The Third Idyll of Theocritus
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The Stratulax Scenes in Plautus’ Truculentus [microform]
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Annual Publication of the Historical Society of Southern California; 11
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A History of Secular Latin Poetry in the Middle Ages; 2
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Gabrielle Stuart, or, The Flower of Greenan
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From Homer to Menander; Forces in Greek Poetic Fiction
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The Letters of Synesius of Cyrene
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Erasmus, His Life and Character as Shown in His Correspondence and Works; 1
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Studies and Diversions in Greek Literature
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Liberalism [microform]
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Corpus Christianorum. Series Latina; 35
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Corpus Christianorum. Series Latina; 101B
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Thucydides. [microform]
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Tristan and Isolt
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Problems in Greek Poetry
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Corpus Christianorum. Series Latina; 69
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The Theatre of Dionysus in Athens
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Corpus Christianorum. Series Latina; 20
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Four Famous Greek Plays
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Four Comedies; 0
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Corpus Christianorum. Series Latina; 149
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Hrosvithae Liber Tertius, a Text
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The Book of the Hand; a Compendium of Fact and Legend Since the Dawn of History
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Corpus Christianorum. Series Latina; 75A
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Travel in Ancient Times as Seen in Plautus and Terence [microform]
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Northwest California
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The Significance of the Parodoi in the Greek Theater [microform]
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The Brothers (Adelphoe)
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![Familiar Studies of Men and Books [microform]](https://cdn.kingstone.com.tw/english/images/product/6509/9781015096509.webp "Familiar Studies of Men and Books [microform]")
Familiar Studies of Men and Books [microform]
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Eight Decisive Books of Antiquity
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Vergilius; 54
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The Acharnians [microform];
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Aeneas at the Site of Rome
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![The Sleswick-Holstein Question [microform]](https://cdn.kingstone.com.tw/english/images/product/5861/9781015095861.webp "The Sleswick-Holstein Question [microform]")
The Sleswick-Holstein Question [microform]
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Hellenistic Influence on the Aeneid [microform]
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Lucretius [microform]
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Horace, a Return to Allegiance
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The Poetry of Catullus
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Ethics and Modern Thought
This is many of the old books which has been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten We republish them in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Lady Susan
MY DEAR BROTHER, -I can no longer refuse myself the pleasure of profiting by your kind invitation when we last parted of spending some weeks with you at Churchhill, and, therefore, if quite convenient to you and Mrs. Vernon to receive me at present, I shall hope within a few days to be introduced to a sister whom I have so long desired to be acquainted with. My kind friends here are most affectionately urgent with me to prolong my stay, but their hospitable and cheerful dispositions lead them too much into society for my present situation and state of mind; and I impatiently look forward to the hour when I shall be admitted into your delightful retirement
Cambeth
Cambeth is composed in the genre of Philadelphia neighborhood aka "Yo Philly" street language. The script is enjoined with the literary flavor and quaint structure of early modern English language. The Cambeth writing style, includes idioms slang and cultural expressions from the 1960's up to and including the 21st century i.e., the third millennium. These writings are combined with the American aughts* in conjunction with the British noughts* of the 1600's. The script is intertwined with so-called Shakespeare colloquialism and the artistic explosion and appreciation in poetry, literature, and theatre of the Elizabethan era. My approach and interpretation to Macbeth via Cambeth, gives it a literary uniqueness that I believe suites a delicious flavor of spelling baseball into classic Shakespeare.
An Essay on Comedy and the Uses of the Comic Spirit
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Tragic Pleasure from Homer to Plato
This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions.
Alcestis
This book has been considered important throughout the human history, and so that this work is never forgotten Alpha Editions has made efforts in its preservation by republishing this book in a modern format for the present and future generations. This whole book has been re-formatted, re-typed and re-designed. These books are not made of scanned copies of their original work, and hence the text is clear and readable.
Why Gender?
Why is a focus on gender so important for interpreting the world in which we live? Sixteen world-famous scholars have been brought together to address this question from their respective fields: Political Theory, Philosophy, Medical Anthropology, Law, Geography, Islamic Studies, Cultural Studies, Philosophy of Science, Literature, Psychoanalysis, History of Art, Education and Economics. The resulting volume covers an extraordinary array of contexts, ranging from rethinking trans* bodies, to traumatized tribal communities, to sexualized violence, to assisted reproductive technologies, to the implications of epigenetics for understanding gender, and yet they are all connected by their focus on the importance of gender as a category of analysis. The publication of this volume celebrates the anniversary of the launch of the Centre for Gender Studies at the University of Cambridge, and features contributions from past and future Diane Middlebrook and Carl Djerassi Visiting Professors to the University.
Why Gender?
Why is a focus on gender so important for interpreting the world in which we live? Sixteen world-famous scholars have been brought together to address this question from their respective fields: Political Theory, Philosophy, Medical Anthropology, Law, Geography, Islamic Studies, Cultural Studies, Philosophy of Science, Literature, Psychoanalysis, History of Art, Education and Economics. The resulting volume covers an extraordinary array of contexts, ranging from rethinking trans* bodies, to traumatized tribal communities, to sexualized violence, to assisted reproductive technologies, to the implications of epigenetics for understanding gender, and yet they are all connected by their focus on the importance of gender as a category of analysis. The publication of this volume celebrates the anniversary of the launch of the Centre for Gender Studies at the University of Cambridge, and features contributions from past and future Diane Middlebrook and Carl Djerassi Visiting Professors to the University.
An Accessible Iliad
Rage and grief, revenge and betrayal, remorse and forgiveness, valiant warriors, despairing women, swindling gods - all feature in Homer's Iliad, the first extant work of literature in Western civilization. However, for all its token renown, many people have only a hazy knowledge of the events portrayed in the poem. The story has come close to being lost because most translations are virtually inaccessible to the modern reader, due to the long and tortuous complexity of the original text. Yet the Iliad is one of the most poignant stories of anger, war and grief in Western civilization, a story that has resonated in human consciousness down the centuries. It is not a war chronicle, but the story of a personal quarrel which takes place within the context of a war and which precipitates horrifying consequences. 'An Accessible Iliad' strives to make the story accessible to the ordinary reader, while retaining the authenticity of the original poem. It is not a re-telling nor simply an abridged version of the work, rather it follows the thread of the story in straightforward prose, the translation staying closely with the original, but omitting irrelevant passages and repetitions, compressing long-winded descriptions and brutally synopsizing those chapters which deal interminably with the ebb and flow of the fighting. The original structure of 24 book/chapters remains in place. As attested by Plato among others, Homer's Iliad was widely diffused among the ordinary people of the ancient world. The rhapsodes or bards, who performed it orally over the centuries, would have amplified and attuned it to reach out to their particular audiences. The rationale for 'An Accessible Iliad' is simply that - to make a version of this amazing poem that reaches out to a 21st century audience.
Political Conversations in Late Republican Rome
Political Conversations in Ciceronian Rome offers for the first time a perspective of Roman politics through the proxy of conversations and meetings. In Rome oral was the default mode of communication in politics: oratory before the people in assemblies, addresses and discussions in the Senate, speeches in the law courts, rumours, and public opinion. We are familiar with the notion that the Roman political world of the Late Republic included lofty speeches and sessions of the Senate, but an important aspect of Late-Republican politics revolved around senators talking among themselves, chatting off in the corner. Only when they could not reach each other in person, Roman senators and their peers resorted to letters. This book intends to analyse political conversations and illuminate the oral dimension of Roman politics. It posits that the study of politics should not be restricted to the senatorial group, but that other persons should be considered as important political actors with their own agency (albeit in different degrees), such as freedmen and elite women. It argues that Roman senators and their entourages met in person to have conversations in which they discussed politics, circulated political information and negotiated strategies; this extra-institutional sphere had a relevant impact both on politics and institutions as well as determined how the Roman Republic functioned.
