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The Art Isles
The British Isles hold a unique position in the history of art, a place where local traditions fuse with international ideas in extraordinary ways At once isolated by coastal boundaries, yet also part of larger networks of diverse peoples, these islands have always benefited from a dual perspective. Artistic creativity in the British Isles stretches back to Ice Age engravings of reindeer, horses and birds. International networks were already shaping prehistoric art and by 1,000 CE artists working in Britain and Ireland were using lapis lazuli from Afghanistan, walrus tusks from Greenland, garnets from India and elephant ivory from Africa. The Romans, Anglo-Saxons, Vikings and Normans introduced new styles from overseas, as did later European artists, attracted by the wealth of royal courts. Art was traded and looted across the British empire by colonial explorers, merchants and the military. In the course of the 20th century these islands have been a refuge, but also a place where migrants have faced resistance. Sculptures by Jewish immigrants fleeing Nazi death camps, paintings by post-war Caribbean artists and protest murals sparked by the Troubles in Northern Ireland all express artists' complex relationships with the idea of home. Artists today such as Grayson Perry, Lubaina Himid, Yinka Shonibare, Rachel Whiteread and Edmund de Waal consciously reflect on this long history in their work, exploring concepts of identity and belonging. Fresh, pacy and surprising, The Art Isles tells the story of why art in Britain and Ireland is so rich and dynamic - and why it has always extended far beyond geographical borders.
Animals in Eden
This book looks at early modern representations, both pictorial and literary, of the animals surrounding Adam and Eve in the Garden of Eden at the dramatic moment of the Fall. Beginning with Albrecht D羹rer's engraving Adam and Eve (1504) and ending with Rembrandt's etching Adam and Eve (1637), it explores the many manifestations of this theme at the intersection of painting, literature, and natural history. Artists such as Lucas Cranach and Jan Brueghel, and poets such as Guillaume Du Bartas and Joost van den Vondel, as well as many others, mainly from Germany and the Netherlands, are discussed.
A Fire in His Soul
The fascinating story of Vincent van Gogh's two groundbreaking years in Paris, where he transformed himself from a provincial unknown into one of the world's great visionary artists. Vincent Van Gogh arrived in the French capital on the last day of February 1886, a month short of his thirty-third birthday. He was a man beaten down by life, half-starved, and nearly broken psychologically. He was saved by his brother Theo, who provided him with room, board, and, most crucially, emotional support while he attempted to master the difficult craft of painting. Thus far, Vincent's crude scenes of peasant life rendered in murky shades of brown and gray were both hackneyed and amateurish. Theo, a successful art dealer at a prestigious Parisian firm, dismissed them as gloomy, unappealing, and, worst of all, unmarketable. By the time Vincent left Paris, almost exactly two years later, he'd transformed himself into one of the most original artists of the age, turning out works of hallucinatory intensity in vivid hues and stamped with his own distinctive personality. A Fire in His Soul chronicles this remarkable transformation. It's a tale filled with tragedy and triumph, personal anguish and creative fulfillment, as Vincent, through sheer force of will, reinvents himself as a painter of unparalleled expressive power. Along the way, the reader will discover an unfamiliar Van Gogh: not the solitary genius of the popular imagination, shunned by an uncomprehending world and conjuring masterpieces from the depths of his lonely soul. In Paris, he was at the center of a community of like-minded seekers. Here, Van Gogh was able to engage in a lively dialogue with fellow artists almost as daring as he was, expanding his notion of what art could and should be. It was in the cafes and studios of Montmartre and in the grand galleries of the Louvre and Luxembourg, that Van Gogh received his artistic education--a crash course that at first disoriented him but ultimately sparked his creative breakthrough. Working alongside such legendary figures as Gauguin, Toulouse-Lautrec, Seurat, and Signac, Vincent perfected his technique and launched an artistic revolution.
The Rescuers
This book profiles some of the handful of people who rescued significant cultural treasures that would or may have been otherwise lost to humankind. Some, like Dr. Assad, were on a noble mission, but that is not always the case. Some are motivated by profit, fame, gratitude, or personal advancement. The act of rescue may not be straightforward: even the most heroic ones can be tainted, suspect, illegal, or ethically equivocal. The ten stories in The Rescuers include a variety of objects, motivations, locations and historic periods. They include a Scottish prehistoric site; Soviet-era seed banking; mid-20th century photographic masterworks; African American and immigrant folk music; Alaskan Native ceremonial and cultural objects; and a German language, Czech author whose manuscripts now reside in an Israeli archive. While each is a unique story, it is also representative of similar cases. Chapters explore some of the most controversial issues facing society today: appropriation, repatriation, indigenous rights, copyright law, racism, and the impact of tourism on fragile cultural sites. What does the act of rescue mean? What is the psychology of those who commit these acts? Should the imperatives of society trump the rights of individuals to control their own legacy? Is more ethical for a museum to preserve cultural treasures or to return them to a tribe that might destroy them? What are the trade offs between economic development and historic preservation? These are the conundrums of today, the challenges of the future. The stories included cover: The Monuments Officers' recovery of cultural treasures stolen by NazisThe saving of Skara Brae in Scotland by the Laird of BrecknessThe rescue of the Iraqi Jewish Archive by Harold Rhode and Doris HamburgTom Cade's preservation of Peregrine falconsLouis Shotridge and George B. Gordon's saving of Alaska's Tlingit cultureThe preservation of American folk songs by John Lomax
Stories in Glass
Norfolk's churches are home to some of the highest-quality and best-preserved medieval stained glass in Britain. Panels produced in the county's extensive and long-lasting workshops, centred in the historically important city of Norwich, can be found in some 270 buildings, including churches, museums and country houses. Moreover, recent research has revealed for the first time the original location of many of the panels now dispersed around the county. In Stories in Glass, Paul Harley and David King reveal these treasures to a new audience. Harley's exquisite photographs are set alongside historical and artistic explanations that illuminate the social, economic and religious background to the windows we see today. With 200 colour images, and maps showing the locations of the windows discussed, this beautifully illustrated guide will appeal to the explorer and collector alike.
Re-Envisioning the Everyday
Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, who adapted such subjects to an era of rapid urbanization, mass media, and modernist art. Re-envisioning the Everyday asks what their works do to the tradition of genre painting and whether it remains a meaningful category through which to understand them.Working with and against the established narrative of American genre painting's late nineteenth-century decline into obsolescence, John Fagg explores how artists and illustrators used elements of the tradition to picture everyday life in a rapidly changing society, whether by appealing to its nostalgic and historical connotations or by updating it to address new formal and thematic concerns. Fagg argues that genre painting enabled twentieth-century artists to look slowly and carefully at scenes of everyday life and, on some occasions, to understand those scenes as sites of political oppression and resistance. But it also limited them to anachronistic ways of seeing and tied them to a freighted history of stereotyping and condescension.By surveying genre painting when its status and relevance were uncertain and by looking at works that stretch and complicate its boundaries, this book considers what the form is and probes the wider practice of generic categorization. It will appeal to students and scholars of American art history, art criticism, and cultural studies.
Tracings
The essays of artist Ian Carr-Harris, which span decades of critical thought and engagement. An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto's art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centers; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power.
The Kaiser's Mosques
This book highlights an understudied experiment at the intersection of 19th-century European and Islamic architectural histories. It draws attention to a body of buildings designed by architects trained in Central Europe for use by Muslims in Habsburg-ruled Bosnia-Herzegovina (1878-1918). They include mosques, madrasas, and other buildings corresponding to a traditional Islamic formal and functional typology. The composition and decoration, however, is the product of 19th-century European Historicist conduct. It became a prominent style for town halls and private residences; on occasion, it was also used for railway stations, schools, or hotels. The spread and concentration of buildings in this style in Bosnia is extraordinary. This monography not only fills a gap in an art history that has long turned a blind eye to Europe's Southeast but also contributes to our understanding of European powers' historical responses to the challenge of cultural diversity in territories under their control.
Inventing Indigenism
2023 ALAA Book Award, Association for Latin American Art/Arvey Foundation A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso. One of the outstanding painters of the nineteenth century, Francisco Laso (1823-1869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso's works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms. Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America.
Nigel Hall
Nigel Hall: Sculpture & Drawings is an ambitious monograph which looks at his work in relation to sculptural developments in Britain, Europe and North America. It presents the two main strands of Hall's practice - sculpture and drawing - as distinct but also interrelated.Line and space are central to Hall's work, with the artist creating highly refined two- and three-dimensional works that deploy a range of geometrical forms. The works he makes are always meticulous and measured, whilst offering intuitive visual conundrums that encourage looking and thinking. Unpicking the complexities of Hall's work and its display both indoors and outdoors, Wood provides the definitive narrative of one of Britain's most accomplished sculptors working today.
Reclaiming and Redefining American Exhibitions of Russian Art
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Everyday Joys in Twenty-First Century Queer American Painting
Taken together, the chapters in this book outline a theory and a practice of painting ecstatic ordinarinesses in contemporary, diverse American queer life.To do so, it offers the first sustained study of five individually renowned twenty-first-century queer painters--Gio Black Peter, Doron Langberg, Jonathan Lyndon Chase, Salman Toor, and Jo瓊o Gabriel--who have achieved substantial recognition from international museums, galleries, and critics working with short-form reviews but not yet from academics producing large-scale studies. This study argues for a broad understanding of what constitutes the queer American art of our time and for a broad sense of who can help to fashion American culture and history, including art by African American, Southeast Asian, Muslim and Jewish American, South American, and gender nonconforming queer artists. The book will be of interest to scholars working in art history, contemporary art, gender studies, and queer studies.
Art and Artifice in Visual Culture
This edited volume explores the notion of "artifice" in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance. This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts. It acquaints readers with works of art, visual modes of communication, and concepts originating in France, Germany, the United States, Japan, and China, and includes painting, sculpture, drawings, prints, photographs, film, and virtual reality/augmented reality (VR/AR) objects. Contributors demonstrate how practices of artifice function as both symbol and form, in parallel and divergent ways, in multiple cultural settings.The book will be of interest to scholars working in art history, visual culture, and material culture.
A Short History of Black Craft in Ten Objects
Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, including: The celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers. The elegant wrought-iron gates of Philip Simmons, seen to this day throughout Charleston, South Carolina, whose work features motifs from the Low Country. The inventive assemblage art and yard shows of Joe Minter, James Hampton, Bessie Harvey, and others, who draw on African spiritual traditions to create large-scale improvisational art installations. From the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, to Gullah Geechee sweetgrass basket makers, to the celebrated quilters of Gee's Bend, A Short History of Black Craft in Ten Objects illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. BLACK CRAFT AND AMERICANA: Delving into the history of Black skilled artisans, estimated to have outnumbered white artisans five to one in the southern United States in the late 1800s, this unique art history book celebrates handcrafted objects that reflect the dynamic nature of Black culture. DYNAMIC ILLUSTRATED ESSAYS: Luminous color illustrations by artist Johnalynn Holland highlight beloved craft objects and their makers, creating a fascinating volume to study and treasure. ART HISTORY EXPERTISE: Author Robell Awake is a notable furniture maker, artisan, and educator whose work has been featured in the New York Times and in group shows at Verso Gallery in New York City and the Center for Craft in Asheville, NC. Dr. Tiffany Momon, who contributes an afterword, is the founder and co-director of the Black Craftspeople Digital Archive and a leading scholar of Black history and African American placemaking throughout the southeast. BEAUTIFUL GIFT BOOK: The gorgeous design is ideal for art collectors and craft enthusiasts, as a keepsake reminder of Black heritage, for Black History Month and beyond. Perfect for: Anyone interested in the intersection of Black art, craft, and history Designers and craftspeople Educators and students Collectors and museum curators Lovers of fine and artisanal design objects
Craft of an End of EDO Period and Meiji
The craft of Japan of an end of Edo Period and Meiji charmed the European and American art lover, and has received high evaluation. However, in Japan, evaluation is low and much noted article has flowed into overseas. Early paying attention to the handicraft of such a time, an author, Mr. Murata, repurchased much noted articles from all over the world, and he established the Kiyomizu Sannennzaka museum. This book is a book which introduces the collection of this art museum that is proud of world leading quality and quantity.
Mirrormirror
From the art of Cindy Sherman to Anish Kapoor, from Yayoi Kusama to Tracey Emin, MirrorMirror presents an intriguing and gloriously illustrated global survey of "reflective" work by more than 150 artists across media, nationalities, genders, and locations.A fascination with mirrors and reflective surfaces is a common theme among artists of the past. Michael Petry's thought-provoking introduction begins with Jan van Eyck's celebrated Arnolfini Portrait (1434), one of the first paintings to feature a significant mirror. Petry references key works by the great masters--from Diego Vel獺zquez's The Rokeby Venus (1647-1651), to ?douard Manet's complex painting A Bar at the Folies-Berg癡re (1882), and Claude Cahun's Reflected Image in Mirror, Checked Jacket (1928), a seminal photograph for those whose gaze is often upon themselves.Present-day practitioners are no less intrigued, revisiting historical concerns and approaches for contemporary circumstances, often working with modern technologies and materials. Petry presents Jeff Koons's Balloon sculptures, Subodh Gupta's stainless-steel life-sized trees, and Not Vital's mirror architecture, and documents works that use actual mirrors, including pieces by Gavin Turk and Alicja Kwade, and the largescale, spectacular installations of Doug Aitken, Teresita Fern獺ndez, Olafur Eliasson, and Sarah Sze. Special consideration is given to selfies and the way in which the cellphone now operates as a modern-day mirror to the self.The multitude of artworks in MirrorMirror--from monumental installations to the slightest selfie--capture how mirrors appeal to more than just human vanity but are objects of magic, transformation, and power.
Echoes of Power
Title: "Echoes of Power: Unveiling the Enigma of Paul" Summary: Prepare to embark on a riveting journey through the annals of history with "Echoes of Power." In this meticulously crafted book, Ryan Thompson, an analytical thinker with a penchant for exploring economic systems, liberty, and technological advancements, takes you on an intellectual odyssey like no other. With a casual yet profound tone, "Echoes of Power" illuminates the hidden facets of the past, revealing the astonishing connections between Rome and the nascent Christian movement. Ryan's unique perspective sheds light on the enigmatic role of the Apostle Paul, a figure whose legacy has left an indelible mark on faith and history. As you delve into the pages of this book, you'll unravel the intricate web of alliances, navigating the political chessboard of the Roman Empire. From the shadowy appointment of Jewish Chief Priests by the Romans to Paul's remarkable transformation from a Christian persecutor to a pivotal figure in the emerging faith, "Echoes of Power" challenges conventional narratives. Drawing on the insights of Asher Norman, an orthodox Jewish author, and the thought-provoking musings of Gary, this book poses intriguing questions. Did Paul's conversion serve hidden Roman agendas? Were his trials and tribulations part of a larger, meticulously planned strategy? "Echoes of Power" is an intellectual adventure that offers fresh perspectives on a pivotal era. It explores the complex interplay between faith, politics, and the enigmatic individuals who shaped our world. In the end, the legacy of Paul's influence becomes clearer, but the enigma surrounding his role deepens. For those who seek to understand the echoes of power that resonate through history, this book is a must-read. It's an exploration of secrets and mysteries that have remained concealed for centuries, waiting for you to unveil them.
Life in the Georgian Parsonage
An innovative approach in the field of material culture and consumption studies, Life in the Georgian Parsonage looks at the houses, consumption and lifestyle of Church of England clergy in the long 18th century, linking moral debates and popular representations of the clergy to the material culture of their houses and their motivations as consumers. By focusing on ethical and moral dimensions of consumer practices, it challenges established readings of consumption in the long 18th century as an essentially secular process in which goods were markers of wealth, status and taste, by bringing the clergyman into the frame - their lives, their habits and their homes. Cross-disciplinary in its approach, combining material culture and religious and social history and sitting at the intersection of these fields, Life in the Georgian Parsonage fills a significant gap, enhancing in important ways our knowledge of this group as a crucial but understudied set of 18th-century consumers, while also contributing to understanding the parish clergy of England in the context of 18th-century society and culture. Bringing together a wide range of source material - from probate inventories to personal account books, satirical prints to sermons, diaries to designs for parsonages - the author reconstructs the material lives and household arrangements of the Georgian clergy in glorious detail. Examining the parish clergy over this period of profound social and religious change through the lens of consumption, and consumption through the lives of these clergymen, has a transformative impact both on these areas of enquiry and on our understanding of English society in the 18th century.
Life in the Georgian Parsonage
An innovative approach in the field of material culture and consumption studies, Life in the Georgian Parsonage looks at the houses, consumption and lifestyle of Church of England clergy in the long 18th century, linking moral debates and popular representations of the clergy to the material culture of their houses and their motivations as consumers. By focusing on ethical and moral dimensions of consumer practices, it challenges established readings of consumption in the long 18th century as an essentially secular process in which goods were markers of wealth, status and taste, by bringing the clergyman into the frame - their lives, their habits and their homes. Cross-disciplinary in its approach, combining material culture and religious and social history and sitting at the intersection of these fields, Life in the Georgian Parsonage fills a significant gap, enhancing in important ways our knowledge of this group as a crucial but understudied set of 18th-century consumers, while also contributing to understanding the parish clergy of England in the context of 18th-century society and culture. Bringing together a wide range of source material - from probate inventories to personal account books, satirical prints to sermons, diaries to designs for parsonages - the author reconstructs the material lives and household arrangements of the Georgian clergy in glorious detail. Examining the parish clergy over this period of profound social and religious change through the lens of consumption, and consumption through the lives of these clergymen, has a transformative impact both on these areas of enquiry and on our understanding of English society in the 18th century.
Contemporary Artists Respond to Samuel Beckett / Les artistes contemporains r矇pondent ? Samuel Beckett; Six Essays / Six essais
The essays gathered here explore Samuel Beckett's foundational legacy in contemporary art since the expansion of its field in the 1960s. They examine artworks, creative practices, and artists' discourses deeply inspired by Beckett while highlighting varied responses to his work and introducing lesser-known artistic scenes. Demonstrating contemporary artist's ongoing interest in Beckett's multidimensional oeuvre, the collection illuminates the relationships between contemporary art and literature.
Extraordinary Art Dealers
Exploring the often-overlooked role of art dealers in art history through the stories of 30 key figuresThis volume gathers 30 essays on 30 art dealers, from accounts of crafty opportunists and commercially driven moguls to tales of soulful idealism, exceptional talent and relentless creativity. Featuring figures from the 18th to mid-20th centuries, the book explores their varied roles as cultural architects, eccentric idealists, commercially driven salespeople and more. Highlighting the unexpected creativity of art dealers, their exceptional sensitivity to new art and the impact they've had on shaping the art world, the book challenges the notion that dealers are solely profit-driven. Illustrated throughout, Extraordinary Art Dealers is perfect for cultural junkies, fine art and art history students, artists and aspiring or existing art dealers. The book includes chapters on William Hogarth, Joseph Duveen, Betty Parsons, Robert Fraser, Leo Castelli, Alfred Stieglitz, Virginia Dwan, Kekoo and Khorshed Gandhy, Malick Sidib矇, Peggy Guggenheim and more.Catherine Ingram is a writer and art historian who has lectured at Tate, Christie's and Imperial College London. She created and edited the illustrated art history series, This is..., published by Laurence King Publishing.
Romantik 2023
"Romantik. Journal for the Study of Romanticisms" is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780-1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of the journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms - and not least the connections and disconnections between them - hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).
12th Congress Aiecm3 on Medieval and Modern Period Mediterranean Ceramics
The two volumes, result of the fruitful collaboration between our two Institutions, present through 107 papers the latest research in the field of Medieval and Modern period Mediterranean Pottery. The keynote lecture offers a synthesis of the progress realized in the past twenty years on glazed ceramics, not only in a scientific but also in a practical and social level. The articles are not limited to the presentation of typology and new excavation material, but they proceed mainly with a more holistic view of pottery studies and try out synthetic approaches. Organized in five thematic areas, they travel us from Portugal to Northern Russia, from Algeria to Palestine, for a period covering not less than fifteen centuries (from the 6th century AD to 1988). They deal with issues of typological evolution, distribution and trade, ideological and political changes reflected on pottery, fabrics and firing technologies, new methods of analysis and dating, new online tools; they also present older or new, unpublished excavations and impressive shipwrecks. Reading these volumes, one realizes the important progress that our community of pottery specialists has made in recent years, towards a more substantial, more dynamic presence in all places and all times from the early Middle Ages to the Modern period.
Appropriation as Practice of Memory
This volume explores how narratives and iconographic codes in literature, art, music, material culture and social, political, and economic discourses were appropriated and thereby - sometimes radically - transformed by religious agents, and how religious narrations, discourses and iconographic practices were reimagined and used (up to radical deconstruction) in non-religious contexts as well as in different or transformed religious contexts. Religious appropriation is thereby conceived as practice of memory, drawing on reused - and creating transformed - narrative and visual spaces of imagination. The dimension of memory will contribute to a more differentiated typology of practices of appropriation, their forms, functions and functionalisation. Agency and power relations will be important factors in the individual contributions of this trans-disciplinary volume that links approaches from memory studies, religious history, literary studies, and art history.
The Shrine of Eileithyia
This book presents the pottery and the clay and metal sculptures dedicated to the deity Eileithyia in her shrine at Inatos, in southern Crete. This is the second of three planned volumes on this assemblage of specialized gifts to a unique goddess. It follows the Egyptiaka from the shrine that were published in volume I. The clay vessels are discussed by periods, from the Minoan to the Roman Imperial era. Clay figurines are divided by classes. Separate chapters describe models and other items of clay, including boat models, a ring-shaped frieze of dancing warriors, animal figurines, and Roman lamps. Highlights of this important assemblage of votive objects include about 200 Minoan miniature vessels and many small sculptures from the Late Geometric to Archaic periods, including seated pairs of female figurines in preparation for childbirth, sexually embracing couples, and a boat model with standing female figures on the gunwales accompanying a fetus traveling in the vessel.
Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period
Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms both of how the Virgin Mary and Saint Anne were presented and perceived, as well as what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations.
Bio-Art
In the face of climate change, the destruction of biodiversity or genetic experimentation, Bio Art appears as a form that is most directly grappling with the problems of the 罈Anthropocene竄. It develops many different approaches and explores a variety of mediums, often related to scientific research, creating art that uses plants, insects, mammals, bacteria, bird songs, forest sounds, or genetic modification. Bio Art's uniqueness comes from incorporating, rather than just representing the living in a diverse range of artworks. In discussing such works from various world regions and time periods, the contributors address the divide between human and non-human animals, between 罈culture竄 and 罈nature竄.
Europe and the Wolf
How the work of several contemporary artists illuminates and challenges the policing of European borders and identity In this stunningly original book, Sara Nadal-Melsi籀 explores how the work of several contemporary artists illuminates the current crisis of European universalist values amid the brutal realities of exclusion and policing of borders. The "wolf" is the name Baroque musicians gave to the dissonant sound produced in any attempt to temper and harmonize an instrument. Europe and the Wolf brings this musical figure to bear on contemporary aesthetic practices that respond to Europe's ongoing social and political contradictions. Throughout, Nadal-Melsi籀 understands Europe as a conceptual problem that often relies on harmonization as an organizing category. The "wolf" as an emblem of disharmony, incarnated in the stranger, the immigrant, or the refugee, originates in the Latin proverb "man is a wolf to man." This longstanding phrase evokes the pervasive fear, and even hatred, of what is foreign, unknown, or beyond the borders of a community. The book follows the "wolf" in a series of relays between the musical, the visual, and the political, and through innovative readings of artworks--by, among others, Carles Santos, Pere Portabella, Allora&Calzadilla, and Anri Sala. Traversed by the musical, these artworks, as well as Nadal-Melsi籀's writing, present unstable symbolic and material ensembles in an array of variations of political possibilities and impossibilities that evade institutions intolerant of uncertainty and wary of diversity.
Hidden Portraits
Fernande Olivier, Olga Khokhlova, Marie-Th矇r癡se Walter, Dora Maar, Fran癟oise Gilot, and Jacqueline Roque. These six extraordinary women loved and inspired Pablo Picasso. They frequently appear as the women in his portraits, but they also pursued their own ambitions in dance, writing, painting, and more. Each transformed Picasso's life and work--and he theirs. Yet they have long been dismissed as simply passive models or muses.In?a groundbreaking and deeply researched account, acclaimed author Sue Roe brings to light the true stories of the women in Picasso's life. Using recently discovered source material and hitherto overlooked firsthand accounts, Roe positions each woman not as a footnote in Picasso's biography, but center stage, from their own point of view.All six lived remarkable, unconventional lives on their own terms. Each was tested not only by the subterfuges and betrayals of the art world's most notorious womanizer, but also by the wider social turbulence of their time. Hidden Portraits traces each woman's story across nearly a century, from bohemian early-twentieth-century Montmartre to the glittering Riviera in the 1920s, from Paris under Nazi occupation to Picasso's death, and beyond. Roe unearths the ways these women influenced every stage of Picasso's work, from his sketches to masterpieces like Guernica.Under her eye, we recognize Fernande in the early Rose Period paintings; Olga draped across an armchair; Marie-Th矇r癡se asleep in a painting of a woman dreaming; Dora in Picasso's weeping women; Fran癟oise in his paintings of domestic life; Jacqueline as the raven-haired figure frequenting his late-in-life drawings.Spanning seventy years and traveling between the caf矇s of Paris and the C繫te d'Azur, Roe reclaims a set of brilliant women, and in the process rewrites a vital chapter in the history of modern art.
Forbidden Territories
While surrealism's treatment of the body has been much researched, the role of landscape has rarely been examined. Published one hundred years after Andr矇 Breton wrote the Surrealist Manifesto, Forbidden Territories reveals how surrealist ideas found their way into depictions of landscape as a metaphor for the unconscious, the relationship between surrealism and ecology, and landscape as a means to express political anxieties, gender constraints, and freedoms, ultimately reimagining our relationship with the world around us.Some of the earliest surrealist artists used automatic and psychoanalytical approaches to explore the landscapes of the mind, drawing on childhood experiences to create magical, alluring, and uncanny environments. Recurring surreal terrains will be interrogated, from the desert and forest to the sea, the latter expanding on surrealist mythologization of the unconscious as a great ocean by examining links between bodies of water and psycho-surreal worlds in poetry, paintings, and photographs from the unique perspective of women surrealists. The development of surrealism in the 1920s and '30s coincided with that of ecology, and the unexamined interplay between surrealism and life science, including the mutual influence of Sigmund Freud, is also explored in this beautifully illustrated survey. Taking a long look at surrealism, Forbidden Territories includes works by Eileen Agar, Leonora Carrington, Ithell Colquhoun, Salvador Dal穩, Max Ernst, Man Ray, Lee Miller, and Yves Tanguy from the 1920s through the 1940s, continuing with later surrealists such as Edith Rimmington, Desmond Morris, and Marion Adnams, and interventions by contemporary artists working within the legacy of Surrealism such as Mar穩a Berr穩o, Helen Marten, and Wael Shawky.
Japan Style
The authoritative and wide-ranging visual essay on the aesthetics of Japan, a classic volume now back in print with a stunning new cover design'Japan style' is an aesthetic recognizable to everyone: a beautifully displayed flower, an elegant piece of calligraphy, or a simple rock garden, yet it is also difficult to define. Written by one of the world's most respected scholars of Japanese art and culture, this book does just that. Illustrated with over 150 stunning images that unlock the essence of Japanese art and culture, alongside Gian Carlo Calza's groundbreaking and insightful text, Japan Style explores specific achievements in Japanese art and architecture and offers an in-depth analysis of the whole of Japanese culture, its vision of the world and of humankind.
Hokusai's Method
Best known for woodblock prints such as The Great Wave off Kanagawa, the ninteenth-century artist Hokusai was prolific in other media. Of the three hundred or so printed books Hokusai created in his long lifetime, a huge proportion were dedicated drawing manuals, known as e-tehon. They display not only Hokusai's great proficiency as a draftsman, but also his wealth of ideas and his sense of humor. Hokusai's Method collects fifteen volumes of Hokusai's e-tehon, featuring over eight hundred illustrations ranging from 1812 to 1848, faithfully reproducing every page. Showcasing his playful approach to drawing using songs and poems, pictures composed of letterforms (a forerunner to today's emoji), modern designs for craftsmen, and even dance moves, this volume illustrates the rich spectrum of his talents and achieves his aim to "preserve everything I've learned."
Body High
How do we medicate ourselves, and why can't we cure the people we love? In Body High, encounters with lurid bodily sculptures from the '60s offer remedies to the author's own illness and malaise. In Body High, the introduction to lurid sculptural practices from the 1960s and the author's own experience in proximity to opiate use will be used to offer a surreal and unsettling, yet seductive landscape where wider universal themes are explored: How do we medicate ourselves, and why can't we cure the people we love? Dripping latex and collapsed rubber tubes were among the provocative materials that signaled an aesthetic turn in European and American sculptural practices starting in the late 1960s. Objects became corporeal: they responded to gravity in ways suggestive of exhaustion, offered sensual form, and confronted viewers with the ephemeral realities of our bodies through viscosity and deterioration.  This book analyses the objects by women within that movement, which explored maternity and mortality to capture the body under or after medical care. It argues that in these works, art-making served as a therapeutic strategy to re-claim bodies being manipulated at molecular levels.
The Other Side
The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men--including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee--without repercussion. The fact that so many radical female artists of their generation--and earlier--also drank deeply from the same spiritual well has been sorely neglected for too long. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer, and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records to the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California. We also learn about the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives while sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography, and art history.
The Magic of Silence
No German painter evokes such strong emotions as Caspar David Friedrich: his evening skies remain icons of longing, his mountain vistas testaments to the grandeur of nature. He inspired Samuel Beckett to write Waiting for Godot and Walt Disney to create Bambi. Goethe, however, was so enraged by the enigmatic melancholy of Friedrich's paintings that he wanted to smash them on the edge of a table.In a sweeping journey through time, bestselling author Florian Illies tells the story of Friedrich's paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on R羹gen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich's art and life. As a result, the man himself becomes flesh and blood before our very eyes.
Project a Black Planet
An expansive look at more than a century of Pan-Africanist art and the ways it embodies the movement's principles and global ambitions Since the term Pan-Africanism was coined around 1900, the movement's promise has been to foster liberation and solidarity for Black peoples worldwide. Focusing on its cultural expression, this book presents a rich selection of the visual, sonic, and other creative forms that have emerged throughout Pan-Africanism's evolution. Among the nearly two hundred artists represented from across the continent and the African diaspora are Beauford Delaney, Ibrahim El-Salahi, Hoyt William Fuller, Wifredo Lam, Simone Leigh, Ernest Mancoba, Zanele Muholi, Kawira Mwirichia, Cauleen Smith, Alma Thomas, and George Albert Yon. Reflecting Pan-Africanism's ideals of diversity and dialogue as well as its aspirations to egalitarianism, essays from more than a dozen scholars, artists, and practitioners speak to a range of themes and places, while discussing works in all media made or circulated outside the infrastructure of fine art, including LP albums, illustrated magazines, and manifestos. Distributed for The Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (December 15, 2024-March 30, 2025) MACBA Museu d'Art Contemporani, Barcelona (November 6, 2025-April 6, 2026) Barbican Centre, London (June 10-September 6, 2026) KANAL-Centre Pompidou, Brussels (Fall 2026-Winter 2027)
Traces of the Real: The Absent Presence of Photography in South Asian Literature
Ebook available to libraries exclusively as part of the JSTOR Path to Open intiative.In Traces of the Real: The Absent Presence of Photography in South Asian Literature, Bidisha Banerjee brings together cutting edge photography studies, postcolonial and diaspora studies to explore the status of the photograph in contemporary South Asian literature. Playing on the dual meaning of trace - both as index and imprint, a copy or stencil of the real as well as inadequate remains of the original - she argues that the absent presence of photography affords postcolonial writers opportunities to enhance the themes of their novel in ways that the inclusion of actual photographs may not allow. This practice critiques photography's truth claims and instead considers the power of photographic erasures and absences in engaging the civil imagination (Azoulay) in the postcolonial moment. Banerjee makes connections between the absent presence of photography and themes of postcolonial literature such as memory, trauma, diasporic loss and mourning, agency and identity, demonstrating the ways in which the absent images powerfully undercut the apparent messages of the text. In contending that the absent image functions as an icon, metaphor, and trace, through the photographic "events" discussed in the chapters, Banerjee moves the focus away from photography's colonial disciplining gaze to postcolonial civic engagements via new materialist understandings and attending to the intermedial aspects of language, particularly as it is mediated by photography.
