William Friedkin
Academy Award-winning director William Friedkin, long recognized for his dark, aberrant, visceral films, had a career that spanned more than 60 years, marked by some of the most contentious and compelling successes and failures in American cinema. Among his successes are two very popular and highly regarded films, The French Connection, Oscar winner for best picture, and The Exorcist, both considered classics of their respective genres.Friedkin, who worked his way up in a Chicago television station from mailroom employee to director of local live broadcasts while still in his teens, was determined to make films. This updated, expanded, and final study of Friedkin's work (he died on August 7, 2023) examines his films, from his 1962 documentary, The People Versus Paul Crump, which saved a man from the electric chair, to feature films including The Night They Raided Minsky's, screen adaptations of Harold Pinter's play The Birthday Party and the off-Broadway play The Boys in the Band, Sorcerer, The Brink's Job, Cruising, Deal of the Century, To Live and Die in L.A., The Guardian, Rampage, Blue Chips, Jade, Rules of Engagement, and the much-publicized The Exorcist The Version You've Never Seen. New to this third edition are chapters covering The Hunted, screen versions of Tracy Letts's black comedy plays Bug and Killer Joe, the documentary The Devil and Father Amorth, and Friedkin's last film, The Caine Mutiny Court-Martial.This insightful and engaging study of Friedkin's films, which is based on nearly 100 interviews with the director and his colleagues, pays particular attention to the evolution of his cinematic style, his choice of subject material, and his unique vison-fatalistic, violent, realistic-as well as examining each film aesthetically, dramatically, and thematically.
The Mirror’s Heartbeat
What if the key to saving the one you love meant shattering your reality forever?Liora's life changes the moment she discovers the Mirror of Reflections-a portal to a parallel universe where reality twists, and shadows whisper secrets no heart is ready to hear. Drawn into a realm of haunting beauty and chilling truths, she meets Kael, a man whose every heartbeat seems to echo in her chest.But in this mirrored world, nothing is as it seems. As love blossoms between Liora and Kael, she learns that his heart may not be entirely his own-and her reflection in the mirror harbors a dark agenda. Each step into the shadowed universe unravels a devastating truth: every choice she makes shifts the fragile balance between their worlds.When alternate realities begin to collapse, Liora must confront a choice that will redefine love, sacrifice, and destiny. Can she save Kael and her own world, or will her reflection claim everything she holds dear?Suspense-filled and heartbreakingly beautiful, The Mirror's Heartbeat weaves an unforgettable tale of love, betrayal, and the fragile threads that bind two souls across realities. This is more than a story-it's a journey into the depths of the human heart where the lines between reflection and reality blur, and every decision changes everything.Can Liora make the ultimate sacrifice, or will love shatter like broken glass?Dive into The Mirror's Heartbeat now-where every turn of the page is a pulse-pounding step closer to the truth. Buy this book today and experience the heartbeat that will keep you breathless.
A Second Wind, Reimagined
A Second Wind is a retrospective arrangement of beautiful new photographs of Jerry Wennstrom's artwork, by Seattle architectural photographer, Andrew van Leeuwen, and earlier pictures spanning a period of over 50 years. The book's 260 pages include rescued images of his destroyed paintings; (in 1979) a creative act of liberation and the turning point of Wennstrom's life where he gave himself to becoming and living the creation by giving away his possession, abandoning the life of a studio painter, and living a monk-like life for over a decade. Representing Wennstrom's "Second Wind" of art, the book also features colorful full-page spreads of the exotic, archetypal carved figures that came later. Wennstrom speaks to the new level of creative freedom by saying in the book; Art abandoned for the meaningful allurement of a higher calling ... and the return to art without compulsion, for no reason at all. Included in the book are many stories -- both art-related and transformational -- written by the author along with "creative responses" by over 50 notables who have been impressed with Wennstrom's works over the decades. Those responses include stories and creative expressions by and of cultural anthropologists Margaret Mead and Jean Houston; Jungian analysts and scholars Marion Woodman, Claire Dunne, and Corwin Fergus; psychologists/drug researchers Ralph Metzner and Christopher Bache; cosmologist Brian Swimme, storytellers Laura Simms and Vi Hilbert; poet David Whyte, artist Deborah Koff-Chapin and visionary financiers Charlie Hess and Vici Robin; the Dalai Lama's Gyuto monks, and even legendary chanteuse Lotte Lenya (of The Threepenny Opera and From Russia With Love fame).
Novel Ecologies
Tracing the convergence of ecology and engineering over the last three decades, this book pinpoints a new environmental paradigm that the author calls Nature Remade. Allison Carruth's Novel Ecologies shows how the tech industry has taken up the wilderness mythologies that shaped one strain of American environmentalism over the last century. Calling this twenty-first-century environmental imagination Nature Remade, Carruth describes a distinctly West Coast framework that is at once nostalgic and futuristic. Through three case studies (synthetic wildlife, the digital cloud, and space colonization), the book shows Nature Remade to be a quasi-religious belief in venture capitalism and big tech. This paradigm thus imagines a future in which species, ecosystems, and entire planets are re-generated and re-created through engineering. Novel Ecologies challenges the conviction that climate change and other environmental crises must be met with ever larger-scale forms of technological intervention. Against the new worlds conjured by Google, Meta, Open AI, Amazon, SpaceX, and a host of lesser-known start-ups, Carruth marshals writers and artists who imagine provisionally hopeful environmental futures while refusing to forget the histories that have made the world what it is. On this track of the book, Carruth discusses the works of Octavia Butler, Becky Chambers, Jennifer Egan, Ruth Ozeki, Craig Santos Perez, Tracy K. Smith, Jeff VanderMeer, Saya Woolfalk, and many more. Their novels, poems, installation artworks, and expressive media offer a speculative world built on livable communities rather than engineered lifeforms.
Icons of the Fantastic
"The Korshak Collection is a portrait and biography of a man and his family, who once looked upon the dark skies and saw Immortals, gods hunting in the storm clouds. Stephen Korshak decided to dedicate his life to tell us all how the thunder sounded and preserve the outlines of the cosmos for the awe of us all. Enjoy, believe--be amazed." --Guillermo del Toro, from the ForewordIcons of the Fantastic: Illustrations of Imaginative Literature from the Korshak Collection features artwork by pioneering artists from over 160 years of published works of science fiction and fantasy. The illustrations in the collection appeared on the covers of timeless novels such as the Tarzan series by Edgar Rice Burroughs and classic pulp magazines from the 1930s through 1960s, such as Amazing Stories and Weird Tales. They accompany images of mischievous satyrs, ethereal mermaids, and spell-casting witches for texts ranging from The Tempest, Don Quixote, and Alice's Adventures in Wonderland to works by Edgar Allan Poe and H. G. Wells. Alongside essays about famous illustrators such as Arthur Rackham and Aubrey Beardsley, contributors engage in a critical reassessment of understudied artists such as Jos矇 Segrelles, Wladyslaw Benda, Margaret Brundage, and Hannes Bok. The book includes a foreword by Guillermo del Toro, a preface by Kevin J. Anderson, an introduction by Michael Dirda, and an interview with renowned contemporary illustration artist Michael Whelan.
Distant Early Warning Systems
Art, climate change, and geopolitics at a time of rapid social and technological change. The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults--doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries. With the DEW Line as a framework, Julie Decker examines ideologies of warning. The DEW Line is a symbol of both the past and future. Today, we think about planetary boundaries, the boundaries of survival, and other human limits.
Let It Grow Again
An expansive demonstration of the tree in its symbolic and formal complexity and its vast number of representations in artFrom the Dutch landscape painters to the French Impressionists, and from Piet Mondrian to Joseph Beuys, Let It Grow Again weaves together artworks from an extraordinary array of movements to trace the life of the tree through centuries of art history.
Painting With the Colors of the Wind
These paintings are in a style between impressionist and modern. I studied literature for many years and have published several novels. I taught myself how to paint and have enjoyed it greatly.
Sowing Unrest
The past, present and future of political movements across the rural/urban divide, as seen through the lens of visual cultureHow do people in rural areas organize to effect change in society? Sowing Unrest is published on the occasion of the third Biennale Matter of Art in Prague, and unites two curatorial threads into one discourse: the legacy of worker's movements and a history of rural change.
Sexy Record Covers
An album cover collection exploring 70 years of surprising, shocking and frankly hilarious nude and provocative art. Sexy covers sold all musical genres, from funk to punk, and the silly German schlager. Comedy albums range from mid-century "stag party" pin-ups to the undeniably raunchy '70s sensation, Blowfly. Steamy, seamy and adults only.
Donation Glicksman
Exploring a pioneering curator's collection of cutting-edge '60s and '70s California artThe curator Hal Glicksman (born 1937) was a central figure in the development of the Californian art scene in the 1960s and 1970s. The Glicksman collection, gifted to MAMCO and Kunsthaus Biel Centre d'art Bienne (KBCB) in 2023 and documented in this volume, provides insight into the prevailing culture of Los Angeles and its famous and lesser-known figures. As a student, Glicksman witnessed firsthand the Beat Generation (George Herms, Wallace Berman, Bruce Conner) and came into contact with artists such as Ben Talbert and Fred Mason. He curated bold exhibitions of site-specific art projects (Michael Asher, Judy Chicago, Tom Eatherton, Bruce Nauman, Larry Bell, Peter Alexander, Jane Reynolds, Daniel Buren), while organizing shows of assemblage and Chicano art. Glicksman and his wife were also close companions of Guy de Cointet, whose work sits at the crossroads of performance and Conceptual art.
How Can We Gather Now?
Community-sourced solutions on intentional gathering as devised by artists, writers and activistsThe publication How can we gather now? documents an experimental symposium that took place from March 31 to April 2, 2023, in Washington, DC, around the topic of gathering. Produced by Washington Project for the Arts and codirected by Asad Raza and Prem Krishnammurthy, it brought together hundreds of artists, creatives and organizers from all over the world. This publication acts as a performance of the event, collecting a rich variety of modes including transcriptions from conversations, poetry, essays, film stills, recipes and artworks.Contributors include: adrienne maree brown, Asad Raza, Ayana Zaire Cotton, Cynthia Connolly, Ed Halter, Emily Verla Bovino, Fabiola Ching, Farrah Skeiky, Hope Ginsburg, Jonathan Yu, Leigh Ledare, Lenka Clayton & Phillip Andrew Lewis, Mayah Monet Lovell, McKenzie Grant-Gordon, Melani N. Douglass, Mindy Seu, Mojdeh Rezaeipour, Naoco Wowsugi, Philippe Parreno, Prem Krishnamurthy, Ren矇e Green, Richard D. Bartlett & Natalia Lombardo, Sarah Morris, Shiraz Abdullahi Gallab, Stefanie Hessler, Tiffany Sia, Tony Cokes.
Transformative Objects and the Aesthetics of Play
This book considers the sculpture of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative work Bourgeois produced from 1947 to 2000. Critical concepts from British object relational theories - destruction, reparation, integration, relationality and play - drawn from the writings of Winnicott, Melanie Klein, Marion Milner, and Christopher Bollas, among others, bear upon the decades-long study of psychoanalysis Bourgeois brought to her sculptural production that was symbolic, metaphorical, and most importantly, useful. The book demonstrates how Bourgeois's transformative sculptural objects and environments are invested in object relations, both psychical and tangible, and explores Bourgeois's contention that the observer physically engage with the intricate sculptural objects and architectural spaces she produced. Each chapter focuses on a key body of work - Femme Maison, Personages, Lairs, Janus, and Cells - examining how these imaginative and playful objects are staged as embodied encounters in space and time to invoke the mutuality, reciprocity, and ambivalence of our object relationships. Weaving a tapestry of aesthetic, cultural, and psychological encounters, Transformative Objects and the Aesthetics of Play addresses critical relationships among Bourgeois's work and that of other artists from Pieter Brueghel to Eva Hesse. It brings together practical, archival, and theoretical material, offering close examinations of historically situated objects and analyses of their complex affects and spatiality. Gathering critical perspectives from psychoanalysis, cultural analysis, feminist, queer, literary and affect studies, the book extends its specific art historical scope to investigate the crucial roles that art and cultural experience assume in everyday life.
The Art of Kelogsloops: From Sketch to Finish
Kelogloops: The Art of Hieu Nguyen is the debut art book from the popular mixed-media artist. Though Hieu is based in Melbourne, Australia, his incredible artwork has been showcased in exhibitions around the world, including Los Angeles, Berlin, San Francisco, and Sydney. Known for both digital and watercolour paintings, Hieu masterfully blends his love of surreal-art styles and Japanese anime. In this stunning art book, Hieu takes readers through his journey as an artist, from being taught a simple way to draw manga art by his older sister aged five, to reaching over a million followers on Instagram as 'Kelogsloops' and achieveing commercial success. Primarily a watercolour artist, Hieu creates delicate yet vibrant paintings that create an emotional connection with the viewer. His work is driven by the everyday feelings that come with being human, such as love, grief, and nostalgia - those things that can often onlly be communicated through art.Readers will find joy in discovering how Hieu is inspired to create his work, and the process behind each piece. This is a must-have book for any fan of Kelogsloops, or any art fan in general. The production value is incredibly high, making this a book to keep on your coffee table or bookshelf for years to come.
The DAO in Chinese Calligraphy
This book explores the profound connection between traditional Chinese calligraphy and its philosophical roots. In a world where innovation often overshadows tradition, this book serves as a crucial reminder of the value and significance of ancient practices that have shaped the art form for centuries. The author embarks on an investigative journey to rediscover the ancient techniques employed by the revered calligrapher Wang Xizhi, which have been lost for nearly 700 years. Through rigorous experimentation, she reveals that true calligraphy must adhere to these traditional methods; otherwise, it becomes mere painting. She emphasized that any departure from Wang Xizhi's methods undermines the essence of calligraphy itself. By reframing the discourse around calligraphy, the author invites readers to appreciate the depth of the traditional approach.
Wayne Thiebaud
"A beautifully produced, authoritative volume."--Kirkus Reviews Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to ?douard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025
Picturing Peace
How can photographers, curators, and editors convey narratives of peace and not just stories of war? Providing interdisciplinary and international perspectives on timely debates, Picturing Peace explores humanitarianism and visual culture, community collaboration, collective memory, and imagined futures for creating and sustaining of civil societies. How things look and are perceived are not superficial issues; when it comes to war and conflict, photography is vitally relevant not only to documenting violence, but also to rebuilding peaceful societies. The volume examines the intersecting issues of visual culture and peacebuilding, including: the genealogies of photography and conflict, decolonisation and the gaze, the significance of archival material, as well as recent peacebuilding initiatives. Exploring multiple forms of peace photography, the volume offers a range of voices from preeminent international scholars, as well as interviews with practicing photographers who have experience of working with post-conflict communities. As such, the book provides a timely investigation into the politics of representation, questioning how photographers might help foster social relationships, transform conflicts, and reconcile communities in the image-oriented cultures.
It's a Complement
Not all colors go together, it takes a nuanced approach to combine them in ways that both complement each other while creating a cohesive design that reflects both the client's visual identity and contemporary trends in colorways. It's a Complement showcases the latest in color palette creation by some of the world's top talents as they navigate the colors of the spectrum. Beginning with a treatise on color psychology, the editors provide context before launching into exploration of modern color theory. From the bold maximalism of high saturation, to the more subdued minimalism of low saturation and the neutral greys, blacks and whites, no stone is left unturned. Features projects in visual identity, packaging, promotion design and more across a wide swath of media.
A New Politics of Heritage Reconstruction in Afghanistan
A New Politics of Heritage Reconstruction in Afghanistan investigates the politics of cultural heritage preservation in Afghanistan between 2008 and 2015.
Counterpoint
Tells the story of one man's generous gift that formed a brilliant collection of Minimalism, Conceptualism, and Avant-Garde art. Counterpoint explores the vision of John M. Parker Jr., a prominent Texas art collector known for his patronage of minimalism, conceptualism, and other avant-garde art produced from 1970 onwards. Parker gifted his collections to the McNay Art Museum in 2017 and with a bequest in 2023. Parker's collection includes more than 160 prints, drawings, photographs, paintings, and sculptures, with well-known artists including Josef Albers, Alice Aycock, John Baldessari, Katharina Fritsch, Donald Judd, Sol Lewitt, Agnes Martin, and Frank Stella, among others. Featuring much of Parker's gift to the McNay Art Museum in San Antonio, Texas, this richly illustrated catalog highlights the experimental work of well-known twentieth-century artists. The essays examine the formation of a personal collection, as well as broader artistic discussions on the importance of printmaking to major artists and the impact of the political landscape on art of the twentieth century.
