Glimpses of Unfamiliar Japan
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From Ritual To Romance
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Nicomachean Ethics
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The Agamemnon of Aeschylus
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The Astral Plane
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Holland
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The Aeneid Of Virgil
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The Last of the Mohicans
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The ?neid of Virgil
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The Iliad of Homer
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The Latins in the Levant
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The Agamemnon of Aeschylus
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Story of King Arthur and His Knights
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Latins in the Levant
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catullus
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Nicomachean Ethics
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Xenophon’s Anabasis
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The Discovery of the Mind; the Greek Origins of European Thought
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Homer the Rhetorician
Homer the Rhetorician is the first monograph study devoted to the monumental Commentary on the Iliad by Eustathios of Thessalonike, one of the most renowned orators and teachers of the Byzantine twelfth century. Homeric poetry was a fixture in the Byzantine educational curriculum and enjoyed special popularity under the Komnenian emperors. For Eustathios, Homer was the supreme paradigm of eloquence and wisdom. Writing for an audience of aspiring or practising prose writers, he explains in his commentary what it is that makes Homer's composition so successful in rhetorical terms. This study explores the exemplary qualities that Eustathios recognizes in the poet as author and the Iliad as rhetorical masterpiece. In this way, it advances our understanding of the rhetorical thought of a leading intellectual and the role of a cultural authority as respected as Homer in one of the most fertile periods in Byzantine literary history.
Herodotus
In the Histories, which could loosely be translated as 'Investigations' or 'Researches, ' Herodotus tells how the Persian Empire began, grew, and then met defeat in Greece in his parents' generation. Book 1 begins that story. It introduces both the world in which the Persian imperial war machine began to operate and then expanded, and Herodotus' own procedures in undertaking the ambitious task he has set himself. This edition helps intermediate and advanced students to read the book in the original Greek and will also be of interest to advanced scholars. The Commentary provides information about dialect, grammatical forms, syntax, and other properties of his language. In addition, the Introduction and the Commentary engage in literary interpretation and explore Herodotus' value as a historian, his immense curiosity, and the attention he devotes to the customs, beliefs, concrete realities, and myths of other cultures.
Herodotus: Histories Book I
In the Histories, which could loosely be translated as 'Investigations' or 'Researches, ' Herodotus tells how the Persian Empire began, grew, and then met defeat in Greece in his parents' generation. Book 1 begins that story. It introduces both the world in which the Persian imperial war machine began to operate and then expanded, and Herodotus' own procedures in undertaking the ambitious task he has set himself. This edition helps intermediate and advanced students to read the book in the original Greek and will also be of interest to advanced scholars. The Commentary provides information about dialect, grammatical forms, syntax, and other properties of his language. In addition, the Introduction and the Commentary engage in literary interpretation and explore Herodotus' value as a historian, his immense curiosity, and the attention he devotes to the customs, beliefs, concrete realities, and myths of other cultures.
Far from the Madding Crowd
Far from the Madding Crowd (1874) is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is the first to be set in Thomas Hardy's Wessex in rural southwest England.It deals in themes of love, honour and betrayal, against a backdrop of the seemingly idyllic, but often harsh, realities of a farming community in Victorian England. It describes the life and relationships of Bathsheba Everdene with her lonely neighbour William Boldwood, the faithful shepherd Gabriel Oak, and the thriftless soldier Sergeant Troy. On publication, critical notices were plentiful and mostly positive. Hardy revised the text extensively for the 1895 edition and made further changes for the 1901 edition.In 2003, the novel was listed at number 48 on the BBC's survey The Big Read. In 2007, the book finished 10th on the Guardian's list of greatest love stories of all time.
Early Christianity
EARLY CHRISTIANITY is a selection of patristic works from the early church. It was designed to complement The Romans: Early Christianity, a unit in the Old Western Culture curriculum by Roman Roads Media. Based on the Great Books of western civilization, Old Western Culture guides students through the literature, history, theology, and philosophy of the West, and does so from a Christian perspective.
Politics and Divinization in Augustan Poetry
Politics and Divinization in Augustan Poetry offers a new interpretation of one of the most prominent themes in Latin poetry, the divinization of Augustus, and argues that this theme functioned as a language of political science for the early Augustan poets as they tried to come to terms with Rome's transformation from Republic to Principate. Examining an extensive body of texts ranging from Virgil's Eclogues to Horace's final book of the Odes (covering a period roughly from 43 BC to 13 BC), this study highlights the multifaceted metaphorical force of divinizing language, as well as the cultural complications of divinization. Through a series of close readings, this book challenges the view that poetic images of Augustus' divinization merely reflect the poets' attitude towards Augustus or their recognition of his power, and puts forward a new understanding of this motif as an evolving discourse through which the first generation of Augustan poets articulated, interrogated, and negotiated Rome's shift towards authoritarianism.
The Comic Body in Ancient Greek Theatre and Art, 440-320 Bce
Using both textual and iconographic sources, The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The aim of this study is also to refine knowledge of the relationship between Attic comedy and South-Italian comic vases (the so-called 'phlyax vases'). The first chapter in the book introduces comic texts and comedy-related vase-paintings in the regional contexts, analysing their various connections. The second chapter describes the evolution of the basic elements of the costume which constitute the generic comic body (masks, padding, and phallus). It also examines the characteristic traits of comic ugliness as well as its meaning. The third and fourth chapters consider the characterisation through costume in relation to verbal indications, analysing the cultural, social, aesthetic, or strictly theatrical codes by which the spectators decipher the staged body. The study of the sexual codes in cross-dressing scenes, which reveal the artifice of the fictional body, leads to re-examining the modalities of comic mimesis. These chapters also shed light upon the way in which comic poets make use of the scenic or imaginary representation of the bodies of those who are targets of political, social, or intellectual satire. Finally the fifth chapter focuses on the body in movement. It deals with comic body language, the dramatic function of comic gesture and how words confer a kind of poetic and unreal motion to the body.
Empire of Letters
Shedding new light on the history of the book in antiquity, Empire of Letters tells the story of writing at Rome at the pivotal moment of transition from Republic to Empire (c. 55 BCE-15 CE). By uniting close readings of the period's major authors with detailed analysis of material texts, it argues that the physical embodiments of writing were essential to the worldviews and self-fashioning of authors whose works took shape in them. Whether in wooden tablets, papyrus bookrolls, monumental writing in stone and bronze, or through the alphabet itself, Roman authors both idealized and competed with writing's textual forms. The academic study of the history of the book has arisen largely out of the textual abundance of the age of print, focusing on the Renaissance and after. But fewer than fifty fragments of classical Roman bookrolls survive, and even fewer lines of poetry. Understanding the history of the ancient Roman book requires us to think differently about this evidence, placing it into the context of other kinds of textual forms that survive in greater numbers, from the fragments of Greek papyri preserved in the garbage heaps of Egypt to the Latin graffiti still visible on the walls of the cities destroyed by Vesuvius. By attending carefully to this kind of material in conjunction with the rich literary testimony of the period, Empire of Letters exposes the importance of textuality itself to Roman authors, and puts the written word back at the center of Roman literature.
What Kind of a Thing Is a Middle English Lyric?
What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as "lyrics," the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors' introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of "play," in several senses of that word. The book ends with eight "new Middle English lyrics" by seven contemporary poets.
Sidonius Apollinaris Complete Poems
Sidonius Apollinaris was an inhabitant of southern Roman Gaul in the mid fifth century AD, when it was threatened by invasions from beyond the boundaries of the Roman Empire and by competing warlords. His many poetic works include three panegyrics to emperors at the beginnings of their reigns; these are carefully translated and annotated, and provided with comment and synopses. His multiple shorter poems, in a variety of metres, are translated into good and lively English and given separate introductions and notes of various kinds, historical and literary. There is an extensive and informative introduction to the whole work.This book by Roger Green, a lifelong expert in Late Antiquity, gives a firsthand account of the political strife and manoeuvring of the times but also a vivid picture of the lives of Sidonius's like-minded friends in an almost post-Roman episode of Rome's existence. Sidonius was read widely in the Middle Ages, with a golden age in the twelfth and thirteenth centuries and also in the fifteenth century revival of Late Antique literature. Today his poetry will awaken new study and interest, without the archaism of many older translations and with a fresh and updated approach to many issues.
Lykophron: Alexandra
Traditionally ascribed to the early third-century BCE tragedian Lykophron, the Alexandra is a powerful Greek poem by an unknown author, probably written c. 190, when Rome had defeated Hannibal and the Carthaginians and was poised to humble the Seleukid king Antiochos III. The poem is an ingeniously constructed masterpiece, a generic mix with elements of tragedy, epic, and history. Priam's beautiful daughter, the prophetic Kassandra, foresees her rape in Athena's temple by the hateful Greek warrior Ajax after Troy's fall, and warns of disastrous returns (nostoi) for all the Greek 'heroes'. But Troy will rise again as Rome, founded by Trojan refugees. Alexandra (another name for Kassandra), narrates these Mediterranean foundation myths, adopting a bitterly disillusioned female perspective, but culminating in prophecies of Roman rule over land and sea.
If You Was A Moklin
This book "" If You Was A Moklin "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Pride and Prejudice (Annotated)
'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife...'Elizabeth Bennett-self-assured, controlled, and quick to judge-is not enamoured by Fitzwilliam Darcy's abundant wealth nor his social standing, and neither is the bachelor swayed by Elizabeth's quick wit and vivacious temperament. And when Elizabeth's and Darcy's lives are irrevocably intertwined, Elizabeth pledges her aversion to him will only grow. However, the events that follow, unforeseen and staggering as they are, only serve to throw the unlikely twosome together further-and force Elizabeth to reconsider her prejudices.Pride and Prejudice remains one of the most treasured novels in the English language, with over 20 million copies sold. Complete with its colourful array of dynamic characters, hysterical dialogue, and, of course, one the world's most loved literary couples, Pride and Prejudice is a timeless tale of relationships, social class, and integrity. _____________________________________________________________________________________________________________Dyslexia Print's Pride and Prejudice: Dyslexic Edition makes use of the award-winning typeface created by Christian Boer. Specially designed for those with dyslexia, Dyslexie Font has been crafted to enhance understanding and provide readers with an enjoyable, non-demanding reading experience.Both Dyslexia Print and Christian Boer hold the view that reading is critical in building a bright future, and that every adult and child deserves the opportunity to achieve their reading potential and enjoy the world of books-without dyslexia ever holding them back.With the innovative creation that is Dyslexie Font, Dyslexia Print is delighted to be bringing the world's literary classics into clearer focus.
Runes
A comprehensive guide to runes and runology, covering all aspects of the subject. It begins by discussing the origin of runes, their development in Europe (especially Scandinavia) and in Anglo-Saxon England, and the demise of traditional runic writing at the end of the Middle Ages. It then moves on to look at the different types of runic inscription and their context; cryptic runes; rune names; the use of runes in the post-Reformation era; the practicalities of how runic inscriptions were made and where they are to be found; and how runologists read and interpret inscriptions, together with a history of runology. A glossary of technical terms and essential information on speech sounds are also provided, while the numerous illustrations shed further light on the subject.
God’s Exiles and English Verse
This monograph is a critical study of the medieval manuscript held in Exeter Cathedral Library, popularly known as 'The Exeter Book'.Recent scholarship, including the standard edition of the text, published by UEP in 2000 (2 ed'n 2006), has re-named the manuscript 'The Exeter Anthology of Old English Poetry'.The book gives us intelligent, sensitive literary criticism, profound readings of all of the poems of the Anthology. God's Exiles and English Verse is the first integrative, historically grounded book to be written about the Exeter Book of Old English poetry. By approaching the Exeter codex as a whole, the book seeks to establish a sound footing for the understanding of any and all of its parts, seen as devout yet cosmopolitan expressions of late Anglo-Saxon literary culture. The poems of the Exeter Book have not before been approached primarily from a codicological perspective. They have not before been read as an integrated expression of a monastic poetic: that is to say, as a refashioning of the medium of Old English verse so as to serve as an emotionally powerful, intellectually challenging vehicle for Christian doctrine and moral instruction. Part One, consisting of three chapters, introduces certain of the book's main themes, addresses matters of date, authorship, audience, and the like, and evaluates hypotheses that have been put forth concerning the origins of the Exeter Anthology in the south of England during the period of the Benedictine Reform. Part Two, the main body of the book, begins with a long chapter, divided into seven sections, that introduces the contents of the Exeter Anthology poem by poem in a more systematic fashion than before, with attention to the overall organization of the Anthology and certain factors in it that have a unifying function. The five shorter chapters that follow are devoted to topics of special interest, including the volume's possible use as a guide to vernacular poetic techniques, its underlying worldview, its reliance on certain thematically significant keywords, and its intertextual versus intratextual relations. The riddles, especially those of a sexual content, receive attention in a chapter of their own. In addition, there is a translation of the popular poem The Wanderer into modern English prose, a folio-by-folio listing of the contents of the Exeter Anthology, and a listing of a number of the poems of the Anthology with notes on their genre, according to Latin generic terms familiar to educated Anglo-Saxons. This book is the first of its kind - an integrative, book-length critical study of the Exeter Anthology.
Homer, Parmenides, and the Road to Demonstration
It is widely agreed that Parmenides invented extended deductive argumentation and the practice of demonstration, a transformative event in the history of thought. But how did he manage this seminal accomplishment? In this book, Benjamin Folit-Weinberg finally provides an answer. At the heart of this story is the image of the hodos, the road and the journey. Brilliantly deploying the tools and insights of literary criticism, conceptual history, and archaeology, Folit-Weinberg illuminates how Parmenides adopts and adapts this image from Homer, especially the Odyssey, forging from it his pioneering intellectual approaches. Reinserting Parmenides into the physical world and poetic culture of archaic Greece, Folit-Weinberg reveals both how deeply traditional and how radical was Parmenides' new way of thinking and speaking. By taking this first step toward providing a history of the concept method, this volume uncovers the genealogy of philosophy in poetry and poetic imagery.
Eureka
Excerpt from Eureka: A Prose Poem 'theorist, ' would never, thenceforward, have any' thing to do either with him or with his truths.12 works OF edgar allan poe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Handel
This book "" Handel "" has been considered important throughout the human history. It has been out of print for decades.So that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Homer, Parmenides, and the Road to Demonstration
It is widely agreed that Parmenides invented extended deductive argumentation and the practice of demonstration, a transformative event in the history of thought. But how did he manage this seminal accomplishment? In this book, Benjamin Folit-Weinberg finally provides an answer. At the heart of this story is the image of the hodos, the road and the journey. Brilliantly deploying the tools and insights of literary criticism, conceptual history, and archaeology, Folit-Weinberg illuminates how Parmenides adopts and adapts this image from Homer, especially the Odyssey, forging from it his pioneering intellectual approaches. Reinserting Parmenides into the physical world and poetic culture of archaic Greece, Folit-Weinberg reveals both how deeply traditional and how radical was Parmenides' new way of thinking and speaking. By taking this first step toward providing a history of the concept method, this volume uncovers the genealogy of philosophy in poetry and poetic imagery.
Penny Plain
In "Penny Plain," O. Douglas crafts a tender yet poignant exploration of everyday life in rural Scotland, illustrating how simple moments can hold profound significance. The novel is characterized by its lyrical prose and vivid atmospheric descriptions that invite readers into the quaint village of Duneaton, weaving together the lives of a cast of relatable characters. Douglas deftly employs themes of familial love, community, and the juxtaposition of dreams versus reality, all while grounding her narrative in the nuanced socio-economic context of the early 20th century. The storytelling deftly balances light-hearted charm with deeper reflections on the nature of happiness and human connection. O. Douglas, the pen name of Anna Buchanan, was a Scottish author whose own experiences shaped her literary voice and the themes she tackled. Raised in a close-knit family and steeped in the cultural richness of her surroundings, she drew upon her observations of village life and human relationships. Her works reflect her deep appreciation for simplicity and fidelity, which resonate throughout "Penny Plain," echoing her understanding of the struggles and joys of her contemporaries. This novel is highly recommended for readers seeking a heartwarming yet insightful glimpse into the intricacies of human relationships and the beauty found in the mundane. Douglas's ability to blend nostalgia with realism makes "Penny Plain" not only a reflective read but also a timeless companion for those valuing the quiet moments in life.
Ann and Her Mother
"Ann and Her Mother" by O. Douglas presents a poignant exploration of the intricate relationships between mothers and daughters, set against the backdrop of early 20th-century Scotland. The narrative interweaves themes of love, sacrifice, and personal growth, showcasing Douglas's characteristic warmth and keen psychological insight. Utilising a rich tapestry of descriptive prose and relatable dialogue, the story unfolds in a quaint Scottish locale, emphasizing the cultural nuances that shape the characters' lives and decisions, ultimately positioning it within the broader context of women's literature of that era. O. Douglas, the pen name of Anne Amelia Douglas, was profoundly influenced by her own upbringing and the strong women in her life. Growing up in a close-knit family, she drew upon her experiences and observations to create relatable characters that resonate with the struggles and triumphs of womanhood. Her literary output often reflects a deep compassion and understanding of domestic life, as well as an exploration of moral and social issues pertinent to her time. Readers seeking an introspective and heartfelt narrative will find "Ann and Her Mother" to be a remarkable journey through familial bonds and personal identity. Douglas's eloquent storytelling not only illuminates the complexities of these relationships but also invites reflection on the essential connections that define our lives. This book is a must-read for anyone interested in the nuances of human emotion and the strength of women in literature.
Journal of the Early Book Society Vol 21
The annual Journal of the Early Book Society for the study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transition from manuscript to print. The main focus is on English and Continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.
Journal of the Early Book Society Vol 22
The annual Journal of the Early Book Society for the study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transition from manuscript to print. The main focus is on English and Continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.
Middle English Medical Recipes and Literary Play, 1375-1500
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Middle English Medical Recipes and Literary Play, 1375-1500 is the first detailed, book-length study of Middle English medical recipes in their literary, imaginative, social, and codicological contexts. Analysing recipe collections in over seventy late medieval manuscripts, this book explores how the words and structures of recipes could contribute to those texts' healing purpose, but could also confuse, impede, exceed, and redefine that purpose. The study therefore presents a challenge to recipes' traditional reputation as mundane, unartful texts written and read solely for the sake of directing practical action. Crucially, it also relocates these neglected texts and overlooked manuscripts within the complex networks forming medieval textual culture, demonstrating that--though marginalized in modern scholarship--medical recipes were actually linguistically, formally, materially, and imaginatively interconnected with many other late medieval discourses, including devotional writings, romances, fabliaux, and Chaucerian poetry. The monograph thus models for readers modes of analysis and close reading that might be deployed in relation to recipes in order to understand better their allusive, fragmentary, and playful qualities as well as their wide-ranging influence on medieval imaginations.
Homer and the Poetics of Gesture
Homer and the Poetics of Gesture is the first book of its kind to consider the epic formula in terms that are gestural as well as verbal. Drawing on studies from multiple disciplines, including movement theory, dance studies, phenomenology, and early film, it suggests new approaches for interpreting the relationship between repetition and embodiment in Homer. Through a series of dynamic close readings, Purves argues that the deep-seated habits and gestures of epic bodies are instrumental to our understanding of the Iliad and Odyssey, especially insofar as they attune us to the kinetic structures and sensibilities that shape the meaning of the poems. Each of the chapters isolates a scene in which a specific action, posture, or gesture (falling, running, leaping, standing, and reaching) emerges from the background of its other iterations in order to make larger claims about its poetic significance within the epics as a whole. Beginning from the premise that gestures are shared between characters and often identically repeated within the poems' formulaic system, the book reconsiders long-standing arguments about Homeric agency and character by focusing on those moments when a gesture diverges from its expected course, redirecting the plot or drawing the poem in new and surprising directions. Homer and the Poetics of Gesture not only affords new insights into the nature of epic repetition and poetic originality but also reveals unnoticed connections between Homeric structure and technique and the embodied habits and movements of the characters within the poems.
Writers and Pilgrims
Writers and Pilgrims: Medieval Pilgrimage Narratives and Their Posterity by Donald R. Howard is a groundbreaking study of how medieval pilgrimage writings shaped literary history. Howard examines hundreds of overlooked pilgrimage accounts, once dismissed as mere travel notes, and argues for their significance as a neglected genre that illuminates the rise of fiction, satire, and narrative forms. By situating pilgrimage literature in its historical, cultural, and religious contexts, he shows how these texts bridged lived religious practices with imaginative storytelling, offering a lens into how medieval people viewed travel, salvation, and human experience. At the center of Howard's work are detailed explorations of Mandeville's Travels and Chaucer's Canterbury Tales, two touchstones where fact and fiction intermingle to produce enduring literary achievements. Through these cases and others, Howard reveals how the metaphor of pilgrimage--life as a journey toward spiritual ends--continued to shape narrative structures well beyond the Middle Ages, influencing modern conceptions of travel, storytelling, and cultural identity. Written with scholarly rigor and literary sensitivity, this book restores medieval pilgrimage narratives to their rightful place in the genealogy of European literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
