The Renaissance In Italian Art ...
The Renaissance In Italian Art, Volume 2 by Selwyn Brinton offers a detailed examination of Italian Renaissance art, focusing specifically on sculpture and painting. This volume provides a comprehensive analysis of artists and their works, capturing the essence and innovation of the Renaissance period. Brinton delves into the techniques, styles, and cultural contexts that shaped the artistic landscape of Italy. Readers will gain a deeper understanding of the masterpieces and the creative minds behind them, making this book an invaluable resource for art enthusiasts and scholars alike. A crucial addition to any art history collection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Comparaison Entre La Tete D'un Des Chevaux De Venise
"Comparaison Entre La Tete D'un Des Chevaux De Venise" by Benjamin Robert Haydon offers a critical examination of the sculptures of horses in Venice. This work provides insights into the author's perspective on art history and artistic techniques. This essay delves into comparisons and artistic analysis, offering readers a unique view of these iconic equine sculptures.Haydon's exploration provides historical context and invites readers to delve into the world of classical art and sculpture. It remains relevant for those studying art history, criticism, and the influence of classical forms in later periods. Discover Haydon's critical insights into the timeless allure of Venetian sculpture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Masterpieces; Sixty Reproductions Of Photographs From The Original Oil-paintings
"Masterpieces; Sixty Reproductions Of Photographs From The Original Oil-paintings" presents a curated collection of photographic reproductions of renowned oil paintings. This volume offers a glimpse into the artistic achievements of the past, capturing the essence of each masterpiece through the lens of early 20th-century photographic technology. Featuring works by Jean Louis Ernest Meissonier and other celebrated artists, this book serves as a valuable resource for art enthusiasts, historians, and students alike. Explore the intricate details and timeless beauty of these iconic paintings, carefully preserved in this unique compilation. A treasure for any library, "Masterpieces" celebrates the enduring legacy of fine art and the evolving methods of its documentation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Catalogue Of An Exhibition Of The Work Of William Morris [held At] The Municipal School Of Art, Manchester, Oct., 1908](https://cdn.kingstone.com.tw/english/images/product/2342/9781024752342m.webp?Q=2fd6d "Catalogue Of An Exhibition Of The Work Of William Morris [held At] The Municipal School Of Art, Manchester, Oct., 1908")
Catalogue Of An Exhibition Of The Work Of William Morris [held At] The Municipal School Of Art, Manchester, Oct., 1908
Explore the artistic legacy of William Morris in this catalogue from a 1908 exhibition held at the Municipal School of Art, Manchester. Commemorating the remarkable achievements of Morris, a central figure in the Arts and Crafts movement, the catalogue offers a glimpse into the diverse range of his work, including textile design, printing, and decorative arts. It serves as a valuable historical document, reflecting the enduring influence of Morris's aesthetic vision and his commitment to craftsmanship. A must-read for anyone interested in the history of design, the Arts and Crafts movement, and the life and work of William Morris.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]](https://cdn.kingstone.com.tw/english/images/product/5181/9781024395181m.webp?Q=6b96e "Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]")
Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]
Delve into the lives and legacies of extraordinary painters with "Biographical Memoirs Of Extraordinary Painters," penned by William Beckford. This collection offers insightful glimpses into the personal histories and artistic journeys of remarkable figures in the world of art. Beckford's work provides a unique perspective on the challenges, triumphs, and creative processes that shaped these individuals and their masterpieces.Explore the artistic landscape through the eyes of a discerning observer, as Beckford brings these painters to life with vivid anecdotes and thoughtful reflections. This biographical work is a valuable resource for art enthusiasts, historians, and anyone interested in the lives of those who have left an indelible mark on the art world. Discover the stories behind the brushstrokes and gain a deeper appreciation for the enduring power of art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Illustrated Catalogue Of The Notable Collection Of Valuable Paintings
This is an illustrated catalog of the notable collection of valuable paintings formed by the late Ichabod T. Williams. It documents the pieces to be sold at unrestricted public sale. This is Part 2 of the collection. Compiled by Thomas Ellis Kirby and presented by the American Art Association, this catalog offers a glimpse into a significant art collection of its time. It serves as a valuable resource for art historians, collectors, and anyone interested in the provenance and market history of fine art. The detailed descriptions and illustrations provide insight into the aesthetic tastes and collecting habits of the late 19th and early 20th centuries, offering a unique window into the art world of that era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Illustrated Catalogue Of The Paris International Exhibition
Step back in time with "The Illustrated Catalogue Of The Paris International Exhibition, 1862," a fascinating glimpse into one of the 19th century's grandest showcases of art, industry, and innovation. This meticulously detailed catalogue offers a comprehensive overview of the exhibits, providing invaluable insights into the artistic and technological advancements of the era.Originally published anonymously, this illustrated edition captures the spirit of the exhibition, allowing modern readers to experience the excitement and wonder that captivated audiences over a century ago. Explore detailed illustrations and descriptions of a wide array of displays, reflecting the diverse achievements of nations from around the globe. This catalogue serves as both a historical document and a visual feast, making it an essential addition to the libraries of historians, art enthusiasts, and anyone intrigued by the cultural landscape of the 19th century. Discover the legacy of the Paris International Exhibition and its enduring impact on the world.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Gerard Dou
Gerard Dou offers a detailed look into the life and works of the celebrated Dutch Golden Age painter. This early 20th-century study, written by W. Martin, explores Dou's artistic techniques, influences, and his place within the broader context of Dutch art. Readers will discover insights into his famous genre paintings and portraiture. Highlighting key periods and masterpieces, this book serves as an invaluable resource for art historians, students, and anyone interested in the legacy of one of the most meticulous and admired artists of the 17th century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Guide To The Paintings And Sculptures Exhibited To The Public
"A Guide To The Paintings And Sculptures Exhibited To The Public" offers a glimpse into the art collections of the Lenox Library. This historical guide provides descriptions of the various paintings and sculptures on display, offering insights into the artistic and cultural landscape of the time. This work is of interest to art historians, museum enthusiasts, and anyone curious about the Lenox Library's role in preserving and showcasing art for the public.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Catalogue Of The Pictures At Cowdray-house, The Seat Of The Right Honourable Lord Viscount Montague, Near Midhurst, Sussex
"A Catalogue Of The Pictures At Cowdray-house, The Seat Of The Right Honourable Lord Viscount Montague, Near Midhurst, Sussex" offers a detailed inventory of the artwork housed within Cowdray House. This catalogue provides a glimpse into the art collection of a prominent British estate, reflecting the tastes and acquisitions of the Montague family. Readers interested in art history, architectural history, and the social history of British estates will find this catalogue a valuable resource. It preserves a record of the paintings displayed at Cowdray House, offering insights into the artistic and cultural milieu of the time. This volume serves as a historical document, capturing a moment in the life of a significant country house and its contents.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Taco Man Artillery
Taco Man is not your average hero-he's fast, he's wild, and he's on a mission. Whether he's playing cards, banging on drums, teaching a class, skydiving without a parachute, or dashing through an observatory-he does it all while running. "Man Artillery" is a high-speed, genre-bending fusion of surreal storytelling, street poetry, underground culture, and unfiltered thoughts from the mind of Curtis Darnell Brown Jr.This vivid and unpredictable journey features chaotic energy, raw voice, and rhythmic expression-blending satire, faith, rebellion, and extreme imagery with cartoon logic and hard truths. With Taco Man as your guide, prepare to enter a world where everything is in motion and nothing is off-limits.
Masterpieces; Sixty Reproductions Of Photographs From The Original Oil-paintings
"Masterpieces; Sixty Reproductions Of Photographs From The Original Oil-paintings" presents a curated collection of photographic reproductions of renowned oil paintings. This volume offers a glimpse into the artistic achievements of the past, capturing the essence of each masterpiece through the lens of early 20th-century photographic technology. Featuring works by Jean Louis Ernest Meissonier and other celebrated artists, this book serves as a valuable resource for art enthusiasts, historians, and students alike. Explore the intricate details and timeless beauty of these iconic paintings, carefully preserved in this unique compilation. A treasure for any library, "Masterpieces" celebrates the enduring legacy of fine art and the evolving methods of its documentation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Guide To The Paintings And Sculptures Exhibited To The Public
"A Guide To The Paintings And Sculptures Exhibited To The Public" offers a glimpse into the art collections of the Lenox Library. This historical guide provides descriptions of the various paintings and sculptures on display, offering insights into the artistic and cultural landscape of the time. This work is of interest to art historians, museum enthusiasts, and anyone curious about the Lenox Library's role in preserving and showcasing art for the public.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]](https://cdn.kingstone.com.tw/english/images/product/0278/9781024390278m.webp?Q=a3880 "Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]")
Biographical Memoirs Of Extraordinary Painters [by W. Beckford.]
Delve into the lives and legacies of extraordinary painters with "Biographical Memoirs Of Extraordinary Painters," penned by William Beckford. This collection offers insightful glimpses into the personal histories and artistic journeys of remarkable figures in the world of art. Beckford's work provides a unique perspective on the challenges, triumphs, and creative processes that shaped these individuals and their masterpieces.Explore the artistic landscape through the eyes of a discerning observer, as Beckford brings these painters to life with vivid anecdotes and thoughtful reflections. This biographical work is a valuable resource for art enthusiasts, historians, and anyone interested in the lives of those who have left an indelible mark on the art world. Discover the stories behind the brushstrokes and gain a deeper appreciation for the enduring power of art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Illustrated Catalogue Of The Notable Collection Of Valuable Paintings
This is an illustrated catalog of the notable collection of valuable paintings formed by the late Ichabod T. Williams. It documents the pieces to be sold at unrestricted public sale. This is Part 2 of the collection. Compiled by Thomas Ellis Kirby and presented by the American Art Association, this catalog offers a glimpse into a significant art collection of its time. It serves as a valuable resource for art historians, collectors, and anyone interested in the provenance and market history of fine art. The detailed descriptions and illustrations provide insight into the aesthetic tastes and collecting habits of the late 19th and early 20th centuries, offering a unique window into the art world of that era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Roxanne Swentzell
The fourth title in New Mexico Magazine's Artist Series showcases the work of Roxanne Swentzell, one of the most intriguing and acclaimed contemporary sculptors in the Southwest. Roxanne was born in 1962, the daughter of Rina Swentzell, a potter, architect, writer, and scholar from Santa Clara Pueblo, and Ralph Swentzell, a New Jersey-born philosophy professor at St. John's College in Santa Fe. For her last two years of high school Roxanne attended the Institute of American Indian Arts in Santa Fe, where she was given the first exhibition of her clay figures. Later she studied at the Portland Museum Art School in Oregon. Today Roxanne's work, much of which is also produced in bronze limited editions, is collected internationally. It has earned numerous honors, including many first place and best of class awards at Santa Fe Indian Market and the Heard Museum Guild Indian Fair and Market. Her work is extensively exhibited in museums and galleries, and in 1997, Emergence of the Clowns was part of an exhibition of Native American sculpture at the White House.In this generously illustrated art book, Santa Fe writer Gussie Fauntleroy explores with Roxanne the ideals and beliefs that underpin her work. Her sculptures of human figures capture beauty that is unspoiled by glamour and enhanced by dignity, self-awareness, and humor. Along with her Pueblo community, she cherishes memory--the continuum of the ancestral past with present and future--which nourishes the wisdom to look beyond contemporary pop-culture idolatry and choose a more fundamental humanity. Her figures exalt the small, ordinary, everyday choices we make that define our integrity and enable us to become extra-ordinary.Roxanne's many admirers love her art for its simplicity, humanity, humor and superior craftsmanship. This book enables readers to enjoy Roxanne's artwork in the company of her quiet and observant spirit.
Los Artistas del Pueblo
In this study of four Argentine artists who helped make up Los Artistas del Pueblo (The People's Artists), Patrick Frank examines social realism in that country's art. He contends their work constituted the first movement of social realism in Latin American art. Los Artistas del Pueblo includes art history as well as the historical context in which the group worked. In Argentina, the years 1912 to 1930 are generally regarded as a "Golden Age," when the country was among the world's most developed. Yet Los Artistas saw many gaps: poor working conditions, restrictive labor legislation, dilapidated housing, and disenfranchised immigrants who made up half of the capital city's population. The artists shunned the formal circuit of galleries, preferring to show their solidarity with the workers through displays of protest art in union halls, community centers, and Socialist party libraries. Their prints were intended to stir sympathy for the less fortunate and to motivate workers themselves to action.Frank places a major focus on how the movement began and how their rejection of modern art was based in their conviction that the function of art was to speak directly to the masses, emotionally and politically.
Linda J. Ging: Paintings
Linda J Ging, born in 1941 in Hutchinson, Kansas, is an American transcendentalist who has worked in quiet obscurity for nearly thirty years. Her paintings, rooted in the immense spaces and changing skies of rural Kansas, are not landscapes. They are not about things. They are dust, astral dust. Linda Ging rigorously eradicates all suggestions of place, material existence, and especially her own presence. She brushes on color washes in scores of translucent layers with a touch so light as to seem uncanny. She never arrives at opacity. Some suspect the use of an airbrush. The suggestion is as preposterous to her as using the wings of insects.Her mature work pushes abstraction beyond Abstract Expressionism's cult of personality, beyond the geometry of Rothko's shimmering squares. Her selfless art, "beyond is and is not," as the poet Rumi wrote, explores the gorgeous mysteries of nothingness, the rewards of uncertainty, the marvelous fullness of the Void. Linda Ging's paintings are loved and collected worldwide. This first publication of her work reproduces in color more than forty of her mature pieces. It includes an essay by Eugenia Parry and a foreword by Stuart Ashman.
Counter Print
This collection explores the role of newsletters, magazines, and journals in shaping contemporary art's practices, histories, and communities, uncovering the impact of queer, feminist, Black, and transnational networks on Britain's cultural landscape.
Catalogue of the Collection of Modern Pictures and Water-colour Drawings
This is a catalogue documenting the collection of modern pictures and water-colour drawings formerly the property of James Nasmyth, Esq. Also included are pictures belonging to the late Professor Barff, and artworks sourced from various private collections. This catalogue offers a detailed listing of artworks available at auction, providing valuable insights into the art market of the late 19th century.Compiled by Manson and Woods Christie, this catalogue serves as a historical record of notable art collections and provides a glimpse into the tastes and preferences of collectors during this period. It offers art historians, collectors, and enthusiasts a resource for understanding the provenance and circulation of artworks in the 19th century, capturing a moment in art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Full-length Portrait Of Washington Irving In His Library At Sunnyside
A captivating full-length portrait depicts Washington Irving, the celebrated American author, in his library at Sunnyside. This remarkable image offers a glimpse into the world of one of America's most beloved literary figures. The portrait, by William Henry Powell and Goupil & Cie, captures Irving amidst his books, providing a visual testament to his life and work. It is a tribute to Irving's enduring legacy and his significant contributions to American literature. Explore the ambiance of Sunnyside and the intellectual spirit of Washington Irving through this full-length portrayal.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pictures by old Masters Chiefly of the Dutch and Flemish Schools; Early English Pictures and Portraits
"Pictures by Old Masters Chiefly of the Dutch and Flemish Schools; Early English Pictures and Portraits" offers a glimpse into a curated collection of significant artworks. This volume, likely compiled as a catalog for an exhibition or private collection, showcases the talents of Dutch and Flemish masters alongside early English pictures and portraits. Art enthusiasts and historians will appreciate the insights into artistic styles, techniques, and cultural contexts of the periods represented. The detailed descriptions and potential illustrations (though not explicitly mentioned) provide valuable documentation of these works, making it a resource for understanding the artistic landscape of the time. Discover the beauty and historical significance of these paintings within the pages of this classic art reference.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Latoya M. Hobbs
A celebration of printmaker LaToya M. Hobbs featuring a suite of life-size woodcut prints Carving Out Time is a monumental print series by LaToya M. Hobbs (b. 1983), a painter and printmaker based in Baltimore. This publication--the first of its kind on the artist--presents the series in full, with commentary on both Hobbs's practice and broader themes pertinent to her work and to the field of contemporary printmaking. Unfolding over five scenes, Hobbs's towering woodcuts depict a day in her life with her husband and their two children. Hobbs extends the intimacy of her private life, centering the negotiations she brokers daily to balance her responsibilities as a wife, mother, educator, and artist--a contemplation of nuanced concepts of time and labor that is at once deeply personal and universal. The book serves as an art historical guide to Hobbs's daily conversation with sculpture, paintings, and prints by visionary Black artists including Jean-Michel Basquiat, Elizabeth Catlett, and Kerry James Marshall living within this print series, depicted on the walls and bookshelves in the family home. Distributed for the Harvard Art Museums
The Dictionary of Flowers
A beautifully illustrated prose poetry collection exploring womanhood, healing, and the delicate tensions of identity in contemporary India.Stepping into a breezy and colourful piece, reading this book is more like getting to know a person. The exchange of pleasantries at the start with dainty conversations that refrain from straying too far. Building a careful foliage of words that soften into laughter and a crisscross of comfortable questions. The rough puzzle pieces slowly fit together as you stumble across parts they keep hidden from the daylight. Cracks in their initial flawlessness that never fail to surprise you. And after you get to know them with their joys, regrets and stubborn quirks, and wonder how it aligns with your own, they stay by your side. Hopeful. Vulnerable. With every guard down. Waiting to see if you would accept them as a whole. And that is what the dictionary of flowers will do to you. Stay with you while you get to know the entire picture. And wait. And wait for you to make your final choice.
Mirar Hoy Lo Estetico En La Edad Media
This book tackles the necessary task of contrasting the medieval perspective on the aesthetic with our current perspective, so distant from each other! Some thirty prestigious scholars, philosophers, philologists, theologians, art experts, from various countries and languages imbibe the various medieval traditions and thinkers in an attempt to illuminate their conception of the aesthetic with the aim of enriching our present-day outlook. The book is structured in three thematic areas. The first section is a sort of prolegomena to the question of beauty in the Middle Ages. A second section studies and analyses the various currents of thought in medieval aesthetics, not only in terms of their mutual interrelationship, but also in terms of their connection with classical thought. Finally, a third part analyses the reception and evaluation of medieval aesthetics by contemporary culture, as well as its influence on the latter. The work arises from the conviction that dialogue between the present and the past, and particularly the medieval past, is fundamental in the task of resolving the many ruptures that corrode our culture. Harmony, beauty, as is evident in the contributions that weave the fabric of this work, springs magically - or rather, divinely - from the mysterious and unfathomable - and always novel - interweaving of differences, between the present and the past, the medieval and the contemporary, between theology, philosophy, philology, art..., between different cultures and countries. This work is an example of this, illuminating our times from the extraordinary experience lived by these people who preceded us and who have contributed - although often ignored - to the shaping of the best of our civilisation.
Revue Bertrand
Akane Miyazaki, Etudes sur les "fantaisies" de Gaspard de la Nuit. A l'occasion du 25e anniversaire de la publication des premieres OEuvres completes d'Aloysius Bertrand - Marc-Edouard Gautier, Sophie Renaudin, Editions illustrees et reliures d'art inedites. Posterites graphiques de Gaspard de la Nuit dans les collections de la bibliotheque municipale d'Angers - Nicolas Wanlin, Aloysius Bertrand, le sens du pittoresque - Anais Tertrais, Pour une hermeneutique de la misere dans les oeuvres d'Aloysius Bertrand et de Petrus Borel
Raymond Saunders: Post No Bills
Discover Raymond Saunders's dynamic paintings and his extraordinary legacy as an artist and thinker in this first ever monograph. Saunders's work brings together his extensive formal training with his own observations and lived experience. His assemblage-style paintings frequently begin with a monochromatic black ground elaborated with white chalk--a pointed reversal of the traditional figure-ground relationship. He subsequently adds a range of other markings, materials, and talismans--from wallpaper to advertisements, rulers to paintbrushes. Expressionistic swaths of paint, minimalist motifs, line drawings, and passages of vibrant color tangle with found objects, signs, and doors collected from his urban environment at home and abroad, creating unexpected visual rhymes and resonances that reward careful and sustained looking. At once deliberately constructed and improvisatory, didactic and deeply felt, these richly built surfaces conjure a range of themes, allowing for a vast and nuanced multiplicity of meanings. A record of a two-part exhibition presented at David Zwirner and Andrew Kreps Gallery in 2024, this publication considers Saunders's ability to infuse his work with social relevance and commentary. Featured texts include an introduction by curator Ebony L. Haynes and a conversation between Haynes and Studio Museum of Harlem director Thelma Golden about her multidecade engagement with Saunders's artwork and writing. A facsimile of Saunders's self-published pamphlet from 1967, Black Is a Color--his vital essay on the creative expression of the artist, which continues to spark cultural conversation nearly five decades after its appearance, is reproduced along with new annotated commentary by art historian Darby English. An essay by Jarrett Earnest offers an in-depth interpretation of two of Saunders's complex chalkboard works. Also included is a never before published interview from 1980 between the artist and Judith Wilson in which Saunders discusses his multilayered practice. Lastly, a reprint of a pivotal text from 1993 by art historian Richard J. Powell offers a panoramic examination of Saunders's art from 1968-1993, with a special focus on his iconic painting Dr. Jesus. This robust group of texts and academic considerations offers a compelling exploration of Saunders's wide-ranging practice and lasting influence.
Huma Bhabha: Welcome . . . to the One Who Came
A significant catalogue of Pakistani-American artist Huma Bhabha's layered and nuanced sculptures and works on paper that center on a reinvention of the figure and its expressive possibilities. Through the artist's fusion of materials and influences, Bhabha's work unites the ancient and the futuristic, evoking both familiarity and otherworldliness. Her formally innovative practice pulls from a wide range of references, from those that span the history of art to quotidian influences such as science fiction and horror films and the makeshift structures and detritus of urban life. Instinctive and rigorous, her work brings diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. This publication highlights Bhabha's ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future. Published on the occasion of two concurrent exhibitions at David Zwirner in New York in 2024, Welcome . . . to the one who came includes a text by the curator Tausif Noor that investigates the theme of alienation in Bhabha's work. In his essay, the curator and writer Peter Eleey situates her practice within the arc of art-historical models and contextualizes her first foray into working with cast iron.
Japan's Manga Revolution
Why have Japanese manga captivated readers worldwide, and where did they originate? In this compelling survey, art historian Andreas Marks traces the development of Japanese illustrated books in premodern times. As early as the 17th century, Japanese publishers were producing thousands of illustrated titles on subjects ranging from religion and poetry to celebrated beauties, famous kabuki actors, farting warriors, and adventure tales. This flourishing book culture laid the foundation for the vibrant manga and comics industry of today. Marks explores this evolution through five key works, including: Kitagawa Utamaro's Picture Book of Crawling Creatures (1788) -- a beautifully illustrated collection of plants and animals paired with poetry.Hokusai's Sketchbooks (early 1800s) -- featuring hundreds of innovative drawing and design ideas by Katsushika Hokusai, whose work influenced many renowned European artists.The New Illustrated Water Margin -- Hokusai's adaptation of a Chinese novel about a band of fictional heroes with superpowers, offering a bold reimagining of the story.The Tale of Shiranui (1849 - 1910) -- an adventure novel serialized over six decades.The early-20th-century Current Affairs Manga -- the first periodical to use the word "manga" in its title, providing illustrated commentary on contemporary political events.Japan's Manga Revolution offers the first comprehensive overview of Japan's rich tradition of illustrated storytelling and its lasting impact on visual culture worldwide.
Building Wealth in South Africa
What if financial freedom in South Africa was closer than you think-without a degree, capital, or connections?Discover the real way everyday people are building six-figure incomes through network marketing, even if they're starting from scratch. Whether you're unemployed, hustling in a township, or stuck in a 9-to-5 with no exit plan, this no-fluff guide will teach you how to leverage multi-level marketing to create real wealth in today's South Africa.Inside this motivational and practical guide, you'll learn: ✅ How to spot legit MLM companies in South Africa (and avoid scams)✅ The mindset shift that separates winners from "wannabe" entrepreneurs✅ Step-by-step actions to start with R0 and grow a business you control✅ Secrets to building a team that works even when you're not✅ How to use WhatsApp, TikTok, and mobile data to drive sales passively✅ What the wealthy understand about residual income that the poor don'tAspiring entrepreneurs South African hustlers MLM beginners Youth empowerment Work-from-home seekers Network marketers in AfricaScroll up and grab your copy today.
New York in Art 12-Month 2026 Deluxe Engagement Calendar
This elegant, cloth-spine weekly desk diary is filled with evocative paintings, photographs, and prints of New York City from The Metropolitan Museum of Art. New York City and all its splendor is showcased in this weekly engagement calendar featuring 56 works from The Metropolitan Museum of Art by artists who lived and worked in Gotham, including Jacob Lawrence, Florine Stettheimer, John Marin, and Edward Hopper. From the tip of Liberty's torch to the top of the Empire State Building, from the crowds at Coney Island to the lawns of Central Park, every week offers a new sight to enjoy as you keep track of appointments and occasions. Features include: Cover painting by Samuel Halpert (American, 1884-1930) 7" x 9" (14" x 9" open) Hardcover with enclosed spiral binding and durable cloth spine Printed on FSC-certified paper with soy-based ink Plastic-free packaging Black ribbon page marker Spans 12 months from January-December 2026 Sunday-Saturday weeks Pages alternate between glossy for images and matte for calendar pages for ease of writing Generous grid space for notes, appointments, and reminders Official major world holidays and observances Moon phases, based on Universal Time Year-at-a-glance pages for 2026 and 2027 Extra lined pages at back for notes An identifying caption and a brief descriptive historical text accompany each work of art
African American Stock Exchange
African American Stock Exchange explores the raw journey of Curtis Darnell Brown Jr. as he strives to build a groundbreaking financial platform while navigating the challenges of the music industry, street life, and systemic obstacles. Blending personal experiences with bold commentary, Curtis shares his vision of an African American-led stock exchange and the lessons he learned through faith, resilience, and hustle.This unapologetic narrative dives deep into ambition, culture, and survival-offering a unique perspective on building generational wealth, creating space for African American entrepreneurs, and breaking barriers in the financial world. Whether you're inspired by music, business, or stories of determination, this book provides a powerful and unconventional look at the pursuit of success.
Impressionism and Post-Impressionism 2026 Wall Calendar
Enjoy 13 stunning paintings by Impressionist and Post-Impressionist masters with this 12-month calendar from The Metropolitan Museum of Art. From landscapes and seascapes to still lifes and portraits, this 12-month calendar highlights 13 vibrant paintings by renowned Impressionist and Post-Impressionist artists, including Vincent van Gogh, Claude Monet, Berthe Morisot, Camille Pissarro, and Auguste Renoir. Throughout the year, journey from Paris to Provence and take pleasure in these breathtaking masterpieces. All of the works of art featured are from the world-famous collection of The Metropolitan Museum of Art. Features include: 12" x 12" (12" x 24" open) Printed on FSC-certified paper with soy-based ink Plastic-free packaging Planning spread for September-December 2025 Spans January-December 2026 Generous grid space for notes, appointments, and reminders Official major world holidays and observances Moon phases, based on Universal Time Information about each work of art shown
Northern European Art in the Norton Simon Museum
Celebrating the cultural significance and clarity of vision evident in Northern European art of the fifteenth through the eighteenth century This book features Dutch, Flemish, Early Netherlandish, and German paintings and works on paper from the fifteenth through the eighteenth century, including preeminent names such as Peter Paul Rubens and Rembrandt van Rijn, as well as lesser-known artists such as Sebastian Stoskopff and Johannes Verspronck. Illuminating one of the finest collections of Northern European art in the United States, the book traces the histories of ninety-five extraordinary paintings and drawings, shedding new light on the artistic significance and material properties of these objects. Works of art that emphasize the humanity of their subjects--and the capacity of oil paint to render these qualities almost achingly real--is a throughline that unites the paintings featured here, from the tender gaze of Rembrandt's Portrait of a Boy (1655-60) to the freshly cut flowers and curious insects in Rachel Ruysch's Nosegay on a Marble Plinth (ca. 1695), to the recently conserved masterpieces Adam and Eve (ca. 1530) by Lucas Cranach. Distributed for the Norton Simon Museum
Vita Nova
The book explores the evolution of contemporary Italian art from the late 1980s through the early 2000s, examining the transition from neo-historicist and neo-expressionist movements to a newer generation of artists who embrace a 'trans-media' approach. This newer generation, active from the mid-1990s onward, deviates from traditional methods of sampling and quoting, instead seeking to create coherent and imaginative 'worlds' through diverse media. With an emphasis on intellectual freedom and a departure from rigid techniques, these artists redefine the landscape of Italian art. Key figures include Simone Berti, Roberto Cuoghi, Lara Favaretto, Stefania Galegati, Marcello Maloberti, Diego Perrone, and Paola Pivi, who each construct unique visual imaginaries using an array of tools and forms . The book also highlights the increased focus on manual dexterity, the impact of globalisation, and the continual dialogue between the past and present in the creation of contemporary art.
Magic Metamorphosis
What are picture transformation books [blow books]? The historical roots of picture transformation books can be traced back almost 500 years to the early 16th century. They are first-grade rarissima and are among the most rarely found and most fantastical types of book known to us today. Worldwide, only four hand-painted copies dating from earlier than 1750 are known to exist - either in libraries or private collections. This may be the reason why they have remained almost unnoticed by book and manuscript researchers and have not therefore been the subject of adequate academic research. The planned publication Magic Metamorphosis - The Secrets of a Rare Italian Picture Album Revealed aims to close this gap in research. How does a blow book work? A transformation or blow book is a kind of "trick book" composed of repeated sequences of pictures that allow an optical illusion or facilitate the performance of an amazing magic trick. To this end, index with several tabs or indentations, almost invisible from a distance, is cut along the fore-edge of the volume. Each of these tabs correlates with a very specific pictorial motif. When leafing through the transformation book, the performer can precisely grasp one of the tabs with his thumb and thus show the audience a desired picture motif or make it disappear again. Several pages are unpainted, so that the blow book can also made to be seemingly empty - a magical effect. As early as the 17th century, it was customary for the magician to have a spectator blow on the transformation book during the performance - a kind of magical gesture. The term "blow book", which is most commonly used in English-speaking countries today, can be traced back to this gesture. Where were blow books presented historically? In historical times, this trick was performed as part of a magic show for all social classes: on festive occasions in royal and princely houses, at the soirees so popular in aristocratic circles, at fairs, exhibitions, in pubs and inns or on the street. What is the significance of blow books for cultural history? The importance of blow books within cultural history is repeatedly documented by numerous mentions in historical sources. In his memoirs, the Indian imperial mogul Jahangir (1569-1627) reports enthusiastically about the performance of this magical transformation at his court. In his novel Der Seltzame Springinsfeld, the famous German writer and Baroque poet Hans Jakob Christoph von Grimmelshausen (1622-1676) also made the blow book the subject of his story no less than three times, describing it in all its facets over an entire eleven pages. The blow book even found its way into specialised mathematics and physics volumes: for example, in the works of the two famous polymaths Athanasius Kircher (1602-1680) and Caspar Schott (1608-1666) it is mentioned as a "mechanical fascination". Today, blow books are also available on the book market for children - as a kind of educational tool for practising presentation and speaking skills. What was the motivation behind this research into blow books? This research was given impetus by a globally unique picture album (Disegni Antichi Bizzarri) produced in Italy at around 1650 and discovered by the author Thomas Stauss in Paris at the end of the 1990s: although this picture album was lacking index, it was clearly identifiable as a picture transformation, or blow book. In 2018, fortuitous circumstances enabled the author to fi nally acquire this rare object for his collection and he has been researching it intensively ever since. Of particular significance for the analysis of this album was and is its historical connection to the history of Swiss natural science. The artist used the famous work Historia animalium by the Zurich natural scientist and physician Conrad Gessner (1516-1565) as a reference or model book for the depiction of the animals, fish and birds presented in the album. Almost 40 per cent of
The Grand Valley
In the final, absorbing volume of his Three Paintings Trilogy, philosopher and critic Morgan Meis explores the art of Joan Mitchell and in particular one of her crowning achievements, the Grand Valley series. Mitchell, a twentieth-century American artist who found herself living and working in France, is a figure of contradictions-at once formidable and fragile, solitary and hungry for human connection.The Grand Valley paintings, born from a memory not her own, become a focal point for understanding Mitchell's approach to abstraction and landscape. Meis examines the pain and, at times, even violence within Mitchell's work, connecting it to her turbulent life and the critical interpretations of her art (including her struggle to be treated as seriously as her male peers).As with the previous acclaimed volumes in this trilogy, Meis begins with a work of art and moves outward toward history, philosophy, and religion to provide context and insight. With his characteristically disarming wit and linguistic playfulness, Meis investigates the idea of the artist's self, drawing upon the mystical aspects of Carl Jung's thought and discovering parallels between Mitchell and obsessive creators like Claude Monet and Gertrude Stein.Humorous and accessible, yet always willing to grapple with the most vexing and challenging issues of human finitude, The Grand Valley brings an innovative trilogy to a rich and satisfying conclusion.
From Attic to Cellar;
"From Attic to Cellar" offers a glimpse into the artistic life and times of Maria Oakey Dewing, a prominent American artist of the late 19th century. While details about the specific content are scarce, the title suggests an intimate exploration of artistic spaces and perhaps the creative process itself. Readers interested in American art history, the contributions of women artists, and the cultural landscape of the 1800s will find this work a valuable resource. Dewing's perspective, as a practicing artist, provides a unique lens through which to view the art world of her era. This volume promises insights into the artistic milieu that shaped her career and the broader development of American art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Partnership of Paint
Discover the history of paint manufacturing and entrepreneurship in early 20th century America through "The Partnership of Paint" by John W. Masury & Sons. This vintage publication offers insights into the business practices, technological advancements, and artistic considerations of the era's paint industry. Explore the legacy of John W. Masury & Sons, a prominent name in paint production, and their contributions to the decorative arts and building materials sectors. A valuable resource for historians, business scholars, and anyone interested in the evolution of American industry and craftsmanship.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Old Masters
The Old Masters, Volume 1 offers a curated selection of one hundred masterpieces from European galleries, reproduced in vibrant color. This volume provides notes on each picture, enhancing the reader's appreciation and understanding of these timeless works. A valuable resource for art enthusiasts, students, and historians, this book showcases the enduring beauty and significance of European artistic heritage. Explore the works of renowned artists and discover the stories behind their creations. Perfect for anyone interested in exploring the rich tapestry of European art history. This collection serves as a testament to the lasting impact of the 'Old Masters' and their contributions to the world of art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Grand Valley
In the final, absorbing volume of his Three Paintings Trilogy, philosopher and critic Morgan Meis explores the art of Joan Mitchell and in particular one of her crowning achievements, the Grand Valley series. Mitchell, a twentieth-century American artist who found herself living and working in France, is a figure of contradictions-at once formidable and fragile, solitary and hungry for human connection.The Grand Valley paintings, born from a memory not her own, become a focal point for understanding Mitchell's approach to abstraction and landscape. Meis examines the pain and, at times, even violence within Mitchell's work, connecting it to her turbulent life and the critical interpretations of her art (including her struggle to be treated as seriously as her male peers).As with the previous acclaimed volumes in this trilogy, Meis begins with a work of art and moves outward toward history, philosophy, and religion to provide context and insight. With his characteristically disarming wit and linguistic playfulness, Meis investigates the idea of the artist's self, drawing upon the mystical aspects of Carl Jung's thought and discovering parallels between Mitchell and obsessive creators like Claude Monet and Gertrude Stein.Humorous and accessible, yet always willing to grapple with the most vexing and challenging issues of human finitude, The Grand Valley brings an innovative trilogy to a rich and satisfying conclusion.
Textes, images et voix - Perspectives sur la culture arabe
Claude Audebert appartient ? ces rares intellectuelles dont la discr矇tion masque la force tranquille d'une oeuvre marquante: philologue exigeante, lectrice passionn矇e de po矇sie, exploratrice attentive de l'oralit矇, de la po矇sie ancienne et du lexique dialectal, elle a su conjuguer rigueur scientifique et sensibilit矇 litt矇raire, tra癟ant une voie singuli癡re dans le champ des 矇tudes arabes. Ce volume collectif, hommage et prolongement tout ? la fois, r矇unit des contributions qui t矇moignent de la diversit矇 des horizons qu'elle a su ouvrir: des po癡tes b矇douins m矇ditant sur des montagnes solitaires aux fresques omeyyades aux figures audacieuses, des proverbes 矇gyptiens mordants aux graffiti antiques grav矇s dans la pierre, des narrateurs r矇volt矇s des romans contemporains aux manuscrits feuillet矇s avec d矇votion. Loin de toute unit矇 de fa癟ade, l'ouvrage embrasse la pluralit矇 et l'h矇t矇rog矇n矇it矇, ? l'image de l'ouverture d'esprit que Claude Audebert a toujours cultiv矇e, cette pr矇cieuse facult矇 d'accueillir l'inattendu sans jamais sacrifier la rigueur. Plus qu'un simple hommage, il c矇l癡bre une m矇thode, une 矇thique de lecture et cette attention obstin矇e au d矇tail et ? la nuance, devenue pr矇cieuse ? une 矇poque o羅 la fr矇n矇sie de la publication tend ? tout uniformiser.
The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic
Contrary to what Kant believed about the Dutch (and their visual culture) as "being of an orderly and diligent position" and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture.By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order.The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND 4.0) 4.0 International license. Funded by Ghent University.
The Routledge Companion to Decolonizing Art, Craft, and Visual Culture Education
This companion demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategies--in research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand.The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.
Artists in the Life of Charleston
Charleston's greatest contribution to American painting was timely patronage of men of ability. Contents: Historical intro.; Art and artists from the 16th to the mid-18th cent.; Jeremiah Theus, Alexander Gordon, and the mid-18th cent.; Prosperous Pre-Revolutionary years; The Revolutionary years; Federal years; The academic tradition and native talent in the first quarter of the 19th cent.; Fraser, Allston, White, and Cogdell; The South Carolina Acad. of Fine Arts; Sculpture; Theatrical and decorative painters; The silhouettists; Backgrounds; Native talent and visiting strangers; "Female artists" and talented families; The daguerreotype and photography; Pre-war decades; and The war years -- 1861-1865. Illus. This is a print on demand publication.
Preliminary Consideration of Aboriginal Australian Decorative Art
This is a print on demand Publication. The aborigines of Australia who lead a most primitive hunting and wild food collecting existence with a minimum of physical equipment nevertheless devote considerable attention to the decoration of their possessions, utilitarian as well as sacred. Much of Australian art apparently is primarily aesthetic but other appearances are of profound religious significance. This study is based on materials in museum collections in Australia, the Museum of the University of Pennsylvania, Philadelphia, field studies in North Australia, and published sources. Contents: Introduction; Decorative Art of the Australians; Techniques of Decoration; Objects Decorated; Weapons; Baskets and Containers; Various Objects of Regional or Local Significance; Bullroarers, Churinga and Other Sacred Objects; Symbolism; Distribution of Design Elements; Design Areas; Conclusions; Biblliography. Illus.
