Veil of Frost, Vow of Fire
Veil of Frost, Vow of Fire is an epic tale of love, sacrifice, and revolution set in a world where the elements of fire and frost have long been enemies. Kael, a fierce Fireborn warrior, and Isolde, a powerful Frost Witch, are fated enemies, born to fulfil a prophecy that promises their destruction. But when the prophecy unravels, and the two are forced to join forces, they discover that their combined power might be the key to saving their war-torn world-or destroying it.As they fight to unite their people and overthrow the corrupt council that has divided them for centuries, Kael and Isolde discover that their bond is far more than magical. It is the key to their shared future, but the price of that future may be higher than either of them could have ever imagined. Isolde's sacrifice sets Kael on a path of rebellion, determined to build a kingdom where fire and frost no longer clash.Kael must confront the cost of love and leadership in the final battle. The war is far from over, but the fight for unity has begun. Frost and Fire United explores themes of redemption, the power of choice, and the unyielding strength of love and sacrifice. It is a tale of hope in the face of insurmountable odds and a world reborn from the ashes of its past.
The Masked Heartbeat
The Masked Heartbeat is a compelling and suspenseful story of love, loss, and dark secrets. When Emma Sullivan becomes entangled with Lucas Rutherford, a mysterious and reclusive man with a hidden past, she's drawn into a whirlwind romance that she never expected. As their bond deepens, Emma begins to uncover disturbing truths that shake her to her core.Just when she thinks she knows the man she's fallen for, a life-altering revelation changes everything. Lucas disappears, leaving behind unanswered questions and an unshakable void. In the wake of his loss, Emma is left to confront not only her grief but a trail of secrets that refuse to stay buried.As she searches for answers, Emma must decide whether the love she shared with Lucas was worth the cost of the truth. What she discovers may change everything she thought she knew about the man-and about herself.In The Masked Heartbeat, love and deception collide in a story where nothing is what it seems, and every heartbeat could be the last. Prepare for a journey full of twists and turns that will leave you questioning the price of true love.
Fail Better
From the distinguished art critic and historian, vital essays on key artists and critics, revealing how they redefined art and criticism over the last six decades. "Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program. Taking his title from Beckett--"try again, fail again, fail better"--Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his "reckonings" he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
The Green Imagination, How Art and Psychology Can Save the Planet
Yokai Ghosts
Discover the wonderfully eerie supernatural beings of Japanese lore in this magnificent hardcover edition which features an elegant silk coating as well as coloured edges and closing straps. Yōkai ghosts are a significant aspect of Japanese culture. In turns terrifying, playful and mischievous, they can take the form of malevolent spirits, seeking a place in the afterlife, or shapeshifters tricking humans with wisdom and sometimes cruelty. This unique book includes 150 striking images by Hokusai, Hiroshige, Utamaro and others, that capture the essence of yōkai folklore with stunning detail and evocative imagery. Filled with colored reproductions, each of the book's chapters focuses on a specific spirit or type. There's the specter of Oiwa, her face distorted by poison, as depicted by Hokusai; Toyohara Kunichika's haunting interpretation of Okiku, a tragic ghost with a tale of betrayal and revenge; and Yoshitoshi's dramatic image of a samurai bravely confronting a hideous ghost. Throughout the book, readers will discover how the intricate details of woodblock prints allowed artists to exaggerate features and create dramatic effects that enhanced the portrayal of yōkai. These prints also reveal aspects of daily life, folklore, and spiritual beliefs of the period, offering a window into Japan's history and pointing to the origins of manga, horror films, and literature. Fans of Japanese folklore, supernatural art, and anime enthusiasts alike will delight in this beautiful edition that features a special Japanese binding, coloured edges and closing straps.
Georgia O'Keeffe
An unprecedented examination of the underexplored late work of the iconic American modernist Georgia O'Keeffe (1887-1986) has long been celebrated for her paintings, photographs, and contributions to American modernism in the 1930s and early 1940s, yet her work from the end of World War II through the early 1980s has been largely neglected. In this groundbreaking study, Randall C. Griffin focuses on the major pictorial series that O'Keeffe produced throughout her later career--mysterious abstract depictions of her house in Abiquiu, New Mexico, and its surrounding landscape; voluptuous aerial representations of rivers, skies, and canyons in Arizona; Buddhist-informed depictions of clouds; and daring and enigmatic portrayals of the Washington Monument. Drawing from previously overlooked photographs, letters, objects, and paintings, Griffin reveals how these works reflect O'Keeffe's evolving artistic interests and ambitions while also engaging with contemporary issues such as race, class, gender, indigeneity, spirituality, and ecology. Firmly situating O'Keeffe within the larger cultural and political milieu, this volume offers a new understanding of these visionary works and shows how they were informed by, and enriched, the American postwar artistic landscape.
Science and Sensibility
In an outer arm of the spiralling Milky Way galaxy can be seen an insignificant speck. This is our home, planet Earth. Its skies, clouds, lands and seas, and indeed life itself have long drawn the interest of scientists and artists alike. Our cultural and scientific history is evidence enough that curiosity and wonder are the twin drivers of both scientific and artistic imaginations. In Science and Sensibility, David Howe unveils the stories of the scientists who helped to make sense of the stars, clouds, life, rocks, and the elements, and weaves their tales with the thoughts and feelings of artists who found meaning as they experienced nature's beauty, grandeur and mystery. Scientific greats such as James Hutton, Charles Darwin, Dmitri Mendeleev, Gregor Mendel and Annie Jump Cannon all the way up to today's leading scientists are complemented by the literary insights of people such as William Wordsworth, Jorge Luis Borges and Iris Murdoch. Readers are encouraged to embrace what the sciences and the arts can reveal together. In doing so, the earth below and the heavens above become brighter and richer. The wonder and curiosity embodied in Science and Sensibility could perhaps take us a step closer to holding 'Infinity in the palm of your hand / and Eternity in an hour'.
The Artist's Side Hustle
Turn your creative passion into sustainable income with just five hours a week in this road map from the founder of side-hustle-turned-multimillion-dollar-business Gingiber. Are you dreaming of a career as an artist but unsure how to monetize it? Or have you already started your side hustle but are struggling to make it sustainable, both in your bandwidth and as income? Stacie Bloomfield asked herself the same questions. Now, she's using her experience of starting stationery company Gingiber to give you just the advice you need to start a successful side hustle doing what you love. After graduating college, she found a job as a coffee shop manager. But she soon found herself yearning to reconnect with her artistic voice. And what started as an artistic side hustle turned into a thriving multimillion-dollar business. Whether you want to maintain a side hustle or grow your business into something larger, you will need the same solid foundation. With Stacie as your guide, you'll learn: 13 ways to monetize art and the secret to business growth in the art world The 4 essential components of an art portfolioA road map for generating consistent side income as an artistHow to use 5 hours a week to create your art businessThis is your chance to rediscover your unique voice, generate income from your art, and gain the confidence you need to showcase your creativity to the world.
Art, Feminism, and Community
How do artists, communities, and art connect with one another? How might multiple feminist views be used to interpret art? Art, Feminism, and Community: Feminist Art Histories from Turkey, 1973-1998 examines the lives and communities of artists and their works from Turkey. It suggests that feminisms shape artists' relationships and practices. It analyses seven major case studies and details rarely seen paintings, installations, photographs, drawings, batik, and performance art from 1973 to 1998. The work brings together twenty artists and cultural figures in a world of multifaceted relationships that influence the creation of new art. Uncovering familial, professional, and friendship links, it recreates transnational networks, intellectual collectives, political alliances, and ethnic communities. It demonstrates how artists have analysed their own experiences in their works, reflecting the effects of their communities and lives, even though these themes have been mostly overlooked in Turkish art history.
Wild Renaissance
Redefining paradigms of creation around a renewed vision of humankind and nature. A renaissance is underway that can be described as "wild," articulated around a renewed vision of humankind and nature. It can be seen as a response to environmental, societal, and ethical issues so acute that the very survival of humankind is in question. Artistic, philosophical, and political, it builds on the scientific revolutions of the last decades and positions itself in relation to technoscientific and transhumanist promises. Within this wild renaissance, humankind no longer aspires to impose its will on a passive, purposeless nature. Instead, it begins to listen to a new partner: the world around it. As humanity discovers the potential of these forces, it enters a relationship with them and allys its energy with its own. This volume explores this burgeoning renaissance by bringing together established figures in contemporary art and design with emerging creators at the forefront of this new movement. The works and practices analyzed here are shown in a new light, with a fresh understanding of their historical grounding, conceptual underpinnings, and significance for the present.
How to Be Avant-Garde
"Art has poisoned our life," proclaimed Dutch artist and De Stijl cofounder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction, and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious.He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests. How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations, and their objects and writings that defied categorization.
Black Elegies
A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature--everywhere, if you know how to see it. In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: "It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation." Black Elegies is the second title of On Seeing, a new publication series devoted to visual literacy. Publications foreground the political agency, critical insight, and social impact inscribed in visuality and representation. The MIT Press will publish each On Seeing volume as a print book, ebook, and open access digital edition created by Brown University Digital Publications. The URL for this publication is https: //on-seeing-black-elegies.org.
365 Days of Drawing People
Author of 365 Days of Drawing. Lise Herzog is an accomplished teacher of pen and pencil skills. Her first work with Firefly is notable for the thoroughness of its easy lessons, progressing from a few simple lines to shading and texture... over 365 days. When it comes to drawing, "practice makes perfect." In 365 Days of Drawing People, Herzog shows how, with a few strokes of the pencil, you can make a simple likeness of infant, toddler, young adult and older people -- people with work and age lines in their faces. And progressively, through the year, make more complex drawings of hands and limbs, faces and hair, and have multiple perspectives of the same person, or drawings of bodies in motion. Each drawing is shown in black on the page, but the days of the year and title of the drawing are in 4-color, so that the book is a lively and inspiring presentation. Better still, like the original 365 Days of Drawing, this new book is very thick, and quarter-bound in real cloth, looking like a real traditional artist's notebook or sketchpad. This feature has been a notable factor in the success of the original book -- despite its modest retail price, it looks like a million!
Conceptual Art and the Body - Exploring Physicality in Design
Van Gogh
An original interpretation of the final years of Van Gogh's career, exploring the people and places in his late paintings The years prior to Van Gogh's death in 1890 were pivotal to the painter's brief artistic career. He was working in the South of France and intent on creating new work which would advance his career. Van Gogh set about developing compositions that were informed by the natural world surrounding him, by the poets and lovers he encountered in literature, and by the individual models he was depicting. The process of his imaginative transformations has never been explored, and this will provide the opportunity to present significant new insights into the much-loved painter's life. The catalogue features an incredible range of ambitious canvases and important works on paper. It presents new research on themes including the artist's innovative approach to exhibiting his work and the varied literary sources that inspired his characters and compositions. These topics are rarely written about in relation to this well-known artist and are bound to expand both scholarly and public interpretations of Van Gogh's remarkable oeuvre. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (14 September 2024-19 January 2025)
Prehistoric Pictures and American Modernism
In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius.Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstract Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, this book reveals new facts about the connections between Paris and New York, and the importance of communication and collaboration between them for these artists. In doing so, Seibert shows that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art.Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy.