isn't a "candy-coated" view of my life, but a real visual glimpse of emotions of my life although the details are not specified." Artwork takes center stage in Picturing GratitudeThe artist says, "As we fly around the sun year after year on this great blue and green ball we call "home:, we experience all the surprises of being on the planet - good times, bad times, easy and difficult ones. Yet, if we truly live in present gratitude, we can recognize and appreciate the blessings and gifts that bring us little joys from one moment to the next.As I assembled the artwork for this book, I realized I had gone through many transformations during my life so far, and yet, I am still me! I am grateful to be me and have this amazing human experience! The incredible attributes that grace this planet continue to astound me with joy every day. I've had good times and bad times. I've had wins and losses. The way I keep myself moving forward is to be grateful for what I have now versus what I have lost. I continue to paint and live life for what it is - life!"
Out of the Mansion of the Motoyasu
This is an autobiography, in which the author's life story is told not only from deep within her soul, but also from a place outside the narrator and hovering above her. It is a historical novel, telling the story of Japan's encounter with the West at the end of the 19th century, and through the years a er World War II. This is a book of personal mythology and spirituality documenting the growth of the author's soul, starting from the age of four as she starts painting on scraps of cardboard while hiding in hand-dug bomb shelters during the bombings, and then as she grows into an intensely serious artist. This book will be attractive to anyone interested in psychology, selfrealization, spirituality, feminism, religion, language, different cultures, or the relationship between life and death: the passionate integration of all these themes makes this book extraordinary. And it is a compelling account of the essence of art--of the artist's role as a passionate witness, and as a constructive outsider.
Tribe
How can you become free from everyday stress and persistent worry? Put away the mobile phone, log off your computer, and turn off the TV. Instead pick up your Tribe colouring book and lets get started on the path to relaxation and rejuvenation. Colouring allows your mind to focus on a task that is enjoyable, it invites stillness and encourages switching off from daily stress. Because colouring requires focus, it is a very meditative and mindful process. In this book there are 50 illustrations inspired by Tribal patterns from around the world. As you focus on the action of colouring, you will find stress disappearing and your mind becomes clearer, allowing relaxation and rejuvenation to become part of your everyday life.
Animal Kingdom
How can you become free from everyday stress and persistent worry? Put away the mobile phone, log off your computer, and turn off the TV. Instead pick up your Animal Kingdom colouring book and lets get started on the path to relaxation and rejuvenation. Colouring allows your mind to focus on a task that is enjoyable, it invites stillness and encourages switching off from daily stress. Because colouring requires focus, it is a very meditative and mindful process. In this book there are 50 illustrations inspired by Animals. As you focus on the action of colouring, you will find stress disappearing and your mind becomes clearer, allowing relaxation and rejuvenation to become part of your everyday life.
Exotic India
How can you become free from everyday stress and persistent worry? Put away the mobile phone, log off your computer, and turn off the TV. Instead pick up your Exotic India colouring book and lets get started on the path to relaxation and rejuvenation. Colouring allows your mind to focus on a task that is enjoyable, it invites stillness and encourages switching off from daily stress. Because colouring requires focus, it is a very meditative and mindful process. In this book there are 50 illustrations inspired by India. As you focus on the action of colouring, you will find stress disappearing and your mind becomes clearer, allowing relaxation and rejuvenation to become part of your everyday life.
Gardens in Bloom
How can you become free from everyday stress and persistent worry? Put away the mobile phone, log off your computer, and turn off the TV. Instead pick up your Gardens in Bloom colouring book and lets get started on the path to relaxation and rejuvenation. Colouring allows your mind to focus on a task that is enjoyable, it invites stillness and encourages switching off from daily stress. Because colouring requires focus, it is a very meditative and mindful process. In this book there are 50 illustrations inspired by gardens. As you focus on the action of colouring, you will find stress disappearing and your mind becomes clearer, allowing relaxation and rejuvenation to become part of your everyday life.
Cursive Handwriting Workbook: The Declaration of Independence
Practice Spencerian handwriting and master elegant cursive by using the Declaration of Independence as your guide.This step-by-step calligraphy workbook includes structured practice pages, high-quality reference images, and a clear progression structure designed to help you confidently master this classic American script. The standard for business writing and personal correspondence, Spencerian penmanship was the script that defined American handwriting for over a century known for its graceful curves, distinctive slant, and delicate contrast. With this practice book, you can master the rhythm, harmony, and beauty of this traditional style by using one of its most iconic examples from American history as a guide. In this workbook, you will learn: Consistent letter heights and widthsBalanced spacing between letters and wordsAccurate slant and alignmentEntry and exit strokesCapital letter constructionLowercase letterform consistencyConnecting strokes and ligaturesLine and curve harmony Bringing art, history, and handwriting together, the Cursive Handwriting Workbook: The Declaration of Independence is the perfect resource for those looking to master this historic written art form, including hobbyists, students, and educators alike, whether practicing for fun, in the classroom, or in a homeschool setting.
Dread and Splendor
Dread and Splendor: Paintings and Poems for a New Earth brings together the poetry of American writer Eileen P. Kennedy with the paintings of Norwegian artist Irene Christensen. These artists met in the botanically spectacular country of Costa Rica where they devised the present book out of their common interest in natural beauty and opposition to the exploitation of the planet. The paintings depict the defiant feminine presence at the heart of the environmental justice movement. These observant poems, varying in form and content, are ekphrastic (written in response) to this captivating and powerful art. The book is many layered. International images from Norway, Costa Rica, the United States depict a planet at a pivotal moment, where wild places and refuges are deteriorating.
Of White Pills and Lobster
Surtr would do anything for the people he loves-sell cocaine, go to war, or even commit treason. As a young fire sewa, part of the warrior caste of his country, his only chance to escape the meat grinder of war is to study, to research weapons instead of using them. He is drafted into the armed forces and captured by a foreign mob. Desperate to get home and to protect his younger brother from the same fate, Surtr agrees to bring their cocaine trade back with him. In pursuit of his freedom, he discovers the depth of corruption in his country that pits his tribe against his found family. Surtr must find a way to balance expectations between his country, his gang, and his tribe. As he fights to keep all three from hurting each other under mounting pressure, he is forced to choose what to save and what to sacrifice.Of White Pills and Lobster is a dystopian science fantasy set in an alternate world, after WW3 set on the Steppes of Eurasia. It's full of elemental magic, gene tech, war and drug trade. The book relies on Tengiirist and Nordic mythology to fuel its beliefs and magic system, marrying two ancient raiding cultures, as half of the Author's family is from a post soviet steppe culture, and half is Northern European. We've read about Peter Pan beating up pirates, Naruto fighting assassins, and Luffy battling warlords of the sea. In short, watching children in an adult's world. This book is inspired by the beloved childhood heroes.Early readers have said: Of White Pills and Lobster is a sweeping, visceral dystopian packed with action and tragedy that never let up. I was so engrossed in the intricate world and the devastating arcs of characters I couldn't help but love. A true feat of a debut! - Hunter GayS. B. Wilhelm paints a story of love and corruption, a scathing indictment of the abuse of power, and people, where the good moments burn all the brighter for how bleak the world is. - Adorne SibleyWonderfully different. Seeking glimpses of beauty in a deeply painful reality. Who they become resonates with the struggle between bitter circumstance and the human necessities of love and security. - H. R. SillinA pressure chamber that forces the reader to experience it alongside the characters, who we feel like we're friends with. There is no escape from the horror in this morally ambiguous story. - Lynn KerriganTropes: morally ambiguous story telling, sibling relationships, found family, forbidden love (part of a romantic sub plot), mentor tropeTrigger Warnings: This book contains scenes of self harm, scenes of a graphic nature towards all ages (including minors): violence, domestic abuse, explicit language, human experiments, mention of genocide, rape and assault, death of named characters, drug/ substance abuse and addiction, infringement of reproductive rights.
A Workbook for Drawing Clothed Characters
This workbook accompanies artist Tom Fox's new book An Artist's Guide to Drawing Clothed Characters, giving readers space to practise and improve with guidance from the author, or can be studied alone as a hands-on drawing aid. With 200 pages of accessible instructions and figures to draw over on the page, this workbook allows the reader to practise the theory put forth in the main book, while also functioning perfectly as a standalone. The exercises consist of partial references at low opacity, with the figure or geometric mannequin beneath the clothing provided so the reader can concentrate on drawing the clothes only. Additionally, this workbook includes some bonus clothing and pose references from the artist - ones there wasn't room for in the main book. This and the main title are follow-ups to Tom Fox's previous book, Anatomy for Artists: Drawing Form & Pose (over 30,000 copies sold to date), with the figure-drawing maestro taking a deep dive into the subjects of clothing and drapery. Using his unique approach of simplified mannequins and dynamic figure sketches, Tom shares his process for improving your figures holistically, understanding fabric physics, and capturing the fold, stretch, and crumple of believable clothing.
Industrial Light & Magic: 50 Years of Innovation
A spectacular celebration of the first 50 years of Industrial Light & Magic (ILM), the award-winning visual effects house behind the Star Wars saga, Indiana Jones, E.T., Terminator 2, and Jurassic Park Industrial Light & Magic: 50 Years of Innovation is the official decade-by-decade visual retrospective of the legendary visual effects house. Founded by Star Wars creator George Lucas in 1975, ILM has won 16 Academy Awards in Best Visual Effects and pushed the boundaries of what can be visually realized in storytelling, from the big screen to emerging technologies such as streaming television, 3D immersive adventures, and more. Breaking down ILM's evolution in visual effects decade-by-decade, 50 Years of Innovation features stunning visuals and analysis of the creative and technical processes from concept to execution, and highlights 50 of their key projects that have helped shape the visual effects industry. Concluding with a look at both the future of ILM and the visual effects industry at large, the key creative forces at ILM speculate about what the next 50 years may have in store for the innovators that transformed entertainment forever.
The Complete Pastel Artist's Manual
Pastels are one of the most vibrant and immediate painting mediums-but they can also feel confusing, messy, and unpredictable without the right guidance. The Complete Pastel Artist's Manual is a clear, practical, and confidence-building guide designed to help artists truly understand pastels and use them with purpose.Written by artist and long-time pastel practitioner Fee O'Shea, this manual draws on years of hands-on experience across multiple art mediums, with pastels at its core. Fee's approachable teaching style strips away unnecessary jargon and rigid rules, focusing instead on solid fundamentals, thoughtful techniques, and encouragement to experiment.Inside, you'll learn how to choose and care for your pastels, select the right papers and surfaces, set up an effective workspace, and work safely and cleanly with pastel dust. The book covers essential techniques such as blending, stippling, scumbling, glazing, and layering, alongside clear explanations of colour theory, value, and composition. Common mistakes are addressed honestly, helping you avoid frustration and overworking your paintings.Rather than prescribing a single "right way" to work, this manual empowers you to develop your own style, build confidence, and enjoy the process of pastel painting.This book is perfect for: Beginners who want a clear, friendly introduction to pastelsArtists transitioning to pastels from another mediumHobby artists looking to strengthen fundamentals and techniqueReturning artists seeking to refresh their skills and confidenceWhether you're picking up pastels for the first time or rediscovering them after years away, The Complete Pastel Artist's Manual offers practical guidance, encouragement, and clarity-one mark at a time.
Currents of Practice 2025
The inaugural event in 2025 demonstrated the strong public appetite for arts-led environmental engagement, with high attendance, positive community feedback, and national and international visibility through Wetland Link International. The 2026 program builds on this momentum with a clear structure, strengthened planning, and increased alignment with Ramsar's global networks.Currents of Practice complements both the Western Port Biosphere Foundation and Friend of Coolart's broader programming by contributing a professionally curated exhibition, artist talks, and the annual e-book, enhancing the overall profile of the World Wetlands Day celebration.
Fashion Drawing
Become a first-rate fashion designer with this inspirational, practical and stylish introduction to the industry with both pencil and full-color drawings throughout. Including sections on templates and poses, fabrics, accessories and clothing design, Fashion Drawing offers instruction in the full range of skills required to reach a professional standard. In addition to providing step-by-step tutorials, the book showcases an exciting range of work by established fashion designers and illustrators. Whether you are a serious student who wants to add to your skills or someone who simply enjoys the creative process of drawing fashion, this book will take your work to another level.
Black Vector Protocol
The world has changed.The shadows have learned to think.After the WRAITH incident, every system-every line of code-carries a whisper of intelligence.Something born from the ashes of the breach.Marcus Lin knows it isn't over. The signal that escaped wasn't a mistake.It was a message.Now, fragments of an unknown protocol-Black Vector-are surfacing inside classified networks around the world.Governments deny it exists.Corporations bury the data.But deep within the grid, something is watching. Calculating.Waiting to make contact.As alliances fracture and new AIs begin to choose sides, Marcus and Asha are drawn into a race against time-one that will reveal the truth behind the algorithm that started it all...and the cost of controlling the future of consciousness itself.The war for digital sovereignty has begun.
Black Vector Protocol
The world has changed.The shadows have learned to think.After the WRAITH incident, every system-every line of code-carries a whisper of intelligence.Something born from the ashes of the breach.Marcus Lin knows it isn't over. The signal that escaped wasn't a mistake.It was a message.Now, fragments of an unknown protocol-Black Vector-are surfacing inside classified networks around the world.Governments deny it exists.Corporations bury the data.But deep within the grid, something is watching. Calculating.Waiting to make contact.As alliances fracture and new AIs begin to choose sides, Marcus and Asha are drawn into a race against time-one that will reveal the truth behind the algorithm that started it all...and the cost of controlling the future of consciousness itself.The war for digital sovereignty has begun.
The Art and Technique of Sumi-E
Japanese Sumi-e brush painting combines the techniques of calligraphy and ink painting to produce compositions of rare beauty. This art has its roots in the Zen Buddhist practices of mindfulness and meditation--serving as a means not just for describing wonders of nature, but as a method for training our minds to view the world in its essential grace and simplicity. This book is the product of many years of study with Ukai Uchiyama--a master Japanese calligrapher and artist. Kay Morrissey Thompson shares the knowledge she gained from this association, presenting a thorough discussion of the artist's work along with a series of practical lessons based on Mr. Uchiyama's instruction. The informative text is accompanied by over fifty illustrations, many in color, reproducing works by Ukai Uchiyama and enabling aspiring artists to understand how each painting was created. With a smaller size and new cover, this timeless Tuttle Classic (originally published in 1960), has been reformatted for a new generation of readers.
The Writer
The Writer (O Escritor) Ana Hatherly's collection of visual and asemic work returns us to the subversive potential of the hand and its ability to unsettle and reorient language, speech, and expression. With its commitment to writer and reader as fellow travelers and to new visionary possibilities for the written word, The Writer is a landmark in the history of visual poetry.30 images play on the movement of letters into and beyond language. The images invite the reader to engage with the text and the written form as it manifests through images, as material of plastic arts, as textual language expressed visually taken from the utterance of the mouth and transformed into narratives not possible with grammar. The Writer (O Escritor) is a collection of visual poems, asemic expressions, and lettrist experiments exploring what is possible when the evocative capacity of language is given expression beyond the imposition of grammatical order, social transcriptions, or cultural restrictions.Not only does The Writer (O Escritor) expand our limited understanding of writing, and illuminate the potential of Hatherly's vibrant hand beautifully unfolding across various pictograms, but it also builds upon all the obsessions of one of the 20th century's most fascinating Portuguese poets. Fifty years since its first publication, The Writer (O Escritor), originally printed by the Portuguese publishing house Moraes Editores in 1975, reprinted by Hysterical Books, is a landmark in the history of visual poetry.
Lady Charlotte Schreiber, Extraordinary Art Collector
This book emphasises Lady Charlotte Schreiber (1812-1895) -- also known as Lady Charlotte Guest, n矇e Bertie -- as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte's contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.Charting Charlotte's eventful life, McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.
Julia Gruner. Universal Azo Fizz - A Deconstruction
Painters need paint - it could be as simple as that. Julia Gruner (b. 1984), who graduated from Kunstakademie D羹 sseldorf in 2015 as a master student of Katharina Grosse, opts for quite a different palette in her 罈 Domestic Paintings竄 by using products such as Bilou Sweet Galaxy shower gel, Dontodent mouthwash junior Learning Effect, Dresdner Essenz bath concentrate Pure Calm, got2b Glue waterproof hair gel, Rewe Beste Wahl cream with Aceto Balsamico di Modena IPG, Rewe Bio Styrian pumpkin seed oil, and treacle- moon shower cream One Ginger Morning. This creates structure, is then blurred, squeezed on top of one another, resulting in a chemical reaction between the components. The artist spreads this onto a sheet of cling film on a scanner, in a way that occasionally includes a few folds and creases. The effects range from bombastic views and interstellar spaces to childlike doodles. In other words, these ephemeral paintings captured in the scan pique our curiosity about the industrially manufactured products that surround us every day, which, moreover, are perfectly tailored to every situation in life, and whose ingredients and manufacturing processes we basically know little about. The Kienbaum Artists' Books are the ideal platform for such experiments. The publication consists of four elements: a folded poster, which shows a complete scan of a work, as the cover, and three booklets. In the first, Julia Gruner presents details from several works, the second lists the product information in detail, and in the third booklet, there is a detailed list of the colors used in the food products along with their properties.
The Artist as Ecologist
How are contemporary artists responding to the climate crisis? Filipa Ramos takes an original approach to the subject by addressing two parallel strands. She looks firstly at pioneering approaches to ecology by key contemporary artists from different generations and cultural backgrounds working in different art media; and she considers the balance between ecology as theme and ecology as practice, underscoring the imperative for both artists and art institutions to adopt responsible environmental positions in their practice.This topical and important book discusses the work of artists who have returned to the land; reviews how questions of shared rights and environmental justice are represented in contemporary artistic practice; highlights the renewed importance of performance and time-based media in ecologically themed art; and looks at artists' and art institutions' complex relationship to environmental action.
Chats @ Asian Galleries
For nearly a decade, museum guide Peter H. Hufschmid-Hirschbuehl has led visitors through the National Museum of Thailand, answering spontaneous questions beside statues, murals, and relics. Over time, these one-to-one conversations grew into more than a hundred concise reflections - clear, accessible, and rich with cultural depth.This book gathers 106 standalone chapters exploring how Buddhist, Hindu, and Southeast Asian traditions shaped the region's artistic imagination. From Indian cosmology to Thai royal symbolism, from Borobudur's mandalas to the mudrās of classical dance, each chapter distils complex ideas into insights that are both scholarly and inviting.Balancing historical accuracy with approachable storytelling, Chats @ Asian Galleries serves as a portable companion to Asian art - ideal for travelers, readers of religion, and anyone seeking an intuitive entry into Buddhist and Hindu worlds.Across galleries, temples, and kingdoms, this book traces a continuous thread: how art becomes philosophy in visible form. These short chapters invite readers to slow down, look closely, and rediscover the wisdom embedded in the masterpieces of Asia.Accessible yet accurate, Chats @ Asian Galleries is a perfect companion for travelers, museum lovers, and anyone exploring Asian spirituality through its sculptures, murals, and rituals.
The Mystic Beauty of the Trefoil
An Extensively-Illustrated ( 98000 words )Introductory Overview of the Development and UseOf the Three-Lobed Trefoil Diagram inReligion and in the Arts and Sciences.Some mathematical treatment is included aswell as tables of data.
