Art and Anger
Ilan Stavans's vast and subtle knowledge deftly emerges in this engrossing collection of essays. Fascinated by the idea of Western civilization as a sequence of innumerable misinterpretations and misrepresentations, Stavans covers in these nineteen pieces a broad range of personal and philosophical topics with the unifying theme being the crossroads where politics and the imagination meet. His engaging and provocative topics include the shaping of Latin America's collective identity, Peru's modern history as a bloody battle between Enlightenment and darkness, critiques of Octavio Paz and Gabriel Garc穩a M獺rquez, his own fate as a Jew in the Southern Hemisphere, and Columbus's afterlife.
Show and Tell
What makes John Rechy a Chicano writer? To be Latino, must writing have a touch of "magical realism"? Can one talk of U.S. Latina/o identity, considering the diversity of the Latina/o experience? Through the analysis of nine recent Latino/a novels, Karen Christian answers these and other questions, thereby adding a fresh, bold voice to the anti-essentialist debate surrounding ethnic and gender identity. Christian melds the theory of "performativity" with the latest scholarship on ethnicity and ethnic literature to create a framework for viewing identity as a continuous process that cannot be reduced to static categories. Through their narrative "performances," U.S. Latina/o writers and their characters move among communities and identities in an ongoing challenge to the notion of Latina/o essence. This study is also among the first to examine trends across the spectrum of cultures represented in U.S. Latina/o literature--from Chicano to Cuban to Puerto Rican to Dominican.Show and Tell is essential for any serious student of Latina/o literature and identity.
Hopi Traditional Literature
In this unique study of Hopi discourse, an anthropologist describes the major public forms of Hopi discourse using a Hopi typology. That is, he describes from a Hopi viewpoint the structures of narratives, songs, songpoems, and direct address forms such as oration, prayer, and conversation. In addition to categories like versification, which are comparable to the building blocks of literature in English, he looks at distinctively Hopi genre signatures and evaluative concepts. Not only does he consider the structural characteristics of each genre, but he also relates the genres to contextual and cultural factors. Examples are presented in bilingual format, and musical notation of several Hopi songs is included.Although the book will be of interest to scholars in linguistics, ethnopoetics, discourse analysis, and performance theory, the author does not assume extensive knowledge of these fields or of the Hopi language on the part of his reader. He includes a pronunciation guide, a technical glossary, and a sketch of Hopi grammar.
Fray Angelico Chavez
New Mexico's first Franciscan priest, Fray Ang矇lico Ch獺vez (1910-1996) is known as a prolific historian, a literary and artistic figure, and an intellectual who played a vital role in Santa Fe's community of writers. The original essays collected here explore his wide-ranging cultural production: fiction, poetry, architectural restoration, journalism, genealogy, translation, and painting and drawing. Several essays discuss his approach to history, his archival research, and the way in which he re-centers ethnic identity in the prevalent Anglo-American master historical narrative. Others examine how he used fiction to bring history alive and combined visual and verbal elements to enhance his narratives. Two essays explore Ch獺vez's profession as a friar. The collection ends with recollections by Thomas E. Ch獺vez, historian and Fray Ang矇lico's nephew.Readers familar with Ch獺vez's work as well as those learning about it for the first time will find much that surprises and informs in these essays."A wonderful tribute to a great man."--Rudolfo Anaya"UNM Press is to be congratulated on the publication of this long-awaited work on Fray Ch獺vez. His fiction, his poetics, and his art work are fully detailed by a select group of both young and seasoned scholars."--Rolando Hinojosa-Smith
Defying the Inquisition in Colonial New Mexico
Miguel de Quintana was among those arriving in New Mexico with Diego de Vargas in 1694. He was active in his village of Santa Cruz de la Ca簽ada where he was a notary and secretary to the alcalde mayor, functioning as a quasi-attorney. Being unusually literate, he also wrote personal poetry for himself and religious plays for his community. His conflicted life with local authorities began in 1734, when he was accused of being a heretic. What unfolded was a personal drama of intrigue before the colonial Inquisition.Francisco A. Lomel穩 and Clark Colahan dug deep into Inquisition archives to recover Quintana's writings, the second earliest in Hispanic New Mexico's literary heritage. First, they present an essay focused on Church and society in colonial New Mexico and on Quintana's life. The second portion is a translation of and critical look at Quintana's poetry and religious plays.
Passion, Memory and Identity
This collection of essays, written by a distinguished group of literary critics, explores the Jewish woman's experience in Latin America. It came about as an attempt to define the cultural experience of Jewish Latin American women writers, as well as their relationship with their various countries. Included are Ilan Stavans and Magdalena Maiz-Pe簽a writing on Mexico, David William Foster on Argentina, Regina Igel and Nelson Vieira on Brazil, Elizabeth Ross Horan on Chile and Uruguay, Joan Friedman on Venezuela, and Ruth Behar, Ester Shapiro Rok, and Rosa Lowinger on Cuba.As Marjorie Agos穩n notes, the role of memory for the writers included in this volume is a central theme. The majority of them are daughters of Sephardic or Ashkenazi immigrants, many of whom fled the Holocaust. They write openly about their identity and their hybrid condition as Jews in predominantly Catholic countries, an issue that has not, until recently, been addressed with candor.
The Broadview Anthology of British Literature: One-Volume Compact - Second Edition
Anne Bradstreet in Context
The collection The Tenth Muse Lately Sprung Up in America by Anne Bradstreet--the first book of poetry published by a permanent resident of colonial America--appeared in 1650 thanks to the support of Bradstreet's brother-in-law. By this time, she had immigrated to New England with her husband; given birth to seven of her eight children; settled on her fifth and final homestead; and gained access to a network of influential Puritan leaders via the various positions held by her father, husband, brothers, and brothers-in-law within the Massachusetts Bay Colony government. This study of Bradstreet explores the literary, religious, political, social, and familial contexts of colonial America that shaped her life and work. Bradstreet embraced her identity as a poet of her time, drawing inspiration from earlier writers as well as her contemporaries, who used a common set of stylistic conventions to explore themes of love, faith, loss, and mortality. Given the scarcity of recent scholarship on Bradstreet, this book is designed as a versatile resource--a blend of biography, literary analysis, history, genealogy, reference, and textbook--that situates Bradstreet's poetry within the greater context of the seventeenth century.
Catalogue of a Collection of Books, Mostly Printed in London and On the Continent of Europe ... Forming the Library of Mr. Richard Grant White
This is a catalogue detailing the extensive book collection of Mr. Richard Grant White, a notable 19th-century scholar and critic. Titled "Catalogue of a Collection of Books, Mostly Printed in London and On the Continent of Europe ... Forming the Library of Mr. Richard Grant White", the catalogue provides a comprehensive listing of his library, which was primarily focused on books printed in London and continental Europe. Compiled by Merwin & Co Bangs, this catalogue offers a fascinating glimpse into the literary tastes and scholarly pursuits of a prominent figure of his time. It serves as an invaluable resource for bibliophiles, researchers, and anyone interested in the history of book collecting.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This Scheming World
A Great Classic of Japanese literature and the masterpiece of novelist Ihara Saikaku--now in a completely new and revised edition with introduction by noted scholar David J. Gundry The culmination of Saikaku's perceptive genius, the 20 short stories within This Scheming World recount raucous events and incidents on New Year's Eve as everyone tries to settle their debts for the year, as is the New Year's custom. Crafty money lenders attempt to collect their money from equally crafty debtors, and Saikaku portrays his characters with so lifelike a touch that, even though three centuries have passed since his time, it seems as if they were our contemporaries. The new Introduction by Saikaku expert David J. Gundry explains how and why this entertaining work still resonates with modern readers today. The finely-crafted tales include stories of: Philanderers who slip off to hide in the homes of their mistressesHustlers who leave town suddenly on "very important" business tripsConnivers who become actors for a day to hide-in-plain-sight on stage"The New Year's Eve is more precious than a thousand pieces of gold. It is the Great Divide between winter and spring, which none can pass over without copper and silver." --Ihara Saikaku
Catalogue of the Library of the Late Dr. Richard Garnett, C.B. ... Comprising a Large Collection of Modern Poetry, Books and Pamphlets Relating to the British Museum ... Works by Percy B. Shelley ...
A meticulously compiled catalogue documenting the extensive library of the late Dr. Richard Garnett, C.B., this volume offers a unique glimpse into the literary tastes and scholarly pursuits of a prominent figure. Garnett, a renowned scholar and Keeper of Printed Books at the British Museum, amassed a remarkable collection, highlighted in this catalogue prepared for auction by Messrs. Sotheby, Wilkinson & Hodge.The catalogue details a diverse range of materials, including a substantial collection of modern poetry, numerous books and pamphlets relating to the British Museum, and significant works by Percy Bysshe Shelley. This catalogue serves as an invaluable resource for bibliophiles, historians of literature, and collectors interested in the provenance and dispersal of important personal libraries. It provides detailed descriptions of each item, offering insights into the publishing history and cultural significance of the works represented. A vital piece for understanding the literary landscape of the late 19th and early 20th centuries, this catalogue preserves the legacy of Dr. Richard Garnett's impressive collection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catalogue of the First Four Folio Editions of Shakespeare, With Roger Payne's Bill for Binding the First Folio; From the Library of Henry B.H. Beaufoy ... July 16, 1912
This catalogue details the first four folio editions of Shakespeare from the library of Henry B.H. Beaufoy, and includes Roger Payne's original bill for binding the First Folio. It is a crucial reference for collectors, scholars, and libraries interested in the provenance and valuation of rare Shakespearean texts. The catalogue offers detailed descriptions and insights into these foundational works of English literature, providing invaluable information regarding their historical and cultural significance. Compiled by Manson and Woods Christie, this catalogue preserves essential details about one of the premier Shakespeare collections of its time, offering a glimpse into the world of early 20th-century book collecting and the enduring appeal of Shakespeare's plays.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vigorous Reforms
Nineteenth-century America saw profound changes in the ways people viewed their bodies, their health, and their corporeal connection to their environments. Though much of the writing about bodies was produced by men, Vigorous Reforms focuses on the understudied literary history of how women came to understand physicality and its connection to their everyday lives. The introduction of physical education allowed women to conceive their own and others' bodies not as static entities, but as adaptable to their own needs, goals, and labor. Jess Libow also shows the limits of the science of the era--since bodily differences were often understood as biologically determined, theories of health defined womanhood in terms of racialized bodily abilities. For example, settler colonial ideology coded Native women as deteriorating due to their "uncivilized" ways of life, and proponents of slavery insisted that Black women's inherent strength made them suitable for enslavement.Drawing on a wide-ranging archive of ideas about exercise, hygiene, and nutrition, Libow argues that women's writing about health was fundamental to the development of what we now think of as American feminism.
The Critical Situation
The Critical Situation: Vexed Perspectives in Postmodern Literary Studies comprises a diverse selection of essays that register the situated ness of critical theory and practice amid various intellectual, institutional, and cultural contexts. In recent polemics, postmortems or even celebrations, a number of prominent critics have suggested that "theory" is dead, that the heyday of literary or critical theory is past and its insights pass矇, and that other less speculative or abstract approaches to literature and literary criticism be embraced. At the same time, however, resistance to these trends in criticism has emphasized the degree to which modern critical theory remains essential for any proper analysis of the present condition. Today's dynamic world-system, with its ever-shifting components in the age of globalization, presents new challenges to literary and cultural studies for which criticism and theory are ideally suited. That is because a fundamental virtue of critical and theoretical practice lies in its speculative vocation, as theory may offer novel vantages from which to view the past, present and future configurations, while disclosing fresh vistas of the world in which we are situated. The Critical Situation emphasizes the need for, and the vibrancy of, theory today. The essays in this volume each address situations of critical theory and practice in various ways. Some are more methodological or analytical, others more historical, and still others more speculative, but all contribute to the argument in favor of theory as an essential part of literary studies in the present time. In the United States, the renewed resistance to theory has become somewhat tied to this or that conception of what have been labeled "method wars," the battlelines of which indicate distinctive factions: those emphasizing historical investigations are then opposed by those insisting on the precedence of form or formalism, while others contest variations of both types of criticism in favor of some sense of unmediated or "surface" reading. These mostly parochial or academic debates have their counterparts in the broader culture, in which powerful forces determine the sense of what is worthy or not, what is real or what is fake or what is suitable for critical study or even attention. The reversal of the situation is, in a sense, built into the nature of the situation itself. At this point, theory enables the recognition that comes with the experience of peripety, an uncertain reversal of fortune which makes possible the suddenly novel perspective. The Critical Situation offers examples of situated criticism, which in turn are concerned with the ways in which literary and cultural criticism are and have been situated in relation to a variety of ideological and institutional structures, including those of world literature, American studies, spatial literary studies, cultural critique, globalization and postmodernity. These structures continue to influence the ways that criticism is practiced, and due recognition of their continuing effects seems to me to be crucial to the success of any meaningful critical practice in the twenty-first century.
The European Byron
Explores Byron's borrowings from Thomas Moore, Torquato Tasso, Percy Shelley, and so on, and transformations as they manifested themselves in his reading. Byron concealed himself in various literary disguises, a process he called "mobility." In this study of influences on Byron's verse and Byron's European impact, I explore these borrowings and transformations as they manifested themselves in his reading. At issue is the very concept of romantic poetic voice. Framing himself in the tradition of the Irish yet cosmopolitan Thomas Moore, Byron adopted continental guises, imitating both Italian writers and political heroes, such as Dante, Machiavelli, and Tasso in such works as "The Lament of Tasso" and "Don Juan". In establishing an Italian identity, Byron relied upon the Italian writers he translated (Boiardo, Pulci, Dante), Thomas Moore's "Fudge Family in Paris," and Shelley's "Julian and Maddalo," as well as his transformation of Goethe's "Faust" in "Manfred". This Europeanization of Byron should not conceal the fact that Byron adopted poses from his predecessors, such as Walter Scott, in order to fashion himself as a Scottish poet who also happened to be English. Byron became the writers he read: Moore, Shelley, Wordsworth, Scott, Foscolo, Lady Morgan, and Madame de Sta禱l. Those who imitated Byron, particularly Alexander Pushkin and Adam Mickiewicz, often read him in French translations, but became acute interpreters of his literary example. They explained how the European Byron was created in the nineteenth century, and what it meant to be a Harold in Muscovite Cloak, or a Polish Byron, or any national reincarnation of this complex, chameleon poet. By borrowing from a wide eighteenth-century field, Byron showed how reading could become writing, fulfilling, for Pushkin and Mickiewicz, a mobile and chameleon definition of the epic, as a novel in verse or product of digressions and improvisations. I begin by examining Thomas Moore, whose "Fudge Family in Paris" helped shape the tone and style of Byron's Don Juan, despite its more obvious European borrowings. Byron's conversations with Madame de Sta禱l encouraged him to "Stick to the East," and he followed her example during his years in England. By examining the manuscripts and marginalia of Byron, the author shows the key influence of Madame de Sta禱l's Corinne, Ugo Foscolo's Last Letters of Jacopo Ortis, and Lady Morgan's Italy on Childe Harold I-II, Hebrew Melodies, and Childe Harold IV, and Don Juan. In "The Ironic Mode in Politics,"the author considers Byron's support for the Greek Revolution, which he cast in cynical terms. His political/poetic example led Pushkin to enlist and Adam Mickiewicz as well, the latter of whom died in Istanbul. The museums that honor them present narratives of Byron's European impact, particularly his legacy in political liberalism. The book thus concludes by considering how scholarship on Alexander Pushkin's Eugene Onegin transformed the epic into a novel in verse. Adam Mickiewicz's translation of "The Giaour" and his improvisations, which impressed Pushkin, draw on Byron's digressive style. Their epics, Eugene Onegin and Pan Tadeusz, show the legacy of Byron's poetic influence and his political support for freedom of speech.
Study of Intertextuality in Mohja Kahf's "E-Mails from Scheherazad"
In this book, Hamida Riahi explores the powerful use of intertextuality in Mohja Kahf's E-Mails from Scheherazad, focusing on how parody and allusion work to deconstruct Orientalist discourses surrounding Muslim women. Through a parodic rewriting of The Thousand and One Nights, the Shakespearean sonnet genre, and Matisse's paintings, Kahf dismantles reductive stereotypes imposed on Muslim women and revises the dominant Western narratives that portray Muslim women as oppressed and voiceless. Riahi explores how the Kahf draws upon allusion to Islamic history and the Qur'an, invoking iconic figures such as Aisha, Khadija, Esther, Zuleika, and others, to offer a counter-narrative that challenges both Western feminist perspectives and entrenched patriarchal views. Through this dual approach, Kahf not only critiques the historical and cultural misconceptions imposed by the West but also affirms the rich, complex identities of Muslim women. The author's examination provides a fresh perspective on the intersection of postcolonial feminism, Islamic feminism, and literary innovation.
Science Fiction Language in Action
In this book, Jennifer Kelso Farrell investigates the way in which L. Ron Hubbard used his background in science fiction to create a language for his religion that served to gatekeep outsiders out and insulate insiders. Examining the works of science fiction authors such as George Orwell, Aldous Huxley, Anthony Burgess, and Samuel Delany, Farrell explores the relationship between language and reality and the role language can play in reprogramming individuals. The author also draws upon high profile biographies from former members such as Troublemaker: Surviving Hollywood and Scientology and My Billion Year Contract to display how indoctrination into such language often causes a language barrier between those within Scientology and those outside of it, thus further isolating members and perpetuating Scientologese within their inner circle. Bridging the gap between fiction and reality, Farrell illustrates how this language came to be, and how it continues to persist today.
Vigorous Reforms
Nineteenth-century America saw profound changes in the ways people viewed their bodies, their health, and their corporeal connection to their environments. Though much of the writing about bodies was produced by men, Vigorous Reforms focuses on the understudied literary history of how women came to understand physicality and its connection to their everyday lives. The introduction of physical education allowed women to conceive their own and others' bodies not as static entities, but as adaptable to their own needs, goals, and labor. Jess Libow also shows the limits of the science of the era--since bodily differences were often understood as biologically determined, theories of health defined womanhood in terms of racialized bodily abilities. For example, settler colonial ideology coded Native women as deteriorating due to their "uncivilized" ways of life, and proponents of slavery insisted that Black women's inherent strength made them suitable for enslavement.Drawing on a wide-ranging archive of ideas about exercise, hygiene, and nutrition, Libow argues that women's writing about health was fundamental to the development of what we now think of as American feminism.
Errant Natures and Wayward Bodies in Late-Victorian Speculative Fiction
Adrian Tait argues that late-Victorian stories represent an important but still neglected part of a green literary tradition, setting up a dialogue with modernity that is no less relevant today. Late-Victorian literature is full of fascinating examples of what was then called the "scientific romance," an emerging form of science or speculative fiction whose concern with the liveliness - or "agentiality" - of the nonhuman animal and more-than-human, natural world today makes it particularly noteworthy. In a succession of short stories and novels, many now forgotten, writers such as Grant Allen, John Davidson, George Griffith, and Henry Marriott Watson dramatized the possibility that "Nature" had not been "conquered" by industrial modernity, but might instead be reacting to it with an unexpected dynamism. Long before environmental issues such as climate change came to the public's attention, they asked whether humankind might one day inadvertently create existential threats to its own survival. In so doing, these pioneers of sf depicted their world in terms that anticipate the recent new materialist focus on a mutable and dynamic reality, responsive and perhaps resistant to human endeavor.
Trespassing in the Archive
This edited volume brings together a diverse group of scholars to examine works of poetry that engage, question, or reimagine history. Authors question the ethics, aesthetics, and politics of archival work to explore the ways in which poetry has offered a hypothetical testing ground where the power dynamics, upheavals, and discontent reflected in historical texts can be renegotiated.
Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence
Can sexual restraint be good for you? Many Victorians thought so. This book explores the surprisingly positive construction of sexual restraint in an unlikely place: late nineteenth-century Decadence. Reading Decadent texts alongside Victorian writing about sexual health, including medical literature, adverts, advice books, and periodical articles, it identifies an intellectual Paterian tradition of sensuous continence, in which 'healthy' pleasure is distinguished from its 'harmful' counterpart. Recent work on Decadent sexuality concentrates on transgression and subversion, with restraint interpreted ahistorically as evidence of repression/sublimation or queer coding. Here Sarah Green examines the work of Walter Pater, Lionel Johnson, Vernon Lee, and George Moore to outline a co-extensive alternative approach to sexuality where restraint figured as a productive part of the 'aesthetic life', or a practical ethics shaped by aesthetic principles. Attending to this tradition reveals neglected connections within and beyond Decadence, bringing fresh perspective to its late nineteenth- and twentieth-century reception.
Island in the World
Island in the World: Singapore's Geopolitical DNA is a thoughtfully curated collection of Simon S C Tay's public commentaries, spanning from the mid-1990s to the present. Organised thematically, the book explores key issues shaping Singapore's engagement with the world and region in a time of geopolitical tension and tumult. While focused on the present and emerging events, he also considers the past and future.More than just a compilation, this work weaves together reflections that provide deeper context, tracing how Singapore has evolved while certain fundamental principles endure. Tay connects past insights with recent developments, offering a perspective that is both grounded in history and attuned to the challenges of today.Through these essays, Island in the World captures Singapore's journey in an ever-changing global landscape - while also charting the evolution of the author's own thinking over the decades.
The Cambridge Companion to British Postmodern Fiction
Postmodern modes of writing have contributed to a rich tradition of innovative and memorable British fiction in the period stretching from the late twentieth century to the present day. Postmodernism has been dismissed as introspective or ahistorical, but its British incarnation demonstrates how compassionate, political, and socially conscious it can be. This volume provides fresh, accessible readings of the most influential examples of postmodern British fiction - and work by more recent, post-millennial writers working in its slipstream. It plots its emergence, reassesses its highpoint in the 1980s and 1990s, and delineates its legacy in the twenty-first century. A valuable resource for students, researchers, and the general reader, this Companion provides powerful critical frameworks to understand its geographies; its relationship to North American postmodernism; its renovation of literary forms such as the romance, speculative fiction, and the historical novel; and its vibrant engagements with race, gender, sexuality, and questions of national identity.
The Art of the Reprint
A genuinely original work, The Art of the Reprint establishes the reprint as a vital area of study. In tightly curated encounters between extraordinary twentieth-century artists and beloved nineteenth-century novels, Clare Leighton travels to Dorset to minutely observe Thomas Hardy's landscape for a 1929 The Return of the Native (1878); Rockwell Kent channels his many sea journeys into a 1930 Moby Dick (1851); Fritz Eichenberg transposes the churn and isolation of fleeing Nazi Germany onto Expressionistic engravings for Charlotte Bront禱's Jane Eyre (1847); and Joan Hassall elucidates a bright social world at miniature scale for a 1975 set of The Complete Novels of Jane Austen (1787-1817). Mediators between text and book and author and reader, these artists interpreted these novels and then illustrated their interpretations, stunningly and strangely, in wood, ink, and paper, for everyday readers.
Dystopia and Dispossession in the Hollywood Science Fiction
Offering a survey of Hollywood science fiction cinema from 1979 to 2017 (from Ridley Scott's Alien to Denis Villeneuve's Blade Runner 2049), Dystopia and Dispossessionin the Hollywood Science Fiction Film argues that the trajectory of Hollywood's dystopianism in that period is inextricable from the phenomenon of the 'new enclosures', the new dispossessions and privatisations sweeping across the United States since the 1970s. More precisely, it contends that the critiques of such dispossessions elaborated before the turn of the century - consider the satire of private policing in RoboCop (1987), the portrayal of commodified air in Total Recall (1990), and the nightmarish extrapolations of postmodern urbanism in Blade Runner (1982) and The Truman Show (1998) - begin to disappear in films such as The Matrix (1999), The Island (2005), District 9 (2009), Repo Men (2010), and The Purge (2013), the further commodification of land, forest, reservoir, ideas, even the human genome having diminished the contrast between capitalist and non-capitalist spaces on which the earlier critiques depended. Bringing close readings of blockbuster films into dialogue with historical and theoretical scholarship on dispossession, Dystopia and Dispossessionin the Hollywood Science Fiction Film proposes a new understanding of the politics of science fiction in particular and utopian thought in general.
Publishing Contemporary Foreign Poetry
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.The years following the Second World War saw an exponential increase in the translation of contemporary foreign poetry in Italy. The practice was at its most prevalent in the 1950s and 1960s, when publishing houses across the board almost doubled the number of foreign poetry titles in their catalogues. This remarkable phenomenon, however, has received scant critical attention, which has been limited to an aesthetic perspective. Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field, 1939-1977 is one of the first studies to examine the sociological significance of publishing poetry translations. Drawing on untapped archival materials, it investigates from an interdisciplinary perspective the processes and products of poetry translation, and how they impacted on publishing, cultural, literary, and political dynamics in Italy. It explores the internal reconfiguration of Italian culture, and how Italy sought to position itself in the world, without neglecting the contradictions of national and transnational cultural networks and movements. The book argues that translation was a means to modify power relationships in the field of poetry publishing and the contemporary literary arena; this ultimately changed the map of Italian cultural production and its transnational networks, thus anticipating the further developments provoked by globalisation in the 1980s.
Island in the World
Island in the World: Singapore's Geopolitical DNA is a thoughtfully curated collection of Simon S C Tay's public commentaries, spanning from the mid-1990s to the present. Organised thematically, the book explores key issues shaping Singapore's engagement with the world and region in a time of geopolitical tension and tumult. While focused on the present and emerging events, he also considers the past and future.More than just a compilation, this work weaves together reflections that provide deeper context, tracing how Singapore has evolved while certain fundamental principles endure. Tay connects past insights with recent developments, offering a perspective that is both grounded in history and attuned to the challenges of today.Through these essays, Island in the World captures Singapore's journey in an ever-changing global landscape - while also charting the evolution of the author's own thinking over the decades.
Daddy Long Legs
A trustee of the John Grier orphanage has offered to send Judy Abbott to college. The only requirements are that she must write to him every month and that she can never know who he is. Judy's life at college is a whirlwind of friends, classes, parties and a growing friendship with the handsome Jervis Pendleton. With so much happening in her life, Judy can scarcely stop writing to 'Daddy-Long-Legs', or wondering who her mysterious benefactor is...
The Cambridge Companion to James Joyce
The Cambridge Companion to James Joyce is an indispensable scholarly guide to one of the world's most important and influential writers. Fifteen chapters, each written by a leading Joyce scholar, address each of Joyce's major works, key contexts and important themes. This is both an accessible introduction for students and a lively resource for teachers and researchers. This is a much revised and expanded third edition, featuring eleven entirely new essays and four revised essays. The editorial matter (chronology and guide to further reading) has been written from scratch. The third edition creates more space for Joyce's fascination with gender, sex and bodies, and provides renewed attention to his engagement with Irish history. Scholarship on ecocriticism, serialization, editing and publishing is also represented for the first time. Joyce's most influential work, Ulysses, has two dedicated chapters covering different aspects and perspectives, as well as an chapter on its serialization.
Writing the Detectives
Crime fiction first emerged in the Victorian era and its series form continues to dominate the genre. Despite the prevalence of crime series, very little research has been done on how character is conceived. The Element's focus is contemporary, from the 1970s onward, and it determines the theory and conventions behind writing the detectives in these modern meganarratives. Exemplary series and a range of subgenres are analysed, thriller to cosy crime, professional investigator to amateur sleuth, embracing diversity and different gender identities. Previous examinations have tended to interpret the detective figure as either mythic or realist, but the author argues that both modes are combined in the contemporary crime series, generating a mythorealist protagonist. This creative-critical Element celebrates the vibrancy of the form and its capacity to investigate the human condition. It also considers future trends and concludes with the author's own guide to writing a crime fiction series.
Zola's Dream
?mile Zola was the nineteenth century's pre-eminent naturalist writer and theoretician, spearheading a cultural movement that was rooted in positivist thought and an ethic of sober observation. As a journalist, Zola drove home his vision of a type of literature that described rather than prescribed, that anatomised rather than embellished - one that worked, in short, against idealism. Yet in the pages of his fiction, a complex picture emerges in which Zola appears drawn to the ideal--to the speculative, the implausible, the visionary - more than he liked to admit. Spanning the period from Zola's epic Germinal to his fateful intervention in the Dreyfus Affair, Zola's Dream is the first book to explore how the 'quarrel' between idealists and naturalists shaped the ambitions of the novel at the end of the nineteenth century, when differences over literary aesthetics invariably spoke of far-reaching cultural and political struggles.
Manufacturing Dissent
Manufacturing Dissent reveals how the early twentieth century's 'lost generation' of writers, artists, and intellectuals combatted disinformation and 'fake news.' Cultural historians, literary scholars, and those interested in the power of literature to encourage critical thought and promote democracy will find this book of particular value. The book is interdisciplinary, focusing on the rich literary and artistic period of American modernism as a new site for examining the psychology of public opinion and the role of cognition in the formation of beliefs. The emerging twentieth-century neuroscience of 'plasticity, ' habit, and attention that Harvard psychologist William James helped pioneer becomes fertile ground for an experimental variety of literature that Stephanie L. Hawkins argues is 'mind science' in its own right. Writers as diverse as F. Scott Fitzgerald, Zora Neale Hurston, Ernest Hemingway, and Gertrude Stein sought a public-spirited critique of propaganda and disinformation that expresses their civic engagement in promoting democratic dissent.
The Feeling of Letting Die
In The Feeling of Letting Die, Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism's death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows. Utilizing Achille Mbembe's theorization of necropolitics, MacLure uses the term "necroeconomics," positioning Victorian authors--even those who were deeply committed to liberal capitalism--as hyperaware of capitalism's death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.
Woman's Weekly and Lower-Middle-Class Domestic Culture
A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman's Weekly alongside titles including Good Housekeeping, My Weekly, Peg's Paper and Woman's Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman's Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine's distinctively lower middle-class treatment of issues including the First World War's impact on gender, the status of housewives and working women, women's contribution to the Second World War effort, and Britain's post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain's lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.
Animal Farm
Librarian's note: There is an Alternate Cover Edition for this edition of this book here. A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned -a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible. When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.
Bad Americans
Summer 2020: the Covid-19 Pandemic is raging. A reclusive billionaire, Olive Mixer, calls twelve diverse & lonely Americans to his mansion complex in the Hamptons: nurses, lawyers, mechanics, social workers, students, financial analysts, soldiers, Uber drivers, engineers, hair salon operators. During the day, the guests meet, compete, date, dine, flirt and fight. Each night, one must tell the group a story.Their tales range widely in subject, style, length and decorum. Many stories respond to each other. They trigger passionate debate and fiery resistance. They change how characters perceive each other and affect the trajectory of the frame narrative. They make us ponder the nature of storytelling itself.Bad Americans is part Boccaccio and part The Bachelor, but it is a creation all its own. Both a novel and short story collection, Bad Americans is at once a powerful portrait of the American pandemic experience and an examination of narrative itself. Bad Americans: Part I includes the frame narrative and the first six stories. Bad Americans: Part II will conclude the frame narrative and include six additional stories. These two books are the second and third volumes of the profound and daring anthology series The Human Tragedy, following the subversive classic Good Americans.
Coleridge and the Geometric Idiom
When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.
Reimagining the Human in Contemporary French Science Fiction
The study of French science fiction - even in France - remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. This is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought's entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF.
Space Ships! Ray Guns! Martian Octopods!
In these highly-candid radio interviews, more than fifty legendary, larger-than-life personalities trade anecdotes about the Golden Age of science fiction. Ray Bradbury, Robert Bloch, Harlan Ellison, Philip K. Dick, Isaac Asimov, Margaret Atwood, Fritz Leiber, Frank Herbert, Frank Kelly Freas, and many more, depict the wild personalities, sparks of contention, and vivid imagination that made science fiction thrive. "Amazing, astounding, fantastic." -Jonathan Lethem Today, depictions of aliens, rocket ships, and awe-inspiring, futuristic space operas are everywhere. Why is there so much science fiction, and where did it come from anyway? Radio producer and author Richard Wolinsky has found answers in the Golden Age of science fiction, between 1920 and 1960. Wolinsky and his fellow writers and co-hosts Richard A. Lupoff and Lawrence Davidson, interviewed a veritable who's who of famous (and infamous) science-fiction publishers, pulp magazines, editors, cover artists, and fans. The interviews themselves, which aired on the public radio, Probabilities, span over twenty years, from just before the release of Star Wars through the dawn of Y2K. Probabilities was the home of a vivid cross-section of the early science fiction world, with radio guests offering a wide range of tales, opinions, theory, and gossip. It speaks to how, in the early days, they were free to define science fiction for themselves and push the genre to explore new ideas and new tropes in creative (and sometimes questionable) ways. Space Ships! Ray Guns! Martian Octopods! is ultimately a love letter to fandom. Science fiction wouldn't have survived as a genre if there weren't devoted fanatics who wrote fanzines, organized conventions, and built relationships for fandom to flourish.
Germany
Germany - A Nation in a Dilemma - Almost a Declaration of Love Germans seem to love their defeats like other nations love their victories. Why? This nation, which licks its history like a wound and takes pleasure in doing so, is the subject of a book that dissects the dilemma of an entire culture: "Germany - A Nation in a Dilemma - Almost a Declaration of Love." Germany - a country that has turned failure into an art form. The author of this provocative work, Hermann Selchow, dissects the German soul with the precision of a pathologist and the tenderness of a lover. The result: a literary X-ray of a nation, sometimes exaggerated, but always close to the truth. The famous German thoroughness reveals itself as systematic self-dismantling, the drive for perfection as paralysis through analysis. Coming to terms with the past becomes a denial of the present. A people that wears its neuroses like medals and forgets how to live. But this book is no cheap voyeurism of German defects. It is a diagnosis with heart, a criticism without contempt. The author, himself a member of this people, not only exposes the mechanisms of German self-sabotage but also demonstrates its productive power. For those who destroy themselves so virtuosically also master the art of renewal. German readers will feel caught out - and perhaps for the first time, be able to smile at their own abysses. Foreigners will gain insight into the psychic landscape of a people who guard their traumas like relics. Sociologists and psychologists may find material for years of analysis. The book is written in the style of a loving postmortem: perceptive without coldness, ironic without cynicism. A rare balance between science and humanity. The question for the future remains: Can the Germans overcome their self-destruction? Or is it perhaps their most precious asset? The author offers no easy answers, but the right questions. "Germany - A Nation in a Dilemma" is therapy as literature, social criticism as an
Writing the Detectives
Crime fiction first emerged in the Victorian era and its series form continues to dominate the genre. Despite the prevalence of crime series, very little research has been done on how character is conceived. The Element's focus is contemporary, from the 1970s onward, and it determines the theory and conventions behind writing the detectives in these modern meganarratives. Exemplary series and a range of subgenres are analysed, thriller to cosy crime, professional investigator to amateur sleuth, embracing diversity and different gender identities. Previous examinations have tended to interpret the detective figure as either mythic or realist, but the author argues that both modes are combined in the contemporary crime series, generating a mythorealist protagonist. This creative-critical Element celebrates the vibrancy of the form and its capacity to investigate the human condition. It also considers future trends and concludes with the author's own guide to writing a crime fiction series.
Translation
The various dimensions of translation studies, too often studied independently, are here brought into conversation: Translation practice, including the various crafts employed by its practitioners; the specialized contexts in which translation occurs or against which translation can be considered; and the ethico-political consequences of translations or the manner of their making. Including exciting new work from leading translation theorists, practicing literary translators, and prominent thinkers from adjoining disciplines such as psychoanalysis and neuroscience, the essays gathered here demonstrate many rich areas of overlap, with translation pedagogy, the fundamental nature of translation, the translator's creativity, retranslation, canon formation, and the geopolitical stakes of literary translation among them.
Modern Language Review (120.4) October 2025
The Modern Language Review, the official quarterly journal of the Modern Humanities Research Association, publishes articles and book reviews on modern and medieval European languages, literatures, and cultures around the globe where European languages are spoken. The journal welcomes scholarship that takes a global or comparative approach as well as articles that appeal to a broad cross-section of scholars working on areas including, but not limited to, literature, the visual and performing arts, sociolinguistics, cultural history, and translation studies.
