The Ghost Pirates
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The Feather Bed
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The Ghost of Jerry Bundler
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The Female Quixote, Volume I, II or, The Adventures of Arabella
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Felix Holt, The Radical
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Fenton’s Quest
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The Ghost Kings
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The Fever of Life
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Ghetto Tragedies
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Fenwick’s Career
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The Armourer’s Prentices
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Ghetto Comedies
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Ardath
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The Treasure of the Arcueil Cavern
Petrus Borel (1809-1859), known as "The Lycanthrope" was one of the most intriguing figures of the Romantic movement and that group of writers who were part of the fr矇n矇tique school of literature, which revelled in excesses, dark themes, and ghoulish situations. Praised by many great names, including Th矇ophile Gautier, Charles Baudelaire, Tristan Tzara and Andr矇 Breton, the eccentric Borel, though primarily known for his verse and his immoral tales, also wrote a good many bizarre pieces for various periodicals, one of the most interesting of these being The Treasure of the Arcueil Cavern, appearing here for the first time in English, in a superb translation by Colin Boswell, suitably enhanced by scholarly footnotes. The main theme of the novella is, as the title states, hidden treasure and as we are told in the story, "nothing is more attractive to the human mind than the story of riches mysteriously hidden underground." He refers in the story to the widespread belief that the Moors, as they retreated from Spain, had left behind hidden treasure. In England there is a widespread belief that in 1216 the baggage train containing the treasure of Bad King John, whilst crossing the estuary on the east coast known as The Wash, had been engulfed by the incoming tide. More than eight hundred years later people are still hoping to find this treasure and there is at least one person who thinks they know where it is.Included in the present volume is a second piece, "Gottfried Wolfgang", a delicious conte cruel which also appears here for the first time in English.
Brandon of the Engineers
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The Brassbounder
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The Brass Bottle
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Concerning Bully Hayes; From The Strange Adventure of James Shervinton, and Other Stories - 1902
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The Bramleighs of Bishop’s Folly
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Countries That Don't Exist
Almost unknown during his lifetime, Sigizmund Krzhizhanovsky is now hailed as a master of Russian prose. His short stories and novels, unpublishable under Stalinism but rediscovered long after his death, have drawn comparisons to the works of Jorge Luis Borges for their distinctive blend of metafictional play and philosophical thought experiment. Like Borges, Krzhizhanovsky also wrote dazzlingly unconventional essayistic pieces as a slippery extension of his fictional project. Countries That Don't Exist showcases a selection of Krzhizhanovsky's exceptional nonfiction, which spans a dizzying range of genres and voices. Playful fantasies dwelling in the borderlands between essay and fable, metaphysical conversations and probing literary criticism, philosophical essays and wartime memoirs--in all these modes Krzhizhanovsky's writing bristles with idiosyncratic erudition and a starkly original vision of literary creation. Krzhizhanovsky comes across as a strange voice from another past, at once utterly novel yet unmistakably belonging to the high modernist 1920s and 1930s. Taken together, these works present to the English-speaking world a fresh aspect of a newly canonized author. Countries That Don't Exist also features critical commentary that places these texts in the context of Krzhizhanovsky's other writings and illuminates their relationship to the philosophical and aesthetic ferment of Russian and European modernism.
Compound Words; A Study of the Principles of Compounding, the Components of Compounds, and the Use of the Hyphen
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Society for Pure English, Tract 3 (1920) A Few Practical Suggestions
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HUMOROUS READINGS AND RECITATIONS In prose and verse
Accompanied on the Flute, The Troubles of a Triplet, Slightly Deaf, The Lady Freemason, What Happened Last Night!, The Fatal Legs, The Caliph's Jester, A Journey in Search of Nothing, Gemini and Virgo, King Bibbs, Molly Muldoon, The Harmonious Lobsters, The Provincial Landlady, My Matrimonial Predicament, Etiquette, A Lost Shepherd, A Mathematic Madness, Waiting at Tottlepot, Married to a Giantess, The Vision of the Alderman, The Demon Snuffers, The Walrus and the Carpenter, My Brother Henry, A Night with a Stork, The Faithful Lovers, The Wail of a Banner-Bearer, The Dream of the Bilious Beadle, My Friend Treacle, The Voice of the Sluggard, Artemus Ward's Visit to the Tower of London, Mr. Caudle has Lent An Acquaintance the Family Umbrella, Domestic Asides, The Charity Dinner, Acting with a Vengeance, My Fortnight at Wretchedville, The Sorrows of Werther, Moral Music, Billy Dumps, The Tailor, On Punning, Seaside Lodgings.
Archibald Marshall, a Realistic Novelist
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Feats on the Fiord The third book in "The Playfellow"
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Fern Vale (Volume 1) or the Queensland Squatter
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Fern Vale, ( Volume II)or the Queensland Squatter
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The Fiery Totem A Tale of Adventure in the Canadian North-West
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The Germ Growers
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Fern Vale (Volume III) or the Queensland Squatter
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Armadale (Book-I)
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Fern’s Hollow
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Fifteen Hundred Miles An Hour
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Armadale (Book-III)
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The Ffolliots of Redmarley
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Armadale (Book-II)
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Fiander's Widow A Novel
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Armorel of Lyonesse
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Ardours and Endurances; Also, A Faun's Holiday & Poems and Phantasies
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The Ferryman of Brill and other stories
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Armadale (Book-IV)
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New Arabianan NIGHTS
1. The Suicide Club, I. Story of the Young Man with the Cream Tarts, II. Story of the Physician and the Saratoga Trunk, III. The Adventure of the Hansom Cabs. 2. The Rajah's Diamond, I. Story of the Bandbox, II. Story of the Young Man in Holy Orders, III. Story of the House with the Green Blinds, IV. The Adventure of Prince Florizel and a Detective. 3. The Pavilion on the Links, Chapter I - Tells How I Camped In Graden Sea-Wood, and Beheld a Light in the Pavilion, Chapter II - Tells of the Nocturnal Landing from the Yacht, Chapter III - Tells How I Became Acquainted with My Wife, Chapter IV - Tells in What a Startling Manner I Learned that I was Not Alone in Graden Sea-Wood, Chapter V - Tells of An Interview Between Northmour, Clara, and Myself, Chapter VI - Tells of My Introduction to the Tall Man, Chapter VII - Tells How a Word was Cried Through the Pavilion Window, Chapter VIII - Tells the Last of the Tall Man, Chapter IX - Tells How Northmour Carried Out His Threat. 4. A Lodging for the Night, 5. The Sire De Mal礙troit's Door, 6. Providence and the Guitar.
THE BLACK ARROW A Tale of the Two Roses
BOOK I - THE TWO LADS: Chapter I - At the Sign of the Sun in Kettley, Chapter II - In the Fen, Chapter III - The Fen Ferry, Chapter IV - A Greenwood Company, Chapter V - "Bloody as the Hunter", Chapter VI - To the Day's End, Chapter VII - The Hooded Face. BOOK II - THE MOAT HOUSE: Chapter I - Dick Asks Questions, Chapter II - The Two Oaths, Chapter III - The Room Over the Chapel, Chapter IV - The Passage, Chapter V - How Dick Changed Sides. BOOK III - MY LORD FOXHAM: Chapter I - The House by the Shore, Chapter II - A Skirmish in the Dark, Chapter III - St. Bride's Cross, Chapter IV - The Good Hope, Chapter V - The Good Hope (Continued), Chapter VI - The Good Hope (Concluded). BOOK IV - THE DISGUISE: Chapter I - The Den, Chapter II - "In Mine Enemies' House", Chapter III - The Dead Spy, Chapter IV - In the Abbey Church, Chapter V - Earl Risingham, Chapter VI - Arblaster Again. BOOK V - CROOKBACK: Chapter I - The Shrill Trumpet, Chapter II - The Battle of Shoreby, Chapter III - The Battle of Shoreby (Concluded), Chapter IV - The Sack of Shoreby, Chapter V - Night in the Woods: Alicia Risingham, Chapter VI - Night in the Woods (Concluded): Dick and Joan, Chapter VII - Dick's Revenge, Chapter VIII - Conclusion.
Are these Things So? (1740) The Great Man's Answer to Are These things So
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Armadale (Book-V)
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Armorel of Lyonesse
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The Country of THE BLIND and Other Stories
The enterprise of Messrs. T. Nelson & Sons and the friendly accommodation of Messrs. Macmillan render possible this collection in one cover of all the short stories by me that I care for any one to read again. Except for the two series of linked incidents that make up the bulk of the book called Tales of Space and Time, no short story of mine of the slightest merit is excluded from this volume. Many of very questionable merit find a place; it is an inclusive and not an exclusive gathering. And the task of selection and revision brings home to me with something of the effect of discovery that I was once an industrious writer of short stories, and that I am no longer anything of the kind. I have not written one now for quite a long time, and in the past five or six years I have made scarcely one a year. The bulk of the fifty or sixty tales from which this present three-and-thirty have been chosen dates from the last century. This edition is more definitive than I supposed when first I arranged for it. In the presence of so conclusive an ebb and cessation an almost obituary manner seems justifiable. I find it a little difficult to disentangle the causes that have restricted the flow of these inventions. It has happened, I remark, to others as well as to myself, and in spite of the kindliest encouragement to continue from editors and readers. There was a time when life bubbled with short stories; they were always coming to the surface of my mind, and it is no deliberate change of will that has thus restricted my production. It is rather, I think, a diversion of attention to more sustained and more exacting forms. It was my friend Mr. C.L. Hind who set that spring going. He urged me to write short stories for the Pall Mall Budget, and persuaded me by his simple and buoyant conviction that I could do what he desired. There existed at the time only the little sketch, "The Jilting of Jane," included in this volume-at least, that is the only tolerable fragment of fiction I find surviving from my pre-Lewis-Hind period. But I set myself, so encouraged, to the experiment of inventing moving and interesting things that could be given vividly in the little space of eight or ten such pages as this, and for a time I found it a very entertaining pursuit indeed. Mr. Hind's indicating finger had shown me an amusing possibility of the mind. I found that, taking almost anything as a starting-point and letting my thoughts play about it, there would presently come out of the darkness, in a manner quite inexplicable, some absurd or vivid little incident more or less relevant to that initial nucleus. Little men in canoes upon sunlit oceans would come floating out of nothingness, incubating the eggs of prehistoric monsters unawares; violent conflicts would break out amidst the flower-beds of suburban gardens; I would discover I was peering into remote and mysterious worlds ruled by an order logical indeed but other than our common sanity.
The Ghost Camp; or, the Avengers
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