Discourse Analysis in Chinese Comp 《篇章結構學》
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內容簡介
辭章乃由內容結構與章法結構，以一縱一橫交錯而形成完整的篇章，而它又與篇旨、風格有直接關係，因此本書特先歸本於形象思維以梳理內容結構、邏輯思維以梳理章法結構，再藉綜合思維來談主旨與風格，然後用「多、二、一（0）」的邏輯結構「一以貫之」，兼顧理論與實際，完整地呈現篇章結構的內涵與特色，供社會大眾自修，或用作大專院校「章法學」或「篇章結構學」課程之教材。希望讀者能藉此增進辭章「篇章結構」的分析能力，從而擴大整體「再創造」的鑑賞效果，以真正領略辭章整體之美感。
目錄
Preface
Chapter One
An Introduction to the Structure of Composition and Paragraphs
I. The Relations between Paragraphs and Compositions /oo1
1. The Structure of Composition /002
2. The Structure of Paragraph /003
II. The contents of the structure of compositions and paragraphs /013
1. The definition of structure of compositions and paragraphs /014
2. Textual contents mainly concerning image thinking /020
3. Textual contents mainly concerning logical thinking / 030
4. Textual contents mainly concerning composite thinking /045
5. The “many, two, one/zero" structure of expressions and compositions /054
Chapter Two
Image Contents of Structures of Conception and Composition
I. Conception (essence) and likeness (materials) /069
1. The philosophical significance of conception and likeness /069
2. The literary application of meanings and materials (likeness) /075
II. Vertical structure /092
1. Single types /094
2. Compound Wes /110
Chapter Three
Logical Contents of Structures of Composition and Paragraphs
I. Types of composition art /143
II. Laws of composition arts /165
1. Law of order /166
2. Law of change /175
3. Law of consistence /183
4. Law of unification /194
III. Perspectives of composition arts /205
IV. Several kinds of special composition arts /227
l. Partial-whole method /228
2. Dot-dye method /235
3. Heaven-man method /245
4. Picture-background method /251
5. Knocking-striking method /257
Chapter Four
Synthetic Contents Of Structures of Lexical Composition
I. Topics and guidelines /271
1. In terms of prose /272
2. In terms of poetry /283
II. Manifestation and concealment of topics /286
l. Fully manifested topics /286
2. Manifested topics accompanied by concealed ones /293
3. Fully concealed topics /297
III. Several basic types of ananging topics or guidelines / 300
1. Placed in the beginning /300
2. Placed at the end /311
3. Placed in the middle /318
4. Placed outside the texts /334
IV. The structural types concerning topics or guide-lines placed in the middle /342
l. General-details structures /343
2. Abstract-concrete structures /350
3. Secondary-primary method /356
4. Cause-effect methods /362
Chapter Five
Logical Structures of 'Many, Two, One/ Zero"
I. The structure of 'many, two, one/zero” /369
1. The formation of the structure of "many/ multiplicity, two/duality, one/singularity/zero/ naught" /369
2. A few examples Of the structure of "many, two, one/zero" /381
II. Styles of the structure of-many, two, one/zero" /407
l. The formation of the styles of the structure of "many, two, one/zero" /408
2. A few examples of the styles of the structure of "many, two, one/zero" /419
III. The aesthetic effects of the structure of "many, two one/zero" /436
1. The aesthetic effect of many /438
2. The aesthetic effect of two /449
3. The aesthetic effect of one/zero /460
Appendix
Researches on Language Proficiency and Lexical Composition
--In Terms of the Spiral Structure of "Many, Two, One/Zero”
I. Introduction /470
II. The Formation of the Spiral Structures of "Many, “Two," and One/Zero' /470
III. "One/Zero, Two, Many" Logical Structure Of Linguistic Proficiency /483
IV. “Many, Two, One/Zero" Logical Structures /489
V. Combination of Linguistic Proficiency and Lexical Composition /498
VI. Conclusion /508
Chapter One
An Introduction to the Structure of Composition and Paragraphs
I. The Relations between Paragraphs and Compositions /oo1
1. The Structure of Composition /002
2. The Structure of Paragraph /003
II. The contents of the structure of compositions and paragraphs /013
1. The definition of structure of compositions and paragraphs /014
2. Textual contents mainly concerning image thinking /020
3. Textual contents mainly concerning logical thinking / 030
4. Textual contents mainly concerning composite thinking /045
5. The “many, two, one/zero" structure of expressions and compositions /054
Chapter Two
Image Contents of Structures of Conception and Composition
I. Conception (essence) and likeness (materials) /069
1. The philosophical significance of conception and likeness /069
2. The literary application of meanings and materials (likeness) /075
II. Vertical structure /092
1. Single types /094
2. Compound Wes /110
Chapter Three
Logical Contents of Structures of Composition and Paragraphs
I. Types of composition art /143
II. Laws of composition arts /165
1. Law of order /166
2. Law of change /175
3. Law of consistence /183
4. Law of unification /194
III. Perspectives of composition arts /205
IV. Several kinds of special composition arts /227
l. Partial-whole method /228
2. Dot-dye method /235
3. Heaven-man method /245
4. Picture-background method /251
5. Knocking-striking method /257
Chapter Four
Synthetic Contents Of Structures of Lexical Composition
I. Topics and guidelines /271
1. In terms of prose /272
2. In terms of poetry /283
II. Manifestation and concealment of topics /286
l. Fully manifested topics /286
2. Manifested topics accompanied by concealed ones /293
3. Fully concealed topics /297
III. Several basic types of ananging topics or guidelines / 300
1. Placed in the beginning /300
2. Placed at the end /311
3. Placed in the middle /318
4. Placed outside the texts /334
IV. The structural types concerning topics or guide-lines placed in the middle /342
l. General-details structures /343
2. Abstract-concrete structures /350
3. Secondary-primary method /356
4. Cause-effect methods /362
Chapter Five
Logical Structures of 'Many, Two, One/ Zero"
I. The structure of 'many, two, one/zero” /369
1. The formation of the structure of "many/ multiplicity, two/duality, one/singularity/zero/ naught" /369
2. A few examples Of the structure of "many, two, one/zero" /381
II. Styles of the structure of-many, two, one/zero" /407
l. The formation of the styles of the structure of "many, two, one/zero" /408
2. A few examples of the styles of the structure of "many, two, one/zero" /419
III. The aesthetic effects of the structure of "many, two one/zero" /436
1. The aesthetic effect of many /438
2. The aesthetic effect of two /449
3. The aesthetic effect of one/zero /460
Appendix
Researches on Language Proficiency and Lexical Composition
--In Terms of the Spiral Structure of "Many, Two, One/Zero”
I. Introduction /470
II. The Formation of the Spiral Structures of "Many, “Two," and One/Zero' /470
III. "One/Zero, Two, Many" Logical Structure Of Linguistic Proficiency /483
IV. “Many, Two, One/Zero" Logical Structures /489
V. Combination of Linguistic Proficiency and Lexical Composition /498
VI. Conclusion /508
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