Clyde Singer's America
A richly illustrated study of the work of a beloved Ohio artist Clyde Singer was born in the small town of Malvern in 1908 and grew up in the rural hills of Ohio. Educated in the local public schools, he had an early interest in art and, after high school, attended the school at the Columbus Gallery of Fine Arts. In 1933 he received a scholarship to the Arts Students' League in New York City where his mentors were "American Scene" painters John Steuart Curry and Thomas Hart Benton. During his seven years in New York City, Singer developed a friendship with artist John Sloan, one of "The Eight" of the Ashcan School, a group of artists who painted gritty urban scenes and preceded the American Scene. Primarily oils and watercolors, Singer's early work focused on rural and small-town life in Ohio. Later in his career his art shifted to scenes of contemporary urban life. In 1940 Singer became the assistant director at the Butler Institute of American Art in Youngstown, Ohio, and, except for military service during World War II, remained there until his death in 1999. Singer completed more than 3,000 paintings during his career and is best known for his American Scene paintings. Singer's paintings are part of the permanent collections of many museums throughout the United States, and his work has been exhibited at the Whitney Museum, the Corcoran Gallery, the Chicago Art Institute, the National Academy of Design, the Massillon Museum, the Canton Museum of Art, and the Butler Institute of American Art. With 120 full-color reproductions of his paintings, as well as photographs of the artist at work and with his friends and family, Clyde Singer's America places the artist in the context of his time and makes his work available to a new and appreciative audience. Published in cooperation with the Canton Museum of Art.
Dreamworld
A lively history of Surrealism, from its beginnings in Paris to its expansion into an international artistic movement Dreamworld: Surrealism at 100 celebrates the centennial of Andr矇 Breton's Manifesto of Surrealism (1924), which launched one of the essential currents of twentieth-century thought and culture. Matthew Affron investigates how artists made good on Surrealism's promise of a revolution in consciousness by means of the unbridled imagination. This book highlights the key motivations, principles, themes, and techniques of Surrealist art from the early 1920s to the late 1960s. It also underscores Surrealism's spread beyond its birthplace in Paris, with a focus on the migration of artists to hubs in North America--especially New York City and Mexico City--during the Second World War. This lively, richly illustrated publication features works in a wide range of media by a diverse group of artists, including Jean Arp, Leonora Carrington, Joseph Cornell, Max Ernst, Frida Kahlo, Salvador Dal穩, Marcel Duchamp, Wifredo Lam, Man Ray, Andr矇 Masson, Joan Mir籀, Pablo Picasso, Dorothea Tanning, Remedios Varo, and many others. Distributed for the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art(November 8, 2025-February 16, 2026)
Beyond Mysticism
Demonstrates what made Modernist art in the Puget Sound region uniqueIn the early twentieth century, the Puget Sound region was home to a progressive artistic and cultural scene shaped by the region's rapid urbanization, its singular natural environment, and its orientation to the Pacific Rim. This generative milieu was fertile ground for four well-known Modernist artists--Guy Anderson, Kenneth Callahan, Morris Graves, and Mark Tobey--known as "mystics" for their shared admiration of the Pacific Northwest landscape and perceived alignment with Asian and Northwest Coast Native cultures. Beyond Mysticism: The Modern Northwest situates these artists within the broader history of Modern art in the Pacific Northwest through an exploration of key themes: industrialization, ecocriticism, Surrealism, and Abstract Expressionism. This exhibition catalog retells the fascinating story of Northwestern Modernism to reveal the range, complexity, and significance of local Modernists--including Fay Chong, William Cumming, Z. Vanessa Helder, Kenjiro Nomura, Albert Smith Sr., Kamekichi Tokita, Julius Twohy, and James Washington Jr.--within the context of American Modernism.
Divine Color
Transcendent and kaleidoscopic, these rare lithographs from colonial Calcutta helped forge the visual culture of modern IndiaUnder the rule of the British Raj, Bengali artists embraced European techniques not to mimic the West, but to devise a uniquely local visual language that appealed to a diverse audience. Divine Color magnifies this phenomenon through mapping the explosion of popular devotional art through lithographic printing in 19th- and early 20th-century Calcutta (now Kolkata), then the capital of British India. These vibrant and accessible mass-produced images brought the divine into everyday life, offering devotees new ways to engage with their gods, and reshaping spiritual experiences in colonial India.Set against the backdrop of a rapidly modernizing and cosmopolitan city, these prints emerged at the crossroads of vernacular tradition and colonial exchange. Their spirited aesthetic, devotional power and often political symbolism made them powerful tools of cultural expression and identity. The visual language pioneered by Calcutta lithographers played a foundational role in the formation of modern India's visual culture; their influence is visible in everything from advertising and political posters to decorative arts, underscoring the ritual, commercial and political power of these artworks. Divine Color restores these religious lithographs to their rightful place in the history of Indian art and invites readers to experience not just the divine world of Hindu gods, but the shaping of a modern visual India.
Hildegard Von Bingen: The Fountain of Wisdom
The polymath mystic's final suite of illustrated visions presented in its entirety for the first timeAround 1170, the German abbess, mystic and composer Hildegard von Bingen embarked on her final journey to recount her visions. At this point, Hildegard entrusted her spiritual insights not only to written words, but also to painted images, wherein her divine wisdom flows through form, color, sound, numbers and the movement of the stars. The result was her final manuscript, the Book of Divine Works, completed in 1173. The Fountain of Wisdom compiles these late painted images, uniting original format reproductions of the two Bingen codices with new images, never seen before, that have been hidden within the miniatures.Divided into three sections, the volume charts the process through which Hildegard received and articulated her divine images. The first section addresses the emission of visions through the cosmos, the sphere of creation, to the sphere of the soul; the second elucidates Hildegard's process of writing and composing these obscured images; the third demonstrates how the mystic employed sapiential code to construct her illustrations through the arts of quadrivium, arithmetic, geometry, music and astronomy.Born to a noble family, Hildegard von Bingen (1098-1179) became a Benedictine novice as a teenager. Her holy visions, which she had experienced since the age of three, were first collected and published in the Scivias (1141-52). As well as preaching throughout Germany, she wrote on music, poetry, natural history and her own prophecies, which survive in the form of dazzling illuminated manuscripts.
Several Eternities in a Day: Form in the Age of Living Materials
United by their innovative use of natural materials, 22 international artists compose a space of multiple temporalities, invoking all things with which we share the landPublished with Hammer Museum. For these 22 artists, materials operate as vital forces in the creation process. Their works are informed by ancestral practices and challenge common assumptions about the world. Stones, avocados, volcanic rock, cacao, achiote, clay and mineral pigments both perform art and behave artistically. Several Eternities in a Day considers ideas around materials as records of the living and repositories of cosmic memory, Brownness and cosmopolitan Indigeneity. Refusing to speak from an ethnographic distance, the exhibition and its catalog instead propose an approach based on permeability.Artists include: Jackie Am矇zquita, Carmen Argote, Gabriel Chaile, Naomi Gamarra, Raven Halfmoon, Rose B. Simpson, Ayla Tavares, Gustavo Caboco, Patricia Dom穩nguez Claro, Sky Hopinka, Santiago Yahuarcani, Raven Chacon.
Let Us Gather in a Flourishing Way: Contemporary Latinx Painting
A vibrant, expansive survey of contemporary Latinx painting, from Firelei B獺ez's reimagined histories to the haunting realism of Vincent ValdezPublished with Buffalo AKG Art Museum. Revealing the richness and complexity that characterizes contemporary Latinx painting, Let Us Gather in a Flourishing Way offers a panoramic overview of the field at a crucial moment in history. This bilingual (English/Spanish) exhibition catalog celebrates the innovations and interventions that Latinx artists enact on established traditions of painting, inviting dialogue on a variety of themes and revealing the diversity and expansiveness present within the field. These artists encourage us to interrogate the continued relevance of boundaries, from political borders to disciplinary confines. Highlighting thematic groupings that include a range of stylistic and material approaches, the book emphasizes commonalities across regions and generations, as artists consider the notions of community, land, placemaking and the writing or rewriting of histories. With 70 works by 58 artists based across the United States and Puerto Rico, this lively and lavishly designed catalog presents a vision of Latinx art that is expansive, dialogic and, like the diaspora itself, infinitely complex.Artists include: Firelei B獺ez, Felipe Baeza, David Antonio Cruz, Jos矇 Delgado Z繳簽iga, rafa esparza, Justin Favela, Teresita Fern獺ndez, Jay Lynn Gomez, Alfonso Gonzalez Jr., Salom籀n Huerta, Larry Madrigal, Guadalupe Maravilla, Leslie Martinez, Patrick Martinez, Yvette Mayorga, Eamon Ore-Giron, Angel Otero, Bony Ramirez, Carlos Rosales-Silva, Shizu Saldamando, Ilana Savdie, Vincent Valdez, Sarah Zapata.
L'Estampe Originale: A Catalogue Raisonn矇
Featuring the work of 74 artists and their facsimile letters, this portfolio is a keystone to Europe's Art Nouveau print cultureOriginally published in France during the mid-1890s by visionary publisher Andr矇 Marty, L'Estampe originale is widely regarded as one of the greatest collaborations in the history of printmaking. Its quarterly issues featured such distinguished names as Toulouse-Lautrec, Gauguin, Renoir, Pissarro, Whistler and more. Collecting all 95 works of art by 74 artists, this catalogue raisonn矇 of L'Estampe originale highlights the importance of color lithography during the last decade of the 19th century. Hundreds of mostly unpublished handwritten original and facsimile letters from these artists and from Marty's collaborators add depth and new understanding. This vast chorus of voices allows the reader to eavesdrop directly on the past and reveals rich details of the life and working methods of Andr矇 Marty--an ambitious cultural insider and artist, art historian, critic, editor, publisher, private dealer and entrepreneur.
William Raphael
A painter, art educator, and medical illustrator, William Raphael (1833?1914) was the first Jewish artist to establish a professional practice in Canada. Active during the latter half of the nineteenth century, Raphael made a name for himself as a portraitist, painting the likenesses of some of Quebec's most prominent politicians, businessmen, and military figures. He further excelled at genre scenes, and his works are celebrated for their important documentation of Indigenous communities, urban life, leisure activities, and architecture in Canada before and after Confederation.In William Raphael: Life & Work, author Pierre-Olivier Ouellet traces the artist's career from his early years in Prussia and his training in Berlin to his time in Quebec. The book details how after Raphael moved to Montreal in 1857, he met the famed photographer William Notman (1826?1891) and worked for him painting sets and colourizing photographs. This early career connection helped to situate Raphael within the province's burgeoning cultural scene and made him a key figure in the formation of the Art Association of Montreal in 1860.Raphael's unparalleled contributions to the visual folklore of Quebec have strengthened our understanding of nineteenth-century Canada. Combining realism with a picturesque sensibility, his portraits and depictions of daily life and civic spaces captured the spirit of an emerging country. Today, Raphael's paintings hang in the nation's leading institutions, including the National Gallery of Canada, the Montreal Museum of Fine Arts, and the Vancouver Art Gallery.
Jordan Casteel
'[Casteel] captures everyday encounters with people and places in works that invite recognition of our shared humanity.' - MacArthur FoundationThe first monograph on Jordan Casteel, one of the most critically acclaimed artists working todayJordan Casteel (b.1989 in Denver) is a New York-based artist known for her large-scale, figurative portraits and landscapes made with gestural brushwork and bold swaths of color.From the New York City subway and the streets of Harlem to the woodlands of Upstate New York, Casteel has established a collaborative practice where individuals she has encountered over the course of her daily life are represented in their element, generating an experience that is at once intimate and collective.Casteel's debut monograph features nearly 150 beautifully reproduced images, with sections specially conceived and designed by the artist herself.
Rock Art and Its Legacy in Myth and Art
Rock art is mankind's oldest artistic expression. The first creation of rock carvings (petroglyphs) and rock paintings (pictographs) by Homo sapiens represented on multiple counts a quantum leap in mental performance. In Rock Art and its Legacy in Myth and Art Christoph Baumer tells the story of these remarkable creations of early human imagination in Eurasia, Arabia and the Sahara. Petroglyphs not only reflect societal and economic adaptations to climate changes but also encapsulate the worldviews, myths and rituals that prevailed for tens of thousands of years, and even down to the present. In a final chapter the artist Therese Weber describes the work of contemporary artists from different cultures who engage with rock art and introduces her own work which is inspired by her exploration of petroglyphs. Vividly illustrated throughout with 340 full colour images and 10 maps, this book is a celebration of the legacy of petroglyphs as a means of expression and of recording events and coded messages, as well as a source of inspiration for modern-day artists.
Korean National Treasures
An epic journey through the world of Korean art, ranging from the first century BCE to the mid-twentieth century The 150 artworks showcased in this elegant book represent the vast and varied traditions and the extraordinary range of media encompassed in the Korean art world. The objects--which include paintings, sculptures, ceramics, books, and scrolls--have, with one exception, never been published or exhibited outside Korea, and over twenty of them have been designated as National Treasures under the Korean Cultural Heritage Administration. Serving as a comprehensive introduction to Korean art, the book includes essays by renowned experts in the United States and in Korea that explore key subjects, from secular Joseon-period paintings to Buddhist art, ceramics, and modern painting. The featured works are all part of the diverse Lee Kun-Hee Collection, one of the largest and most impressive private art collections ever assembled in Korea, which was donated to the state in 2021 in order to share with the public the depth and diversity of Korean artistic traditions. Distributed for the Art Institute of Chicago Exhibition schedule: National Museum of Asian Art, Washington DC (November 8, 2025-February 1, 2026) The Art Institute of Chicago (March 7-July 5, 2026)
Ethiopian Devotions
Admire stunning Christian imagery of Ethiopian Orthodox Church art in this lavishly illustrated volume with informative essays and more than 100 images Ethiopia is one of the world's oldest Christian civilizations, and its rich artistic history often centers on religious themes and practices. Ranging from the fourteenth to the twentieth centuries, Ethiopian Devotions celebrates an incredible collection of work, from a free-standing basilica carved from living rock, to the tradition of Ethiopic hagiography describing the lives of saints, to diptych and triptych icons of veneration -- miniature paintings distinctive for their vibrant colors and soulful eyes. Insightful essays present Ethiopia's devotional arts, and place in context the images of illustrated manuscripts, panel paintings, inscribed portraits, murals, crosses, garments, devotional images, prayer staffs, church and monastery architecture, and more, while exploring their connection to liturgical music and literature. Written by distinguished scholars in the field, the book's exploration of Ethiopia's cultural, artistic, and religious traditions is authoritative, and its more than 100 images reveal the depth, beauty and detail embodied in the artwork. Ethiopian Devotions offers readers the opportunity to understand and admire radiant art and learn about its long and remarkable history.
The History of Art in One Sentence
How did the Northern Renaissance differ from the Italian one? Why were the Pre-Raphaelites so obsessed with redheads? What does "Dada" mean? Verity Babbs has the answers, as she takes you on a whirlwind tour through 50 key Western art movements spanning 500 years--from the Renaissance to the Young British Artists. These fascinating (and often hilarious) nuggets of art wisdom cover everything from who inspired the movement and its impact on history, to key artists and artworks. This whimsically illustrated book is perfect for anyone who wants a fun art history refresher or to learn more about art and have a little laugh along the way.
New Deal Art
What role should the arts play in a democracy? At the height of the Great Depression, President Franklin D. Roosevelt's New Deal turned crisis into opportunity. Through unprecedented federal funding for the arts, the New Deal launched the careers of artists such as Philip Guston, Dorothea Lange, Jacob Lawrence, Alice Neel, Jackson Pollock, and Mark Rothko. They belonged to the era's bold vision of cultural democracy: art by the people, for the people. Brimming with vivid images and stories, New Deal Art offers a dynamic survey of this transformative period. The book highlights a diverse generation of artists who challenged dominant narratives of American history and identity. Through state-sponsored murals, paintings, sculptures, photographs, prints, and posters, these artists redefined the role of art in society. They formed the first Artists' Union and fought fascism through collective action. They reimagined art as a public good rather than a private luxury. New Deal Art confronts issues relevant today: freedom and censorship, race and representation, art and activism, politics and propaganda. In an era of dwindling public arts funding, the New Deal's goal of broadening access to art and culture remains as urgent as ever.
Reframing Blackness
'Thorough, accessible, essential' Katy Hessel, author of The Story of Art without Men 'A sparkling debut. Bold, eloquent, personal and clear-eyed, Alayo Akinkugbe is a major new voice in writing about art, museums and culture. This book will shift your frames of reference, expand your canvas, and give you hope for the future ― changing how you look at art while also making you look again at your ways of seeing' - Dan Hicks, author of The Brutish Museums 'To explore a history of Black communities across centuries of art is a love letter to the practice, a gift of knowledge and an ode to those who's creative expressions give us much to be inspired by today' - Sofia Akel, cultural historian and founder Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, as well as Blackness in museums, in feminist art movements and in the curriculum, Alayo unveils an overlooked but integral part of our collective art history. Refreshing and accessible, this promises to start a much-needed conversation in culture and education.
Divine Anarchy
Divine Anarchy: A Collection of Art & Writing​Through a collection of more than a hundred paintings and twenty-one pieces of writing, CJ Story builds a world alive with heat, humor and heartbreak. From lost mentors and burning cities to lovers, dreamers and drunks, Divine Anarchy captures a wild mix of stories, memories and moments that blur the line between truth and myth. Part memoir, part fiction, Divine Anarchy: A Collection of Art & Writing follows Sirius, Halo, Scoot, Magdalena and the narrator as they drift through the neon nights and hazy mornings of Los Angeles, London and beyond - a world of art shows, parties, hotel rooms, and heartbreak. Between laughter and loss, drugs and daylight, they chase meaning and beauty in the anarchy of the modern world.Story writes with cinematic precision and raw intimacy. His paintings erupt with color and motion, blurring the line between chaos and beauty. ​Funny, wild, political and tender, Divine Anarchy is a collection of work from a writer and artist whose voice defines a generation searching for meaning - and finding it in the act of creation itself.​Available separately as Divine Anarchy: The Writings - a standalone paperback edition featuring all the written works from the full art collection. Coming January 8th.
Divine Egypt
A rare and captivating look at ancient Egyptian deities that demystifies their complex iconography to illuminate three millennia of life and religious practice Ancient Egyptian religious practice flourished across millennia and encompassed a staggering array of gods, goddesses, and other divine beings. This publication outlines the rich iconography used to represent Egyptian deities--from the stately falcon-headed Horus, associated with power and kingship, to the fearsome lion-headed Sakhmet--and explores how these representations evolved alongside the roles of the gods themselves. Illustrated with more than 300 exceptional works of art, including statuary, figurines, jewelry, animal mummies, and coffins, Divine Egypt examines the expansive set of features used to symbolize more than 20 deities and their variations while also familiarizing readers with the meaning and cultural significance of each figure. World-renowned scholars explain how the ancient Egyptians recognized and understood divine images and the otherworldly nature of their gods. Essential reading for lovers of Egyptian art, this book enriches our understanding of not only the deities of ancient Egypt but also the lives of all strata of ancient Egyptian society. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 12, 2025-January 19, 2026)
Niki de Saint Phalle
A key contributor to Nouveau R矇alisme in early 1960s Paris, Niki de Saint Phalle (1930-2002) worked alongside artists such as Arman, Yves Klein, and Jean Tinguely, scavenging real objects in place of traditional art materials. She connected art to life by instrumentalizing household items, machine parts, and even toys for her early assemblages. Saint Phalle created her first shooting painting, or Tir, in 1961, and went on to conduct these performances in such varied locations as the Impasse Ronsin in Paris, a garden in Amsterdam, a sandpit outside Stockholm, and the Malibu Hills. Reliefs made of plaster, small objects, paint, wood, and wire were punctured by the bullets of a gun.This book provides an introduction to Saint Phalle's work, highlighting some of her most important contributions to 20th century art. From birthing mothers to harbingers of death, she created sculptures that celebrated and exposed the female form in works such as Pink Birth (1964) and Hon En Kathedral (1966). She also used real-life figures as inspiration: her early Nana sculptures are named after the artist's women friends and family members. She later extended her practice to films such as Daddy (1973), artist's books including AIDS: You Can't Catch it Holding Hands (1987), and the Tarot Garden, a monumental sculpture park with figures modeled on the 22 named cards of the Major Arcana figures in the Tarot deck, the karmic cards of destiny.
All-American Ads of the 30s (Multilingual Edition)
Step (or jitterbug) into the dazzling world of 1930s American advertising, where bold promises, slick design, and more than a touch of wishful thinking kept the country dreaming through the Great Depression. While wallets tightened, creativity soared--glossy magazine pages teemed with cheerful, colorful ads selling everything from beauty creams to Hawaiian vacations, all wrapped in an air of optimism that defied the hard times.At the dawn of the decade, the sleek, modernist aesthetics of European avant-garde design shook up the industry, introducing stylized, symbolic, and even abstract ads that emphasized visuals over words. But as reality set in, admen pivoted to a more hard-sell approach, favoring bold headlines, big promises, and down-to-earth pitches that resonated with a nation struggling to get by. Irony and subtlety had no place when people needed practical solutions--and so began the golden age of persuasive, no-nonsense marketing.This treasure trove reveals the relentless optimism of 1930s campaigns that painted pictures of affluent, carefree American life, where a better future was just one purchase away and Lucky Strikes helped Hollywood stars find their focus on set. Whether it was for a Shaeffer pen, a Buick sedan, or the Frigidaire '35, these endorsements reassured hard-working folk that prosperity was just around the corner.A vivid time capsule of Depression-era consumerism, with more than 800 vintage ads, it reveals how Madison Avenue didn't just sell products--it sold hope, glamor, and the great American dream.
Derwent Lees
Bringing to light the art and life of Derwent Lees (1884-1931), an Australian painter who studied and taught at the Slade School of Art in the decade preceding and including the First World War, this comprehensive monograph includes a complete catalogue of the artist's known works. Embedded within London's art world, Lees counted Augustus John, J.D. Innes, Vanessa Bell, Duncan Grant and Ambrose McEvoy as his close friends. He exhibited works in prominent London galleries and at the 1913 New York Armory show from his travels in England, Wales, France and Poland. Tragically, his promising career was cut short when he was confined to mental asylums from 1919. This publication provides a definitive account of Lees's life and impressive body of work and will stand as a primary reference resource on the artist for many years to come.
Slow Looking: The Art of Nature
Slow Looking: The Art of Nature is a unique celebration of the relationship between art and nature across millennia. Eschewing a linear narrative of art, this inspirational collection of artworks allows readers to make connections between the nature that surrounds them and the vision of a dazzling wide range of artists. Art historian Olivia Meehan has mixed paintings, drawings, sculpture, textiles, and decorative arts from across the globe in thought-provoking juxtapositions, inviting us to find something new in a familiar landscape and experiment in observing nature's wonders.Exploring the various intersections between artistic techniques and thematical elements across land, water, and sky, the pages reveal the deep--rooted connections between human beings and our natural world: the form and colors of a Georgia O'Keeffe painting of a shell echo a carved fossil from 500,000-300,000 BCE; Van Gogh's olive trees (1889) are juxtaposed with ancient Egyptian carved limestone dated between 1353-1323 BCE; and while water lilies captivated Claude Monet, their allure also traveled to mid--18th century India in Hunhar II's watercolor work.Following nature's patterns, Slow Looking: The Art of Nature takes readers on a journey from fields, mountains, forests, and glaciers to lakes, ponds, waterfalls, and rivers, and on to sunrises, rainbows, comets, clouds, constellations, and so much more. This guided observation of nature offers a whole new way of contemplating the world.
Artepano
Artepa簽o: Chicano Prisoner Kerchief Art features fifty artworks by Latinx artists working in the context of the American penal system. A pa簽o is a standard fifteen by fifteen-inch cotton handkerchief transformed into a work of art by prisoners that alternatively self-identify as Chicano, Mexican-American, Latino, and/or Hispanic. The artists also self-identify alternately as inmate. The Artepa簽o: Chicano Prisoner Kerchief Art exhibition presents a thorough sampling of the distinctive styles found in pa簽o art. The majority of works come from the private collection of Mr. Leplat-Torti, who has one of the largest collections of pa簽o art in the world. Additionally works of art come from the collection of the National Hispanic Cultural Center in Albuquerque, New Mexico and the Nora Eccles Harrison Museum of Art, Utah State University. The Artepa簽o: Chicano Prisoner Kerchief Art exhibition will be accompanied by a catalog with illustrations of every pa簽o featured in the exhibition with annotations by curator Dr. ?lvaro Ibarra. The publication will also feature an essay by renowned scholar Ben V. Olguin. Dr. Olguin's essay explores the complex social and economic factors surrounding the development of the artepa簽o tradition. Additionally, the catalog will include an interview with Mr. Leplat-Torti concerning his journey as a pa簽o collector and as an advocate for prison rehabilitation programs and prisoner rights.
Etching In England
A rediscovered classic that puts the glitter back into British printmaking Etching in England by Sir Frederick Wedmore returns, restored and reborn for a new generation. Step into the smoky studios and sunlit streets of 19th-century Britain as Wedmore, one of the era s most perceptive critics, guides readers through the art of etching with vivid commentary and warm authority. This book unfolds the story of English etching history: its technical revolutions, its passionate practitioners, and the cultural forces that made etching a defining medium of its age. Practical etching techniques sit alongside rich historical etchings and biographical sketches, giving both novices and connoisseurs a lucid etching guide wrapped in literary charm. Historically significant and brilliantly written, Wedmore s analysis remains a cornerstone of English art history and a must-read for anyone interested in British printmaking. His observations illuminate why certain 19th-century etchings still captivate collectors and scholars alike, making this edition essential for etching collectors, students, and casual readers who love artful storytelling. This volume was out of print for decades and is now republished by Alpha Editions carefully restored for today s and future generations. More than a reprint, this edition is a collector s item and a cultural treasure: annotated, faithfully reproduced, and presented to reconnect modern audiences with the enduring craft and critique of etching in England. Keywords: Etching techniques, Sir Frederick Wedmore, historical etchings, etching art analysis.
The Grip Cartoons
A wickedly witty mirror of a young nation laugh, learn, and linger over the sharp lines that shaped Canadian public opinion. The Grip Cartoons: Vols. I & II, May 1873 to May 1874 collects J. W. Bengough s biting Victorian political cartoons and periodical cartoons originally printed in The Grip, bringing together 19th-century satire that skewers politicians, social mores, and the headlines of a turbulent decade. These pages deliver classic caricatures and vintage comic art that trace the contours of early Canadian journalism and political commentary 1870s from elections and scandals to everyday life rendered with the crisp draughtsmanship and fearless humor that made Bengough a national voice. This edition s historical significance is profound: these satirical art collection pieces are primary witnesses to Canadian history through art, revealing how humor shaped opinion in Victorian era publications. Casual readers will enjoy rollicking humor and pointed visuals; collectors and scholars will treasure the authentic ink, timing, and cultural context of each plate. Key selling points: This book was out of print for decades and is now republished by Alpha Editions. It has been restored for today s and future generations. This edition is not just a reprint it s a collector s item and a cultural treasure. Perfect for fans of historical Canadian humor, classic caricatures, and anyone fascinated by the power of satire, this volume revives a landmark of satirical art and early Canadian journalism for modern shelves.
Etruscan Tomb Paintings, Their Subjects And Significance
A hidden world of color and ritual awaits step into the painted tombs of a vanished civilization and rediscover the stories written on stone. Etruscan Tomb Paintings, Their Subjects and Significance by Frederik Poulsen is a masterful exploration of Etruscan art and ritual life as revealed through ancient tomb paintings. Poulsen guides readers through vivid frescoes, decoding scenes of banquets, processions, and mythic moments to reveal what these images tell us about Etruscan culture, beliefs, and social practice. Blending meticulous archaeological studies with lively interpretation, the book illuminates how tomb art functioned in funerary ritual and civic identity across ancient Italy. This edition out of print for decades and now republished by Alpha Editions has been carefully restored for today s and future generations. More than a reprint, this volume is presented as a collector s item and cultural treasure: an essential reference for students of archaeological studies and Italian archaeology, and a beautifully preserved work for classic literature collectors and curious readers alike. Featuring rigorous historical art analysis and accessible commentary on Mediterranean archaeology, Poulsen s Etruscan painting interpretation remains a foundational text in Etruscan history and ancient civilizations scholarship. Whether you re new to Etruscan art or deep into tomb art significance, this revived edition brings the past vividly to life an indispensable addition to any library of historical discovery.
Caravaggio
One of the most influential painters of the Baroque era, Caravaggio transformed art history with his dramatic use of light and shadow and his raw, emotional realism. This beautifully produced, affordably priced book offers rich insights into his life and work in a compact, convenient format. From the striking intensity of The Calling of Saint Matthew to the poignant vulnerability of David with the Head of Goliath, Caravaggio's masterpieces are brought to life in vivid reproductions that allow readers to appreciate every detail of his artistry. Accompanying these images are insightful explorations of his works, uncovering the groundbreaking techniques and personal turmoil that defined his style. A comprehensive biography traces Caravaggio's meteoric rise in Rome, his volatile temperament, and the dramatic twists of his short life, offering a compelling portrait of an artist who was as passionate and unpredictable as the works he created. Perfect for both seasoned art connoisseurs and those newly discovering the wonders of early Baroque painting, this book invites readers to experience the genius of an artist whose bold vision continues to captivate audiences centuries later.
Spectrum of Desire
Reframing medieval art through the lens of queer theory, this pioneering volume sharpens our understanding of conceptions of gender, the body, and eroticism across three centuries This pioneering volume explores concepts of gender, sexuality, and love as portrayed in sculptures, paintings, manuscripts, and personal items to reveal the hidden sexuality and sensuality of medieval art. Using the critical approach known as queer theory, which offers a way to think more expansively about the past, the book interrogates aspects art and culture of the Middle Ages that are often overlooked, such as nonconformist sexual practices, gender variance, and power plays within human and divine relationships. Focused essays on topics and motifs such as the erotics of Saint Sebastian, transgender expression, and the underside of courtly love propose new readings of beloved masterpieces. Featuring more than 40 works of art from the fourteenth to the sixteenth century, this volume not only encourages readers to reflect on the ways that sex, gender, and relationships structured medieval lives and identities, but also prompts contemplation of how such attitudes affect our understanding of these subjects in the present day. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Met Cloisters, New York (October 17, 2025-March 29, 2026)
Manet and Morisot
An intimate exploration of an artistic friendship at the heart of the Impressionist movement ?douard Manet (1832-1883) was a pioneer of modern painting, and Berthe Morisot (1841-1895) was the sole female founding member of the Impressionist group. To each other, they were colleagues, friends, and--following Morisot's marriage to Manet's brother--family. Unfolding over a period of fifteen years, theirs was arguably the closest relationship between any two members of the Impressionist circle. Through collaboration, competition, and mutual collecting, each influenced the other's work and, in the process, changed the course of modern art. The story of this relationship has most often been told through Manet's magnificent portraits of Morisot, but the two artists' connection was more than one between painter and muse. Exploring pairs and groups of related works, Manet and Morisot reveals that, while Morisot looked to Manet for inspiration during her early career, as Morisot's work became more daring and garnered widespread acclaim, Manet began to follow her example, emulating her choice of subjects, her high-keyed colors, even her rapid, fluttering brushstrokes. Illustrated essays and entries challenge gendered perspectives in the Manet literature, while correspondence and a technical study invite readers into the two artists' shared social circle and contrasting studio practices. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Legion of Honor, Fine Arts Museums of San Francisco (October 11, 2025-March 1, 2026) Cleveland Museum of Art (March 29-July 5, 2026)
The American Art Book
The groundbreaking survey, showcasing 500 of the greatest American artists, now updated in an essential new edition'A lavish glimpse not only into American Art, but into the history of the century as well.' - The TimesFully revised and updated, this new edition of Phaidon's seminal volume The American Art Book provides an unparalleled look into the richness and diversity of American art. Covering more than three centuries, this stunning survey tells the history of a country through its most vital artists, each of whom has been thoughtfully selected for inclusion by an advisory team of leading curators, historians, and institutional directors.From the earliest colonial portraitists, Impressionist luminaries, the giants of Modernism, earthwork innovators, and Pop Art icons to today's contemporary visionaries, each artist is represented by a key work, an introductory text written by an expert in the field, and cross-references to other artists, inspiring new connections through art history.Featured artists include: Ansel Adams, Josef Albers, Diane Arbus, Ruth Asawa, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, Romare Bearden, Alexander Calder, Vija Celmins, Frederic Edwin Church, John Singleton Copley, Gregory Crewdson, Helen Frankenthaler, Jared French, Felix Gonzalez-Torres, Robert Gwathmey, Keith Haring, Barkley L. Hendricks, Jenny Holzer, Arthur Jafa, Joshua Johnson, Henrietta Johnston, Alex Katz, Gaston Lachaise, Jacob Lawrence, Edmonia Lewis, Maya Lin, Man Ray, Ana Mendieta, Senga Nengudi, Nam June Paik, Jackson Pollock, Robert Rauschenberg, Jaune Quick-to-See Smith, Andy Warhol, and Carrie Mae WeemsAdvisors include: Aleesa Pitchamarn Alexander, Kathleen Ash-Milby, Horace D. Ballard, David Breslin, Mel Buchanan, JR Henneman, Rujeko Hockley, Jonathan D. Katz, Franklin Kelly, Harper Montgomery, Lowery Stokes Sims, Juliet Sperling, Bradley Sumrall, and Leslie Umberger
Supernatural
From the bestselling author of The Fantastic Gustave Dor矇. Featuring 300 exquisite paintings and engravings that reveal the mysterious beauty of nineteenth century Dark Romanticism, Symbolism, and Pre-Raphaelitism, this lavish volume highlights the era's fascination with the spiritual, the macabre, and the sublime. Supernatural invites readers to experience the otherworldly imagination of celebrated and lesser-known artists who sought to capture the liminal spaces between reality and fantasy. Divided into 7 thematic chapters Luna (moon), Carmina (charms), Maleficia (witchcraft), Genii (fairies), Phantasmata (ghosts), Angeli (angels), and Daemones (demons)--it pairs breathtaking artwork with insightful commentary that illuminates the themes, symbols, and esoteric traditions woven into these haunting works. A glossary of 40 terms further clarifies the arcane concepts and spiritual influences at play. The sumptuous package includes gold-embossed cover and spine, decorative belly band, and sprayed edges inscribed with the title. Ideal for art lovers, mystics, and anyone captivated by the uncanny, it offers an unprecedented journey into the supernatural visions of the nineteenth century.
Impressions in Watercolour: Turner and His Contemporaries
Rarely seen watercolors by the greatest English artists of the 19th century, beautifully reproduced. Curated and introduced by Ian Warrell, the leading expert on Turner, this selection from the fabled Hickman Bacon collection is one of the finest groups of British watercolors in existence, and hardly ever seen or reproduced. Centered around 32 watercolors by Turner, including some of his breathtaking views of the Alps, early views, and late cloud and sea studies, the collection also encompasses some of the greatest works by Turner's contemporaries: John Sell Cotman, Alexander Cozen, Thomas Girtin, Peter de Wint, John Crome, David Cox and others. Beautifully printed on heavy uncoated paper, with some reproductions life size, this book conveys the intensity and freshness and stupendous virtuosity of these artists whose work in watercolor has never been rivaled. An extended essay by the leading expert and former Tate curator Ian Warrell examines the paintings and gives a vivid picture of the artists who made them.
Miami's Art Boom
Discover how Miami's local art community transformed the city into a hub of global artistic exchangeFlorida Book Awards, Gold Medal for Visual ArtsStep into the vibrant heartbeat of Miami's art scene during a transformative period in Miami's Art Boom. Award-winning art critic Elisa Turner presents over 100 of her best profiles, reviews, and stories to capture the evolution of Miami's visual arts community before and after the inaugural Art Basel Miami Beach in 2002. This book reveals how a constellation of visionary artists, curators, galleries, and museums ignited a cultural revolution that propelled the region onto the international stage.Through four chronological sections and a richly contextualizing introduction, readers are invited to witness a pivotal era when creative pioneers like Jos矇 Bedia, Carlos Betancourt, Mar穩a Brito, Gary L. Moore, Eugenia Vargas-Pereira, Edouard Duval-Carri矇, Mar穩a Mart穩nez-Ca簽as, and many others redefined artistic boundaries. Their individual stories are artfully interwoven with the broader narrative of a community energized by cross-cultural exchange. As Miami transformed into a flourishing hub of global artistry amid burgeoning support from state and private funders, the groundwork was laid for Art Basel Miami Beach, a landmark event whose explosive impact continues to reverberate.Miami's Art Boom is more than a history--it is a vibrant cultural artifact that not only defies myths about Miami's artistic roots but also celebrates the spirit of innovation and diversity. This detailed, lively collection is an essential read for art students and scholars, professionals, and anyone passionate about the power of creativity. Embrace the story of Miami's rise from the foundational work of local visionaries to the exhilarating exchange of the international art world and experience an inspirational journey.
Art & Court of James VI & I
A dazzling selection of art, jewellery, clothing and objects that reflects the dynamic court of James VI & I. James VI & I, the only child of Mary, Queen of Scots, has often been overshadowed by the dramatic lives of his mother and son, Charles I. This book seeks to redress the balance by centering the first monarch to reign over both Scotland and England and uncovering the artistic treasures created during his extraordinary reign. The cultural riches of James's court are showcased, revealing his diverse roles as ruler, scholar, politician, father and patron of the arts. His court's passion for jewelry and fine clothes is illustrated in the vivid portraits and miniatures by John de Critz and Nicholas Hilliard - just two of many artists and craftspeople who thrived in its artistic and intellectual climate. Five richly illustrated chapters demonstrate James's impact on early modern Britain, while reconsidering the reputation of a king traditionally presented as preferring hunting and drinking to the duties of daily governance. Packed with exquisite art works and sumptuous objects, this book brings James's court vividly to life.
Leonardo
This accessible and beautifully produced volume honors the extraordinary legacy of Leonardo da Vinci, whose genius shaped the Renaissance and continues to inspire the modern world. Through stunning reproductions of his most iconic works, including The Last Supper, Mona Lisa, and The Virgin and Child with St. Anne, readers can experience the depth and brilliance of Leonardo's artistry. These masterpieces, alongside his intricate sketches and studies, are paired with commentary that illuminates the innovative techniques, symbolism, and groundbreaking ideas that define his legacy. A concise and engaging biography traces Leonardo's journey from his early years in Vinci to his influential career in Florence, Milan, and beyond, exploring the boundless curiosity and intellect that fueled his pursuits in art, science, and engineering. Rich contextual details highlight the cultural and historical influences on his work, offering readers a deeper understanding of his enduring impact. Compact, elegantly designed, and affordably priced, this book is ideal for both devoted admirers of Renaissance creativity and those discovering Leonardo da Vinci for the first time. Offering a compelling exploration of his life and achievements, it is an essential addition to any art lover's collection.
Derrick Adams
The highly anticipated first monograph on one of the most celebrated American contemporary artistsThrough portraits, social scenes, photographs, sculptures, and immersive installations, Derrick Adams has developed an artistic practice that jocundly visualizes modern Black American life. Equally informed by popular culture as he is by the history of modern art, Adams's work brings the everyday experiences of Black Americans to the forefront, capturing fashionable moments of joy, resilience, and celebration. His artworks are filled with color, energy, and complexity, whether they depict intimate, everyday moments or grand, sweeping statements.Adams's first-ever monograph includes 150 of the most significant works from his thirty-year career, along with four newly commissioned texts from cultural luminaries. Filled with beautifully reproduced images and presented in a cloth case with a painting tipped onto the front cover, this stunning book establishes Derrick Adams as one of the most important figurative artists working today.
Banksy: Completed
There's more to Banksy than the painting on the wall: the first in-depth investigation into the mysteries of the world's most famous living artist. Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With this generously illustrated book, artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall. Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York "residency" or his notorious Dismaland of 2015, a full-scale dystopian "family theme park unsuitable for children" dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect--on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.
Common People
A stunning book by photographer Leah Gordon and bestselling art author Stephen Ellcock, illustrated with 100 incredible colour images from a diverse range of artists of different eras, exploring the enclosure of common land in England and the struggle over the centuries to regain access. IN 1600, 50% OF ENGLAND WAS COMMON LAND.IT'S NOW 3%.THIS IS THE STORY OF HOW THAT HAPPENED. This is a visual journey through the history of the enclosure of common land in England and the stories of those who have attempted to resist. Richly illustrated with Leah Gordon's photography alongside fine art and folk customs past and present, discover: - A timeline of this centuries-long struggle for access to the land.- The stories of rural resistance such as the Levellers, the Diggers, the Luddites and Captain Swing.- The links between the struggles of the industrial working-class and the peasants.- Contemporary conflicts around land rights, such as the New Age travellers and rave scene, the anti-road campaign and the Right to Roam movement. Common People offers a reimagining of English history told by the people themselves, giving voice to the silenced history of the enclosures and the incredible visual creativity inspired by rural resistance and protest.
Why Surrealism Matters
An elegant consideration of the Surrealist movement as a global phenomenon and why it continues to resonate "Mr. Polizzotti carefully balances the movement's aspirations and attainments against its flaws and contradictions, hoping to recuperate Surrealism's 'critical and imaginative essence' for the present. . . . The best concise account of the movement available."--Michael Saler, Wall Street Journal Selected by Art in America as an "Essential Book About Surrealism" Why does Surrealism continue to fascinate us a century after Andr矇 Breton's Manifesto of Surrealism? How do we encounter Surrealism today? Mark Polizzotti vibrantly reframes the Surrealist movement in contemporary terms and offers insight into why it continues to inspire makers and consumers of art, literature, and culture. Polizzotti shows how many forms of popular media can thank Surrealism for their existence, including Monty Python, Theatre of the Absurd, and trends in fashion, film, and literature. While discussing the movement's iconic figures--including Andr矇 Breton, Leonora Carrington, Salvador Dal穩, Ren矇 Magritte, Man Ray, and Dorothea Tanning--he also broadens the traditionally French and male-focused narrative, constructing a more diverse and global representation. And he addresses how the Surrealists grappled with ideas that mirror current concerns, including racial and economic injustice, sexual politics, issues of identity, labor unrest, and political activism. Why Surrealism Matters provides a concise, engaging exploration of how, a century later, the "Surrealist revolution" remains as dynamic as ever.
Art and Revolution
A wrenching portrait of the Russian sculptor and a tribute to the potential of political art John Berger explores the life and work of Ernst Neizvestny, who, after clashing with Khrushchev, was excluded from the ranks of officially approved Soviet artists. Abandoned to obscurity, Neizvestny laboured to realize a monumental and very public vision of art. Exiled to the United States, he finally found recognition, returning to his homeland with the fall of the Berlin Wall. Berger's account illuminates the very meaning of revolutionary art. In his struggle against official orthodoxy - which brought him into face-to-face conflict with Khrushchev himself - Neizvestny was fight-ing not for a merely personal or aesthetic vision, but for recognition of the social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, commemorating, in an age of mass suffering, the resistance and endurance of millions.
Michelangelo and the Viewer in His Time
Now in paperback, an invitation to re-experience the works of the Italian master as they would have been encountered in his time. Today most of us enjoy the work of famed Renaissance artist Michelangelo by perusing art books or strolling along the galleries of a museum--and the luckier of us have had a chance to see his extraordinary frescoes on the ceiling of the Sistine Chapel. But as Bernadine Barnes shows in this book, even a visit to a well-preserved historical site doesn't quite afford the experience the artist intended us to have. Bringing together the latest historical research, she offers us an accurate account of how Michelangelo's art would have been seen in its own time. As Barnes shows, Michelangelo's works were made to be viewed in churches, homes, and political settings, by people who brought their own specific needs and expectations to them. Rarely were his paintings and sculptures viewed in quiet isolation--as we might today in the stark halls of a museum. Instead, they were an integral part of ritual and ceremonies, and viewers would have experienced them under specific lighting conditions and from particular vantages; they would have moved through spaces in particular ways and been compelled to relate various works with others nearby. Reconstructing some of the settings in which Michelangelo's works appeared, Barnes reassembles these experiences for the modern viewer. Moving throughout his career, she considers how his audience changed, and how this led him to produce works for different purposes, sometimes for conventional religious settings, but sometimes for more open-minded patrons. She also shows how the development of print and art criticism changed the nature of the viewing public, further altering the dynamics between artist and audience. Historically attuned, this book encourages today's viewers to take a fresh look at this iconic artist, seeing his work as they were truly meant to be seen.
Hew Locke
An in-depth look at the innovative career of an artist renowned for his multimedia explorations of colonial and postcolonial power For the past thirty years, Guyanese British artist Hew Locke (b. 1959) has used strategies of appropriation to reveal and upend the visual codes of imperialism. Incorporating sculpture, photography, drawing, and found objects, Locke's oeuvre has been described as a "postcolonial baroque" that deconstructs and reimagines deeply entrenched iconographies of British sovereignty. This richly illustrated catalogue showcases the full spectrum of Locke's practice, bringing together distinct bodies of work that scrutinize the visual language of empire and colonialism's present-day legacies of global market capitalism, migration, and diaspora. Essays from leading curators, critics, and scholars of contemporary art situate Locke's work within the context of colonial and postcolonial history and theory, reveal how his use of nontraditional materials--including cardboard, fabric, beads, sequins, and readymade toys--enables the artist to reflect on his Guyanese-British heritage, and consider how the artist's dense, highly textured, and multilayered works fuse vernacular and formal traditions. Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule: Yale Center for British Art(October 2, 2025-January 11, 2026) Wexner Center for the Arts, Columbus, OH(February 13-May 24, 2026) Museum of Fine Arts, Houston(June 21-September 13, 2026)
Family Romance
Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career--and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes--as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. It travels back through hundreds of years to the Habsburg court in Vienna and forward to fascist Italy in the 1930s. Its depictions of Sargent, his sitters, their friendships and circles, and the portraits themselves light up a period that saw tumultuous social change and the birth of the modern art market. Sargent brilliantly portrayed these transformations, in which the Wertheimers were key players. Family Romance brings their interwoven stories fully to life for the first time.
