Glimpses of Three Coasts
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Brought Home
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As We Forgive Them
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As Seen By Me
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Astrology
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A Corner of Spain
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The Cornish Riviera
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Classical Samaritan Poetry
This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience. These verses provide a unique window into the Samaritan religious world during a formative period.Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets--the priest Amram Dara; his son, Marqah; and Marqah's son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest--for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day.Shedding important new light on the Samaritans' history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.
World Medievalism
World Medievalism: The Middle Ages in Modern Textual Culture explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present. Building its argument through four case studies--from the Middle East, France, Southeast Asia, and Indigenous Australia--it shows that to understand medievalism as a cultural idiom with global reach, we need to develop a more nuanced grasp of the different ways 'the Middle Ages' have come to signify beyond Europe as well as within a Europe that has been transformed by multiculturalism and the global economy. The book's case studies are explored within a conceptual framework in which medievalism itself is formulated as 'world-disclosing' a transhistorical encounter that enables the modern subject to apprehend the past 'world' opened up in medieval and medievalist texts and objects. The book analyses the cultural and material conditions under which its texts are produced, disseminated, and received, and examines literature alongside films, television programs, newspapers and journals, political tracts, as well as such material and artefactual texts as photographs, paintings, statues, buildings, rock art, and fossils. While the case studies feature distinctive localised forms of medievalism, taken together they reveal how imperial and global legacies have ensured that the medieval period continues to be perceived as a commonly held past that can be retrieved, reclaimed, or revived in response to the accelerated changes and uncertainties of global modernity.
World Medievalism
World Medievalism: The Middle Ages in Modern Textual Culture explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present. Building its argument through four case studies--from the Middle East, France, Southeast Asia, and Indigenous Australia--it shows that to understand medievalism as a cultural idiom with global reach, we need to develop a more nuanced grasp of the different ways 'the Middle Ages' have come to signify beyond Europe as well as within a Europe that has been transformed by multiculturalism and the global economy. The book's case studies are explored within a conceptual framework in which medievalism itself is formulated as 'world-disclosing' a transhistorical encounter that enables the modern subject to apprehend the past 'world' opened up in medieval and medievalist texts and objects. The book analyses the cultural and material conditions under which its texts are produced, disseminated, and received, and examines literature alongside films, television programs, newspapers and journals, political tracts, as well as such material and artefactual texts as photographs, paintings, statues, buildings, rock art, and fossils. While the case studies feature distinctive localised forms of medievalism, taken together they reveal how imperial and global legacies have ensured that the medieval period continues to be perceived as a commonly held past that can be retrieved, reclaimed, or revived in response to the accelerated changes and uncertainties of global modernity.
Pharaoh's Land and Beyond
The concept of pharaonic Egypt as a unified, homogeneous, and isolated cultural entity is misleading. Ancient Egypt was a rich tapestry of social, religious, technological, and economic interconnections among numerous cultures from disparate lands. In fifteen chapters divided into five thematic groups, Pharaoh's Land and Beyond uniquely examines Egypt's relationship with its wider world. The first section details the geographical contexts of interconnections by examining ancient Egyptian exploration, maritime routes, and overland passages. In the next section, chapters address the human principals of association: peoples, with the attendant difficulties of differentiating ethnic identities from the record; diplomatic actors, with their complex balances and presentations of power; and the military, with its evolving role in pharaonic expansion. Natural events, from droughts and floods to illness and epidemics, also played significant roles in this ancient world, as examined in the third section. The final two sections explore the physical manifestations of interconnections between pharaonic Egypt and its neighbors, first in the form of material objects and second, in the powerful exchange of ideas. Whether through diffusion and borrowing of knowledge and technology, through the flow of words by script and literature, or through exchanges in the religious sphere, the pharaonic Egypt that we know today was constantly changing--and changing the cultures around it. This illustrious work represents the first synthesis of these cultural relationships, unbounded by time, geography, or mode.
Artist and Public, and Other Essays on Art Subjects
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A Boy's Voyage Round the World
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Pindar and the Sublime
Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich H繹lderlin (1770-1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.
Pindar and the Sublime
Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich H繹lderlin (1770-1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.
The Poems of Catullus
Born to a prominent family in Verona, Gaius Valerius Catullus was one the most famous poets of the late Roman Republic. Catullus' poetry is characterized by its association to the 1st century B.C. avant-garde movement, Neoterics, which turned away from the classical Homeric style. Instead of focusing on the epic feats of gods and heroes, the Neoterics wrote poems on a much smaller scale, emphasizing a playful and elegant use of language to express complex allusions to and parodies of contemporary subjects. Arguably the most important of the Neoterics, Catullus composed poems regarding such notable figures as Cicero, Caesar, and Pompey. Amongst his most highly-regarded compositions are those regarding his deep love for a women referred to as "Lesbia", commonly identified as the sophisticated patrician Clodia Metelli. Collected together here are the 116 extant poems which have been attributed to Catullus. This edition is printed on premium acid-free paper and follows the translations of Robinson Ellis.
Biography of Shah-i-Hamadan (RA)
Hazrat Mir Sayid Ali Hamadani (RA) was born in 1314 AD at Hamadan Iran. His mother's name was Fatimah and his father's name was Sayid Shahab-ud-din bin Sayid Muhammad Husaini. His lineage gets connected to Hazrat Ali (RA) by sixteen links through Hazrat Imam Husain (RA). He gained his Islamic knowledge and spiritual knowledge at a young age and traveled various countries for 21 years. He arrived in Kashmir thric between 1372 AD to 1383 AD. He passed away at Kunar in 1384 AD at the age of 72 years and was buried at Khatlan Tajkistan. In Kashmir he is known as the founder of Islam in Kashmir. He was agreat scholar of Islam and wrote many books in Persian and Arabic.
George at the Fort; Or, Life Among the Soldiers
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Narcissus and Pygmalion
Nature imitates art--not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of mimesis. For Ovid, art is independent of reality, not its mirror: by enhancing phantasia, the artist's creative imagination and the simulacrum's primacy over reality, Ovid opens up unexplored perspectives for future European literature and art. Through an examination of Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, Rosati sheds light on some crucial junctures in the history of reception and aesthetics. Narcissus and Pygmalion has, since its first publication in Italian, contributed to the poet's critical fortunes over the past few decades through its combination of sophisticated literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses. A substantial introduction accompanies this new translation into English, positioning Rosati's work anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.
The Co-Citizens
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Fallen Fortunes
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Ann and Her Mother
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The Gaelic Background of Old English Poetry Before Bede
Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes ("wise ones") produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede's description of C疆dmon's production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian "Golden Age", its manuscripts, hagiography, and writings of Aldhelm and Bede.
The Antigone of Sophocles in Greek and English / by John William Donaldson
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Uncensored Celebrities [microform]
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The Laches of Plato [microform]
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The Odes of Bacchylides in English Verse
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The Non-dramatic Works of Hrosvitha
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The Plot of the Epidicus [microform]
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Roman Declamation in the Late Republic and Early Empire
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Corpus Christianorum. Series Latina; 101B
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An Introduction to the Greek Theatre; 0
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Longinus on the Sublime
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Corpus Christianorum. Series Latina; 148
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Ille Ego; Virgil and Professor Richmond
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Clemenceau, the Man and His Time [microform]
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Aetna
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Corpus Christianorum. Series Latina; 175
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A History of Classical Greek Literature; 2
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Horace on the Art of Poetry
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Sailors Knots [microform]
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Ye Gods and Goddesses, or, The Apple of Discord.
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The Heroes (complete) [microform]
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Greek Medicine, Being Extracts Illustrative of Medical Writers From Hippocrates to Galen
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The Text Tradition of Ammianus Marcellinus [microform]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The House, the City and the Judge
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
