The Mind and Art of Coventry Patmore
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Art Prices Current; v.9(1915-16)
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Ancient Indonesian Art
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The New Landscape in Art and Science
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Art Treasures of the Vatican
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Modern Sculpture From the Joseph H. Hirshhorn Collection.
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The Arts and Crafts of Ancient Egypt
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The Art of Egypt; the Time of the Pharaohs
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Surrealism Beyond Borders
A completely new way of looking at and understanding Surrealism, with a focus on the worldwide sweep of the movement "The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization."--Peter Schjeldahl, New Yorker This groundbreaking book challenges conventional narratives of Surrealism, tracing its impact and legacy from the 1920s to the late 1970s in places as diverse as Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. In doing so, it presents a more inclusive and accurate understanding of the fundamentally international character and lasting significance of the revolutionary artistic, literary, and philosophical movement. Vibrantly illustrated with more than 300 works of art by both well-known figures--including Dal穩, Ernst, Kahlo, Magritte, and Mir籀--and numerous underrepresented artists, this expansive book pushes beyond the borders of history, geography, and nationality to provocatively redraw the map of the Surrealist movement, investigating how its visual languages, ideals, theories, and practices were framed or reframed in contexts far from its Parisian origins. Contributions from more than 40 distinguished international scholars explore themes such as the channels used to transmit ideas; artists' responses to the challenges of political oppression, social unrest, and the effects of colonialism; and experiences of displacement and exile in the twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 4, 2021-January 30, 2022) Tate Modern, London (February 25-August 29, 2022)
The Art of Joaqu穩n Torres-Garc穩a
Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaqu穩n Torres-Garc穩a. After studying and painting (for decades) in Europe, Torres-Garc穩a returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-Garc穩a's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-Garc穩a's artworks as a critique on the artist's own writings, Rommens reveals how Torres-Garc穩a appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-Garc穩a thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today.
Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography
This book examines Qajar Iran (1785-1925) as an ocular-centered society founded on what was seen and unseen, in the context of increasing modernization and global contact during the nineteenth and early twentieth centuries.
Abstract Painting and the Minimalist Critiques
This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing these artists' substantive engagements with Minimalist discourse, it demonstrates that painting crucially informed the movement's development.
Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture
In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals, and social justice to the study of nineteenth-century visual culture.
The Caves of France and Northern Spain, a Guide
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Ars Orientalis; the Arts of Islam and the East; v. 7 (1968)
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The Graduate School Dissertations and Theses
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Niagara Mercantile Agency Directory, 1888
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The Philosophy of Fine Art; 1920 vol 1
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Ars Orientalis; the Arts of Islam and the East; v. 36-37 (2009)
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Spontaneous and Deliberate Ways of Learning
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Modern Pen Drawings
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International Studio; 52
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Drawing Sea & Sky
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Beatrice the Ballerina
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Directory of County and Municipal Officials; 1928-40
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Modern Art, Sweet or Sour
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Rome, an Illustrated Selective Guide to All Important Art Treasures in Rome and Its Environs
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The Realm of Literature
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Rome and Her Empire
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Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings [1948]
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Indoors and Out; v.4-5
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Biennial Exhibition of Sculpture, Drawings, and Prints [second, Part One]
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Nance Records
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The Caves of France and Northern Spain, a Guide
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Italian Art, the Collection of Professor Luigi Grassi
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Exposition Universelle, 1900
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Art is for Everyone
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The Ladies Book of Useful Information [microform]
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Grammar of the Arts
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Embattled Critic; Views on Modern Art
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International Studio; 44
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Marcus Behmer
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Manufacturing Artists' Colourmen
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The Art of the Middle East Including Persia, Mesopotamia and Palestine
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Franciscan Legends in Italian Art
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The Art of Ancient Korea
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Masterpieces of Painting in the Louvre
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hungarian Drawings and Watercolours
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.