Die Schriften des Waldschulmeisters
Peter Rosegger (1843-1918) war ein 繹sterreichischer Schriftsteller und Poet. Er verwendete auch die Pseudonyme P. K., Petri Kettenfeier und Hans Malser. Aus dem Buch: "In meiner Seele ist zuweilen eine so seltsame Empfindung; Sehnsucht nach dem Weiten, nach dem Unbegrenzten ist nicht ganz der rechte Name daf羹r; Durst nach dem Lichte m繹chte ich sie hei?en. - Mein armes Auge, du vermagst der d羹rstenden Seele nicht genug zu tun; du wirst in dem Meere des Lichtes noch ertrinken und sie wird nicht ges瓣ttigt sein. Ich bin dieser Tage wieder auf dem Zahn gewesen. Bald werde ich ja an den Glockenstrick gekn羹pft sein, wenn andere Leute Feiertag haben. Es sei, der Glockenstrick ist ein langer Atem, der sagt mit jedem Zug den Menschen was Gutes und lobet Gott."
The two first cantos of Richardetto, freely translated from the original of N. Fortiguerra [by John Herman Merivale], etc.
Title: The two first cantos of Richardetto, freely translated from the original of N. Fortiguerra [by John Herman Merivale], etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Forteguerri, Niccolo; Merivale, John Herman; 1820. xi. 54 p.; 8 . 992.i.25.(3.)
Offerings of Parental Love and Conjugal Affection. [In verse.]
The Battle of Waterloo
Title: The Battle of Waterloo: a poem ... Second edition, etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Buchan, David Home; 1816. 68 p.; 8 . 992.i.13.(6.)
The Personal History of Jim Duncan. A chronicle of small beer.
Andrew Marvel and his friends. A story of the Siege of Hull.
Secret Histories
The eighteen essays in this volume explore Constance Fenimore Woolson's prodigious range in period and genre as well as place, from the Great Lakes to the defeated South and across storied Europe to the Mediterranean. The whole of her professional life comes alive in this enlightening collection's triptych. The first section, "A Writer's Experiments," reveals that Woolson's play with familiar genres and unfamiliar characters began during the 1870s and extended until she died in 1894. Consistently, she tested the limits of representing women's labor and their erotic desires. The second section, "Postbellum Souths," follows Woolson's travels through a land ravaged by war and injustice. Drawing on theories of travel, collective memory, the Lost Cause, religious controversy, and a race-bound region, these essays expose both the smugness of visitors and the agendas of residents that Woolson was among the first postwar writers to portray. The third section, "Through an International Lens," considers expatriate perceptions of European and Mediterranean cultures as well as misconceptions about the Gilded Age United States. Here and throughout this volume, responses to Woolson's travel sketches mingle with assessments of her fiction and poetry, while her encounters with the writing of other Americans demonstrate how regularly Woolson made her century's literary terrain more subtle and complex.
Margaret Fuller: Collected Writings (Loa #388)
"Humanity can be divided into three classes: men, women, and Margaret Fuller."--Edgar Allan Poe A true American original--radical transcendentalist, intrepid journalist, and pioneering feminist--joins Library of America with the most authoritative single-volume collection of her writings ever, including many rare and previously unpublished works, newly transcribed from original notebooks and journals Transcendentalist, journalist, feminist, activist, public intellectual, war correspondent, poet: Margaret Fuller's achievement in her short life was as diverse, wide-ranging, and radical as her multi-generic writings. Now, at long last, this pioneering writer joins Library of America with the most comprehensive and most authoritative version of her writings ever published. Here are her two best-known books: Summer on the Lakes, in 1843, an account of her travels to the Great Lakes, a plea for better treatment of the American Indian peoples, and a sketchbook of Fuller's thought; and Woman in the Nineteenth Century, the foundational document of American feminism and the first major work on women's rights since Wollstonecraft's A Vindication of the Rights of Woman fifty-three years earlier. Joining them are a generous selection of Fuller's published essays and journalism, including "American Literature" and her reviews and columns for the New York Tribune, as well as her war correspondence from besieged Rome in 1849; unpublished writings and selections from Fuller's journals, many previously unknown and newly transcribed for this volume; and a selection of Fuller's letters, including three newly translated from the original Italian. Rounding out the volume are a chronology by Fuller's biographer Megan Marshall, along with helpful notes identifying Fuller's many allusions and quotations, and an index.
Random Thoughts
A collection of profound thoughts which can change your thinking. The style is stark and direct and leaving the reader to contemplate and reflect on life and living in the mystery around us.
Fast Famous Women
What do Sylvia Plath, Mae West, Taylor Swift, Shirley Chisholm, Helen Keller, Sally Ride, Toni Morrison, Dolores Huerta, Lizzie Borden, Billie Jean King, and Eleanor of Aquitaine have in common? They're all stars in 2024's FAST FAMOUS WOMEN: 75 Essays of Flash NonFiction, the latest volume in Gina Barreca's FAST WOMEN series. As in previous titles, brilliant well-known writers and columnists with established voices are joined by a chorus of emerging writers from diverse backgrounds, some of whom had never before seen their work in a book with with an ISBN. New works by Jane Smiley, Caroline Leavitt, Mimi Pond, Molly Peacock, Phillis Levin, Darien Hsu Gee, Cheryl Della Pietra, and Ebony Root offer provocative and deeply personal reflections on the women in the public eye who shaped their own visions of a woman's life, talents, role, and possibilities. FAST FAMOUS WOMEN is, in effect, the most glamorous of great dinner parties, welcoming all readers to the world of women's lives lived in public view. Some guests whoop it up over champagne and oysters while others weep in corners; a few dance on the veranda and while others set out plates or, hands on hips, face the mess. Fast Famous Women is a literary event you won't want to miss.
My Name Is Radha: The Essential Manto
'The greatest South Asian writer of the 20th century'New York TimesA bohemian and an iconoclast, the figure of Saadat Hasan Manto looms large over the literature of the Indian subcontinent. We know of his stories on the horrors of Partition and the struggles of prostitutes. But neither Partition nor prostitution gave birth to the genius of Manto. They only furnished him with an occasion to reveal the truth of the human condition.My Name Is Radha is a path-breaking edition of stories which delves deep into Manto's creative world, and refreshingly brings into focus Manto the writer rather than Manto the commentator. Muhammad Umar Memon's inspired selection of Manto's best-known stories along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling.'The undisputed master of the modern Indian short story' Salman Rushdie'An errant genius'The Hindu
Lamalif: A Critical Anthology of Societal Debates in Morocco During the ”Years of Lead” (1966-1988)
The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco's longest-serving Francophone journal. Active between 1966 and 1988, LAMALIF covered the most critical periods of Moroccan history and engaged in crucial debates about democratization, feminism, culture, education, Third World relations, and decolonization. However, LAMALIF was not just a journal; it was a real school, where Morocco's, North Africa's, and the developing world's emerging and established writers, artists, and thinkers found a space to disseminate their ideas and address readerships across different cultures and geographical areas in French. This anthology is the first comprehensive translation into English of a wide selection of LAMALIF's articles covering literary and art criticism as well as critical theory, feminism, Islam, and emigration. In addition to making available to Anglophone readerships articles about transnational solidarities and connections between North Africa and the rest of the world, LAMALIF anthology historicizes this sociocultural and political project within the painful period of authoritarianism in Morocco and reveals how culture worked as a trenchant weapon in the struggle against repression and silence.
Lamalif: A Critical Anthology of Societal Debates in Morocco During the ”Years of Lead” (1966-1988)
The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco's longest-serving Francophone journal. Active between 1966 and 1988, LAMALIF covered the most critical periods of Moroccan history and engaged in crucial debates about democratization, feminism, culture, education, Third World relations, and decolonization. However, LAMALIF was not just a journal; it was a real school, where Morocco's, North Africa's, and the developing world's emerging and established writers, artists, and thinkers found a space to disseminate their ideas and address readerships across different cultures and geographical areas in French. This anthology is the first comprehensive translation into English of a wide selection of LAMALIF's articles covering literary and art criticism as well as critical theory, feminism, Islam, and emigration. In addition to making available to Anglophone readerships articles about transnational solidarities and connections between North Africa and the rest of the world, LAMALIF anthology historicizes this sociocultural and political project within the painful period of authoritarianism in Morocco and reveals how culture worked as a trenchant weapon in the struggle against repression and silence.
The Writer's Table
These are the dishes that fuelled great writing. Ever wondered what Iris Murdoch might have served for supper, or how Emily Dickinson took her tea? The Writer's Table brings together dining habits and favourite recipes from some of the world's most beloved authors, offering a delicious glimpse into their everyday lives and kitchen rituals. Each recipe is paired with a short introduction to the author and dish, along with clear instructions and modern ingredients, making it easy to recreate literary comfort food at home. With beautiful illustrations throughout, the book is a feast for the eyes as well as the table making you feel closer to the writers you love. Writers and recipes featured include: Leo Tolstoy's Sour Schi Jane Austen's White SoupColette's Cherry ClafoutisBarbara Pym's Toad-in-the-HoleTruman Capote's Chicken HashAndrea Camilleri's Sardines a beccafico Perfectly giftable, irresistibly browsable and full of charm, The Writer's Table is a celebration of food, creativity and the simple pleasures that connect us all. A must-have for readers, home cooks and anyone who's ever wondered what their favourite author had for dinner.
A Room of One’s Own
Virginia Woolf's pioneering work of feminism, "probably the most influential piece of non-fictional writing by a woman in [the twentieth] century" (Hermione Lee), featuring a new introduction by Xochitl Gonzalez, Pulitzer Prize finalist and New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last A Penguin Classic In October 1928, Virginia Woolf delivered two lectures to the women's colleges at the University of Cambridge, arguing with inimitable wit and rhetorical mastery that an income and a room of one's own are essential to a woman's creative freedom. These lectures became the basis for A Room of One's Own, a landmark in feminist thought, in which Woolf imagines the fictional Judith Shakespeare, sister to William and equally gifted but lost to history. How much genius has gone unexpressed, Woolf wonders, because women are not afforded the same privileges as men? A hundred years later, her brilliant polemic reverberates into our own time. In this edition, Pulitzer Prize finalist for commentary and bestselling novelist Xochitl Gonzalez contributes an introductory essay that extends the argument to Woolf's housekeeper, breaking down divides of not only gender but also race and class in order to include all women in Woolf's profoundly inspiring call to realize their creative potential. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Dirty Books
An intimate history of the pornographic publisher behind some of the greatest works of the twentieth-century avant-garde. From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The authors of the books were young, impecunious writers, poets and artists. Most of them wrote to survive, but some relished the freedom to experiment that anonymity provided - men writing as women, women writing as men - and some, such as Ana簿s Nin and Henry Miller, went on to become influential figures in modernist literature. Dirty books tells the stories of these writers and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press.
A Room of One’s Own
A collectible hardcover edition of Virginia Woolf's pioneering work of feminism, "probably the most influential piece of non-fictional writing by a woman in [the twentieth] century" (Hermione Lee), featuring a new introduction by Xochitl Gonzalez, Pulitzer Prize finalist and New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last A Penguin Vitae Edition In October 1928, Virginia Woolf delivered two lectures to the women's colleges at the University of Cambridge, arguing with inimitable wit and rhetorical mastery that an income and a room of one's own are essential to a woman's creative freedom. These lectures became the basis for A Room of One's Own, a landmark in feminist thought, in which Woolf imagines the fictional Judith Shakespeare, sister to William and equally gifted but lost to history. How much genius has gone unexpressed, Woolf wonders, because women are not afforded the same privileges as men? A hundred years later, her brilliant polemic reverberates into our own time. In this edition, Pulitzer Prize finalist for commentary and bestselling novelist Xochitl Gonzalez contributes an introductory essay that extends the argument to Woolf's housekeeper, breaking down divides of not only gender but also race and class in order to include all women in Woolf's profoundly inspiring call to realize their creative potential. Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
East Anglia's Literary Heritage
East Anglia has provided inspiration for writers for centuries. Whether the writers were natives of the region itself or came as visitors, the landscape, towns, cities and villages and people of East Anglia have helped to shape the imaginations of some of the most influential of authors. Mediaeval East Anglia provide fertile ground for mystic writers and those wanting to document everyday life such as Margery Kempe and Lady Julian. Some of Britain's best-loved books were written in East Anglia, including Anna Sewell's Black Beauty, and Norfolk and Suffolk feature in Charles Dickens' novels. The radical writer George Orwell lived in Suffolk and poets W. H. Auden and Rupert Brooke spent their formative years in East Anglia. Cambridge University and the University of East Anglia have fostered many writers, the latter being influential in Norwich becoming a UNESCO City of Literature in 2012. The recent legacy of writers with links to East Anglia includes such names as Malcolm Bradbury, Rose Tremain, Ian McEwan and many others. This book explores the fascinating history of East Anglia's remarkable literary heritage as well as being a guide to the locations where that heritage can still be found.