Kentucky Square Dances
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Casani's Self-tutor of Ballroom Dancing
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Dances of Poland
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Fonteyn, Impressions of a Ballerina
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The Ballet Called Swan Lake
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A Picture History of Ballet
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Dances and Musical Activities for Juniors
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Classical Ballet, Its Style and Technique
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Baron at the Ballet
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Dances of Mexico
Mexico's heritage of folk dance is rich in music and costume. Centuries ago the people were encouraged by the friars to dramatise religious teaching by dancing to the beat of drums and the rattle of gourds. Today their folk music has developed from primitive percussion to a blend of Spanish and native cultures. It may be strummed on an instrument made from the shell of an armadillo or played on the more orthodox guitar, but whatever the instrument it is the rhythms that more than all else characterise the people's dancing. They are like no others in the world.Born near Pachuca, a mountain town in the high Mexican plateau, Guillermina Dickins passed her childhood in the half-feudal world of the great haciendas. Later she journeyed to the remotest corners of her country, studying the infinite variety of its dance, its music and its tradition.She gives here three of the most colourful and famous dances of all. Complete with music and step notations and four colour plates, by the Mexican artist Mireya Iturbe, the book is a fascinating introduction to this land of grace and gaiety.
Invitation to the Ballet
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The Folk Dance Library; 3
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Invitation to the Ballet
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Igor Youskevitch
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Fonteyn, Impressions of a Ballerina
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The Art of Dancing
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Three Centuries of Ballet
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Ballet Design
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The Dance and Its Place in Education
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Music and the Dance
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The Folk Dance Library; 5
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Dances of Bulgaria
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Enrico Cecchetti; a Memoir
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A History of Russian Ballet From Its Origins to the Present Day
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Invitation to Ballet
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Baron's Ballet Finale
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Ballet Technique; a Series of Practical Essays
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Dances of Rumania
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Fonteyn, a Study of the Ballerina in Her Setting
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A Short History of Ballet
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Dancers of Bali
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Ballet--to Poland
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A Day With Alicia Markova
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Dancing
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Looking at the Dance
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Dancing
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Vaslav Nijinsky
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Group Instruction in Social Dancing
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Dance Memoranda
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The Folk Dance Library; 2
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What's Wrong With the Dance?
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Dances of Argentina
The gaucho - 'a beggar on horseback' whose dance music was the strumming of a guitar and the jingling of his spurs - was the civiliser of the pampa. His presence, more than anything else, led to the creation of the essentially Argentine folk dance; for while the folk culture of the northern provinces is shared with Chile, Peru and Bolivia, the dances of the plains, the Chacareras and Escondidos, are Argentina's own exclusive property. And they bear still the hall-marks of the gaucho, that remarkable mixture of Spanish courtesy, gravity and elegance combined with the sinewy toughness of the Indian.Mr. Lloyd, who was a member of the Editorial Board of the English Folk Dance and Song Society, and of the International Folk Music Council, roamed Argentina from the River Plate to the Bolivian frontier. And wherever he went he delved into folklore, particularly in the provinces of Salta and Jujuy. Music and step notations for two dances from these areas, which are rich in dance and song, are given in this book, together with two from the gaucho plains. In addition, there are four colour plates showing the traditional costumes worn.
The Folk Dance Library; 1
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Regional Dances of Mexico
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The Country Dance Book; pt. 1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dancing for Diaghilev; the Memoirs of Lydia Sokolova
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dances of Scotland
The enthusiasm with which Scottish gatherings all over the world welcome the strains of a Reel tune or a stately Strathspey is no less marked today than it was in the eighteenth century, when an English visitor to an Edinburgh ballroom noted, 'The moment one of these tunes is played, up they start, and you would imagine they had been bit by a tarantula.' Some of the dwindling antique treasure of music and dance is now being recovered, including such dances as the weird 'Carlin of the Mill Dust' and the fascinating 'Hebridean Weaving Lilt' from the Isles. More commonly known are the highland step-dances and the country dances; step-notation and music for four of these are provided in this book. Also included is a bibliography for further study, and four colour-plates showing authentic costumes.Miss Milligan, one of the founders of the Scottish Country Dance Society, played a leading part in the preservation and teaching of Scottish dances. Mr. MacLennan, renowned as an expert of Highland dancing, made a lifelong study of Scottish dances, bringing to light many not hitherto generally known.
The Feldenkrais Method in Creative Practice
Bringing together scholars and researchers in one volume, this study investigates how the thinking of the Ukrainian-Israeli somatic educationalist Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance, music and theatre.Since its inception, the Feldenkrais Method has been associated with artistic practice, growing contiguously with performance, cognitive and embodied practices in dance, music, and theatre studies. It promotes awareness of fine motor action for improved levels of action and skill, as well as healing for those who are injured. For creative artists, the Feldenkrais Method enables them to refine and improve their work.This book offers historical, scientific and practical perspectives that develop thinking at the heart of the Method and is divided into three sections: Historical Perspectives on Creative Practice, From Science into Creative Practice and Studies in Creative Practice. All the essays provide insights into self-improvement, training, avoiding injury, history and philosophy of artistic practice, links between scientific and artistic thinking and practical thinking, as well as offering some exercises for students and artistic practitioners looking to improve their understanding of their practice.Ultimately, this book offers a rich development of the legacy and the ongoing relevance of the Feldenkrais Method. We are shown how it is not just a way of thinking about somatic health, embodiment and awareness, but a vital enactivist epistemology for contemporary artistic thought and practice.
