Essays on Ancient Greek Literature and Culture
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
Medea of Euripides
Medea of Euripides, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.
The Alternative Augustan Age
The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the "Augustan Age." Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an "Augustan Age" by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new.
Roman Luxuria
In classical Latin, luxuria means 'desire for luxury'; it is linked with the ideas of excess and deviation from a standard. It is in most cases labelled as a vice which contrasts with the innate frugal nature of the Romans. Latin authors do not see it as endemic but as an import from the East in the aftermath of military conquests--and as a cause of fatal decline. Following these etymological and semantic origins, Roman Luxuria: A Literary and Cultural History discusses the influence of Greek culture on the Roman concept and the peculiar characteristics of Roman luxuria. It analyses Roman views on luxuria through close readings in historical order from Cato the Elder, who regards luxuria as the opposite of the ideal Roman way of life, to the Christian poet Prudentius, who represents it in an allegorical fight with Sobriety. The book attends both to key authors and to wider literary genres, such as historiography and satire. Particular consideration is given to the rhetorical device of personification, which can be traced from the first appearances of luxuria in Latin literature to those of late antiquity. Berno devotes detailed attention to Seneca the Younger, whose work is often preoccupied with this passion. Seneca both defends himself from the charge of luxuria and violently attacks it in others, describing it as the archenemy of a philosophical life. Along the centuries, the focus on luxuria shifts from the economic sphere (and the waste of money) to the erotic, to the extent that in the Christian world it becomes one of the Seven Capital Sins representing the vice of lust.
Charles Darwin at Southern South
"Nearly every public officer can be bribed. The governor and prime minister openly combined to plunder the State. Justice, where gold came into play, was hardly expected by any one."With this words, Charles Darwin described the scenery of the Plata River in 1832.How much have our custom and geography changed two centuries later? This book and the 16.000 kilometer photographic trip surely have the answer.
Nightmare Planet
Nightmare Planet, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Mary Wollstonecraft
Mary Wollstonecraft, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Portrait of a Lady
The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "affronting her destiny," finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.
The House of the Seven Gables
The House of the Seven Gables: A Romance is a Gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne and published in April 1851 by Ticknor and Fields of Boston. The novel follows a New England family and their ancestral home. In the book, Hawthorne explores themes of guilt, retribution, and atonement, and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by the Turner-Ingersoll Mansion, a gabled house in Salem, Massachusetts, belonging to Hawthorne's cousin Susanna Ingersoll, as well as ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692. The book was well received upon publication and later had a strong influence on the work of H. P. Lovecraft. The House of the Seven Gables has been adapted several times to film and television.
Normandy Picturesque
Normandy Picturesque, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Trial
The Trial is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's two other novels, The Trial was never completed, although it does include a chapter which appears to bring the story to an intentionally abrupt ending.
Dante’s Allusion of Spiritual and Temporal Authority in The Divine Comedy - Inferno in the 13th Century City of Florence
Essay from the year 2022 in the subject Literature - Medieval Literature, language: English, abstract: The late 1300s in Florence were a scandalous period for the Roman Catholic Church and the Holy Roman Empire (HRE). The imaginative illustrations of the Nine Circles of Hell contribute to a more vivid depiction of this. Dante's rich imaginative concept can be interpreted in this study as a harsh rebuke of social ills caused by the power struggle between the HRE and the Church during this period. This epic considers the socio-political and moral circumstances of this spectacular time period and interprets "The Divine Comedy: Inferno" as a classical satire. This medieval poem is a challenge to the author's political and religious antagonists, as well as the papacy's ethical positions. The study describes the strict theological values and doctrines to which the Italian poet Dante Alighieri strictly adhered during his lifetime. As a result, it should come as no surprise that the text presents a moral argument for readers to evaluate for themselves. This is proper, as Dante indirectly justifies his characters in the Inferno from a moral standpoint as well. He does this by alluding to historical events of the 13th century, as do we. He simultaneously justified each allusion based on the nature of their sins. At the end of this study, it is clear that social reform is the central concept.
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, Andr矇 Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, Andr矇 Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
Silas Marner
Silas Marner: The Weaver of Raveloe is the third novel by George Eliot. It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community. Silas Marner is a story of loss, alienation, and redemption that combines elements of fairy tale and myth with realism and humor. Set in the fictional village of Raveloe, it centers on Silas Marner, a weaver who is forced to leave his hometown in the north after being falsely accused of theft by members of his chapel. His religious faith gone, for fifteen years Marner isolates himself from the life of the village and becomes a miser. But when the gold that he cherishes is stolen, and he adopts a child whose mother has just died, his life changes dramatically for the better.
One, None and a Hundred-Thousand
One, None and One Hundred Thousand is a 1926 novel by the Italian writer Luigi Pirandello. It is Pirandello's last novel; his son later said that it took "more than 15 years" to write. In an autobiographical letter, published in 1924, the author refers to this work as the "...bitterest of all, profoundly humoristic, about the decomposition of life: Moscarda one, no one and one hundred thousand." The pages of the unfinished novel remained on Pirandello's desk for years and he would occasionally take out extracts and insert them into other works only to return, later, to the novel in a sort of uninterrupted compositive circle. Finally finished, Uno, Nessuno e Centomila came out in episodes between December 1925 and June 1926 in the magazine Fiera Letteraria.
The Bostonians
This bittersweet tragicomedy centres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young prot矇g矇e of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics. This brilliant satire of the women's rights movement in America is the story of the ravishing inspirational speaker Verena Tarrant and the bitter struggle between two distant cousins who seek to control her. Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena's heart and remove her from the limelight?
In a Glass Darkly
This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.
A Lantern in Her Hand
First published in 1928, A Lantern in Her Hand has outlasted literary fashions to touch generations of readers. In this classic story of a pioneer woman, Bess Streeter Aldrich modeled protagonist Abbie Deal on her own mother, who in 1854 had traveled by covered wagon to the Midwest. In A Lantern in Her Hand, Abbie accompanies her family to the soon-to-be-state of Nebraska. There, in 1865, she marries and settles into her own sod house. The novel describes Abbie's years of child-raising, of making a frontier home able to withstand every adversity. A Disciplined writer knowledgeable about true stories of pioneer days in Nebraska, Bess Streeter Aldrich conveys the strength of everyday things, the surprise of familiar faces, and the look of the unspoiled landscape during different seasons. Refusing to be broken by hard experience, Abbie sets a joyful example for her family and for her readers.
Three Men in a Boat
Three Men in a Boat (To Say Nothing of the Dog), published in 1889, is a humorous account by English writer Jerome K. Jerome of a two-week boating holiday on the Thames from Kingston upon Thames to Oxford and back to Kingston. The book was initially intended to be a serious travel guide, with accounts of local history along the route, but the humorous elements took over to the point where the serious and somewhat sentimental passages seem a distraction to the comic novel. One of the most praised things about Three Men in a Boat is how undated it appears to modern readers - the jokes have been praised as fresh and witty. The three men are based on Jerome himself (the narrator Jerome K. Jerome) and two real-life friends, George Wingrave (who would become a senior manager at Barclays Bank) and Carl Hentschel (the founder of a London printing business, called Harris in the book), with whom Jerome often took boating trips. The dog, Montmorency, is entirely fictional but, "as Jerome admits, developed out of that area of inner consciousness which, in all Englishmen, contains an element of the dog". The trip is a typical boating holiday of the time in a Thames camping skiff.
The World Set Free
The World Set Free is a novel written in 1913 and published in 1914 by H. G. Wells. The book is based on a prediction of a more destructive and uncontrollable sort of weapon than the world has yet seen. It had appeared first in serialised form with a different ending as A Prophetic Trilogy, consisting of three books: A Trap to Catch the Sun, The Last War in the World and The World Set Free.
Bartleby, the Scrivener
"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine and reprinted with minor textual alterations in his The Piazza Tales in 1856. In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copies or do any other task required of him, refusing with the words "I would prefer not to." Numerous critical essays have been published about the story, which scholar Robert Milder describes as "unquestionably the masterpiece of the short fiction" in the Melville canon.
George Orwell
A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned -a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible. When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.
Metamorphosis
Metamorphosis (German: Die Verwandlung) is a novella written by Franz Kafka which was first published in 1915. One of Kafka's best-known works, Metamorphosis tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect (German: ungeheueres Ungeziefer, lit. "monstrous vermin") and subsequently struggles to adjust to this new condition. The novella has been widely discussed among literary critics, with differing interpretations being offered. In popular culture and adaptations of the novella, the insect is commonly depicted as a cockroach.
Sense and Sensibility
The novel follows the three Dashwood sisters as they must move with their widowed mother from the estate on which they grew up, Norland Park. Because Norland is passed down to John, the product of Mr. Dashwood's first marriage, and his young son, the four Dashwood women need to look for a new home. They have the opportunity to rent a modest home, Barton Cottage, on the property of a distant relative, Sir John Middleton. There Elinor and Marianne experience love, romance, and heartbreak. The novel is set in South West England, London, and Sussex, probably between 1792 and 1797. The novel, which sold out its first print run of 750 copies in the middle of 1813, marked a success for its author. It had a second print run later that year. It was the first Austen title to be republished in England after her death, and the first illustrated Austen book produced in Britain, in Richard Bentley's Standard Novels series of 1833. The novel has been in continuous publication since 1811, and has many times been illustrated, excerpted, abridged, and adapted for stage, film, and television.
Saint Augustine
The work outlines Saint Augustine's sinful youth and his conversion to Christianity. Modern English translations of it are sometimes published under the title The Confessions of Saint Augustine in order to distinguish the book from other books with similar titles. Its original title was Confessions in Thirteen Books, and it was composed to be read out loud with each book being a complete unit. Confessions is generally considered one of Augustine's most important texts. It is widely seen as the first Western Christian autobiography ever written (Ovid had invented the genre at the start of the first century AD with his Tristia) and was an influential model for Christian writers throughout the Middle Ages. Henry Chadwick wrote that Confessions will "always rank among the great masterpieces of western literature".
Legends of the Middle Ages
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The Top of the World
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The Verse of Greek Comedy
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Titi Livi Ab Urbe Condita Libri
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Longinus On The Sublime
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Commentaria in Aristotelem Graeca. Edita Consilio et Auctoritate Academiae Litterarum Regiae Borussicae; Volume 01
The Oxyrhynchus Papyri; Volume 10
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Greek Religious Thought From Homer to the age of Alexander
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The Orations of Lysias
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The Book of Revelation in Greek Edited From Ancient Authorities
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The Land of the Blessed Virgin
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Three Hundred ?esop’s Fables
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Sappho
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Legends of the Middle Ages
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Hellenika
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Classic Baptism
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Directions for Cookery, in its Various Branches
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The Oxyrhynchus Papyri; Volume 1
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Sallust’s History of the War Against Jugurtha, and of the Conspiracy of Cataline
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