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The Shadows of Betrayal
"The Shadows of Betrayal" is a chilling exploration of the treacherous path paved by polygamy, where one man's pursuit of multiple wives sets in motion a haunting series of events. Samuel, the central figure, finds himself entangled in the complex web of three wives and a concubine, leading to devastating consequences for all involved. At the outset, Samuel's life seems idyllic, married to his first wife, Abigail, and blessed with five children. However, temptation takes hold, and he succumbs to the allure of a second wife, Lydia, driven by her youth and beauty. This decision sparks a chain reaction that tears apart the fragile fabric of their lives. Amidst the growing family, Abigail harbors a deep-seated resentment towards Samuel, culminating in a sinister turn towards witchcraft. Consumed by her hatred and desire for revenge, she plots to destroy Samuel and all his children, including her own offspring, descending into a world of darkness and malevolence. As the story unfolds, "The Shadows of Betrayal" delves into the heart-wrenching aftermath of these choices. It explores the shattered trust, broken promises, and the chilling transformation of once-loving relationships into instruments of torment and destruction. The veil of secrecy lifts to reveal the horrors that unfold within the polygamous household, as Abigail's wicked plans begin to take shape. This cautionary tale highlights the dangers that lie within the pursuit of a polygamous marriage. It serves as a stark reminder of the perils of jealousy, deceit, and the unraveling of family bonds. As the web of betrayal tightens, the characters must confront their own demons and face the consequences of their actions. "The Shadows of Betrayal" serves as a powerful reminder of the intricate dynamics at play within polygamous relationships. It explores the consequences of shattered trust, the transformation of love into a venomous obsession, and the horrifying consequences of seeking retribution through dark arts. In the end, the characters are left to grapple with the price they have paid for their choices. The narrative serves as a chilling warning, urging readers to question the foundations upon which their own relationships are built and to recognize the potential dangers of entering into complex and unorthodox marital arrangements. "The Shadows of Betrayal" unveils the harrowing truths behind the veneer of polygamy, painting a haunting portrait of the devastating consequences that can unfold when the pursuit of desires leads down a path of darkness and ruin.
The Cambridge Companion to Plutarch
Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.
The Cambridge Companion to Plutarch
Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.
Phaedrus
The Phaedrus, written by Plato, is a socratic dialogue between Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BCE, about the same time as Plato's Republic and Symposium. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love, and the nature of the human soul shown in the famous Chariot Allegory.Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repeat the speech. They sit by a stream under a plane tree and a chaste tree, and the rest of the dialogue consists of oration and discussion.The dialogue does not set itself as a re-telling of the day's events. It is given in the direct words of Socrates and Phaedrus, without other interlocutors to introduce the story. This is in contrast to dialogues such as the Symposium, in which Plato sets up multiple layers between the day's events and our hearing of it, explicitly giving us an incomplete, fifth-hand account
The Last of the Mohicans
The Mohicans are an Eastern Algonquian Native American tribe that historically spoke an Algonquian language. As part of the Eastern Algonquian family of tribes, they are related to the neighboring Lenape, whose indigenous territory was to the south upto the Atlantic coast. The Mohican lived in the upper tidal Hudson River Valley, including the confluence of the Mohawk River (where present-day Albany, New York, developed) and into western New England centered on the upper Housatonic River watershed. After 1680, due to conflicts with the powerful Mohawk to the west during the Beaver Wars, many were driven southeastward across the present-day Massachusetts western border and the Taconic Mountains to Berkshire County around Stockbridge, Massachusetts.This book is a work of fiction based on the Mohican tribe and gives account of history of the United States during that period.This book is a reproduction of an important historical work. This has been published with the best technology to reproduce historical work in the same manner it was first published to preserve its original nature.
Sally Bishop
Sally Bishop: A Romance by E. Temple Thurston has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Luttrell Of Arran
Luttrell Of Arran by Charles James Lever has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Paul Gosslett’s Confessions in Love, Law, and The Civil Service
Paul Gosslett's Confessions in Love, Law, and The Civil Service by Charles James Lever has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Mission Of Mr. Eustace Greyne
The Mission Of Mr. Eustace Greyne by Robert Hichens has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Love That Prevailed
The Love That Prevailed by Frank Frankfort Moore has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Lives of the Most Famous English Poets (1687)
The Lives of the Most Famous English Poets (1687) by William Winstanley has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Routledge Companion to Literature and Disability
The Routledge Companion to Literature and Disability brings together some of the most influential and important contemporary perspectives in this growing field. The book traces the history of the field and locates literary disability studies in the wider context of activism and theory. It introduces debates about definitions of disability and explores intersectional approaches in which disability is understood in relation to gender, race, class, sexuality, nationality and ethnicity. Divided broadly into sections according to literary genre, this is an important resource for those interested in exploring and deepening their knowledge of the field of literature and disability studies.
Paris and Its Story
Paris and Its Story, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.
The Iliad & The Odyssey
Embark on an epic journey through the ancient world with Homer's timeless classics, The Iliad and The Odyssey, as brought to life in Samuel Butler's vibrant and accessible translations. This definitive compilation unites two of the most influential and enduring tales of heroism, love, and adventure that continue to captivate readers across millennia.
Anne Carson: Antiquity
From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.
Euripides: Iphigenia in Tauris
Euripides' Iphigeneia among the Taurians has been a popular and influential text from antiquity onwards. It is a suspenseful drama set on the Black Sea coast in what is now Crimea, which explores themes of family loyalty, Greeks and barbarians, and the nature of the gods. The plot combines an unrecognised meeting between Iphigeneia, now a priestess of Artemis among the Taurians, and her brother Orestes, who with his friend Pylades has been captured and brought to her for sacrifice, with an exciting escape attempt for all three, ultimately brought about by divine intervention. This edition includes a full Introduction to the literary and production aspects of the play, while the Commentary elucidates problems of language as well as interpretation. These combine to make the play fully accessible to intermediate-level undergraduates and graduate students wishing to read it in the original Greek.
Euripides: Iphigenia in Tauris
Euripides' Iphigeneia among the Taurians has been a popular and influential text from antiquity onwards. It is a suspenseful drama set on the Black Sea coast in what is now Crimea, which explores themes of family loyalty, Greeks and barbarians, and the nature of the gods. The plot combines an unrecognised meeting between Iphigeneia, now a priestess of Artemis among the Taurians, and her brother Orestes, who with his friend Pylades has been captured and brought to her for sacrifice, with an exciting escape attempt for all three, ultimately brought about by divine intervention. This edition includes a full Introduction to the literary and production aspects of the play, while the Commentary elucidates problems of language as well as interpretation. These combine to make the play fully accessible to intermediate-level undergraduates and graduate students wishing to read it in the original Greek.
Language and Nature in the Classical Roman World
A familiar theme in Greek philosophy, largely due to the influence of Plato's Cratylus, linguistic naturalism (the notion that linguistic facts, structures or behaviour are in some significant sense determined by nature) constitutes a major but under-studied area of Roman linguistic thought. Indeed, it holds significance not only for the history of linguistics but also for philosophy, stylistics, rhetoric and more. The chapters in this volume deal with a range of naturalist theories in a variety of authors including Cicero, Varro, Nigidius Figulus, Posidonius, and Dionysius of Halicarnassus. The result is a complex and multi-faceted picture of how language and nature were believed to interrelate in the classical Roman world.
Greek Memories
Greek Memories aims to identify and examine the central concepts underlying the theories and practices of memory in the Greek world, from the archaic period to Late Antiquity, across all the main literary genres, and to trace some fundamental changes in these theories and practices. It explores the interaction and development of different 'disciplinary' approaches to memory in Ancient Greece, which will enable a fuller and deeper understanding of the whole phenomenon, and of its specific manifestations. This collection of papers contributes to enriching the current scholarly discussion by refocusing it on the question of how various theories and practices of memory, recollection, and forgetting play themselves out in specific texts and authors from Ancient Greece, within a wide chronological span (from the Homeric poems to Plotinus), and across a broad range of genres and disciplines (epic and lyric poetry, tragedy, comedy, historiography, philosophy and scientific prose treatises).
Homer's Iliad and the Problem of Force
The topic of force has long remained a problem of interpretation for readers of Homer's Iliad, ever since Simone Weil famously proclaimed it as the poem's main subject. This book seeks to address that problem through a full-scale treatment of the language of force in the Iliad from both philological and philosophical perspectives. Each chapter explores the different types of Iliadic force in combination with the reception of the Iliad in the French intellectual tradition. Ultimately, this book demonstrates that the different terms for force in the Iliad give expression to distinct relations between self and "other." At the same time, this book reveals how the Iliad as a whole undermines the very relations of force which characters within the poem seek to establish. Ultimately, this study of force in the Iliad offers an occasion to reconsider human subjectivity in Homeric poetry.
Notes from the Underground
Notes from the Underground, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Xenophon of Athens
Xenophon of Athens (c. 430-354 BCE) has long been considered an uncritical admirer of Sparta who hero-worships the Spartan King Agesilaus and eulogises Spartan practices in his Lacedaimoni繫n Politeia. By examining his own self-descriptions - especially where he portrays himself as conversing with Socrates and falling short in his appreciation of Socrates' advice - this book finds in Xenophon's overall writing project a Socratic response to his exile and situates his writings about Sparta within this framework. It presents a detailed reading of the Lacedaimoni繫n Politeia as a critical and philosophical examination of Spartan socio-cultural practices. Evidence from his own Hellenica, Anabasis and Agesilaus is shown to confirm Xenophon's analysis of the weaknesses in the Spartan system, and that he is not enamoured of Agesilaus. Finally, a comparison with contemporary Athenian responses to Sparta, shows remarkable points of convergence with his fellow Socratic Plato, as well as connections with Isocrates too.
Essays on Ancient Greek Literature and Culture
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
Med Ship Man
Med Ship Man, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.
Medea of Euripides
Medea of Euripides, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.
The Alternative Augustan Age
The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the "Augustan Age." Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an "Augustan Age" by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new.
Roman Luxuria
In classical Latin, luxuria means 'desire for luxury'; it is linked with the ideas of excess and deviation from a standard. It is in most cases labelled as a vice which contrasts with the innate frugal nature of the Romans. Latin authors do not see it as endemic but as an import from the East in the aftermath of military conquests--and as a cause of fatal decline. Following these etymological and semantic origins, Roman Luxuria: A Literary and Cultural History discusses the influence of Greek culture on the Roman concept and the peculiar characteristics of Roman luxuria. It analyses Roman views on luxuria through close readings in historical order from Cato the Elder, who regards luxuria as the opposite of the ideal Roman way of life, to the Christian poet Prudentius, who represents it in an allegorical fight with Sobriety. The book attends both to key authors and to wider literary genres, such as historiography and satire. Particular consideration is given to the rhetorical device of personification, which can be traced from the first appearances of luxuria in Latin literature to those of late antiquity. Berno devotes detailed attention to Seneca the Younger, whose work is often preoccupied with this passion. Seneca both defends himself from the charge of luxuria and violently attacks it in others, describing it as the archenemy of a philosophical life. Along the centuries, the focus on luxuria shifts from the economic sphere (and the waste of money) to the erotic, to the extent that in the Christian world it becomes one of the Seven Capital Sins representing the vice of lust.
Charles Darwin at Southern South
"Nearly every public officer can be bribed. The governor and prime minister openly combined to plunder the State. Justice, where gold came into play, was hardly expected by any one."With this words, Charles Darwin described the scenery of the Plata River in 1832.How much have our custom and geography changed two centuries later? This book and the 16.000 kilometer photographic trip surely have the answer.
Nightmare Planet
Nightmare Planet, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Mary Wollstonecraft
Mary Wollstonecraft, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Nicomachean Ethics
The Nicomachean Ethics is Aristotle's best-known work on ethics, the science of the good for human life, which is the goal or end at which all our actions aim. Based on lectures Aristotle gave in Athens in the fourth century BCE, Nicomachean Ethics has profoundly influenced the whole course of subsequent philosophical endeavour. It consists of ten books or scrolls, understood to be based on notes from his lectures at the Lyceum and It offers seminal, practically oriented discussions of many central ethical issues, including the role of luck in human well-being, moral education, responsibility, courage, justice, moral weakness, friendship and pleasure, with an emphasis on the exercise of virtue as the key to human happiness.
The House of the Seven Gables
The House of the Seven Gables: A Romance is a Gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne and published in April 1851 by Ticknor and Fields of Boston. The novel follows a New England family and their ancestral home. In the book, Hawthorne explores themes of guilt, retribution, and atonement, and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by the Turner-Ingersoll Mansion, a gabled house in Salem, Massachusetts, belonging to Hawthorne's cousin Susanna Ingersoll, as well as ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692. The book was well received upon publication and later had a strong influence on the work of H. P. Lovecraft. The House of the Seven Gables has been adapted several times to film and television.
The Portrait of a Lady
The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "affronting her destiny," finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.
The Sorrows of Young Werther
The Sorrows of Young Werther, a story about a young man's extreme response to unrequited love, is presented as a collection of letters written by Werther, a young artist of a sensitive and passionate temperament, to his friend Wilhelm. These give an intimate account of his stay in the fictional village of Wahlheim, whose peasants have enchanted him with their simple ways. There he meets Charlotte, a beautiful young girl who takes care of her siblings after the death of their mother. Werther falls in love with Charlotte despite knowing beforehand that she is engaged to a man named Albert, eleven years her senior. The Sorrows of Young Werther turned Goethe, previously an unknown author, into a literary celebrity almost overnight. Napoleon Bonaparte considered it one of the great works of European literature, having written a Goethe-inspired soliloquy in his youth and carried Werther with him on his campaigning to Egypt. It also started the phenomenon known as "Werther Fever," which caused young men throughout Europe to dress in the clothing style described for Werther in the novel.
Normandy Picturesque
Normandy Picturesque, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
The Trial
The Trial is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's two other novels, The Trial was never completed, although it does include a chapter which appears to bring the story to an intentionally abrupt ending.
Dante's Allusion of Spiritual and Temporal Authority in The Divine Comedy - Inferno in the 13th Century City of Florence
Essay from the year 2022 in the subject Literature - Medieval Literature, language: English, abstract: The late 1300s in Florence were a scandalous period for the Roman Catholic Church and the Holy Roman Empire (HRE). The imaginative illustrations of the Nine Circles of Hell contribute to a more vivid depiction of this. Dante's rich imaginative concept can be interpreted in this study as a harsh rebuke of social ills caused by the power struggle between the HRE and the Church during this period. This epic considers the socio-political and moral circumstances of this spectacular time period and interprets "The Divine Comedy: Inferno" as a classical satire. This medieval poem is a challenge to the author's political and religious antagonists, as well as the papacy's ethical positions. The study describes the strict theological values and doctrines to which the Italian poet Dante Alighieri strictly adhered during his lifetime. As a result, it should come as no surprise that the text presents a moral argument for readers to evaluate for themselves. This is proper, as Dante indirectly justifies his characters in the Inferno from a moral standpoint as well. He does this by alluding to historical events of the 13th century, as do we. He simultaneously justified each allusion based on the nature of their sins. At the end of this study, it is clear that social reform is the central concept.
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, Andr矇 Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, Andr矇 Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
In a Glass Darkly
This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.
The Bostonians
This bittersweet tragicomedy centres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young prot矇g矇e of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics. This brilliant satire of the women's rights movement in America is the story of the ravishing inspirational speaker Verena Tarrant and the bitter struggle between two distant cousins who seek to control her. Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena's heart and remove her from the limelight?
Silas Marner
Silas Marner: The Weaver of Raveloe is the third novel by George Eliot. It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community. Silas Marner is a story of loss, alienation, and redemption that combines elements of fairy tale and myth with realism and humor. Set in the fictional village of Raveloe, it centers on Silas Marner, a weaver who is forced to leave his hometown in the north after being falsely accused of theft by members of his chapel. His religious faith gone, for fifteen years Marner isolates himself from the life of the village and becomes a miser. But when the gold that he cherishes is stolen, and he adopts a child whose mother has just died, his life changes dramatically for the better.
Notes from the Underground
Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession" the work was originally announced by Dostoevsky in Epoch under the title "A Confession". The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.
Miss Lonelyhearts
Miss Lonelyhearts is a novella by Nathanael West. It is about a male newspaper advice columnist who provides advice to lonesome people who becomes so affected by their desperate letters that he spirals into depression, drinking, and ill-considered sexual affairs, which leads to his downfall. In the story, Miss Lonelyhearts is the pseudonym for an unnamed male newspaper columnist writing an advice column for the lovelorn and lonesome, a duty that the other newspaper staff consider to be a joke. As Miss Lonelyhearts reads letters from desperate New Yorkers, he feels terribly burdened and falls into a cycle of deep depression, accompanied by heavy drinking and occasional bar fights. He is also the victim of the pranks and cynical advice of Shrike, his feature editor at the newspaper.
One, None and a Hundred-Thousand
One, None and One Hundred Thousand is a 1926 novel by the Italian writer Luigi Pirandello. It is Pirandello's last novel; his son later said that it took "more than 15 years" to write. In an autobiographical letter, published in 1924, the author refers to this work as the "...bitterest of all, profoundly humoristic, about the decomposition of life: Moscarda one, no one and one hundred thousand." The pages of the unfinished novel remained on Pirandello's desk for years and he would occasionally take out extracts and insert them into other works only to return, later, to the novel in a sort of uninterrupted compositive circle. Finally finished, Uno, Nessuno e Centomila came out in episodes between December 1925 and June 1926 in the magazine Fiera Letteraria.
Bartleby, the Scrivener
"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine and reprinted with minor textual alterations in his The Piazza Tales in 1856. In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copies or do any other task required of him, refusing with the words "I would prefer not to." Numerous critical essays have been published about the story, which scholar Robert Milder describes as "unquestionably the masterpiece of the short fiction" in the Melville canon.
