On Jazz
Few musical genres inspire the passionate devotion of jazz. Its mystique goes far beyond the melodies and rhythms, with its key players and singers discussed by aficionados with a respect that borders on reverence. Some books on jazz offer little more than theory or dry facts, thereby relinquishing the 'essence' of the music. This book is different. One of the most influential and internationally known writers on the subject describes, through vivid personal contacts, reminiscences and zesty anecdotes, his life in jazz as a player, broadcaster and observer. Alyn Shipton recalls friendships with legendary musicians, while revealing fresh discoveries about such luminaries as Fats Waller, Louis Armstrong, Count Basie, Duke Ellington, Charlie Parker, Abbey Lincoln and Geri Allen. On Jazz powerfully evokes the atmosphere of clubs and dancehalls, and takes us behind the scenes and up onto the stage, so that this electrifying world is unforgettably spotlighted as never before.
The Voice of the Rural
A moving portrait of the contemporary experiences of migrant Moroccan men. Umbria is known to most Americans for its picturesque rolling hills and medieval villages, but to the many migrant Moroccan men who travel there, Umbria is better known for the tobacco fields, construction sites, small industries, and the outdoor weekly markets where they work. Marginalized and far from their homes, these men turn to Moroccan traditions of music and poetry that evoke the countryside they have left-- l-'arubiya, or the rural. In this book, Alessandra Ciucci takes us inside the lives of Moroccan workers, unpacking the way they share a particular musical style of the rural to create a sense of home and belonging in a foreign and inhospitable nation. Along the way, she uncovers how this culture of belonging is not just the product of the struggles of migration, but also tied to the reclamation of a noble and virtuous masculine identity that is inaccessible to Moroccan migrants in Italy. The Voice of the Rural allows us to understand the contemporary experiences of migrant Moroccan men by examining their imagined relationship to the rural through sound, shedding new light on the urgent issues of migration and belonging.
Why You Like It
From the chief architect of the Pandora Radio's Music Genome Project comes a definitive and groundbreaking examination of why we respond to music the way we do. Everyone loves music. But what is it that makes music so universally beloved and have such a powerful effect on us? In this sweeping and authoritative book, Dr. Nolan Gasser--a composer, pianist, and musicologist, and the chief architect of the Music Genome Project, which powers Pandora Radio--breaks down what musical taste is, where it comes from, and what our favorite songs say about us. Dr. Gasser delves into the science, psychology, and sociology that explains why humans love music so much; how our brains process music; and why you may love Queen but your best friend loves Kiss. He sheds light on why babies can clap along to rhythmic patterns and reveals the reason behind why different cultures around the globe identify the same kinds of music as happy, sad, or scary. Using easy-to-follow notated musical scores, Dr. Gasser teaches music fans how to become engaged listeners and provides them with the tools to enhance their musical preferences. He takes readers under the hood of their favorite genres--pop, rock, jazz, hip hop, electronica, world music, and classical--and covers songs from Taylor Swift to Led Zeppelin to Kendrick Lamar to Bill Evans to Beethoven, and through their work, Dr. Gasser introduces the musical concepts behind why you hum along, tap your foot, and feel deeply. Why You Like It will teach you how to follow the musical discourse happening within a song and thereby empower your musical taste, so you will never hear music the same way again.
The ABCs of the Grateful Dead
An alphabetical history of rock 'n' roll's most iconic band...the Grateful Dead. Featuring playful rhymes and glorious illustrations, The ABCs of the Grateful Dead celebrates the band's rich and dynamic history. Each letter of the alphabet highlights a significant moment, cultural contribution, or innovation along the band's journey, from their groundbreaking release of American Beauty to their pioneering Wall of Sound, from the beloved dancing bears to their singular community of tape traders. This delightfully kaleidoscopic look back on the Grateful Dead will entertain first-time readers as well as diehard fans of all ages. The Grateful Dead is a social and musical phenomenon that grew into a genuine American treasure. In 1965, an entire generation was linked together by common ideals, gathering by the hundreds and thousands. This movement created a seamless connection between the band and its fans. As the band toured, Dead Heads would follow. Not because it was a part of popular culture, but because it is a true counterculture that exists to this very day-one that earnestly believes in the value of its beliefs. By 1995, the Grateful Dead had attracted the most concert goers in the history of the music business, and today remain one of the all-time leaders in concert ticket sales. Eventually, the caravan evolved into a community with various artists, craftsmen and entrepreneurs supplying a growing demand for merchandise that connected them to the music. Today, the connection is as strong as ever. The band was inducted into the Rock & Roll Hall Of Fame in 1994 and received a Grammy(R) Lifetime Achievement Award in 2007. Their final tally of 2,318 total concerts remains a world record. The Grateful Dead recently celebrated their 53rd top 40 album on the Billboard chart, a feat no other group has achieved.
The Meat Puppets and the Lyrics of Curt Kirkwood from Meat Puppets II to No Joke!
In The Meat Puppets and the Lyrics of Curt Kirkwood from Meat Puppets II to No Joke!, Matthew Smith-Lahrman sheds light on the words of Curt Kirkwood, founding member and songwriter of the Meat Puppets, a pioneering rock 'n' roll band of the last forty years. Smith-Lahrman covers Kirkwood's lyrics on nine albums, from 1983 to 1995, when he wrote virtually every lyric for the band. A lyricist whom Rolling Stone writer Kurt Loder once rated alongside Bob Dylan, Kirkwood remains an important, yet overlooked songwriter. The original Meat Puppets spent their early career releasing albums on the seminal indie rock label SST Records, moving on to the major label London Records in the early 1990s. Along the way they forged a unique blend of punk, country, psychedelic, and hard rock that paved the way for the grunge and alternative movements. As a lyricist, Kirkwood commonly addresses the individual psyche and behavioral expectations, drug use, mental illness, and Christianity. As the original Meat Puppets began to dissolve, Kirkwood turned to writing about personal issues: his frustrations with the major label industry, the death of his mother, the addictions of his brother, and the demise of the band itself. The Meat Puppets and the Lyrics of Curt Kirkwood from Meat Puppets II to No Joke! is the perfect work for Meat Puppets fans worldwide.
Singing with the Dogon Prophet
In the Dogon funeral proceedings, a major song cycle called baja ni is performed in a session of at least seven hours. The texts of the chants are attributed to a legendary figure called Abir?, who as a blind singer in the nineteenth century roamed the heartland of the Dogon. The baja ni songs have escaped scholarly attention thus far. Singing with the Dogon Prophet by Walter E.A. van Beek, Oumarou S. Ongoiba, and Atimε D. Saye provides their first publication in English as well as an analysis of these songs. These texts deal with the relations between man and woman, man's ambivalent dependency on the otherworld, and with life and death; the whole night performance is one of the high points of the funeral. Additionally, Abir? is a prophet, and during his life has uttered a great number of prophecies on a wide range of topics, from local issues to the relation of the Dogon with the Fulbe herdsmen, and from the arrival of the colonials to ecological transformation. This book examines how these prophecies with these songs offer an inside view of the way the Dogon construct the present in a continuous dialogue with their past and their projected future.
The Podium Papers
"The Podium Papers" is an honest and entertaining dispatch from the front lines of one of the world's most interesting and misunderstood professions. Like Anthony Bourdain in his "Kitchen Confidential," Martin Kessler takes the reader through the swinging doors and into the real 'kitchen' of the art of conducting. This non-linear memoir uses the informal essay to explore the life and work of a veteran mid-level artist, and it does so in a voice that excludes no one. It contains a surprising assortment of topics--from sex and drugs, to short-cuts taken and reputations deflated. It also offers elegant portraits of the author's colleagues and mentors, while celebrating the hard work and dedication that this unusual calling requires. Obviously, the book's strongest appeal will be for readers with an interest in classical music--from the casual listener to the seasoned professional. But like any well-written memoir, it is also a snapshot of the author's generational milieu--in this case, coming of age in the '60's and maturing in the 21st century. It should find an avid following in those locales that provide the backdrop for the arc of author's life: college at Harvard, post-graduate studies in London and Salzburg, and of course, in Cleveland and Northeast Ohio, where Mr. Kessler spent the bulk of his conducting career.
Improvising Boogie-Woogie Volume One
Improvising Boogie-Woogie Volume.1(Includes Downloadable audio)The first volume in a series of three comprehensive books to teach boogie-woogie piano.From the basics to more advanced techniques and everything in-between, this will give you the help and material you need.Everything will be covered, from the simplest left-hand pattern to right-hand riffs. It really suits a range of abilities, as it starts off easy and introduces more detail as the series progresses, growing as your skills themselves grow.If Boogie-Woogie is your thing, then this series is the most comprehensive available by far.Some examples of contentChord progressionsChords and scalesLeft-hand patternsLeft-hand techniquesRhythmic patternsWalking bass techniquesStride techniquesRight-hand vamping/compingRight-hand riffsRight-hand techniquesHow to use scalesCreating your own riffsAltering existing musicExample boogie-woogie piecesPractice IdeasIncludes Downloadable audio
The History of Hip Hop
Taboo-breaking jams. Explicit album covers. How hip hop forced America to drop its conservative lens.Discover hip hop's explosive crossover into the mainstream during the 2000s digital revolution in Eric Reese's "The History of Hip Hop: Volume 4". This book navigates an era where scrappy stars like Eminem, Outkast and Nelly evolved from raw hip hop sounds into chart-topping icons with a new pop fusion.The book maps hip hop's cultural geography-from the vibrant Atlanta scene where OutKast pioneered funk-laced rhymes, to the club-filled streets of Nelly's St. Louis where crunk danced into the mainstream. As the internet spread, barriers fell-YouTube, iTunes and streaming services took hip hop global.Insights include: Hip hop's journey from outsider to #1 musicHow digital platforms made rap accessible, unleashing its mainstream popularityThe diversification into sub-genres like crunk, trap and conscious rapMovies and TV absorbing styles and stories from the streetsThe rise of megastars like Kanye West, Lil Wayne and Jay-ZRappers driving social change by tackling injustice and politicsImmerse yourself in a pivotal era where visionaries like Eminem, OutKast and others reinvented hip hop into the culture-dominating sound of today. Feel the beat shift for a new millennium.
The History of Trap
Trap beats, pink cars and hip hop's materialistic reinvention down South.Southern struggle birthed a sound that conquered hip hop. "The History of Trap" charts trap music's underground rise and explosive pop culture breakout.Perfect for both newcomers and lifelong trap fans, you'll discover: Trap's gritty Atlanta origins - pioneers mixing stark lyrics with aggressive beatsKey innovators like T.I., Gucci Mane and Three 6 Mafia amplifying trap's soundTrap's formula - candid hood stories, booming 808s and sinister melodiesTrap exploding from niche Southern rap into a global pop culture phenomenonToday's superstars like Future, Migos and Young Thug taking trap worldwideTrap fashion/culture influencing well beyond musicSocietal commentary in lyrics reflecting life on America's toughest streetsFrom the hoods of Atlanta to running the charts and clubs, this is the definitive history of hip hop's most irresistible sound.
Bob Dylan’s New York
A walking tour and history of Bob Dylan's life and time in New York, from Greenwich Village to Woodstock.Bob Dylan's New York is a guidebook and a history of New York's key role through Dylan's lengthy career. It places Dylan's early career in the storied history of Greenwich Village, a hotbed of new developments in the arts. A contemporary of Dylan's, author Dick Weissman walked the same streets, played music in the same venues, and witnessed the growth of the folk music revival from before Dylan became popular to after the height of his impact on the music scene. The book features ten easy-to-follow walking maps and historic photographs, allowing the reader to retrace Dylan's footsteps and simultaneously experience Dylan's New York and contemporary New York. It also goes beyond the Village to include the many areas of the city where Dylan lived and worked, as well as the storied time he spent in Woodstock. Combining cultural history with personal history and anecdotes, Bob Dylan's New York illuminates the life and times of this seminal artist.
Britney: Breaking Free
She has sold more than 150 million albums, wowed sell-out audiences around the globe, and starred in iconic music videos, but Britney Spears' success has come with an unbearable price tag. This biography uncovers the story of how this church-going girl from the Deep South became an objectified teenage sensation and the princess of pop. It follows her rollercoaster existence from the top of the charts to the despair of a very public mental health crisis. Go behind the scenes of Britney's battle to free herself from her notorious conservatorship and the impact it had on this highly talented but fragile woman, whose cultural and social influence is fast approaching that of Marilyn Monroe. This book lifts the lid on the controversies that have plagued her life, covers her romances, and celebrates her many remarkable triumphs. Along the way, we learn much about show-business and society itself. As she enters her fifth decade in the relentless glare of the spotlight, this is a compelling and intimate portrait of the real Britney and brings her story up to date, revealing what will come next for this fascinating star, who has perfected the art of reinvention.
Life of Drake
Aubrey Drake Graham was born on October 24, 1986, in Toronto, Ontario. His father, Dennis Graham, is African-American and a practicing Catholic from Memphis, Tennessee, who worked as a drummer, performing alongside country musician Jerry Lee Lewis. His mother, Sandra "Sandi" Graham, is a Canadian of Ashkenazi Jewish heritage who worked as an English teacher and florist. Dennis Graham performed at Club Bluenote in Toronto, where he met Sandra Sher, who was in attendance. Drake is a dual citizen of the United States and Canada, having American citizenship due to his American father. In his youth, he attended a Jewish day school, and became a bar mitzvah.
Destination Dancefloor
A global celebration of dance music, taking in the cities responsible for the best DJs, records, and clubs Travel the world exploring the cities that have influenced dance music and DJ culture and discovering the cutting-edge scenes taking club culture in new directions. Featuring incredible photography, insider recommendations, and some of the biggest names in dance music, Destination Dancefloor reveals how DJ culture swept the globe and 40 cities where you can immerse yourself in the best electronic music culture has to offer. Whether you want to know more about the start of house music in Chicago, the club that started Berlin on the road to becoming the global epicenter of club culture, the French Touch scene in Paris that influenced the early years of Daft Punk, why Ibiza became the world's summer party destination of choice, or are looking for new destinations to add to your own clubbing bucket list, this unique book leans on Mixmag's position and expertise as one of the foremost names in club culture to present an overview of global dance music, making it a must-read for all clubbers, past, present, and future. See you on the dancefloor.
The Sonic Gaze
A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of 'white listening', drawing from black journalism, the autobiographies of Creole musicians, and the lyrics and sonic content of early jazz music emerging from New Orleans. Studying white listening orientations on the plantation, in vaudeville minstrel shows, and in cabarets, the book portrays six types of bad faith white listeners, including the white minstrel listener, the white savior listener, white hipster listener, and the white colorblind listener. Connecting critical race studies, music studies, philosophy of race and existentialism, this book is for students to learn how to critique the phenomenology of whiteness and practice decolonial listening.
What Earl Scruggs Heard
When the story of banjo superstar Earl Scruggs is told, the rich musical environment that produced him is often ignored. During his lifetime Scruggs spun a creation myth around his playing, convincing many that he was the sole originator of a three-finger, up-picking, banjo style. For the first time, this book tells the full story of the music and musicians of the western Carolinas that influenced Earl Scruggs. Based on more than 15 years of in-depth research, this book includes the story of country music recording pioneers Parker and Woolbright, Fisher Hendley and Martin Melody Boys; rare images of area music makers; and the history and development of fiddlers' conventions and radio barn dances. Together, these stories are woven into the biographies of Earl's mentors to reveal the musical atmosphere in which they developed the "three-finger picking" style that so enchanted a young Earl Scruggs.
Hearing Brazil
Minas Gerais is a state in southeastern Brazil deeply connected to the nation's slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory's development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region's "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil's unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
Hearing Brazil
Minas Gerais is a state in southeastern Brazil deeply connected to the nation's slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory's development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region's "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil's unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
Sonic Mobilities
A fascinating look at how the popular musical culture of Guangzhou expresses the city's unique cosmopolitanism. Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In Sonic Mobilities, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects mostly incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper-local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming the People's Republic of China.
Reading Franz Liszt
A look beyond the virtuosity of Romanticism's piano superstar.Pianist Paul Roberts recasts Franz Liszt as a composer of poetic feeling rather than just a purveyor of technical brilliance. Reading Franz Liszt: Revealing the Poetry behind the Piano Music immerses readers in Liszt's world through a vivid exploration of his most beloved pieces and the literature that inspired them--from Petrarch's love poetry to the sensibilities of Byron, S矇nancour, Goethe, and others. The origins of artistic inspiration can be obscure. However, for Franz Liszt, literary quotations in his scores provide fascinating insights into the sources of his creative imagination, revealing a breadth of reading that inspired some of the greatest piano music of all time.A knowledge of the writers whom Liszt revered and often quoted at length enriches an understanding and appreciation of his music. Roberts shows how Liszt in his pioneering piano works created a new concept of musical expression comparable to the emotional and dramatic power of the opera and novel. This book leads us into the essence of Liszt's poetic world, revealing the relevance of his literary inspiration for today's listeners as well as for performers coming to terms with its expressive demands.
Sun Ra: Art on Saturn
Considered the foremost exponent of Afrofuturism, Sun Ra mastered a wide array of styles that spanned jazz, R&B, exotica, Afro-hybrids, electronic, big band, solo piano, orchestral, experimental, and chamber works. In his 45-year recording career, he issued an epic number of albums and he was one of the first Black musicians to own an independent label, which he named Saturn, after the planet on which he claimed to have been born. The covers of Saturn LPs, issued from 1957 to 1988, are iconic--some rolled off commercial printing presses but many were hand-crafted. These records were sold at concerts, club dates, and by mail order. As collectibles, original handmade Saturn covers sell for hundreds, sometimes thousands, of dollars. More than just packaging for a slab of vinyl, they are works of art in their own right. Sun Ra: Art on Saturn is the first comprehensive collection of all Saturn printed covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels, decorated by Ra himself and members of his Arkestra. Essays by Sun Ra catalog preservationist Irwin Chusid, noted Ra scholar John Corbett, and Glenn Jones, who in the 1970s signed Ra to a distribution deal that put countless homemade covers into circulation, add unique insights into the interplanetary life and work of Sun Ra and his Saturn partner Alton Abraham.Historians have written extensively about Sun Ra and his music. This book is a tribute to the covers and to the uncredited visual artists and their rich imaginations. From the simple to the baroque to the absurd, the covers that sheathed Ra's discs reflect the tenaciousness of a genius who refused to compromise or relinquish control of his destiny.
Total Revolution? An Outsider History Of Hardline - From Vegan Straight Edge And Radical Animal Rights To Millenarian Mystical Muslims And Antifascist Fascism
A history of the Hardline movement - the vegan straight edge offshoot born from the late-1980s Hardcore music scene.Starting in the early 1990s, the Hardline scene drew from British predecessors to pioneer Earth and animal liberation in the US hardcore scene. With bands such as Vegan Reich and Raid that inspired Earth Crisis and helped spark the vegan straight edge scene, Hardline has remained under-analyzed and under-discussed. They pre-dated Extinction Rebellion by far but few listened. Hardliners and people inspired by Hardline engaged in numerous animal and Earth liberation direct actions in the 1990s. They founded CAFT (Campaign to Abolish the Fur Trade). They also caused enormous controversy within punk, hardcore, and straight edge scenes. This book draws from a wide range of sources to present and discuss a history of Hardline. People have accused Hardliners of fascism, sexism, racism, and misogyny without pointing toward evidence. In turn, Hardliners have, after the fact, downplayed the extent to which the movement agitated against abortion, threatened abortion doctors, and made anti-homosexuality a key pillar of their scene. Some have labeled Hardline a "sect," a "religion," or a "cult" -and, considering that the two follow-up groups to Hardline, Ahl-i Allah (People of God) and Taliyah al-Mahdi (Vanguard of the Messiah) openly identified as Shi'a while drawing from Rasta, Jewish, Taoist, and other traditions, one can understand perhaps why. Yet, until now, no one has really tried to collect the relevant sources, documents, and texts that begin a coherent and comprehensive conversation about Hardline. To what degree did they actually support a vegan dictatorship? How did they relate to The MOVE Organization (supposedly a major inspiration for the scene and a group with whom they shared a nearly identical philosophy)? How many people organized under the Hardline mantle? What did they accomplish? Why did they die out (....or did they die out)? And, perhaps most importantly, what can people working for Earth and animal liberation learn from Hardline's successes and failures? This book explores those questions and more, ultimately asking, where do you stand... and what will you do?
Fantasie in f minor Opus 103 - D 940
The Fantasia in F minor (Opus. 103 D. 940) by Franz Schubert is a piece originally composed for piano four-hands, in 1828 (from January to March). Premiered on May 9 by the composer himself and Franz Lachner, it was dedicated to the Countess Caroline Esterh獺zy (his pupil). This work is among those that were published after his death by the publishing house of Anton Diabelli, in March 1829. A very interesting article by David Humphries (Something Borrowed, in "The Musical Times" Vol. 138, No. 1853 (Jul., 1997), pp. 19-24, published by Musical Times Publications LTD), gave me the opportunity to look at this score in a much deeper way. In fact the idea that this score is related much more than expected with Mozart's Fantasia K. 608 (for Mechanical Organ) has become more and more clear. And has suggested me that a possible Organ solo piece, a convincing one, starting from this relations would have been possible. My orchestration for organ, having not a fixed registration, lets the freedon to whom that may be interested on performing it on whatever instrument to explore the different color opportunities that every instrument has. I hope that this piece will also have a new life on the Organ, showing a masterpiece that on our instrument fits marveously.
One-Track Mind
One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, these essays zig zag across the cultural landscape to present one possible history of pop music.
What I See
"Lively, lavishly assembled collection of Black Flag photos . . . Fury is palpable throughout the book--even rehearsals look like barnburners." --Los Angeles Times"Many of Friedman's photos of the band midperformance include, critically, galvanized audience members, which reinforces the idea that early punk was a social movement. Friedman . . . has been fighting the good fight with his lens for decades. What I See documents a band standing in for any artist committed to questioning rules and living with integrity." --Shelf Awareness, Starred Review What I See: The Black Flag Photographs of Glen E. Friedman is an incredible compilation of all of Friedman's most iconic and recognizable images (from 1980 to 1983), of this seminal American punk band, as well as over one hundred never-before-seen photos made during those phenomenal peak years in the group's history.The book includes a foreword by Chuck Dukowski, a cofounder and bass player of Black Flag. Friedman's own introduction to the book takes readers through his journey with the group, from the very first time he heard their music, to his perspectives on the music of the era, to the how, why, and what Black Flag was doing at the time. His words provide additional context to the imagery, explaining what drove him to create his art alongside the band.From the streets around Black Flag's single-room home base/office, rehearsing for their first album, handing out flyers, wheat-pasting posters, driving for hours to a show and returning the same night, house parties, clubs, to the big stage and the beach, Glen E. Friedman was there with his heart, soul, and most importantly his camera. In What I See, he shares with us and inspires us with these images that were made over an incredibly volatile four-year time span.
Jazz in Contemporary China
Based on interviews, conversations, and observations drawn from extensive field research, Jazz in Contemporary China: Shifting Sounds, Rising Scenes explores the current developments and conditions of Chinese jazz. Negotiating socio-political, cultural, and spatial phenomena, the author provides unique insights for understanding China's modern history through its happenings in jazz, unveiling an insider's look at the musicians and individuals who populate and propel these scenes. This first-hand perspective illuminates how jazz generates and disseminates practices of creativity and individuality in twenty-first-century China.
Let’s Perform Book One
Well known classical music themes arranged for beginning piano student. Compositions of Bach, Mozart, Beethoven, Chopin, Tchaikovsky and Grieg.
Revisiting the Historiography of Postwar Avant-Garde Music
This collection of essays delves into the historiographical traditions that have dominated how the stories of European postwar avant-garde music are told, seeking to approach commonplaces of that history writing from new perspectives.
Verdi’s Middle Period
During the middle phase of his career, 1849-59, Verdi adopted new compositional procedures to create some of his best-loved and most-performed works. Focusing on the operas he composed during this period, this volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. In addition to offering new insights into such staples as Il trovatore, La traviata, and Un ballo in maschera, Verdi's Middle Period also highlights works which have only recently begun to re-enter public consciousness, such as Stiffelio, as well as lesser-known works such as Luisa Miller and Les V礙pres siciliennes. Comprising major essays by some of the best-known Verdians of our day, as well as articles from up-and-coming scholars, this volume has much to offer readers ranging from musicologists to serious opera buffs. Contributors are Martin Chusid, Markus Engelhardt, Linda B. Fairtile, Philip Gossett, Kathleen Kuzmick Hansell, Elizabeth Hudson, James Hepokoski, Roberta Montemorra Marvin, Carlo Matteo Mossa, Roger Parker, Harold S. Powers, David Rosen, and Mary Ann Smart.
Inside Mahler’s Second Symphony: A Listener’s Guide
This guide introduces concertgoers, serious listeners, and music students to Gustav Mahler's Second Symphony, one of the composer's most popular and most powerful works. It examines the symphony from several perspectives: Mahler's struggle to create what he called the New Symphony; his innovative approaches to traditional musical form; how he addressed the daunting challenges of writing music on a monumental scale; and how he dealt with the ineluctable force of Beethoven's symphonic precedent, especially that of the Ninth Symphony. The central focus of Inside Mahler's Second Symphony is on the music itself: how it works, how it works its magic on the listener, how it translates the earnest existential concerns that motivate the symphony into powerful and highly expressive music. Beyond this, the book ushers the Listener's Guide into the digital age with 185 dedicated audio examples. They are brief, accessible, and arranged to flow from one to another to simulate how the symphony might be presented in a classroom discussion. Each movement is also presented uninterrupted, accompanied by light annotations to remind the reader of what they learned about the movement. Each musical event in the uninterrupted presentation is keyed to its location in the orchestral score to accommodate readers who may wish to refer to one. An innovative combination of in-depth analysis and multimedia exploration, Inside Mahler's Second Symphony is a remarkable introduction to a masterpiece of the symphonic repertoire.
Asante Court Music and Verbal Arts in Ghana
"Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets and a cane flute, the book includes a critical assembly of ancient song texts.
A Meeting At The Crossroads
The story of bluesman Robert Johnson and his deal with the Devil at the crossroads is one of the core myths at the heart of both blues and rock 'n' roll. In A Meeting At The Crossroads, Matt Frederick explores the history and meaning of the myth, from the Mississippi Delta to the crossroads gods of ancient times.
From Ring Shout to Bomba
Exploring sounds of the musical rhythms of the Ring Shout and the evocative textures of the Caribbean bomba song and dance, this book presents a comparative musicological and ethnomusicological work that concentrates on the parallel diasporic aspects of history, religion, and music of the Gullah/Geechee and Afro-Latin people. From Ring Shout to Bomba documents how the Gullah/Geechee community has striven to preserve their culture and history throughout the twentieth and twenty-first centuries. It carefully investigates the transcultural links among this United States community along the "Gullah Geechee Cultural Heritage Corridor" and the Afro-Latin communities from Puerto Rico, Cuba, and Brazil. From Ring Shout to Bomba offers readers past and present archival and ethnographic field research related to these communities by examining their musical and religious customs. It enables audiences to explore the African connections of the Ring Shout with the Latin American and Caribbean "call and response" syncretic religious forms found in Lucum穩, Candombl矇, and Espiritismo. This book also discusses cultural preservation techniques and reexamines the ethical aspects of both understanding and (re)interpreting Gullah/Geechee and Afro-Latin identities. Such research presents audiences with a different perspective that adds more to the constantly evolving history.
For the Record
The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rock's critiques of society and images of dystopia, rock's inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock's global reach and potential to provide hope and humanitarian assistance.
The Sonic Gaze
A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of 'white listening', drawing from black journalism, the autobiographies of Creole musicians, and the lyrics and sonic content of early jazz music emerging from New Orleans. Studying white listening orientations on the plantation, in vaudeville minstrel shows, and in cabarets, the book portrays six types of bad faith white listeners, including the white minstrel listener, the white savior listener, white hipster listener, and the white colorblind listener. Connecting critical race studies, music studies, philosophy of race and existentialism, this book is for students to learn how to critique the phenomenology of whiteness and practice decolonial listening.
Terrorized, The Collected Interviews, Volume Two
TERRORIZER WAS THE WORLD'S LEADING EXTREME MUSIC PUBLICATION FROM ITS LAUNCH IN 1993 TO ITS UNTIMELY DEMISE IN 2018. IAN GLASPER WAS ONE OF THE FEW CONSTANTS DURING THE MAGAZINE'S TWENTY-FIVE YEAR REIGN OF TERROR, AND THEIR MAIN CORRESPONDENT FOR PUNK, HARDCORE AND THRASH METAL. HERE, FOR THE VERY FIRST TIME, HE HAS COLLECTED ALL HIS INTERVIEWS TOGETHER, INTO A TWO VOLUME COLLECTION, GIVING US REAL INSIGHT INTO THE BANDS AND THE ALTERNATIVE SCENE THEY CAME FROM. TERRORIZED VOLUME TWO INCLUDES IN-DEPTH INTERVIEWS WITH KILLING JOKE, KILLSWITCH ENGAGE, KREATOR, LIAR, MADBALL, MEGADETH, MISCONDUCT, MISFITS, NAPALM DEATH, NO FX, NUCLEAR ASSAULT, OBITUARY, OFFSPRING, PENNYWISE, PRONG, RAGING SPEEDHORN, S.O.D, SACRED REICH, SEPULTURA, SHELTER, SHUTDOWN, SICK OF IT ALL, SLAPSHOT, SLAYER, SLIPKNOT, SNFU, STRIFE, SYSTEM OF A DOWN, TERROR, TESTAMENT, THERAPY?, TOTAL CHAOS, TRIVIUM, TSOL, WARZONE AND MANY MORE...
The Beatles Through Headphones
This book delves into the aural splendor of the Beatles' discography, breaking down each song and taking a close look at how the group's music sounds through headphones rather than external speakers. Mistakes, studio chatter, secret meanings and other audio esoterica are all identified and discussed. Thousands of books have been written about the Beatles' music, but this is the first to look at their discography through the prism of headphones, which yield a unique, artistic listening experience. The author argues that the Beatles should be heard through headphones to appreciate the real depth of their musical creativity and to fully understand the timeless songs that remain influential to this day.
N繹thin' But a Good Time
Now streaming on Paramount+ as an exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history--you'll feel like you were right there with us!" --Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's "We're Not Gonna Take It," M繹tley Cr羹e's "Girls, Girls, Girls," and Guns N' Roses' "Welcome to the Jungle" are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, M繹tley Cr羹e, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it.
Staging Rebellion in the Musical, Hair
This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history.
The Inconvenient Lonnie Johnson
Lonnie Johnson is a blues legend. His virtuosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. Yet Johnson mastered multiple instruments. He recorded with jazz icons such as Duke Ellington and Louis Armstrong, and he played vaudeville music, ballads, and popular songs.In this book, Julia Simon takes a closer look at Johnson's musical legacy. Considering the full body of his work, Simon presents detailed analyses of Johnson's music--his lyrics, technique, and styles--with particular attention to its sociohistorical context. Born in 1894 in New Orleans, Johnson's early experiences were shaped by French colonial understandings of race that challenge the Black-white binary. His performances call into question not only conventional understandings of race but also fixed notions of identity. Johnson was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson's music challenges us to think about not only what we recognize and value in "the blues" but also what we leave unexamined, cannot account for, or choose not to hear. The Inconvenient Lonnie Johnson provides a reassessment of Johnson's musical legacy and complicates basic assumptions about the blues, its production, and its reception.
Music for the Soul
"Informed listening demands knowledge, context, and meditative practice. Even in ideal circumstances, imparting the musical knowledge required for engaged listening is a challenge not easily met. It is refreshing to encounter a well-reasoned and clearly written guide for all those who seek to experience, understand, and share a love for classical music through informed listening." -Joan E. MacLeod, PhDInformed listening meets gentle introspection in this invitation to dive deeply into selected works of some of the great masters of Western classical music. An overview of the Baroque, Classical, and Romantic periods is presented, followed by concise yet heartfelt biographies of Albinoni, Mozart, Beethoven, Mendelssohn, Chopin, Brahms, and Dvoř獺k. The chosen works of each of these masters are the slow, heartbeat movements of concertos and symphonies. A greater understanding of each of the works is cultivated through a detailed listening guide complete with musical notation, a diagram of the musical form, and personal reflection questions for the listener.This approachable and inspiring listening guide is both a perfect introduction to classical music for new listeners and a welcome companion for those looking to enhance their music appreciation and understanding of these great works of the masters.
Jaco Pastorius
Why a third book dedicated to Jaco? More than legitimate question! The fact is that, in my opinion, not even a hundred would be enough to study a musician of such importance in depth! After publishing my collection of 60 transcripts, many colleagues asked me to write an educational book to analyze his instrumentation, his techniques, his clich矇s, his compositions and so on. Thus was born " Jaco Pastorius: Complete Study . I did my best to enclose as many topics as possible in a book with not too many pages, and I must admit that the final result was a success, with positive reviews even from famous bass players. Despite this, in the last year, the requests for further information from students and, I repeat, fellow bass players, have reached hundreds (and this makes me happy to be clear!), I therefore decided to create this sequel, hoping (as always with my utmost commitment) to do an interesting job and above all at the height of an immense character like Jaco. As always, attached to the book, there will be educational videos, audio examples, and backing tracks.
Swinging in Paradise
For almost half a century, more jazz was made in Montreal than anywhere else in Canada. Swinging in Paradise tells the story of jazz and nightlife in Montreal - from the arrival of the first black musicians from the United States; through the heady days of swing, show biz, big bands, and bebop; to the tumultuous 1960s and Montreal's unique experiments in free jazz and fusion. This is more than music history; it's a rich social history of Montreal after dark. John Gilmore spent 7 years tracking down veterans of Montreal's jazz community and weaving their memories into this fascinating history. He reveals why musicians from all over North America migrated to Montreal, and how they lived, worked, and created in the midst of organized crime, corruption, union battles, racism, and a nightclub industry hungry for music. "A hallelujah of a book" says Books in Canada. A reprint of the classic first edition, with a new afterword by the author. 70 photos.
Ain’t But a Few of Us
Despite the fact that most of jazz's major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain't But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain't But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn
