![Cassell's Illustrated Readings [v. 1]](https://cdn.kingstone.com.tw/english/images/product/4105/9781013674105m.webp "Cassell's Illustrated Readings [v. 1]")
Armadale (Book-II)
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Fiander's Widow A Novel
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The Country of THE BLIND and Other Stories
The enterprise of Messrs. T. Nelson & Sons and the friendly accommodation of Messrs. Macmillan render possible this collection in one cover of all the short stories by me that I care for any one to read again. Except for the two series of linked incidents that make up the bulk of the book called Tales of Space and Time, no short story of mine of the slightest merit is excluded from this volume. Many of very questionable merit find a place; it is an inclusive and not an exclusive gathering. And the task of selection and revision brings home to me with something of the effect of discovery that I was once an industrious writer of short stories, and that I am no longer anything of the kind. I have not written one now for quite a long time, and in the past five or six years I have made scarcely one a year. The bulk of the fifty or sixty tales from which this present three-and-thirty have been chosen dates from the last century. This edition is more definitive than I supposed when first I arranged for it. In the presence of so conclusive an ebb and cessation an almost obituary manner seems justifiable. I find it a little difficult to disentangle the causes that have restricted the flow of these inventions. It has happened, I remark, to others as well as to myself, and in spite of the kindliest encouragement to continue from editors and readers. There was a time when life bubbled with short stories; they were always coming to the surface of my mind, and it is no deliberate change of will that has thus restricted my production. It is rather, I think, a diversion of attention to more sustained and more exacting forms. It was my friend Mr. C.L. Hind who set that spring going. He urged me to write short stories for the Pall Mall Budget, and persuaded me by his simple and buoyant conviction that I could do what he desired. There existed at the time only the little sketch, "The Jilting of Jane," included in this volume-at least, that is the only tolerable fragment of fiction I find surviving from my pre-Lewis-Hind period. But I set myself, so encouraged, to the experiment of inventing moving and interesting things that could be given vividly in the little space of eight or ten such pages as this, and for a time I found it a very entertaining pursuit indeed. Mr. Hind's indicating finger had shown me an amusing possibility of the mind. I found that, taking almost anything as a starting-point and letting my thoughts play about it, there would presently come out of the darkness, in a manner quite inexplicable, some absurd or vivid little incident more or less relevant to that initial nucleus. Little men in canoes upon sunlit oceans would come floating out of nothingness, incubating the eggs of prehistoric monsters unawares; violent conflicts would break out amidst the flower-beds of suburban gardens; I would discover I was peering into remote and mysterious worlds ruled by an order logical indeed but other than our common sanity.
The Retrospective Raj
The Retrospective Raj: Medicine, Literature & History After Empire undertakes a detailed analysis of the use of medicine as a recurrent and defining trope of post-imperial fiction published between 1950 and 1990. The book argues that during this crucial period of recent history, when the influence and prestige of the British Empire was nearing its end, a range of contemporary novelists including J. G. Farrell, Paul Scott, John Masters, Ruth Prawer Jhabvala, and Salman Rushdie identified and used medicine as a discursive paradigm through which to engage critically with the history, authority and legacy of the British Empire within their writing. Drawing on a range of literary and archival sources, this work explores the complex relationship between Britain, India and Empire through a medical lens, bringing together the concerns of literary study and medical history under an interdisciplinary and original methodological framework.
The Red Sorcerer
The Red Sorcerer, originally published as a 64-part feuilleton serial in Le Journal between 31 July 1910 and 3 October 1910, and here appearing in English for the first time in an expert translation by Brian Stableford, is one of the more extreme entries in author Delphi Fabrice's already highly unusual canon. Perhaps the most spectacularly peculiar manifestation of Fabrice's fervent desire to test and extend the limits of the permissible and the conventional in his fiction, The Red Sorcerer is a showpiece of crime and vice in which he removes the gloves of discretion completely, setting out to depict the world of prostitutes and their pimps with a frank and extreme brutality-so frank and so extreme, in fact, that it required a strange supernaturalization completely at odds with his supposed Naturalism. Though the novel is certainly very unsavory, it is also quite extraordinary and thus worthy of attention as a specimen of the Decadent world view, and of a grim and relentless authorial sadism that tempts the suspicion that a complex psychology must lie behind it.
The Reception of Classical German Literature in England, 1760-1860, Volume 5
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
Goethe and the Philosopher’s Stone
Originally published in 1965, this study examines the concealed meanings in the second part of Faust. The book gives a psychological interpretation of elements of Goethe's personal life and work, which succeeds in making the man and the veiled references in his most profound work accessible to the modern reader.
The Reception of Classical German Literature in England, 1760-1860, Volume 7
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
The Reception of Classical German Literature in England, 1760-1860, Volume 8
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
German Romantic Literature
Originally published in 1955, this book discusses Romantic principles and their interpretation in literary practice, supported by the documentation (with translations) of numerous quotations from the writings of the romantic authors themselves.
The Reception of Classical German Literature in England, 1760-1860, Volume 3
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
The Reception of Classical German Literature in England, 1760-1860, Volume 4
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
The Reception of Classical German Literature in England, 1760-1860, Volume1
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
The Genius of the German Lyric
Originally published in 1938, this remains one of the few comprehensive studies of the German lyric, ranging from the Middle Ages to the 1960s. By the use of detailed critical analysis the book interprets the essence of German lyric poetry and includes a study of the phases of German literature in the early 20th Century.
The Reception of Classical German Literature in England, 1760-1860, Volume 10
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
The Reception of Classical German Literature in England, 1760-1860, Volume 2
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
A Complete Concordance to Wolfram von Eschenbach's Parzival
Originally published in 1990, this work provides an invaluable reference tool for textual investigation to one of the most significant Middle High German poems. The format offers information for most research needs, and certainly enough to indicate where recourse to the text itself is required.
Modern German Literature
Originally published in 1939 and revised in 1959, this book traces back to their origins the literary movements and phases of German literature of 1880 to 1950 as they occur and shows how and why they pass over into succeeding phases.
The Reception of Classical German Literature in England, 1760-1860, Volume 6
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
Idylls & Realities
Originally published in 1971, this book outlines the period of Germany's belated industrial revolution and suggests why German literature does not, before the 1880s, contribute to the tradition of European realism. It considers the alternatives to realism offered in three genres of drama, poetry and prose fiction.
The Reception of Classical German Literature in England, 1760-1860, Volume 9
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail.
Myles Away from Dublin
Flann O'Brien (Brian O'Nolan, aka Myles na Gopaleen) adopted not only a new name (George Knowall) for these rarely seen pieces, but also a new persona. Writing his column 'Bones of Contention' for the Nationalist and Leinster Times, he took on the character of the quizzical and enquiring humorist who might be found in a respectable public house in Carlow: erudite, urbane and informative, he is the country cousin of the Myles of Dublin, yet still a facet of the complex character who wrote The Third Policeman and At Swim-Two-Birds. His delight in words, his uncanny ability to see through humbug, are unparalleled. Writers as disparate as James Joyce, Dylan Thomas, Graham Greene and Anthony Burgess have marvelled at his talent. New readers will discover that he is one of the funniest writers in any language, at any time.
The Commission in Lunacy
The book "" The Commission in Lunacy "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
New Readings in British Drama
"New Readings in British Drama: From the Post-War Period to the Contemporary Era" offers new readings of British plays produced after the Second World War by underlining the fact that literary theories have never been stagnant and exhausted in the field of drama as part of literary studies. Scholarly editions focusing exclusively on contemporary drama and its critical readings are still a rarity, as contemporary literary scholars tend to neglect drama in favour of fiction. Therefore, our contributors have attempted to examine the works of Tom Stoppard, Caryl Churchill, Sarah Kane, Roy Williams, Mark Ravenhill, Thomas Eccleshare, Anders Lutsgarten and Jackie Kay from the perspectives of the major theories by emphasising how key theoretical approaches can help elucidate theatrical texts and their performances from a contemporary critical standpoint.
Antar
The book, "" Antar: A Bedoueen Romance "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Celestina
"Celestina" is a late 15th century work by Fernando de Rojas that is considered one of the greatest works of Spanish literature, one which marks the transition from the late medieval period and the beginning of the literary renaissance in Spain. The story is concerned with the love affair of Calisto and Melibea. Upon meeting Melibea, Calisto falls madly in love with her. However at first she rejects his advances. Calisto's servant Sempronio introduces him to Celestina, a local procuress at a brothel, whom he says can help him win the love of Melibea. Unfortunately Sempronio and Celestina are primarily interested in just getting as much money out of Calisto as possible; a deception which will have tragic consequences for the two would be lovers. Described as a Spanish "Romeo and Juliet", Rojas' "Celestina" is a highly regarded work of Spanish literature that would be deeply influential on the development of the picaresque novel as well as the work of future Spanish literary figures like Miguel de Cervantes. This edition is printed on premium acid-free paper and follows the translation of James Mabbe with an introduction by James Fitzmaurice-Kelly.
The Passionate Exiles; Madame De Sta禱l and Madame R矇camier
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Mightier Than the Sword;
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Camoens
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![The Adventures of Gil Blas of Santillane. [With an Introd. by Anatole Le Blaz]; 2](https://cdn.kingstone.com.tw/english/images/product/7820/9781013467820.webp "The Adventures of Gil Blas of Santillane. [With an Introd. by Anatole Le Blaz]; 2")
The Adventures of Gil Blas of Santillane. [With an Introd. by Anatole Le Blaz]; 2
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Oxford-Shakespeare Case Corroborated. --
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Select Collection of Old Plays; v.4
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The Early Career of Alexander Pope. --
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Milton Dictionary; 0
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Anthony Trollope [microform]](https://cdn.kingstone.com.tw/english/images/product/7981/9781015377981m.webp "Anthony Trollope [microform]")
Anthony Trollope [microform]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Enchanted Pilgrim, and Other Stories. Translated by David Magarshack
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Punch; Vol. 44
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The Victorian Naturalist; 79
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The Slave of Life
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Goethe on Human Creativeness, and Other Goethe Essays;
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Keats and Shakespeare
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The Adventures of Johnny Walker, Tramp
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Dostoevsky's Underground Man in Russian Literature
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The Assault on French Literature, and Other Essays
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Irish Literary Portraits
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Background With Chorus; a Footnote to Changes in English Literary Fashion Between 1901 and 1917
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Martial Books and Tudor Verse. --
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The English Country Squire as Depicted in English Prose Fiction From 1740 to 1800
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