A Compendious Book of Godly and Spiritual Songs Commonly Known as 'The Gude and Godlie Ballatis'
The Tempo Implications of Bach's Notation
This research into the tempos of Bach's dance music answers the age-old question, "How fast should this piece be?" Because Bach's tempo often differs from current performance practice, this research transforms our understanding of his music.Bach's sacred music makes up more than three-fourths of his extant work. It includes the Magnificat; passions according to Saints Matthew and John; oratorios for Christmas, Easter, and Ascension; the Mass in B Minor and four short masses; five independent settings of the Sanctus; six motets; and 212 cantatas. Over 2,000 movements survive, including chorales, recitatives, and accompanied movements for from one to five voices. Bach frequently designates the vocal forces required by words such as "Aria," "Duetto," "Terzetto," and "Chorus," words that clearly have no effect on tempo. The author's previously-published book The Proportional Method is sufficient to determine tempo for such movements. However, the designations "Chorale" and "Recitative" do convey information regarding tempo. In this volume, the author presents evidence that, contrary to current performance practice, Bach's "Recitatives" are performed to a steady beat. He also demonstrates how to use the proportional method to determine the tempos for all of Bach's chorales and recitatives.After perusing this book, the musician will be able to determine Bach's intended tempo for any Bach sacred movement. He needs only to identify the designation, time signature, tactus speed, and shortest note value. By establishing Bach's intended tempos, the musician will also discover Bach's intended musical effects.This book is for classical musicians, musicologists, church choral directors, church historians, music students, and anyone who appreciates Bach's music. Thoroughly researched and meticulously documented, it includes 35 musical examples and dozens of figures and tables. It includes a bibliography, and it also includes an index of cited Bach works, sorted by BWV number. This research is presented so that an amateur musician will be able to follow the arguments.
Music, Poetry and Identity in Badakhshan, Tajikistan
In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, and eventual delocalization and relocation in new social contexts. The first study on the musical culture of the Pamiri Ismailis in almost 20 years, this monograph introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry--a foundational source for an understanding of Islam in Badakhshan as an amalgam of diverse cultural practices and multi-layered identities. In an era of cultural globalization, the circulation of qasīda-khonī and maddo beyond Badakhshan serves as a case study of global cultural flows, diversity, versatility, and connectedness.
![The Sacred Lyrics of the Liturgy, As Ordered to Be Used With Music, in the Public Worship of the Anglican Church [Ed. by H. Slight]](https://cdn.kingstone.com.tw/english/images/product/8038/9781023858038m.webp?Q=9b1c9 "The Sacred Lyrics of the Liturgy, As Ordered to Be Used With Music, in the Public Worship of the Anglican Church [Ed. by H. Slight]")
![The Sacred Lyrics of the Liturgy, As Ordered to Be Used With Music, in the Public Worship of the Anglican Church [Ed. by H. Slight]](https://cdn.kingstone.com.tw/english/images/product/5129/9781023855129m.webp?Q=bb05b "The Sacred Lyrics of the Liturgy, As Ordered to Be Used With Music, in the Public Worship of the Anglican Church [Ed. by H. Slight]")
Christ Triumphant
璽€œChrist Triumphant, 璽€ Op. 35, is a cantata for Easter-tide by Henry Clough-Leighter, scored for soli, chorus, and organ. This composition is a classic example of sacred choral music designed to celebrate the resurrection of Christ. Suitable for performance in churches and concert halls, 璽€œChrist Triumphant璽€ offers a rich musical experience for both performers and audiences.Clough-Leighter璽€(TM)s work captures the celebratory spirit of Easter, making it a valuable addition to any choir's repertoire. Its blend of vocal solos, choral harmonies, and organ accompaniment creates a profound and uplifting musical experience. This cantata remains a testament to Clough-Leighter璽€(TM)s skill as a composer and his contribution to the genre of religious music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Chants, Sentences & Anthems, Sung At The Introduction And Close Of Public Worship In The First Church In Roxbury
A historical collection of chants, sentences, and anthems used in public worship at the First Church in Roxbury, Massachusetts. This volume offers a glimpse into the musical practices of a prominent New England church during the 19th century. Reflecting the liturgical traditions of the time, the pieces included provide insight into the spiritual and cultural life of the congregation. Scholars and enthusiasts of religious music, as well as those interested in the history of the First Church in Roxbury, will find value in this compilation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Organ Accompaniment Of The Church Services
"The Organ Accompaniment Of The Church Services: A Practical Guide For The Student" by Henry William Richards, offers comprehensive instruction for organists seeking to enhance their skills in accompanying church services. This guide provides practical advice and insights into the art of musical accompaniment within a religious context. Focusing on the nuances of playing the organ to support congregational singing and liturgical elements, the book is an invaluable resource for both novice and experienced organists. Richards' expertise illuminates the techniques necessary to create a harmonious and spiritually uplifting worship experience. His teachings equip students with the tools to master the instrument and sensitively contribute to church services.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Organ Accompaniment Of The Church Services
"The Organ Accompaniment Of The Church Services: A Practical Guide For The Student" by Henry William Richards, offers comprehensive instruction for organists seeking to enhance their skills in accompanying church services. This guide provides practical advice and insights into the art of musical accompaniment within a religious context. Focusing on the nuances of playing the organ to support congregational singing and liturgical elements, the book is an invaluable resource for both novice and experienced organists. Richards' expertise illuminates the techniques necessary to create a harmonious and spiritually uplifting worship experience. His teachings equip students with the tools to master the instrument and sensitively contribute to church services.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Choral Service Book
The Choral Service Book is a meticulously compiled resource designed for Evangelical Lutheran congregations. This comprehensive volume contains the authentic plain song intonations and responses specifically tailored for the Order of Morning Service. It serves as an essential guide for maintaining the rich musical traditions within Lutheran worship. Originally created for the Evangelical Lutheran Church in North America, this book preserves the integrity of traditional Lutheran choral practices. It provides detailed musical notation and liturgical guidance, ensuring that congregations can accurately and reverently perform the choral elements of their services. Whether for experienced choir members or those new to Lutheran choral music, this book offers invaluable support and resources for enhancing the spiritual experience of worship. This edition makes a vital historical text available to a new generation of musicians and worshippers, ensuring that the beauty and reverence of Lutheran choral traditions continue to enrich religious life.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Psalter
The Psalter: Ancient Ecclesiastical Chant, With Canticles, Proper Psalms & Creed of St. Athanasius, compiled by W T Best, is a historical collection of sacred music intended for use in church services. This volume presents a selection of psalms set to ancient chants, along with canticles and the Creed of St. Athanasius, reflecting the musical traditions of the Christian Church. It offers insight into the performance practices and musical repertoire of 19th-century Anglican churches. This edition serves as a valuable resource for musicians, scholars, and anyone interested in the history of Christian liturgical music and the enduring beauty of the psalms.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
