From Fact to Fiction
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The Frugal Book Promoter - 3rd Edition
The Frugal Book Promoter assures your book gets the best possible start in life, whether your publisher assigns zero dollars or thousands to your book's marketing campaign. A former publicist, the author provides no-nonsense basics to build the essentials you need to build a time-saving social media campaign and knock'em dead lists of influencers that will be more effective than anything you could buy. Pick and choose from dozens of ideas for promotions that she developed or refined through extensive (and award-winning) book campaigns of her own. Several will match your pocketbook and personality. "The most expensive part of book promotion are the mistakes. This book will save you time and money." --Dan Poynter, legendary author of The Self-Publishing Manual "Carolyn Howard-Johnson's Frugal Book Promoter is... a classic!" --Bookbaby.com "[Carolyn Howard-Johnson is] an incessant promoter who develops and shares new approaches for book promotion." --Marilyn Ross, founder, Small Publishers of North America and coauthor of The Complete Guide to Self-Publishing> "The Frugal Book Promoter has given me ideas that would never have occurred to me and has changed the way I think about book promotion." -- Mark Logie, award-winning poet and short-story writer Carolyn Howard-Johnson (@FrugalBookPromo) is a multi award-winning author of both fiction and nonfiction. She is a former publicist for a New York PR firm and a marketing instructor for the UCLA Extension Writers' Program. She has appeared on hundreds of TV and radio stations both nationally and locally, and her poetry, essays, columns and stories are published frequently in journals and on the web. She admits to loving marketing almost as much as she loves writing.Learn more at www.HowToDoItFrugally.com From Modern History Press
Books, Their Place in a Democracy
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Images of Truth; Remembrances and Criticism
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The Power of Women; 1491
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How Dare We! Write
How Dare We! Write: a multicultural creative writing discourse offers a much needed corrective to the usual dry and uninspired creative writing pedagogy. The collection asks us to consider questions, such as "What does it mean to work through resistance from supposed mentors, to face rejection from publishers and classmates, and to stand against traditions that silence you?" and "How can writers and teachers even begin to make diversity matter in meaningful ways on the page, in the classroom, and on our bookshelves?"How Dare We! Write is an inspiring collection of intellectually rigorous lyric essays and innovative writing exercises; it opens up a path for inquiry, reflection, understanding, and creativity that is ultimately healing. The testimonies provide a hard won context for their innovative paired writing experiments that are, by their very nature, generative. -- Cherise A. Pollard, PhD, Professor of English, West Chester University of PennsylvaniaSo-called "creative writing" classes are highly politicized spaces, but no one says so; to acknowledge this obvious fact would be to up-end the aesthetics, cultural politics (ideology) and economics on which most educational institutions are founded. How Dare We! Write, a brilliant interventive anthology of essays, breaks this silence. -- Maria Damon, Pratt Institute of Art; co-editor of Poetry and Cultural Studies: A ReaderHow Dare We! Write is a collection of brave voices calling out to writers of color everywhere: no matter how lonely, you are not alone; you are one in a sea of change, swimming against the currents. -- Kao Kalia Yang, author of The Latehomecomer: A Hmong Family Memoir, and The Song Poet, a 2017 Minnesota Book Award winnerHow Dare We! Write is a much needed collection of essays from writers of color that reminds us that our stories need to be told, from addressing academic gatekeepers, embracing our identities, the effects of the oppressor's tongue on our psyche and to the personal narratives that help us understand who we are. ---Rodrigo Sanchez-Chavarria, writer, spoken word poet/performer and contributing author to A Good Time for the Truth: Race In Minnesota Learn more at http: //blog.SherryQuanLee.comFrom Modern History Press www.ModernHistoryPress.com
The Writer’s Survival Guide
This inspirational guide for aspiring and experienced writers was originally published in 1997. Written in a friendly, hopeful, and gently humorous tone, it focuses on the creative process and emotional ups and downs of the creative life, providing insights into how to persist in the face of rejection, frustration, feelings of inadequacy, lack of support from loved ones, and more. It also offers practical how-to advice, from organizing your time so you actually sit down and write to reading as a writer. This ebook's rerelease of The Writer's Survival Guide includes a new introduction that discusses the origins of the book and how, in spite of the many changes in publishing and technology, it remains relevant today.
The Story of a Printing House
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A History of Booksellers
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The House of Dent, 1888-1938
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![The Fascination of Books [microform]](https://cdn.kingstone.com.tw/english/images/product/9960/9781013789960m.webp "The Fascination of Books [microform]")
The Fascination of Books [microform]
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The Publishing Family of Rivington
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Bergson and the Stream of Consciousness Novel
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The Side Door
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Some Principles of Fiction. --
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Publishing and Bookselling
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The House of Desdemona; or, The Laurels and Limitations of Historical Fiction
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Histoire Du Roman Moderne
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Songs for Sixpence
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The Bankrupt Bookseller
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In My Opinion
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The Bankrupt Bookseller
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History in Fiction; a Guide to the Best Historical Romances, Sagas, Novels, and Tales; 2
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A History of Booksellers
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The Side Door
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Some Aspects and Problems of London Publishing Between 1550 and 1650. --
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IELTS Writing Updates 2
The second part of the writing test in IELTS is Writing Task 2, where a point of view, argument or problem is presented and you are asked to write an essay . Your written style must be a formal one, at least 250 words in length and you should consider to complete your essay in 40 minutes. Everything that is needed to aim a band +9 mark is gathered and compiled in this book. They are topics, instructions, tips, vocabularies, grammars, collocations, phrases and band 9 samples.
Blackie & Son, 1809-1959
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The House of Desdemona; or, The Laurels and Limitations of Historical Fiction
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Books for All
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Masks of Love and Life. The Philosophical Basis of Psychoanalysis.
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Bergson and the Stream of Consciousness Novel
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Tam獺m Shud
[2024 Update Note: For a detailed new update on the interpretation of the Somerton man's code in the context of new findings proposed and reported in 2022 and thereafter about the identity of the Somerton man as being Carl Webb, read OKCIR's 2024 research report on the OKCIR site titled "The Somerton Man Carl Webb's WWII Death Poems Staged in His Eternal Shadow-Show "Tam獺m Shud" -- A Lasting J. C. Williamsonian Suicide Mystery Play Still Staging, Now Featuring Us, from the Somerton Beach in Australia Since Its Opening on Nov. 30, 1948." A press release for the same was published on April 15, 2024, titled,"Rest of Australia's Somerton Man Case Mystery Solved Using His Own Code As Deciphered in 2021, OKCIR Sociologist Reports." The 2021 publication still has evidentiary value since it documents how the 2021 deciphering of the Somerton man code, preceding 2022 findings, anticipated the 2022 proposed findings and its results.]In this OKCIR Research Report, hermeneutic sociologist, Khayyami scholar, and founding director of Omar Khayyam Center for Integrative Research (OKCIR), Mohammad H. (Behrooz) Tamdgidi, Ph.D., reports having solved the mystery of the code associated with the so-called "Somerton Man" or "Tam獺m Shud" case.The mysterious code appearing on the back page of a first edition copy of Edward FitzGerald's The Rubaiyat of Omar Khayyam -- found months following the death of The Somerton Man (TSM) in South Adelaide, Australia, on Dec. 1, 1948 -- was a suicide contemplation and planning note he was poetically drafting for himself in the form of a quatrain on the back of his copy of The Rubaiyat, giving a gist of why and how he planned to carry out a deliberately mystery-laden suicide as his last dance for a lasting life. The code was the creative DNA of his suicide plot.It was written in the 'Tam獺m Shud' transliteration style -- in this case not from Persian, but from Arabic with which he must have been familiar, either natively due to coming ancestrally from the ethnically diverse and widely multilingual Russian Caucasus and/or by training and education. In other words, the 'Tam獺m Shud' torn-out piece found in TSM's fob pocket not only served as a bread crumb lead to his suicide note, it also offered the key to the code's deciphering.DNA is a self-replicating matter that reproduces the basic structure of a substance. TSM's 'code' offers the DNA of his last dance performance in public hoping of a lasting life, one that was sketched amid his medical suffering. He was reflecting on his life, terminal illness, and expected imminent death, while reading the meanings conveyed about life and death in FitzGerald's translation of Omar Khayyam's Rubaiyat -- a work of art that offered TSM a practical and proven example of how one can physically die but endure in human memory and spirit forever.This report mainly focuses on deciphering TSM's code, but the findings are then used to shed brief new light on one and/or another alternative wider story of what took place in Adelaide in 1948, in the years leading to it, and in the decades thereafter. The report invites readers to rethink the relevance of Omar Khayyam's poetry to the case, and also asks a pertinent question about another fold of the mystery, that is, why did it take so long to decipher a code that could have actually been decoded much earlier? The Somerton Man or Tam獺m Shud case has important lessons for us beyond the confines of the personal troubles of a man and those he knew, inviting us to use our sociological imaginations to explore such troubles in relation to the public issues that concern us all beyond the shores of Australia, and beyond the national and disciplinary walls fragmenting our lives, universities, and scientific methods in favor of transcultural and transdisciplinary modes of inquiry.
The Power of Women; 1491
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Mathew Carey, Pamphleteer for Freedom
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The Fate of Writing in America
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![Books Published by Dawson Brothers [microform]](https://cdn.kingstone.com.tw/english/images/product/1126/9781014441126m.webp "Books Published by Dawson Brothers [microform]")
Books Published by Dawson Brothers [microform]
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A Study of a Woman; and Comedies of the Counter; 1043
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A Victorian Publisher
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![William Nelson [microform]](https://cdn.kingstone.com.tw/english/images/product/4609/9781014434609m.webp "William Nelson [microform]")
William Nelson [microform]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Symbolism and Fiction
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Portrait of a Publisher... and The First Hundred Years of the House of Appleton, 1825-1025
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In My Opinion
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some Aspects and Problems of London Publishing Between 1550 and 1650. --
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Book Front
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Genesis and Revision in Modern British and Irish Writers
This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond. The volume shows how writers' manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines how the paper medium and writing implements influence the act of composition; reveals the latest developments in such fields as life writing and digital humanities--especially how modern scholars, through the filter of hypertext, revisit modernist texts, or respond to newly-found material; and analyzes the hidden handwork, be it throughout the writer's exhaustive self-editing process or the writer-editor collaboration. Finally, it captures an award-winning poet and a living novelist reflecting upon their craft and work in progress.
A Study of a Woman; and Comedies of the Counter; 1043
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art & Practice of Historical Fiction
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
