The Bresnik Jazz Piano Method - SECOND EDITION JUNE 2020
This book is about my approach to jazz piano playing based on one of the primary styles of the 40s and 50s. I studied with Sam Saxe, originally from New York. When I studied with him in the mid-fifties, he was one of the top jazz piano teachers in Hollywood at that time. My book is broken down into a series of tips - "55 tips from an old pro" - of these 55 tips, 32 relate to playing and rest relate to the general lifestyle of the jazz pianist. Seventy years of piano playing condensed into seventy pages..!
Beyond the Bandstand
The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music. Contributors: Ryan Raul Ba簽agale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells
Contemporary Opera in Flux
In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, racial injustice, and cultural trauma; and advance underrepresented works by female, African-American, Asian, and avant-garde composers around the globe. Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.
Audiovisual Alterity
Immerse yourself in the groundbreaking exploration of diversity and representation in music videos with Audiovisual Alterity. This new research delves into the portrayal of marginalized and subaltern groups across a rich tapestry of genres of popular music, tracing the evolution of inclusivity and disenfranchisement in music videos from the 1950s to the present. Audiovisual Alterity not only furthers the scholarly conversation on representations of race, ethnicity, and gender in music videos but also broadens the scope to embrace Asians, Pacific Islanders, Indigenous peoples, the LGBTQIA+ community, religious minorities, and the incarcerated. Author Michael Austin traces the transformation of the music video landscape as he scrutinizes the medium's evolution across both traditional platforms and social media, including video-sharing sites and smartphone applications. Throughout, he offers new insights into critical analyses of contemporary debates on cultural appropriation and the nuanced portrayals of culture, race, indigeneity, gender, class, sexuality, and sexual orientation. Most compellingly, Audiovisual Alterity celebrates the self-representation of these 'others, ' empowering them to voice their narratives on their own terms.
Sambop NYC
In New York City during the first decades of the new millennium, over two hundred professional musicians play music that combines jazz with Brazilian genres. Blending American and Brazilian music, these musicians continue the legacies of bossa nova, samba jazz, and other styles, while expanding their skills, cultural understandings, and identities. SamBop NYC explores Brazilian jazz in New York City--the music, musicians, cultural issues, and jazz industry. It draws on interviews with over fifty musicians active between the years 2000 and 2020, featuring experts like Eliane Elias, Dom Salvador, Eumir Deodato, Ma繳cha Adnet, Vin穩cius Cantu獺ria, Luciana Souza, Duduka Da Fonseca, Romero Lubambo, Anat Cohen, and Cidinho Teixeira. The book provides a new framework to interpret the mutual developments of musicianship, intercultural competencies, and affinities with Brazil and the U.S. To understand the imbalanced demographic diversity among musicians, the book analyses nationality, race, class, and gender among the musicians, as well as their instrumentation and professional dynamics. Navigating these social, cultural, and capitalist forces, the musicians in this book have applied their natural talents, determination, family support, and decades of hard work to pursue their artistic interests and career goals, to audience delight.
Carmen in Diaspora
Carmen in Diaspora is a cultural history of Carmen adaptations set in African diasporic contexts. It explores the phenomenon of the connection between the story of Carmen, which originally appeared in Prosper M矇rim矇e's eponymous 1845 novella and came to prominence through Georges Bizet's 1875 opera, with prolific popular recreations in African diasporic settings. The source texts for Carmen not only suggest nineteenth-century French negotiations of Blackness via the Romani community, but also provide provocative frameworks through which to examine conceptions of Black womanhood and self-determination in the twentieth and twenty-first centuries. Through analyses of M矇rim矇e and Bizet, the Harlem Renaissance novels The Blacker the Berry (1929), Banjo (1929), and Romance in Marseille (2020); the U.S. movie musicals Carmen Jones (1954) and Carmen: A Hip Hopera (2001); the Senegalese and South African feature films Karmen Ge簿 (2001) and U-Carmen eKhayelitsha (2005), respectively; and the Cuban-set stage musical Carmen la Cubana (2016), Carmen in Diaspora examines how these works illuminate the cultural currents of the nineteenth-century European context in which the character was born. The book also interrogates social categories, particularly gender, race, and sexuality, in contemporary Europe, North America, Africa, and the Caribbean. Carmen is Diaspora is an adaptation study that emphasizes connections formed through the transposition rather than imposition of European culture as it considers how artists have brought - and continue to bring - new energy, vision, and life to the story of opera's most famous character.
Ornette Coleman, Psychoanalysis, Discourse
Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening - an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman's music as movement and space - as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman's discourse, dealing with a piece, or collection of pieces, from Coleman's work, with particular attention to the implication of relations and relationality. Insofar as Coleman's discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and parallels.Ornette Coleman, Psychoanalysis, Discourse will be of great interest to psychoanalysts, musicians, and musicologists. It will be relevant for academics and scholars of psychoanalytic and Lacanian studies, music, and cultural studies.
Raccoon Starts A Band
'Raccoon Starts A Band' is the long-awaited and superb sequel to Alex CF's brilliant 'Punks In The Willows'. A fully illustrated picture book, exploring the many genres of punk, and a semi autobiographical journey, overcoming self doubt and anxiety, and finding a passion for music, ideology and social justice!It's all about music, creativity, direct action and above all - equality.From Alex CF, the creator of 'Punks In The Willows', the beautiful new book, 'Raccoon Starts A Band' is a semi-autobiographical tale of discovering punk.Amongst the difficulties that come with growing up; from the anguish of being bullied, to lack of self-esteem, yet ultimately finding a community that will stoke a passion for music, politics and kindle many life-long friendships. A full colour, illustrated exploration of the many iterations of punk rock, and the greater punk rock community as a force for positive change in the world.
Cretin Family
Formed in 1974 in Forest Hills, New York, The Ramones were one of the most influential bands in punk rock history. Famed for their dirty sneakers, knee-holed jeans, T-shirts, black leather jackets, and cries of "1, 2, 3, 4," the pioneering 'Brudders' left a legacy few contemporaries can match with their stripped-down, hyper-paced style. Their 1976 debut album set the foundation for punk rock, inspiring countless musicians to start their own bands. "Cretin Family" not only traces the band's history-covering their formation, record releases, tours, disagreements, and line-up changes up to their 1996 break-up-but also examines the numerous tribute bands worldwide that pay homage to the Ramones. This manuscript draws from global sources, offering facts about The Ramones' tours and local venues, highlighting information often lost to fans. As the stories unfold, new narratives about the group emerge, revealing the Ramones' colossal legacy."Cretin Family" is for the fans, by the fans.
The Chronicles of Doom
"In a career and life full of fictions, the truth--as this excellent, detailed biography makes clear--was often as mind-boggling [. . .] Hip-hop writer S.H. Fernando Jr. benefits from an insider's understanding of the milieu and provides generous context."--Kitty Empire, The Guardian The definitive biography of MF DOOM, charting the reclusive and revered hip-hop artist's life, career, and eventual immortality. On December 31, 2020, the world was shocked to learn about the death of hip-hop legend MF DOOM. Born in London and raised in the suburban enclave of Long Beach, New York, Daniel Dumile Jr.'s love of cartoons and comic books would soon turn him into one of hip-hop's most enigmatic, prolific, and influential figures. Sweeping and definitive, The Chronicles of DOOM: Unraveling Rap's Masked Iconoclast recounts the rise, fall, redemption, and untimely demise of MF DOOM. Broken down into five sections: The Man, The Myth, The Mask, The Music, and The Legend, journalist S. H. Fernando, or SKIZ, chronicles the life of Daniel Dumile Jr., beginning in the house he grew up in in Long Beach, NY, into the hip-hop group KMD, onto the stage of his first masked show, through the countless collabs, and across the many different cities Daniel called home. Centering the music, SKIZ deftly lays out the history of east-coast rap against DOOM's life story and dissects the personas, projects, tracks, and lyrics that led to his immortality. Including exclusive interviews with those who worked closely with DOOM and providing an unknown, intimate, behind the scenes look into DOOM's life, The Chronicles of DOOM is the definitive biography of MF DOOM, a supervillain on stage and hero to those who paid attention.
Kashperova: Piano Concerto in a Minor, Op. 2 Piano Solo
(BH Piano). Leokadiya Kashperova (1872 1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The Piano Concerto (1900) is Kashperova's earliest surviving orchestral work, and it was premiered by the composer the following year in Moscow and St Petersburg, bringing her much wider recognition and paving the way for an international career. Cast in three movements and in a Romantic idiom, pianistic virtuosity is often channelled into the pianist's left hand, which is required to negotiate widely-spaced 'extreme' arpeggios awkwardly angular when adagio, fiendishly technical when molto allegro. Kashperova's orchestral colours are achieved by felicitous solos for the woodwind, horns and brass. Noteworthy, too, are unexpected glimpses of chamber music when, in the last movement for example, the piano combines fleetingly with solo violin and solo cello in passages. The concerto's quick music (Molto allegro and Allegro con anima) admirably portrays the vivacious personality of their composer, described in 1906 as offering those around her 'an abundance of joy, excitement and fun'. The central movement, by contrast, is a tender Adagio which offers the listener a gem of musical poetry.
Kashperova: Piano Concerto in a Minor, Op. 2
(BH Piano). Leokadiya Kashperova (1872 1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The Piano Concerto (1900) is Kashperova's earliest surviving orchestral work, and it was premiered by the composer the following year in Moscow and St Petersburg, bringing her much wider recognition and paving the way for an international career. Cast in three movements and in a Romantic idiom, pianistic virtuosity is often channelled into the pianist's left hand, which is required to negotiate widely-spaced 'extreme' arpeggios awkwardly angular when adagio, fiendishly technical when molto allegro. Kashperova's orchestral colours are achieved by felicitous solos for the woodwind, horns and brass. Noteworthy, too, are unexpected glimpses of chamber music when, in the last movement for example, the piano combines fleetingly with solo violin and solo cello in passages. The concerto's quick music (Molto allegro and Allegro con anima) admirably portrays the vivacious personality of their composer, described in 1906 as offering those around her 'an abundance of joy, excitement and fun'. The central movement, by contrast, is a tender Adagio which offers the listener a gem of musical poetry.
In-Law Country
Geoffrey Himes explores a previously unnamed movement that helped shape modern country music: In-Law Country. It was a movement of outsiders who would become insiders. Weaving together biography and musical analysis, Himes shows how Emmylou Harris, Rosanne Cash, Rodney Crowell, Ricky Skaggs, Guy Clark, and others changed the sounds and stories of country music forever.
Digital Flows
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. Some fifty years after its birth in the Bronx, hip hop has become one of the most influential cultural phenomena of the internet era. With the internet now enmeshed in our daily routines, hip hop thrives in the digital realm, constituting a third of all music streams. From Drake memes to viral TikTok dances and AI-generated rappers, hip hop is constantly created, shared, and discussed online. This shift challenges hip hop's conventional connections to place, authenticity, and community. Through this book, author Steven Gamble offers a fresh examination of hip hop's latest chapter, intricately interwoven with the interconnected cultural currents of the internet. With an innovative method encompassing music and cultural analysis, ethnography, and web data analysis, Gamble provides a cutting-edge account of the intersections between hip hop and the internet, supported by the latest practices in digital humanities and data ethics. The book extensively draws on scholarship in hip hop studies, internet studies, popular music studies, media studies, communication studies, cultural studies, Black studies, intersectional feminism, and more. Gamble provides in-depth insights into hip hop in the internet age, new net-native genres like Soundcloud rap and YouTube lofi beats, communities on social media and streaming platforms, online hip hop feminism in rap music videos, cultural appropriation and callout/cancel culture, and hip hop concerts on video game platforms. For old school heads and extremely online memesters alike, for fans and creatives, for students as well as academics seeking to understand digital transformations of music, Digital Flows uncovers what happens when a cultural form born on the streets thrives on the transformative technologies of global reach.
Playing the Piano with Three Chords
The Playing Piano with Three Chords series introduces pianists to the fundamentals of chord playing, offering a gradual path toward hands-together coordination. Designed for early to late intermediate pianists, this collection of piano solos provides a diverse selection of standards and original blues-inspired pieces. Featuring everything from the soulful Bassline Blues" and "Beacon Street Blues" to lively, upbeat selections like "Hot Shot" and "Spring Swing," these pieces are harmonized with no more than three chords, making them accessible while laying the foundation for more complex playing.This volume includes well-loved classics like "The House of the Rising Sun" and "The Saint James Infirmary," along with unique compositions such as "Monty's Groove" and "Nowhere to Go." Each piece is crafted to help students develop coordination, rhythm, and an understanding of chord progressions, all in easy key signatures. Whether playing the reflective "Little Blue Waltz" or the rhythmic "Offbeat Blues," pianists will find a perfect balance of challenge and enjoyment in this versatile collection. It's an ideal resource for students wanting to explore the world of blues, jazz, and standards while honing their technical and interpretative skills."
From Sea to Shining Sea, Songs of America, Bk2
Songs of America, Book 2: From Sea to Shining Sea is a delightful collection of late elementary piano duets, featuring beloved American folk songs arranged for one piano, four hands. These carefully crafted arrangements offer students and teachers an opportunity to explore America's rich musical heritage while developing ensemble skills and fostering musical collaboration. Each piece captures the heart of traditional American folk music, from lively dance tunes to soulful ballads, providing a fun and engaging experience for both players.The collection includes familiar favorites, making it ideal for recital performances, classroom activities, or just a fun duet practice with friends. The accessible arrangements are designed to challenge students without overwhelming them, encouraging steady growth in coordination, rhythm, and expression. Songs of America, Book 2 brings a sense of history and national pride to the piano bench, allowing students to journey across America's diverse landscape from sea to shining sea" through the joy of music."
Jean-Philippe Rameau (Selected Works)
This new edition of Rameau's piano works, edited by Edwin McLean, brings the elegance of Rameau's harpsichord compositions to the modern piano. While the original works were written for harpsichord, they translate beautifully to piano, and this edition offers additional piano-appropriate dynamics, such as piano and forte, though these need not be followed strictly. Suggested tempo indications and fingerings have also been added to guide the performer. The edition remains faithful to the original phrasing and ornamentation from Rameau's first editions. It includes selections from the easier pieces of Rameau's Premier livre de pi癡ces de clavecin (1706) and Pi癡ces de clavecin avec une m矇thode (1724), providing a balanced collection that maintains historical integrity while offering modern pianists a new interpretive framework.
Martin Taylor's Latin Jazz Guitar Soloing Etudes
Ready to master Latin Jazz guitar soloing?Discover the intricacies of Latin Jazz guitar with Martin Taylor's Latin Jazz Guitar Soloing Etudes. You'll take an intimate look into the techniques and pieces that define Latin Jazz, brought to life by one of the world's foremost jazz guitarists. Each chapter offers a carefully arranged solo etude based on classic Latin Jazz standard and some beautiful arrangements of unexpected classics, giving you the tools to understand and engage with the language of Latin Jazz guitar soloing.As Martin Taylor shares his thoughts on each piece, you'll master all the authentic vocabulary and phrasing you need to bring this vibrant genre to life in your playing.Learn beautiful guitar solos on the chord changes to: The Girl from Ipanema: Learn how to balance its iconic melody with intricate, sophisticated chordal movements.How Insensitive: Delve into the delicate interplay of melancholy and hope, mastering expressive phrasing and dynamics.Keep the Home Fires Burning: Experience a unique Latin Jazz interpretation of this classic tune, blending traditional melodies with modern rhythmic innovations.Night and Day: Reinterpret this jazz standard through the lens of Bossa Nova, discovering new harmonic pathways.The Shadow of Your Smile: Develop the ability to convey deep emotion through melodic storytelling and harmonic subtlety.Triste: Navigate the harmonic richness of this piece, using ii-V-I progressions to craft compelling solos.Wave: Tackle the challenges of improvisation over complex chord changes, with a focus on handling diminished chords effectively.Beyond the etudes, Martin Taylor provides a breakdown of the key features of Latin Jazz guitar solos, sharing his personal insights and techniques. This ensures you not only learn the solos but also understand the principles behind them, helping you to develop a deep inner connection with the music.With free downloadable audio tracks, you can hear how each piece should be played, allowing you to practice and nail the phrasing with confidence.
Rhythm Changes
Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced its creation, interpretation, and reception. Tackling diverse issues, such as race, class, nationalism, authenticity, irony, parody, gender, art, commercialism, technology, and sound recording, the book's perspective on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies.Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty-first century jazz and popular music.
Level Up: Live Performance and Creative Process in Grime Music
Grime music has been central to British youth culture since the beginning of the 21st century. Performed by MCs and DJs, it is an Afrodiasporic form that developed on street corners, on pirate radio and at raves. Level Up: Live Performance and Creative Process in Grime Music offers the first long-form ethnographic study of grime practice; it questions how and why artists do what they do; and it asks what this can tell us about creative process and improvisation more widely. Based on research conducted in London's grime scene--facilitated by the author's long-standing role as a DJ and broadcaster--this book explores the form's emergence before taking a magnifying glass to the contemporary scene and its performance protocol, exploring the practice of key artists and their crews living and working in the city. The resultant model of creative interaction provides a comprehensive mapping of collective social learning in London's informal cityscape, offering new ways to conceptualise improvisatory practice within ensembles.
Immortal, Invisible
This collection of hymn arrangements for violin duet with piano accompaniment is arranged for intermediate players. Enjoy these new settings of hymns set for two equal violins. Use for a church service, recital, weddings, or for personal meditation. Free demo, practice, and accompaniment recordings are available for download from the publisher's website. Titles include: Be Still My Soul Christ Arose Guide Me O Thou Great Jehovah Hark the Herald Angels Sing Immortal Invisible God Only Wise Like A River Glorious Rock of Ages Sleepers Awake (WACHET AUF) The Love of God This Is My Father's World.
The Ukrainians - From Kyiv to the Kosmos
The Ukrainians have brought Ukrainian music and culture to the attention of the West. Written and compiled by the band's Peter Solowka and Len Liggins, The Ukrainians: From Kyiv to the Kosmos celebrates their 35-year career. With over 250 full colour images, the book is packed with stories from current & former band members along with fans, friends and musical collaborators, including David Gedge (The Wedding Present), Jan Wobble (Invaders of the Heart, PiL), Andrew 'Whitey' White (Kaiser Chiefs), TV Smith (The Adverts) and Shaun Charman (Jetstream Pony, The Wedding Present). There's also a story from the cosmos itself, with a contribution from NASA astronaut Heidemarie Stefanyshyn-Piper, who took The Ukrainians' music to the International Space Station.
Remembering Your Ancestral Fire
By teaching djembe, M. Taylor, a biracial American male, has learned how others learn and understand. He has become a better communicator and more in tune with the fleeting nature of awareness. Whether or not you want to play djembe, this book will teach you the importance of practice-musical, spiritual, or otherwise-how to be in the present, and how to transcend who you are to become who the village needs you to be. Djembe is an incredible teacher. What might it teach you? IT IS OFTEN SAID WHEN THE STUDENT IS READY, THE TEACHER WILL COME. That is how Taylor found answers about who he was, partially not knowing he sought them. The teachers came in the form of the West African djembe, a goblet-shaped drum, it's rich culture, music and dance, and the culture-bearers who bestowed upon Taylor its secrets, tradition, and life's rhythm. In Remembering Your Ancestral Fire, Taylor shares how he first became fascinated by the djembe, his struggles and adventures in learning it, and how it led him to an incredible career as a promoter of West African music that has brought him to six continents and led him to teaching others of all ages and backgrounds. Through this fascinating, personal, musical, and spiritual journey, Taylor shares stories about: Life before the West African djembe entered his life Why djembe entered his life His numerous trips to Africa The role of ancestors (his and others) in his life trajectory His unique perspective from being biracial The stories we tell ourselves that limit our perception
Kill Your Masters
All the unwritten rules of rap say it doesn't happen like this. Yet Killer Mike, a Black man from Atlanta, Georgia, and El-P, a white man from Brooklyn, New York, have transformed what should have been the twilight of their careers as rappers into their biggest spotlight yet. Known as the hip-hop duo Run The Jewels, they have headlined festivals worldwide, become action figures and Marvel comic book characters, spearheaded a worldwide countercultural movement, and played a significant role in the last two presidential elections. This is the buddy-movie-like story of how they got there. It is a tale that parallels the incredible changes the music industry has gone through over the past twenty-five years--charting a course from the highs around the turn of the century to the collapse of the CD format and the eventual rise of streaming media--while also mapping the evolution of both pop culture and its sociopolitical climate. From the surging popularity of afrofuturism and the fall of the Twin Towers to the rise of the Black Lives Matter movement and the kneeling of Colin Kaepernick, such events all tie into how their budding bromance transformed Killer Mike and El-P from solo artists in underground hip-hop to pop cultural icons recognized all over the globe.
Famous Prima Donnas
You've heard the term "prima donna" thrown around but to be perfectly honest you don't have a deep understandding of what it means and where it comes from. Perhaps you may enjoy a glimpse behind the curtain, a backstage pass to the lives of those legendary prima donnas who captivated audiences and defined the musical stage. Then, *Famous Prima Donnas* is your ticket to the golden age of American light opera. This book takes you on a fascinating journey through the careers of America's most renowned light opera stars, from the captivating Alice Nielsen to the irrepressible Marie Dressler. You'll discover the stories of their early struggles, their triumphs and setbacks, and the captivating personalities that made them unforgettable. Author Lewis C. Strang delves into their personal lives, revealing anecdotes about their loves, marriages, and divorces, shedding light on the often-controversial world of the musical stage. You'll be treated to detailed accounts of their most famous roles, their quirks and eccentricities, and their unique appeal. From the soaring contralto of Jessie Bartlett Davis to the captivating dance moves of Minnie Ashley, you'll learn about the talent, charm, and resilience that made these women legendary. This is a must-read for anyone fascinated by the world of light opera, theater history, or simply the captivating lives of the women who brought joy and laughter to generations of audiences. Prepare to be entertained, captivated, and transported back in time!
The Fire Still Burns
'The Fire Still Burns' is a story of post-punk adventure, packed full of anecdotes, inspiration and tales from the road with an insightful narrative on what keeps over eighty bands plugging away, gigging, touring, recording and playing in a rough and ready scene.With a brief history of the independent, alternative label, Engineer Records, and input from many of it's bands. You'll read about Canaan and Crosstide, Fat Heaven and Flyswatter, Kid You Not, Kover and Kyoto Drive, as well as many more. A follow-up to 2023's 'A Hardcore Heart' and a must-read for all tuned-in punk-rockers and hardcore kids, especially if they're forming a new band."The story of people finding their own voice and doing something because they believe in it." - Fear and Loathing "These stories will occupy your attention and hopefully inspire you to start your own band." - Thoughts Words Action "Intelligently written, Imbued with an excitable fervour; this will speak to anyone who has spent time immersed in the DIY punk scene." - Personal Punk "A love letter to the intoxicating joy of music, the enduring power of friendship, loyalty and the overwhelming desire to create something from nothing." - Mass Movement
The Mariachi Voice
The Mariachi Voice is a practical resource for all educational program directors, voice professors, historians, singers, and students of Mariachi who want to learn and encourage the tradition of Mariachi music in the United States. It explores and dissects the similarities and differences between classical and Mariachi fields regarding voice, while also providing useful classroom-tested lesson plans, voice history, and pedagogy for teaching the Mariachi singer. With this book, program instructors can more easily assist students in connecting safely and more deeply to their voices, share new songs, and introduce Mexican Spanish Lyric Diction --including the application of the International Phonetic Alphabet (IPA)-- to Mariachi with exercises to facilitate diction, song learning, and overall technique while learning the style. An expert in Mariachi scholarship and performance, author Juanita Ulloa further includes interviews with vocal artists of Mariachi music, notably singer Linda Ronstadt and the grandchildren of well-known Mexican singer Jorge Negrete. Her career touring as a professional singer/pianist, voice professor, ethnomusicologist, and educator led her to the creation of the "Operachi" style, a crossover style between classical and Mariachi training.
Rāgs Around the Clock
Rāgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rāg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums - Rāg samay cakra and Twilight Rāgs from North India - featuring khayāl singer Vijay Rajput and accompanists.Extracts from the albums are also embedded into the text to enhance learning and understanding. Each rāg is accompanied by a description of its chief characteristics and technical features, a notation of the song (bandiś) on which the performance is based, and a transliteration and translation of the song text. Distinctively, Rāg samay cakra also includes spoken renditions of each of the texts, helping non-Hindavi speakers to achieve the correct pronunciation.Sharing insights from both theory and practice, this collection draws on recent scholarship while also showcasing the vocal idiom - the gāyakī - of Vijay Rajput, a disciple of the late Pandit Bhimsen Joshi. It offers invaluable reading for students and researchers of Indian classical music, world music and ethnomusicology, and a rich repository for teacher and student practitioners of the khayāl vocal style. The combination of an aural and written exploration of rāg will appeal to anyone drawn to this form of music - whether newcomer, student (śiṣyā) or aficionado (rasika).
2pac 4evr
2Pac 4Evr is the outstanding new book by renowned author Francis Nicholas Driscoll, which depicts in great detail the trials and tribulations of the artist, while diving deep into the specifics of his albums and movies. The author simultaneously pinpoints the parallels between his and 2Pac's own life, being that Francis had a traumatic near death experience in '91 that left him with a C7 Quadriplegic Spinal Cord Injury, and wheelchair bound for life.Francis got hurt in '91, the victim of a train accident in NYC, and barely lived through it. That happened right after he discovered 2Pac's first works under the Digital Underground collaborative Rap Group.The author, despite sustaining a permanent Traumatic Brain Injury, somehow remembered all of 2Pac's albums and movies and, following an unjust eviction from a handicapped living community, Francis proceeded to write this book as a moving tribute to the prolific rap star.
Fear City
Written by Gary Lachman, who, as Gary Valentine, was an original member of Blondie, this fold-out map and guide draws on his firsthand experiences. It offers an insider's view of the clubs, streets, and landmarks that defined New York's underground music scene between 1974 and 1981. Lachman captures the energy of the time, taking readers back to legendary venues like CBGB, where Blondie, the Ramones, and Talking Heads performed. His recollections breathe life into once-gritty, now-unrecognisable neighbourhoods, including the Bowery, East Village and Soho, which served as the backdrop to a cultural revolution. The map traces pivotal spots like the Blondie loft on Bowery Street, where Lachman lived with Debbie Harry and Chris Stein, or Max's Kansas City, a crucial hub where artists, musicians, and Warhol's Factory crowd gathered. This guide is more than a catalogue of places; it's a memoir that intertwines personal stories with the history of punk. From Lachman's performances with Blondie to after-hours hangs at iconic locations like the Mudd Club, he immerses the reader in the gritty, chaotic world where art, music, and rebellion collided. Valentine highlights the birth of punk fashion at shops like Trash and Vaudeville and recounts the artistic energy flowing through places like the Poetry Project at St. Mark's Church, where Patti Smith's performances paved the way for punk's poetic edge. "Fear City" also introduces readers to other significant cultural figures who were part of that vibrant scene, including William Burroughs and Allen Ginsberg. With stops ranging from the infamous Hell's Angels' clubhouse to after-hours joints like the Nursery, Lachman paints a vivid picture of a wild, creative world that shaped not just punk music but the culture of New York. Through a personal narrative, "Fear City" invites readers to explore this transformative period in New York's history. It offers a unique, nostalgic map of the underground from the perspective of someone who lived and breathed it.
Seeing Voices
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to this sound-based definition. Performances of sign language music are defined culturally as music, but they do not necessarily make sound their only--or even primary--mode of transmission. How can we analyze and understand sign language music? And what can sign language music tell us about how humans engage with music more broadly? In Seeing Voices: Analyzing Sign Language Music, author Anabel Maler argues that music is best understood as culturally defined and intentionally organized movement, rather than organized sound. This re-definition of music means that sign language music, rather than being peripheral or marginal to histories and theories about music, is in fact central and crucial to our understanding of all musical expression and perception. Sign language music teaches us a great deal about how, when, and why movement becomes musical in a cultural context, and urges us to think about music as a multisensory experience that goes beyond the sense of hearing. Using a blend of tools from music theory, cognitive science, musicology, and ethnography, Maler presents the history of music in Deaf culture from the early nineteenth century and contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians. She also provides detailed analyses of a wide variety of genres of sign language music--showing how Deaf musicians create musical parameters like rhythm and melody through the movement of their bodies. The book centers the musical experience and knowledge of Deaf persons, bringing the long and rich history of sign language music to the attention of music scholars and lovers, and challenges the notion that music is transmitted from the hearing to the Deaf. Finally, Maler proposes that members of the Deaf, DeafBlind, hard-of-hearing, and signing communities have a great deal to teach us about music. As she demonstrates, sign language music shows us that the fundamental elements of music such as vocal technique, entrainment, pulse, rhythm, meter, melody, meaning, and form can thrive in visual and tactile forms of music-making.
Syrene Soundes
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false relations phenomenon, examining the cultural, literary, visual, and material understanding of such dissonances in relation to the broader culture of incongruity, surprise and error, and metaphors of harmony that captured the imagination of the English in the sixteenth and seventeenth centuries. Chan argues that interdisciplinary angles can galvanise understanding of technical musical theoretical tropes like the false relation. She demonstrates that the false relation and its graphic ephemerality can productively be explored through the lens of English Renaissance visual culture and its idiosyncratic representational strategies. By anchoring it within the milieu of the English Reformation, burgeoning aspirations towards empire, and the increasing need for a self-fashioned collective English identity, Chan reveals that the false relation was key to the mythology of an inherited English tradition of music-making. Syrene Soundes concerns itself not just with the notes on the page, but with the way that they influenced the broader culture of the time, both as the performable music they represented, as the idea of music, and as the visual, inky marks they are made of. It provides an accessible introduction to false relations which will be of use to musicologists and non-music specialists alike. Ultimately, Chan argues for the value of integrated interdisciplinary analysis in exploring the musical culture of the English Renaissance and embraces the blurring of musical, visual, material, and literary forms of expression that fed contemporary understanding of music, harmony, and falseness.
Confessions of a Gig-Goer
Confessions of a Gig-Goer is for everyone who loves the experience of live rock 'n' roll music. Author David Parker takes the reader on a nostalgic journey through 50 years of gig-going with some of the world's best bands and artists, including Led Zeppelin, Michael Jackson, Queen, REM, U2, Pink Floyd, AC/DC, Elton John, Genesis, Foo Fighters & many more. Relive the excitement, the emotion and the magic of the live gig, along with the special moments that make each concert unique.
Modern Blues Slide Guitar
Unlock the Secrets of Modern Blues Slide Guitar... in Standard TuningWant to seamlessly switch between slide and regular playing without retuning? Ready to master modern blues with a unique, versatile approach?Guided by the acclaimed modern blues-fusion guitarist Allen Hinds, Modern Blues Slide Guitar presents a revolutionary way to play expressive, cutting-edge slide guitar in standard tuning, helping you break free from the clich矇s of the genre.In Modern Blues Slide Guitar, Allen shares his most expressive slide techniques, offering tips, licks, and drills to help you unlock your full potential. You'll master right-hand muting techniques, blend fretted notes with slides, and learn how to achieve incredible intonation and control.Discover Modern Blues Slide Techniques-Without Switching TuningsYou'll quickly transform the way you approach slide guitar, whether you're playing classic blues, rock, funk, or fusion. You'll master: Dozens of Beautiful Musical Examples - That you can use in your playing immediatelySlide Muting Techniques - Gain pinpoint control over string noise with right-hand muting, keeping your playing clean and precise.Fretted Notes Behind the Slide - Learn to seamlessly blend fretted notes with the slide for a rich, multi-dimensional sound.Angled Slide Techniques - Explore a unique approach to angle the slide across adjacent strings to create unique blues licks.Hybrid Picking and Muting - Combine fingerstyle and picking for precision, clarity, and rhythmically complex grooves.Phrasing with Vocal Expression - Develop a vocal-like, expressive quality in your solos, channelling the iconic sound of Duane Allman while adding a modern twist.Advanced Rhythmic Licks - Learn to cut across grooves with blues-funk influenced slides that bring rhythm to life.Bring Your Playing to Life with Expressive, Versatile Slide GuitarStandard tuning gives you the flexibility to move between conventional playing and slide without switching guitars or tunings. Allen's method shows you how to master both worlds with ease: Intonation and Pitching Accuracy - Get your notes pitch-perfect every time with targeted exercises.Rhythmic Grooves and Special Effects - Go beyond the traditional, creating rhythmic slide patterns and experimental sounds that add depth and texture to your solos.Blues Curls and Emotional Phrasing - Infuse your playing with bluesy curls, bends, and motifs that captivate any audience.Backing Tracks and Studio-Quality Audio - Practice what you've learned with high-quality backing tracks and solo breakdowns.
Behind The Lines
In this second part of Genesis on Record, Martin Popoff, also author of multiple books on Yes and Pink Floyd, re-assembles his team of progressive rock experts to tacked the second half of the Genesis catalogue, namely: And Then There Were Three, Duke, Abacab, Genesis, Invisible Touch, We Can't Dance and finally... Calling All Stations. And defying possibility, the angles and opinions and concepts on offer are even more fresh and intriguing than those suggested in the first book. Perhaps that's because the second half of the Genesis catalogue has never been discussed this fervently and sincerely, given the band's embracing of pop conventions and the smash, multi-platinum success Phil Collins, Tony Banks and Mike Rutherford enjoyed because of it. But the bottom line is this: if you were looking to have the art across these records highlighted and validated for you, then Popoff's panel of progressive pronouncers are at your service. Indeed, Martin is confident that after you read what these guys have to say, you'll be scurrying back to the albums looking for any number of the hundreds of details celebrated in these Q&A chapters of yummy music talk.
For One Week Only!: The Norfolk and Norwich Operatic Society, 1925-2025
Explores the 100 year history of the Norfolk and Norwich Operatic Society and celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country. For One Week Only, published in time for the Norfolk and Norwich Operatic Society's centenary in January 2025, celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country. The book charts the development of the Society over a hundred years of musical theatre, British and American. Each of the almost 100 productions has its own lively, informative and socially aware essay, accompanied by photographs revealing the development of the company from its origins in 1925, as well as showing the changing faces and styles of musical theatre throughout the century. The early years of the Society favoured such continental operettas as The Marriage Market and the bewitching Sybil before a long dalliance with Gilbert and Sullivan from which it broke free after World War II, although Iolanthe returned for her third outing in 1955. The Society's fascination with operetta continued through the 1960s with such sturdy favourites as The Student Prince, The Merry Widow and Rose Marie, with an occasional recognition of the British musical, notably in the 1975 production of Ivor Novello's King's Rhapsody and in the hugely successful Betty Blue Eyes of 2024. For One Week Only explores the history of the N&N and its ongoing contribution to the arts in Norfolk. Warmly and wittily, it lifts the curtain on a story of theatrical endurance and adventure.
Entangled
Did Genesis represent the best and most classic definition of a progressive rock band? Were they the most British? What kind of personalities and sensibilities did we get out of Peter Gabriel, Phil Collins, Steve Hackett, Tony Banks and Mike Rutherford and where did all these 12-string guitars come from? What's a "Giant Hogweed" and who is "Harold the Barrel?" Finally, what the heck is The Lamb Lies Down on Broadway about, anyway?! These are some of the questions grappled with, as Martin Popoff assembles a crack team of art rock analysts to examine the early-days records of this legendary band, namely: From Genesis to Revelation Trespass Nursery Cryme Foxtrot Selling England by the Pound The Lamb Lies Down on Broadway A Trick of the Tail and finally... Wind & Wuthering Indeed, each of the above is dissected track by track with side-trips into the album covers, the productions, lyrical narratives and individual performances of note. It is the hope of the author that by the end of this fantastical excursion, the reader will have discovered multiple new layers to this intensely cerebral band, prompting a reacquaintance and subsequent richness of experience when confronted with this-let's face it-often daunting catalogue.
Rory Gallagher - The Later Years
Rather than a traditional biography, Rory Gallagher - The Later Years takes the format of a series of essays. It consists of six core sections ('In the Studio', 'On the Stage 1985-1991', 'Introducing the New Rory Gallagher Band', 'On the Stage 1992-1995', 'Ireland', 'Rory in the 21st Century') in which eighteen chapters are grouped together; however, each chapter can be read independently. Although the book's focus is squarely on 1985 to 1995, occasionally it also encompasses important earlier achievements in the 1980s that have been overlooked in previous works on Gallagher. Section 1 looks at Gallagher's three final studio albums: Jinx (1982), Defender (1987) and Fresh Evidence (1990). It also covers his session work and collaborations between 1985 to 1995. Section 2 covers the period when Gerry McAvoy and Brendan O'Neill were members of the Rory Gallagher Band. It recounts Gallagher's tours of Hungary and Yugoslavia (1985), Spain (1986) and the United States, Australia and Japan (1991), as well as headlining performances at major European festivals. Section 3 provides the first full account of Gallagher's final band members (Richard Newman, David Levy, and Mark Feltham), as well as occasional guests. Section 4 tackles the last four years of Gallagher's touring history including The Bonn Blues Festival (1992), the Montreux Jazz Festival (1994) and the final tour of 1995. Section 5 is dedicated to his many musical achievements in his homeland, including his "comeback" show at the Cork Opera House in 1987, his 1988 Irish Tour and his involvement with major Irish events and festivals, such as Lisdoonvarna (1983), Self Aid (1986) and Rock on the Lough (1989). Also the Temple Bar Blues Festival (1992)-one of Gallagher's crowning achievements-and a number of important 1992-1993 shows in Cork, including Lark by the Lee, Everyman's Theatre and the Regional Technical College Arts Festival. The book concludes with an epilogue reflecting upon Gallagher's legacy in the 21st century, particularly amongst a new generation of fans.
The Silver Snarling Trumpet
Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s--a wry, richly observed, and enlightening remembrance of "the scene" in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself--with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier. "Strange to think back on those days when it was perfectly natural that we all slept on the floor in one small room.... These were the days before practical considerations, matters of 'importance, ' began to eat our minds. We were all poets and philosophers then, until we began to wonder why we had so few concrete worries and went out to look for some." So wrote Robert Hunter in The Silver Snarling Trumpet, both a novelistic singular work of art and the missing piece of the Grateful Dead origin story. In these pages, readers are privy to the early days of Hunter, Garcia, and their cohorts, who sit at coffee shops passing around a single cup of bottomless coffee because they lacked the funds for more than one. Follow these truth-seeking souls into the stacks at Kepler's Books, renting instruments at Swain's House of Music, and through the countryside on mind-expanding road trips. Witness impromptu jams, inspired intellectual pranks, and a dialogue that is, by turns, amusing and brilliant and outrageous. Hunter shares his impressions of his first gig with Garcia for a college audience, along with descriptions of his most intense dreams and psychedelic explorations. All of it, enlivened by Hunter's visionary spirit and profound ideas about creativity and collaboration. The lost manuscript is augmented with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier, who was part of their scene in the San Francisco Bay Area that served as a bridge from the beatniks to the hippies. Also included is Hunter's own 1982 assessment of his work--about how he shared it with close confidants but then decided to leave it unpublished. Five years after Hunter's death, the text has been found, so readers and fans of Hunter's indelible poetry and song can explore the origin of his genius and his craft.
Jazz Revolutionary
Jazz Revolutionary is the first full biography of Eric Dolphy, passionately tracing his creative life from Los Angeles clubs of the late 1940s and 50s, to New York in the early 1960s, and on to Paris, where sixty years ago he died from the complications of undiagnosed diabetes. It presents an engaging examination of this innovative musician and composer, from his family background to posthumous memorials, and provides insight into his recordings both as sideman and leader.Dolphy emerged at the frontiers of post-bop and free jazz, collaborating with John Coltrane, Charles Mingus, Ornette Coleman, and Gunther Schuller, among others, during the early 1960s. This book accounts for his successes, trials, and tribulations. His critical reception is presented as an element of his career's ups and downs, ultimately leading to an attempt at a new life in Paris. The albums on which he appears are interpreted title by title, track by track, without unnecessary musical terminology or musical examples; instead of cold discographic charts, readers are brought into each recording with a descriptive prose framework reflecting Dolphy's performances on alto saxophone, flute, and bass clarinet.Eric Dolphy was perhaps jazz's first true multi-instrumentalist and a pioneer of avant-garde technique. He is also widely remembered by those who knew him as a kind, gracious human being. In Jazz Revolutionary, his artistic accomplishments, his friendships and family life, and his timeless music are brought together in one place for the first time.
Into The Light
In 1980, with their highest charting album to date, Kaleidoscope and two successful singles, 'Happy House' and 'Christine', and a packed tour schedule, Siouxsie and The Banshees are at the top of their game. Swimming in their own stream, the Banshees defy musical categorisation and are head and shoulders above their peers, with one objective: to be the best band in the world. The band's 1981 90-gig tour included 25 dates in the US, showcasing the exhilarating 'Spellbound', grotesque 'Night Shift' and the clandestine frisson of 'Into The Light', forming the sonic backbone of what is considered to be the Banshees' magnum opus, Juju, their fourth studio album, released in June 1981. Ushering in a new chapter in Siouxsie and The Banshees' evolution the opulent fifth studio album A Kiss In The Dreamhouse, marks another change in direction, and sees producer Mike Hedges superseding Kaleidoscope and Juju producer Nigel Gray. Released 5th November 1982, several days after guitarist John McGeoch is ousted from the band after two near calamitous performances at the Rock-Ola Club in Madrid, it was the album that marked a potential dip in the band's fortunes. However the Banshees regroup, calling again on the services of The Cure's Robert Smith, whose fractured relationship with his own band made the offer of becoming a touring Banshee too attractive to refuse. As for what happens next, this in-depth and authoritative account of one of the most original, creative, imaginative and mercurial bands in the history of rock music surveys the twists, turns and episodes of brilliance that define Siouxsie and The Banshees' evolution from 1980 to 1987, including ancillary ventures 'The Creatures' and 'The Glove', and the making of the albums Juju and A Kiss In The Dreamhouse, as well as Nocturne, Hyaena, Tinderbox and Through The Looking Glass.
The Routledge Companion to Jazz and Gender
The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present, in four parts: Historical Perspectives Identity and Culture Society and Education Policy and Advocacy Acknowledging the art form's troubled relationship with gender, contributors seek to define the construct to include all possible definitions--not only female and male--without binary limitations, contextualizing gender and jazz in both place and time. As gender identity becomes an increasingly important consideration in both education and scholarship, The Routledge Companion to Jazz and Gender provides a broad and inclusive resource of research for the academic community, addressing an urgent need to reconcile the construct of gender in jazz in all its forms.
The Art Song in East Asia and Australia, 1900 to 1950
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song - a solo song set to a poem in the local language in Western art music style accompanied by piano - as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.
Made in Puerto Rico
Made in Puerto Rico: Studies in Popular Music serves as a comprehensive introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Puerto Rico.
Rock Tonality Amplified
Rock Tonality Amplified presents an in-depth exploration of rock tonality. Building on several decades of research, this book develops a comprehensive music theory designed to make sense of several essential components of tonality.
