The Legacy of the Blues
Blues is a language--one which has evolved its own rules and which is the sole property of a culture always forced to the periphery of white society. As such it is a political language. Whether it is passed as a legacy from African village to Mississippi farm, or from farm to Chicago ghetto, or from ghetto to Paris cafe, it is part of a larger oral heritage that is an expression of black America. Makeshift instruments, runaway slaves, railroads, prisons, empty rooms, work gangs, blindness, and pain have all been involved in the passing of this legacy, which has moved from hand to hand like a bottle of whiskey among friends and which now, for whatever reasons, seems faced with extinction. As Lightnin' Hopkins says: "I see a few young musicians coming along. But it's not many. It's not many at all, and the few that is--I'll tell you, you know what I mean, they don't have it. They just don't feel it. . . . I never had that trouble. I had the one thing you need to be a blues singer. I was born with the blues."With an awareness of the urgency involved, and with considerable devotion, Samuel Charters has chosen twelve major bluesmen, each whom represents a major facet of the blues, and has written about them. Rather than adopt the voyeuristic tone of the academician, he has used the direct visceral images that have always composed the blues. Also included are interviews, photographs, lyrics, and separate chapters on the black experience in America, and the evolution of the blues language from its African origins. Samuel Charters has renewed contact with the greatness of the blues legacy--from the haunting lyric songs of the bluesmen like Robert Pete Williams and Lightnin' Hopkins to the fiercely joyous shouts of Champion Jack Depree, Memphis Slim, and Mighty Joe Young.
Wagner on Music and Drama
A compendium of Richard Wagner's prose works. Selected and arranged, and with an introduction by Albert Goldman and Evert Sprinchorn
Free Jazz PB
"Neither in Europe, nor in the States, has anyone published a volume dealing with contemporary jazz problems in such a concise and detailed manner."--Jazz Forum When originally published in 1974, Ekkehard Jost's Free Jazz was the first examination of the new music of such innovators as Sun Ra, Ornette Coleman, and the Art Ensemble of Chicago. Jost studied the music (not the lives) of a selection of musicians-black jazz artists who pioneered a new form of African American music-to arrive at the most in-depth look so far at the phenomenon of free jazz. Free jazz is not absolutely free, as Jost is at pains to point out. As each convention of the old music was abrogated, new conventions arose, whether they were rhythmic, melodic, tonal, or compositional, Coltrane's move into modal music was governed by different principles than Coleman's melodic excursions; Sun Ra's attention to texture and rhythm created an entirely different big bang sound then had Mingus's attention to form.In Free Jazz, Jost paints a group of ten "style portraits"-musical images of the styles and techniques of John Coltrane, Charles Mingus, Ornette Coleman, Cecil Taylor, Archie Shepp, Albert Ayler, Don Cherry, the Chicago-based AACM (which included Richard Abrams, Joseph Jarman, Roscoe Mitchell, Lester Bowie, Anthony Braxton, and the Art Ensemble of Chicago), and Sun Ra and his Arkestra. As a composite picture of some of the most compelling music of the 1960s and '70s, Free Jazz is unequalled for the depth and clarity of its analysis and its even handed approach.
Bird
More than to any other musician, the credit for the birth of modern jazz belongs to Charles "Yardbird" Parker--known to his friends and fans simply as "Bird."Parker's virtuoso technique, melodic genius, and inspired improvisations helped launch a whole new era in jazz, an era that began with bop and culminated in the "cool" or modern jazz of the fifties. His brilliant handling of the alto saxophone inspired a generation of jazz musicians; without him, there would have been no John Coltrane, no Ornette Coleman, no jazz as we know it today.Parker died in 1955 at the age of thirty-five. He left behind a rich legacy of musical innovation and a legend of self-destructive dissipation that made him a votive hero of the hipsters and the beat generation. For this first full-length reminiscence, Reisner interviewed eighty-one of Parker's friends, relatives, and fellow performers. From Charlie Mingus, one of the few real innovators since Bird, and Dizzy Gillespie, whom Parker once called "the other half of my heart," to jazz historian Rudi Blesh and Parker's mother, each remembers Bird in his or her own special way.Thus from the shards and splinters of firsthand reminiscence emerges a telling mosaic of Parker's brief but intense career: the indulgences in drugs and alcohol; the legendary bouts of lovemaking; the temperamental behavior on and off the bandstand; the jam sessions at the Harlem jazz club Minton's Playhouse with Miles Davis, Dizzy Gillespie, and Thelonious Monk; and the historic firing from Birdland, the club which took its name from this larger-than-life musician and man.
Celtic Music
Celtic music means many things to many people. To some it recalls the Irish rebel songs of the Clancy Brothers, to others the ensemble playing of the Chieftains or Enya's ethereal vocals. Yet Celtic music is much more than reels, jigs, and sentimental ballads. It is also unaccompanied singing, feverish fiddle tunes, the sweet strains of the Irish uileann pipes. It comes not just from Ireland and Scotland but from Wales, Brittany, the Isle of Man, and Cornwall. It informs the musical roots of Van Morrison and U2, the performances of Riverdance, and the scores for such films as Braveheart and Titanic. Celtic Music explores all aspects of this music-from its roots to the exciting developments on the contemporary scene. Sawyers profiles hundreds of artists, and compiles suggestions for recommended listening as well as the one hundred essential Celtic recordings. Lists of Celtic festivals and publications are also included, together with record outlets, record labels, and music schools, making this book essential for all lovers of the music.
The Dylan Companion
"To this day, wherever great rock music is being made, there is the shadow of Bob Dylan," said Bruce Springsteen at the induction of Dylan into the Rock and Roll Hall of Fame in 1988. Or to quote John Rockwell, "Anyone who didn't live through the sixties simply cannot realize how important his albums seemed then; they defined a community." Dylan is a musical, literary, political, and religious icon whose lyrics and mystique have spawned countless articles and books. The Dylan Companion is a generous helping of the best, most pungent, and most insightful commentary on Dylan from all phases of his career right up to the present: personal recollections and professional assessments from the likes of Ken Kesey, Greil Marcus, Joan Baez, Andrew Motion, Lester Bangs, Kurt Loder, Allen Ginsberg, Pauline Kael, Geoff Dyer, Simon Winchester, and Robert Christgau -- over fifty pieces celebrating the sixty-year-old performer who somehow manages to stay forever young.
Bowie Comp PB
Despite his vast influence and perennial popularity, David Bowie remains one of the most elusive figures in rock, and few books have taken a serious look at his remarkable career. The Bowie Companion provides an entertaining overview of nearly three decades of popular culture commentary, giving full weight to his stage, screen, and musical careers. From both American and English publications, the editors have come up with some astonishing selections, and have added to them a slew of new material. Included are the words of Patti Smith, Anne Rice, Jon Savage, William Burroughs, Lester Bangs, Marc Bolan, Simon Frith, Pauline Kael, John Rockwell, and Ellen Willis, among others. Together with a lengthy introduction, a select discography, and an extensive bibliography, they make up a book that is a must for Bowie fans, and a perfect companion for anyone interested in the phenomenon of pop stardom.
The Accidental Evolution of Rock ’n’ Roll
History, jokebook, buying guide, book of lists, and treatise all rolled into one, The Accidental Evolution of Rock'n'Roll is most of all a joyride through the wildest music ever made. Whether discussing Def Leppard or Nirvana, Vanilla Ice or Public Enemy, Donna Summer or Bob Dylan, Chuck Eddy is an unparalleled master at deciphering unknown tongues and disentangling musical accidents. In this lavishly and hilariously illustrated book, he reveals the roots of rap, disco, power ballads, bubblegum, suburban country, and noise-rock; why selling out is good and honesty is never what it seems; the similarities between disco and garage rock and between reggae and heavy metal; whether songs can ever really "mean" anything; what math rock has in common with amputation rock and orgasm rock; and much, much more. By eventually encompassing the whole wacky world of popular music, this book is destined to change it forever.
The Magic of Opera
Among the many introductions to opera, this is perhaps the best. J. Merrill Knapp, Professor Emeritus at Princeton University, divides his subject into two parts: In the first, he discusses the structure, production, theatrical conventions, and esthetics of opera; in the second, he features biographies of the major composers and cogent analyses of exemplary qualities in their works. "Opera should have a wide appeal," says Knapp in his Preface. "In the past too many sensible people have associated it with diamond tiaras, exclusive theater boxes, opening night social snobbery, and haughty prima donnas. For more understanding and knowledge are needed to get rid of these past impressions and to prove that opera is both within the comprehension of the ordinary person and worthy of high aspiration and serious study." This book will open ears and change minds. It is the ideal foundation for anyone curious about-or already in love with-the magical world of opera.
Faces in the Crowd
In Faces in the Crowd Gary Giddins explores the achievements of thirty-seven artists, ranging from Irving Berlin to Spike Lee, Billie Holiday to Kay Starr, Louis Armstrong to Miles Davis, Elias Canetti to Philip Roth. He shows how Jack Benny revolutionized comedy; assesses the hardboiled fiction of James M.Cain, Raymond Chandler, and Elmore Leonard; recounts how he uncovered the true birthdate of Louis Armstrong; chats with Clint Eastwood about Charlie Parker. And, of course, he writes with authority on the great jazz musicians. This provocative and entertaining collection reveals why Gary Giddins has become one of the most influential critics of his generation.
World of Count Basie PB
The late Count Basie is one of the jazz immortals. The master of swing, whose beat was the subtlest and supplest of all the bandleaders, Basie featured some of the great soloists in jazz history while he sat unobtrusively at the piano, keeping time with his unmatched rhythm section, showing off the surging power of his brass players, and commenting wittily with a single chord or phrase. A man and musician of reserve and modesty, Basie nonetheless will always be a landmark for his won achievements and for the jazz musicians who passed through his band. In this sociable and pioneering oral history of Basie and his band, Stanley Dance talks with the Count himself, Jimmy Rushing, Buddy Tate, Buck Clayton, Joe Williams, Jay McShann, Jo Jones, Dicky Wells, Lester Young, and a dozen others, who reminisce about each other, Kansas City jazz, and their legendary peers Billie Holiday and Charlie Parker. With a rich flow of anecdote, opinion, and biographical information--and with striking photographs--this history both documents and assesses the legacy of Basie for American music.
Cole Porter
In 1933 Irving Berlin wrote to composer-lyricist Cole Porter, "I am mad about Night and Day." Millions of others throughout the world have been "mad about" that Porter gem, as well as dozens of others, including, to name just a few, Begin the Beguine, From This Moment On, It's De-Lovely, Just One of Those Things, Love for Sale, and My Heart Belongs to Daddy. Cole Porter (1891-1964) set new standards for popular song-writing, and his lyrics and melodies are as bright and sophisticated today as when they first dazzled audiences decades ago. Porter's own life matched that of his songs for urbanity, wit, and elegance, and in New York, Hollywood, and on the Continent he was an arbiter of taste and fashion and part of the glamorous international set of the Twenties and Thirties. He numbered among his friends Cary Grant, Noel Coward, Fred Astaire, Ethel Merman, Elsa Maxwell, Fanny Brice, and Monty Woolley, as well as many other stars of stage, screen, or society. Cole Porter: A Biography is a delightfully written and meticulously researched book that takes us from the composer's Indiana childhood to his celebrity days, discussing with exceptional honesty his family and friends, his wife and his many lovers, and above all, his music. Charles Schwartz's account of Cole Porter is the most revealing, comprehensive, and objective biography to date of an extraordinarily talented and fascinating man.
Glenn Miller & His Orchestra
Moonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood... These and other memorable tunes endeared Glenn Miller to millions in the Swing Era and all who recall those times. After playing trombone and arranging for leading orchestras of the Dorsey brothers, Ray Noble, Ben Pollack, and Red Nichols, Glenn Miller formed his own "sweet" band, which from 1938 to 1942 achieved widespread popularity second only to Benny Goodman's. Miller learned all he could from these and other bands like Jimmie Lunceford's and Artie Shaw's, going on to create a uniquely rich sound with clarinet over four saxes and four trombones ("three-part harmony sounds too thin," he once exclaimed). Simon tells of both the successes and hard times of Miller's illustrious career, up to his celebrated Army Air Force band and his untimely death.
Riding on a Blue Note
Gary Giddins, winner of the 1998 National Book Critics Circle Award, has a following that includes not only jazz enthusiasts but also pop music fans of every stripe. Writing here in a lyrical and celebratory style all his own, Giddins dazzlingly shows us among many other things how performers originally perceived as radical (Bing Crosby, Count Basie, Elvis Presley) became conservative institutions . . . how Charlie Parker created a masterpiece from the strain of an inane ditty . . . how the Dominoes helped combine church ritual with pop music . . . and how Irving Berlin translated a chiaroscuro of Lower East Side minorities into imperishable songs.
Eric Clapton
Eric Clapton's position as the world's greatest rock guitarist is unlikely to change in our lifetime. His career over the past four decades has been closely followed by millions of fans, as a member of the influential Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, Derek and the Dominoes, and for many years as a highly successful solo artist. He has a vast catalogue behind him. His rise to guitar hero in the 60s led to a much documented involvement with drugs. The historic Rainbow concert marked the beginning of his return. His turbulent marriage to Patti Boyd was another media favorite. Ultimately it is Clapton's music and complete mastery of the electric guitar which is his most important attribute. Unavailable for several years, Shapiro's earlier study, Slowhand, established itself as one of the classics of rock biography. Here the life is fully reappraised and brought up-to-date to cover the tragic death of Clapton's son, Conor, in 1991 and includes a complete discography and many previously unpublished photographs.
Body and Soul: The Making of American Modernism
In this book Robert Crunden puts the "jazz" back in the Jazz Age. Jazz was America's greatest contribution to the Modernist movement, yet it is much overlooked. When we hear the term "Jazz Age," we conjure the ghosts of Fitzgerald, Hemingway, and Eliot, not Jelly Roll Morton, Louis Armstrong, Ethel Waters, George Gershwin, and Duke Ellington. In order to correct this imbalance, Crunden re-introduces us to these musical luminaries who gave the era its name as he traces the early history of jazz from New Orleans to Chicago to New York. While Crunden emphasizes music over literature and the visual arts, he never fails to map the complex cross-currents of literature that passed between jazz musicians and their "Lost Generation" peers, a veritable pageant of the glittering personalities of the day-James Joyce, Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, John Dos Passos, Langston Hughes, Gertrude Stein.
The Da Capo Book of Rock & Roll
Since the early days of rock 'n' roll--since Elvis Presley came out of Memphis to startle the world--a whole body of writing has grown up around it, from the album notes to obituaries, from on-the-road insider tales to dissections of the meaning behind the meaning. The Da Capo Book of Rock & Roll Writing presents the very best of this writing, on the best of the music: the Beatles, Elvis, Bruce Springsteen, the Sex Pistols, Bob Dylan, Jim Morrison, Janis Joplin, and countless others. Part history, part literature, part reference book--part hyperbole and part disillusionment--The Da Capo Book of Rock & Roll Writing is an extraordinary tribute to one of the great creative achievements of the century: rock & roll. And where else can you find "The First Tycoon of Teen" by Tom Wolfe "In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock" by Lester Bangs "What the Sixties Had That the Eighties Don't Have" by Paul Williams "You and the Boss" by Tama Janowitz
Jim Bob from Carter
After the break-up of Carter USM, Jim Bob goes in search of who he is, while constantly being reminded who he was. Whether performing solo acoustic ballads, writing novels or acting in a musical, he will always be - Jim Bob from Carter. At first Jim views his past as a burden, but gradually he comes to accept, and eventually to celebrate it. This is the story of Jim's extended gap year between the end of Carter in 1997, to their reformation in 2007 and break-up again in 2014. Find out how bands choose their names, what it's like to be sworn at by Ian Dury, how it feels to discover yourself on a pub trivia machine under the category: 'Where are they now?' And why there isn't a prime time Saturday night TV show called Britain's Got Authors.
Sounds Like An Ending
In 1982, Midnight Oil was a band in trouble. Their last album, Place Without a Postcard, was supposed to be their big breakthrough but it hadn't worked out that way. So they found themselves in London, feeling the pressure of recording what was a "make or break" album. Members threatened to leave, others had nervous breakdowns and the ANZ bank manager back home was sweating as he watched the overdraft he'd approved for the band get bigger and bigger.If this album went the same way as the last one, it could be the end of Midnight Oil. Out of the crisis came 10,9,8,7,6,5,4,3,2,1, an album that changed everything for the band. It entered the charts and stayed there for more than three years. They started playing bigger venues - and they were able to pay back the bank manager.Two years later, they headed to Japan to record the polarising Red Sails in the Sunset. It managed to do what 10-1 couldn't - give the band their first No1 album. But again the band found themselves facing the possibility it could all be over, courtesy of lead singer Peter Garrett's tilt at federal politics. If he wins, the band loses.In Sounds Like an Ending, journalist and author Glen Humphries takes a track-by-track look at these two albums and the times and turmoil that fuelled them. That includes wondering whether the 10-1 title was a sly dig at a certain Australian music TV show, finding out the stories behind some of the songs and explaining what's really happening on the cover of Red Sails in the Sunset.
175 Musical Programmes
Music is the very spread form of art, which enchanted the human society from very early times.Based on sound as medium, on common elements as pitch, rhythm, dynamics and on sonic qualities as timbre and texture, the music completed and enriched the life of people being a natural part of their development.Classical music is a general term about the secular and religious art music of the Western music of the broad stretch of time from the years of 11th century to the present day, which includes more periods: medieval (1100-1400 years), renaissance (1400-1600 years), baroque (1600-1750 years), classical (1750-1820 years) romanticism (1800-1910 years)Classical music composers of great renown are: Antonio Vivaldi, Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Gioachino Rossini, Felix Mendelssohn, Fr矇d矇ric Chopin, Richard Wagner, Giuseppe Verdi, Johann Strauss, Johannes Brahms, Georges Bizet, Pyotr Ilyich Tchaikovsky, Anton穩n Dvoř獺k, Edvard Grieg, Edward Elgar, Sergei Rachmaninoff, George Gershwin, Aram KhachaturianTheir works and others' are subjects of the one hundred and seventy-five enjoyable musical programmes from this book. Bring them to life! Irina Rabeja - ArtFolkSch MEE DCSc WorldWho'sWho
Woodstock Faq
A celebration of the legendary music festival--and artists--that sparked a cultural movement.
Elton John Faq
In a career spanning five decades, Elton John has sold over 250 million records worldwide and has appeared in nearly 4 000 live performances. Inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, the Grammy, Oscar, and Tony Award-winning singer-songwriter is the most successful solo artist Great Britain has ever produced and the third-most successful artist overall in American music history (behind only Elvis Presley and the Beatles). Elton John FAQ: All That's Left to Know About the Rocket Man chronicles the music legend's entire career to date. Beginning with his humble, and at times disheartening, childhood in the North London suburb of Pinner, readers are privy to the serendipitous meeting between John and lyricist Bernie Taupin, with whom he'd form a songwriting partnership that would ultimately rank alongside Lennon and McCartney in its success. Investigating the highs and lows throughout each of John's musical phases and sartorial changes, the book underscores not only the talent behind the legend but the unvarnished truth behind tales that are familiar only to diehard fans.
Die Zauberfl繹te - Die beliebtesten Opern
Die Zauberfl繹te ist eine Oper in zwei Aufz羹gen, die 1791 im Freihaustheater in Wien uraufgef羹hrt wurde. Das Libretto stammt von Emanuel Schikaneder, die Musik komponierte Wolfgang Amadeus Mozart. Zur Handlung: Der junge Prinz Tamino wird von der K繹nigin der Nacht ausgesandt, um ihre Tochter Pamina zu retten, die vom F羹rsten Sarastro entf羹hrt wurde. Der Vogelf瓣nger Papageno wird Tamino zur Seite gestellt. Tamino erh瓣lt eine Zauberfl繹te, Papageno ein magisches Glockenspiel, beides von den bis jetzt noch freundlichen Drei Damen der K繹nigin der Nacht. Sie brechen auf, um Pamina zu befreien. Papageno findet Pamina in Sarastros Reich und berichtet ihr, dass der verliebte Tamino zu ihrer Rettung aufgebrochen ist. Sie wollen fliehen, um Tamino entgegenzueilen, treffen dabei jedoch auf Monostatos, dem sie mit Hilfe des Glockenspiels entkommen.... Emanuel Schikaneder (1751-1812) war Schauspieler, S瓣nger, Regisseur, Dichter und Theaterdirektor. Wolfgang Amadeus Mozart (1756-1791), war ein Komponist der Wiener Klassik. Sein umfangreiches Werk genie?t weltweite Popularit瓣t und geh繹rt zum bedeutendsten im Repertoire klassischer Musik (Die Hochzeit des Figaro, Die Zauberfl繹te, Don Giovanni, Eine kleine Nachtmusik, Requiem...)
Waylon
From his earliest recordings to his posthumously released albums, the haunting baritone of Waylon Jennings marked him as an extraordinarily individualistic country music artist. This biography by the late R. Serge Denisoff, first published in 1983, recounts Waylon's west Texas upbringing, his introduction to music as a radio announcer at thirteen years old, his tutelage by rock star Buddy Holly, and his eventual stellar yet stormy music career. Where the original 1983 biography ends, music scholar Travis Stimeling picks up with the waning years of Waylon's recording and performing. Stimeling recounts in the new afterword Waylon's continued musical success in the early 1980s--though his financial troubles and battle with drugs and alcohol would soon cost him both professionally and personally--his triumphant and sober return in the 1990s and collaboration with longtime recording artists in the industry, and his continued musical relevance in an evolving industry driven by Nashville's urban popularization of country music. Additionally, series editor Ted Olson, in his foreword, touches on Waylon's legacy and the continued influence of his outlaw style of country music. Fans of Waylon, country music, and the Nashville music scene are sure to find this second edition of R. Serge Denisoff's classic biography a welcome addition to the publications on the father of outlaw country.
Notes and Tones
Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the '60s and '70s-including:
The Queen’s Throat
This passionate love letter to opera, lavishly praised and nominated for a National Book Critics Circle Award when it was first published, is now firmly established as a cult classic. In a learned, moving, and sparklingly witty melange of criticism, subversion, and homage, Wayne Koestenbaum illuminates mysteries of fandom and obsession, and has created an exuberant work of personal meditation and cultural history.
Rapthology
A revelatory work of non-fiction from one of the most popular and influential musicians of today: part autobiography, part guide to creativity, and part cultural history.What makes a song work? What element causes us to stop, to listen, to listen again? Is it a melody? Is it a beat? Is it the words that are sung, or spoken? Is it what they speak to in us? Is it a combination of all of the above?Wretch 32 is one of the most influential musicians at work in Britain today. He is also a lyricist of unparalleled ability, and an advocate of music as a tool to educate as well as to entertain. In an age of unprecedented social and political change, Wretch's music stands as a medium of protest and of progress, helping to explain and shape a new era.Rapthology is an anthology of the songs that have shaped Wretch, and our society, over the last 30 years, from gospel music to dancehall anthems to the most innovative emerging young voices. Step by step, Wretch explains what each song means to him, why it matters and how it has become so popular, and so powerful.In Rapthology, Wretch also provides a lesson in lyric writing, taking us through his own creative process, from the first flashes of inspiration to final edits and improvisation. The result is a groundbreaking autobiography, a guidebook to the music that matters, and an insight into the artistic practices of one of the most inspiring artists of a generation.
Crosby, Stills, Nash and Young
"In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history.... an authoritative chronicle." --Publishers WeeklyThe first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--"Wooden Ships," "Suite: Judy Blue Eyes," "After the Gold Rush," "For What It's Worth" (with Stills and Young's Buffalo Springfield), "Love the One You're With," "Long Time Gone," "Just a Song Before I Go," "Southern Cross"--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.
Rescue Songs
Rescue Songs - by one hundred popular composers and gifted song song writers - specially fitted for rescue missions and meetings, rescue workers and evangelists, and revival services is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Songs of the Mercy Seat
Songs of the Mercy Seat is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Voice of Melody
Voice of Melody - A choice collection of hymn tunes, for choirs, prayer-meetings, congregations, and family use is an unchanged, high-quality reprint of the original edition of 1860. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Songs of Love and Praise
Songs of Love and Praise - For Use in Meetings for Christian Worship or Work is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Peacemaker
Peacemaker - A collection of sacred songs and hymns for use in all services of the church, Sunday school, home circle is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Fortunate Son
Elvis Presley was celebrity's perfect storm. His sole but substantial contribution was talent, a fact Charles L. Ponce de Leon is careful to demonstrate throughout his wonderfully contextual Fortunate Son. Even as the moments of lucidity necessary to exercise that talent grew rarer and rarer, Elvis proved his musical gifts right up to the end of his life. Beyond that, however, he was fortune's child. Fortunate Son succinctly traces out the larger shifts that repeatedly redefined the cultural landscape during the 1950s, 1960s, and 1970s, using Elvis's life to present a brief history of American popular culture during these tumultuous decades.
The Whole Book of Psalms
The Whole Book of Psalms - Collected Into English Metre is an unchanged, high-quality reprint of the original edition of 1762. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Tom Petty Southern Accents
By 1985 Tom Petty had already obtained legendary status. He had fame. He had money. But he was restless, hoping to stretch his artistry beyond the confining format of songs like "The Waiting" and "Refugee." Petty's response to his restlessness was Southern Accents. Initially conceived as a concept album about the American South, Southern Accents's marathon recording sessions were marred by aesthetic and narcotic excess. The result is a hodgepodge of classic rock songs mixed with nearly unlistenable 80s music. Then, while touring for the album, Petty made extensive use of the iconography of the American Confederacy, something he soon came to regret. Despite its artistic failure and public controversy, Southern Accents was a pivot point for Petty. Reeling from the defeat, Petty reimagined himself as deeply, almost mythically, Californian, obtaining his biggest success with Full Moon Fever. Michael Washburn explores the history of Southern Accents and how it sparked Petty's reinvention. Washburn also examines how the record both grew out of and reinforced enduring but flawed assumptions about Southern culture and the Lost Cause of the Confederacy.
Jimmy Page
An in-depth biography of Led Zeppelin guitarist Jimmy Page by the acclaimed biographer of Bob Marley and Joe Strummer, based upon the author's extensive research and interviews The original enigmatic rock star, Jimmy Page is a mass of contradictions. A towering presence in the guitar world and one of the most revered rock guitarists of all time, in private he is reclusive and mysterious, retiring and given to esoteric interests. Over the decades he has exchanged few words to the press given the level of his fame, and an abiding interest in the demonic and supernatural has only made the myth more potent. But in the midst of this maelstrom, who was Jimmy Page? Rock journalist Chris Salewicz has conducted numerous interviews with Page over the years and has created the first portrait of the guitarist that can be called definitive, penetrating the shadows that surround him to reveal the fascinating man who dwells within the rock legend.
Atlanta Pop in the ’50s, ’60s and ’70s
Go inside the people and places that made Atlanta the pop music capital of the United States in the second half of the 20th century.Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, producti
Twilight of the Gods
National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selectionThe author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.Since the late 1960s, a legendary cadre of artists--including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who--has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock's greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.Twilight of the Gods is also Hyden's story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music--are they ephemeral or eternal?
Elton John
As Elton John finishes his final tour, this updated, fully revised biography pays tribute to the groundbreaking, socially conscious musician. Meticulously researched and drawing on many new original interviews with friends and associates, Elton John is the first serious, but also page-turningly entertaining, biography of the Queen Mum of Pop. It's now cool to acknowledge John's enormous influence on the music business, his impact on the struggle for LGBTQ rights, and his efforts to fight AIDS. Fully revised and updated, this is the definitive look at a showbiz legend.
Reggae Island
Within this book over fifty contemporary reggae artists and producers--ranging from Cultural Roots to Dancehall, and including Buju Banton, Shabba Ranks, Tony Rebel, Burning Spear, Bunny Wailer, Judy Mowatt, Oku Onuora, Junior Reid, Ken Boothe, Sister Carol, and Third World--present their views on the state of reggae music today, its developments since the death of Bob Marley over a decade ago, and the directions in which the music is evolving. Their voices interact with over 150 photographs of reggae artists and island life to reveal the thriving rhythm and pulse of Jamaican music and culture in the '90s.
The Heart of Rock & Soul
In The Heart of Rock & Soul, veteran rock critic Dave Marsh offers a polemical guide to the 1,001 greatest rock and soul singles ever made, encompassing rock, metal, R&B, disco, folk, funk, punk, reggae, rap, soul, country, and any other music that has made a difference over the past fifty years. The illuminating essays--complete with music history, social commentary, and personal appraisals--double as a mini-history of popular music. Here you will find singles by artists as wide-ranging as Aretha Franklin, George Jones, Roy Orbison, the Sex Pistols, Madonna, Run-D.M.C., and Van Halen. Featuring a new preface that covers the hits--and misses--of the '90s, The Heart of Rock & Soul remains as provocative, passionate, and timeless as the music it praises.
Hip Hop Raised Me
In 2008, with help from Jay-Z and Puff, Barack Obama got the hip hop vote, and became the first African American to be elected president. For a brief moment, the "Audacity of Hope" seemed attainable. The 2014 Ferguson riots signaled the end of that hope, and in 2016 the hip hop community had to grapple with the election of Donald J. Trump as Obama's successor. Now more than ever, hip hop artists such as J. Cole and Kendrick Lamar are the voice of the voiceless.In the new, updated compact edition of Hip Hop Raised Me., DJ Semtex examines the crucial role of hip hop in society and reflects on the positive influence it has had on his own life, and the lives of disaffected youths from generation after generation. Featuring specially commissioned photography and seminal interviews he conducted with key artists such as Jay-Z, Kanye West, Eminem, Drake, Nicki Minaj, and Nas, Semtex traces the course of hip hop from its origins in the early 1970s through its breakthrough to the mainstream and the advent of gangsta rap in the late 1980s to the global industry that it has become today.
The Acoustic Rock Masters
This great book with online audio lets you explore the work of ten guitar heroes who span the entire acoustic-rock spectrum: Neil Young, Dave Matthews, Eagles, Tom Petty, Keith Richards, Paul Simon, Peter Buck, George Harrison, James Taylor and Pete Townshend. You'll discover the secrets of their picking and fingering styles, learn how they played their most famous lines, find out how they forged their unique styles, and get tips on miking and recording. The accompanying audio walks you note by note through licks that characterize the signature sounds of these world-class musicians. Just as these guitar greats have inspired one another, this book will inspire you.
All Music Guide to Country
The only complete guide to country music, performers and first-rate recordings, this easy-to-use book leads country lovers to the cream of the crop in all styles, from the 1920s hillbilly music to today's crossover craze with rock and pop. Covers over 1 000 artists and more than 5 500 of their best albums.
Celtic Music
This comprehensive guidebook covers all that is Celtic in music today, through essays exploring solo artists, bands, singers, and players of specialized instruments, such as harps, pipes, fiddles, drums, squeezeboxes, whistles, mandolins and more. Performers profiled range from the rock-influenced group Clannad, to Welsh band Ar Log, Brittany group Gwerz, singer Christie Moore, harpist/piper/singer Alan Stivell, and many more! Reviews guide readers to the essential recordings, as well as unexpected, genre-expanding discoveries for any new or established Celtic collection.
Rollin’ and Tumblin’
ROLLIN' AND TUMBLIN' - THE POSTWAR BLUES GUITARISTS
