Indoors and Out; v.4-5
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Marcus Behmer
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Biennial Exhibition of Sculpture, Drawings, and Prints [second, Part One]
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A Concise History of Modern Painting
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Drawing and Art Supplies - 1934
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William M. Gaines's The Bedside Mad
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Teacher's Manual for Prang's New Graded Course in Drawing for Canadian Schools [microform]
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Art is for Everyone
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The Ladies Book of Useful Information [microform]
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International Studio; 44
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Roman and Medieval Art
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Nuremberg and Its Art to the End of the 18th Century.
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Embattled Critic; Views on Modern Art
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Handbook of Paintings, Sculpture, Prints and Drawings in the Permanent Collection
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Barbed Wit & Malicious Humor
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The Art of Ancient Korea
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Art Directors Annual 1922; 2, 1922
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Franciscan Legends in Italian Art
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Predictions; Pictorial Predictions From the Past
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The Caves of France and Northern Spain, a Guide
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The Albert D. Lasker Collection
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Nance Records
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Exposition Universelle, 1900
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Art Thoughts
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Italian Art, the Collection of Professor Luigi Grassi
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City Lights, 1952-1955
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Grammar of the Arts
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Negerkunst Und Negerkunstler
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The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics; Ser.2, v.4(1817)
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In and Out of View
In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.
Nantucket in Print
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The Teacher of Flower and Fruit Painting
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Comic Epitaphs
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Epoch and Artist
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Winesburg, Ohio
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The Social History of Art. Volume Three, Rococo, Classicism, Romanticism
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The Glory That Was Greece
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Proportion, or, The Geometric Principle of Beauty, Analysed
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Art [microform]
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The Works of the Famous Nicholas Machiavel, Citizen and Secretary of Florence
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Exhibition of the Royal House of Tudor
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English Art, 871-1100
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Music In London, VolumeII
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A Little About Leech
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Musical Discourse
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Masks, Heads, and Faces
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Face in Western Art
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Language of Vision
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.