Hommage to Paderewski
(BH Piano). In 1942, Boosey & Hawkes published a collection of piano pieces dedicated to Ignacy Jan Paderewski (1860-1941) written by his friends and pupils. Out of print for years, Boosey & Hawkes has released a newly engraved edition. 16 pieces with an historical introduction. Includes piano solo pieces by Bela Bartok, Bohuslav Martinu, Darius Milhaud, Jaromir Weinberger, and more. Contents: BARTOK: Three Hungarian Folk-Tunes * BENJAMIN: Elegiac Mazurka * CHANLER: Aftermath * LABUNSKI: Threnody * CASTELNUOVO-TEDESCO: Hommage a Paderewski * MILHAUD: Choral * GOOSSENS: Homage * HAMMOND: Dance * NIN-CULMELL: In Memoriam Paderewski * MARTINU: Mazurka * WHITHORNE: Hommage * RIETI: Allegro Danzante * SCHELLING: (No Title) * STOJOWSKI: Cradle Song * RATHAUS: Kujawiak * WEINBERGER: Etude in G Major
Bible Of Butchery
Coming this fall, the first-ever official authorized biography of Cannibal Corpse. Written by Joel McIver, author of Justice For All: The Truth About Metallica and biographies on Black Sabbath, Slayer, Slipknot, and Queens Of The Stone Age, Bible Of Butchery - Cannibal Corpse: The Official Biography contains over 150 pages loaded with photos from the band's collection, stories from each band member, and insights into what makes the world's most successful death metal band tick.
Prog Rock Faq
PROG ROCK FAQ: ALL THAT'S LEFT TO KNOW ABOUT ROCK'S MOST PROGRESSIVE MUSIC
One Direction
One Direction: One & Only, an unofficial biography. From X-Factor to wow-factor: adored at home and provoking a Beatlemania-style reaction in the US and Canada - the boys have conquered the world! Who would have known that after placing third on the talent show, they would go on to inspire such crazed devotion in millions of adoring fans? With a global breakthrough undeniably helped by social media and phenomenally successful debut single 'What Makes You Beautiful', the five lads fulfil a still-present need for cute, clean cut, wholesome pop music. Awesome pics and inspirational text chart their extraordinary rise to fame.
Hip Hop Family Tree 1970s-1983
To celebrate the resounding critical and commercial success of the first two volumes of Ed Piskor's unprecedented history of Hip Hop, we are offering the two books, volumes 1 and 2 of the series, in a mind-blowingly colorful slipcase, drawn and designed by the artist. As if that's not enough, in addition to the two books and the slipcase itself, Piskor has drawn a 24-page comic book -- Hip Hop Family Tree #300 -- specifically for this boxed set that elegantly reflects the confluence of hip hop and comics, which was never more apparent in the early 1990s than with the famous Spike Lee-directed Levi Jeans commercial starring Rob Liefeld, who went on to create Youngblood and co-found Image Comics, not to mention ending up on the radar of gangster rapper Eazy E. Piskor tells this story as a perfect parody/pastiche/homage to '90s Image comics.
The New Orleans Jazz Scene, 1970-2000
In 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
Joni Mitchell
When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their most recent recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process. In Joni Mitchell: In Her Own Words, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni's childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes . . . This riveting narrative, told in interviews, lyrics, paintings, and photographs, is shared in the hope of illuminating a timeless body of work and inspiring others.
He Stopped Loving Her Today
When George Jones recorded "He Stopped Loving Her Today" more than thirty years ago, he was a walking disaster. Twin addictions to drugs and alcohol had him drinking Jim Beam by the case and snorting cocaine as long as he was awake. Before it was over, Jones would be bankrupt, homeless, and an unwilling patient at an Alabama mental institution. In the midst of all this chaos, legendary producer Billy Sherrill--the man who discovered Tammy Wynette and cowrote "Stand by Your Man"--would somehow coax the performance of a lifetime out of the mercurial Jones. The result was a country masterpiece. He Stopped Loving Her Today, the story behind the making of the song often voted the best country song ever by both critics and fans, offers an overview of country music's origins and a search for the music's elusive Holy Grail: authenticity. The schizoid bottom line--even though country music is undeniably a branch of the make-believe world of showbiz, to fans and scholars alike, authenticity remains the ultimate measure of the music's power.
The Ipad in the Music Studio
The iPad in the Music Studio focuses on the iPad's connectivity to the professional, project, and home music studios. The authors take you on a tour of the latest iPad-related music hardware and software on the market. Get a firsthand look at: - Hardware to link microphones and instruments for live multitrack recording - Controlling desktop software with the iPad - Using the iPad and iPhone with mixers - The iPad and Guitar EFX software and hardware - DJ equipment and apps - Using the iPad to publish and distribute your music on social media This book will guide you step by step through the most popular and productive apps for the iPad 2, third- or fourth-generation iPad, or iPad mini-running the latest versions of the iOS. Written by two experienced authors of music technology textbooks, training, and courses, The iPad in tThe Music Studio provides guidance on the best apps for music and how to apply them in your musical life. Item includes online resource.
The Beatles
A celebration America's ongoing love affair with the Beatles, four longhaired, oddly dressed chaps who appeared on The Ed Sullivan Show on Sunday evening, February 9, 1964 with half of America watching from their living rooms. Editor Ben Nussbaum traces the beginnings of this first internationally famous boy band, revealing how all four stars aligned to create the sonic sensation that changed the course of music history. Within just two months of the Fab Four's debut on Mr. Sullivan's variety hour, the band had secured all five top spots on BillBoard's Hot 100, and before year's end would sell an astonishing ten million records. Filled with dozens of color and black and white photographs, The Beatles details the rise and fall of the band, the stories behind the men, their relationships, the creation of the songs, the tours, the albums, and the unstoppable spread of Beatlemania around the globe. That the Beatles' legacy continues to fascinate music lovers and pop culture gurus fifty years since their meteoric climb is rendered even more remarkable when one considers that the Beatles would disband just six short years after they sang their first "yeah yeah yeah" on American television. In The Beatles, Nussbaum maps out the band's rise to fame in 1964 ("The Toppermost of the Poppermost" and "The Beginning") as well as three summers of grueling tours -sixty-six tours from 1964 to 1966 ("Twist & Shout"). The song-writing partnership between John Lennon and Paul McCartney, considered by many to be the most successful in history, is examined in "Come Together," revealing how the pair worked together and how their styles were vastly different yet complemented each other's, for a time. The chapter "We Can't Work It Out" discusses the inevitable demise of the Fab Four and how the men grew apart musically and personally due to the high pressures of becoming instant celebrities. In "Breaching the Iron Curtain," the Soviet Union's banning and bashing of the band only increased the youth of the U.S.S.R. to crave the Beatles more fervently and led to their further resentment of their government. Some two decades later, only upon the election of Beatles fan Mikhail Gorbachev did the first Beatles album get released in the U.S.S.R. Underscoring what Nussbaum refers to as "the grandeur of the catalog," Beatles experts Tim Riley and Patrick Foster choose their Top Twenty Beatles tunes, remarkably with only five songs in common. A special section will be welcome by all record collectors, the complete list of the twenty Beatles albums released in North America, including dates and song titles, from Introducing the Beatles, January 1964 to Let it Be, May 1970. The Beatles also takes a brief look at the long solo careers of the four artists after the dissolution of the band, including their musical highlights and lowlights. Other topics discussed in this vividly illustrated volume are the five top contenders for the "Fifth Beatle"( plus ten runners-up, including Little Richard and Yoko Ono), the story of Capitol Records exec, Dave Dexter, who nearly stalled the Beatles' entrance into America, and a section devoted to the band's children ("Here Come the Sons"), discussing the music careers of Julian Lennon, Sean Lennon, Zak Starkey, James McCartney, and Dhani Harrison.
Easy Folk Songs for the Guitar With Downloadable Mp3s
This original collection presents more than 20 popular folk songs that have been specially arranged for beginning guitarists. The timeless melodies are supplemented with a helpful tutorial on guitar basics that offers tips on identifying the strings, tuning, and basic chord patterns and strums.These arrangements of Skip to My Lou, He's Got the Whole World in His Hands, Oh! Susanna, Down in the Valley, Barbara Allen, and other tunes include advice for following the time signatures, strumming patterns, and other suggestions. Best of all, each song features a free MP3 download for students to listen to and play along with. The recordings will familiarize beginning guitarists with the pieces' melodies and tempos, and provide practical guidance for playing these beloved folk songs.
The Pitchfork Review No. 3
Pitchfork is happy to present the third issue of The Pitchfork Review, a perfect-bound quarterly music publication that combines new long-form feature stories, photography, illustrations and other ephemera with selected recent pieces from Pitchfork -- all packaged in a beautifully designed, collectible publication.
Burning Britain
As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their '76-'77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential. Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls. The grim reality of being a teenage punk rocker in Thatcher's Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.
The Day the Country Died
The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties. If the colorful '80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher's Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth. It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant "cash from chaos." It meant "freedom, peace, and unity." Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness. All the scene's biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs.
Dead Kennedys
Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra's withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn't have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra's naked flame. Dead Kennedys' continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country's foreign policies, effectively serving as anti-ambassadors on their travels. The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band's key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening--and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory--if not uncritical.
The Late Starters Orchestra
"We're all living longer. What should we do with the time? Ari Goldman has a solution. The Late Starters Orchestra is warm, soulful, sometimes rueful, sometimes passionate​--just like his beloved cello. I found myself laughing out loud in places​--and unexpectedly moved at the end." --Jonathan Weiner, Pulitzer Prize winning author of The Beak of the Finch In a cluttered room in an abandoned coat factory in lower Manhattan, a group of musicians comes together each week to make music. Some are old, some are young, all have come late to music or come back to it after a long absence. This is the Late Starters Orchestra--the bona fide amateur string orchestra where Ari Goldman pursues his lifelong dream of playing the cello. Goldman hadn't seriously picked up his cello in twenty-five years, but the Late Starters (its motto, If you think you can play, you can) seemed just the right orchestra for this music lover whose busy life had always gotten in the way of its pursuit. In The Late Starters Orchestra, Goldman takes us along to LSO rehearsals and lets us sit in on his son's Suzuki lessons, where we find out that children do indeed learn differently from adults. He explores history's greatest cellists and also attempts to understand what motivates his fellow late starters, amateurs all, whose quest is for joy, not greatness. And when Goldman commits to playing at his upcoming birthday party we wonder with him whether he'll be good enough to perform in public. To the rescue comes the ghost of Goldman's first cello teacher, the wise and eccentric Mr. J, who continues to inspire and guide him--about music and more--through this well-tuned journey. With enchanting illustrations by Eric Hanson, The Late Starters Orchestra is about teachers and students, fathers and sons, courage and creativity, individual perseverance and the power of community. And Ari Goldman has a message for anyone who has ever had a dream deferred: it's never too late to find happiness on one's own terms.
My First Orchestra Book
An original, colorful, and lively approach to learning about music. Follows the huge success of My First Classical Music Book and Meet the Instruments of the Orchestra! from Naxos. Thirty-seven classical music tracks are on the included CD. Every instrument is featured, with clear audio examples. Includes 60 beautifully illustrated pages that children will love.
Punk in Nyc’s Lower East Side 1981-1991
Drawing on both archival documents and original interviews, this zine explores the music of the era's bands, including Bad Brains, Cro-Mags, Agnostic Front, False Prophets, Urgent Fury, No Thanks, and Reagan Youth. At the same time, the scene is situated within the broader social context, from the election of Ronald Reagan to the Tompkins Square Riots. Woven throughout is the tragic story of New York City's most legendary anarcho-punk, Reagan Youth's Dave Insurgent.
Still the Greatest
As recommended by USA Today and excerpted on RollingStone.com!Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs by each in his solo career and organizes them into fantasy albums they might have formed had they stuck it out. This romp through the post-Beatle history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of the Beatles' second act truly is. Jackson assesses the over seventy albums and nine hundred songs they collectively released, selecting the cr癡me de la cr癡me of their output.
Mad World
Teen People cofounder Lori Majewski and author Jonathan Bernstein's Mad World is a highly entertaining oral history celebrating the New Wave music phenomenon of the 1980s via interviews with 35 of the most notable artists of the period. Featuring members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, and INXS, each interview begins with a discussion of their most popular song but leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. "Here it is--the whole glossy, gory, glorious story of the 1980s new wave revolution, in one addictive chapter after another. These are the artists who lived it all out, whether it's Duran Duran making the 'Girls on Film' video or Kim Wilde finally explaining the 'East California' enigma. Mad World captures the wild enthusiasm of the moment, evoking a time of perfect songs, innovative style, and lipstick cherry all over the lens." --Rob Sheffield, contributing editor to Rolling Stone and author of Talking to Girls About Duran Duran
The Pitchfork Review No. 1, Winter 2014
With contributions from the Pitchfork staff and edited by J.C. Gabel of Stop Smiling and The Chicagoan, The Pitchfork Review is designed and conceptualized in-house, and printed locally in Chicago. This beautifully designed, limited-run publication on high quality paper stock is meant to be kept on your shelf and read and enjoyed over the long term. While we remain committed to covering the world of independent music and beyond, as well as innovating in the digital sphere, we've always been huge fans of the print medium. The Pitchfork Review will allow us to extend our passion for music, images, and storytelling into a new arena.
1001 Bizarre Rock ’n’ Roll Stories
Which rock star died twice in a day? What rock legend's friends decided to steal his body? Which bands were considered cursed? With everything from sex, drugs, and death to fights, feuds, and fallouts, 1001 Bizarre Rock 'n' Roll Stories is the ultimate expos矇 of what rock's most infamous names got up to offstage. Celebrated journalist Robert Lodge chronicles outrageous antics from the birth of jazz through heavy-metal hell-raising and into twenty-first century pop.
The Jesus Lizard Book
"If you're a Jesus Lizard fan or a David Yow devotee, you're sure all over this. But even if you've never heard of the band, the book stands as one of the best ways to experience being in a tight, cohesive band. You get everything except the sweat, spilled beer, and blood. It's a fun ride, and the closest thing possible to getting in the van with these guys." --Mother Jones "The Jesus Lizard Book is a beautiful document of a band that wasn't afraid to be abrasive, chaotic, brutal, and sometimes, ugly." --The Chicago Tribune/Printer's Row The Jesus Lizard Book is a coffee table affair of exclusive photography, art, and other imagery with written pieces by all four members of the seminal indie rock band the Jesus Lizard. The layout is stylish and elegant, particularly in contrast with the harshness of much of the band's music. Included are many Polaroids by David Wm. Sims, a delicious recipe by David Yow, a concise list of every show the Jesus Lizard played, and writings by two producers who recorded the band--Steve Albini and Andy Gill. There is biographical material of each member that covers childhood to the demise of the group. Other contributors include Mike Watt, Alexander Hacke, Steve Gullick, Rebecca Gates, Jeff Lane, Sasha Frere-Jones, KRK, Bernie Bahrmasel, and many more. The Jesus Lizard (1988-1999) hailed from Chicago by way of Austin, Texas. They released seven records on the independent record label Touch and Go, and a few more on different major labels. Many have called them the best live band of the 1990s. Unlike most of their contemporaries, the Jesus Lizard managed to create a beast, an entirely autonomous being, an entity who outgrew and is very likely to also outlive its makers. While each and every personality in the group is an integral part of its mentality and thus ultimately irreplaceable, it is the rapport and friction between them which makes the music possible, allows it to blossom and eventually break free. It was not just David Wm. Sims's monolithic basslines, but the stance he took in order to deliver them. Like a sailor manning a raft through a storm at high sea, he took position at stage left and pounded away at his instrument--stoic, reliable, and unwavering. Mac McNeilly's drumming didn't merrily serve as a time-giver, but as a display of unrestrained energy and a joyously bouncing, good-natured spirit. Somersaulting patterns and probability-defying breaks were stacked on top of one another, made to tumble and fall only to be caught again, as if a boxer was juggling dishes while pummeling an already delirious opponent. Duane Denison shaped his guitar work like a taxidermist dissecting a puppy. With cruel precision, he stabbed and sliced and inserted the limbs of chord progressions with bolts and rods and wire, smiling dreamily while his riffs danced around onstage like biomechanical freaks of nature. Then there was the man who is the embodiment of the band's name, the tormented soul thrown about and struggling to withstand the torrent in the tornado of the music: David Yow spilled his insides while he spent most of the shows in--no, on--the audience, being lifted and carried by the masses that were groping and ripping at him, trying to be a part, greedily looking to get a piece of the action. He was the ingenious saboteur, the anarchistic oddball in this form of modern theater with the other three serving as the perfect "straight men" to his madness.
The Who Faq
THE WHO FAQ: ALL THAT'S LEFT TO KNOW ABOUT FIFTY YEARS OF MAXIMUM R&B
Nirvana Faq
NIRVANA FAQ: ALL THAT'S LEFT TO KNOW ABOUT THE MOST IMPORTANT BAND OF THE 1990S
New Mexican Folk Music / Cancionero del folklor nuevomexicano
Cipriano Frederico Vigil is the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries. This bilingual panoramic book presents the songs that are his life's work, spanning half a century of listening, playing, composing, and singing ritual, social, and dance music.New Mexican Folk Music includes much traditional material that has never been seen before or studied by scholars or students. Renowned as a composer, Vigil works in traditional genres such as the romance, the d矇cima, the cuando, and corrido. Like the Mexican group Los Folkloristas with which he apprenticed in the late 1970s, his goal has been to research and master local styles, to introduce new listeners to traditional music, and to build on tradition by creating new compositions that address contemporary social themes.An audio CD accompanies this comprehensive study on the work and music of Cipriano Frederico Vigil.
Telling Stories, Writing Songs
Willie Nelson, Joe Ely, Marcia Ball, Tish Hinojosa, Stevie Ray Vaughan, Lyle Lovett...the list of popular songwriters from Texas just goes on and on. In this collection of thirty-four interviews with these and other songwriters, Kathleen Hudson pursues the stories behind the songs, letting the singers' own words describe where their songs come from and how the diverse, eclectic cultures, landscapes, and musical traditions of Texas inspire the creative process. Conducted in dance halls, dressing rooms, parking lots, clubs-wherever the musicians could take time to tell their stories-the interviews are refreshingly spontaneous and vivid. Hudson draws out the songwriters on such topics as the sources of their songs, the influence of other musicians on their work, the progress of their careers, and the nature of Texas music. Many common threads emerge from these stories, while the uniqueness of each songwriter becomes equally apparent. To round out the collection, Hudson interviews Larry McMurtry and Darrell Royal for their perspectives as longtime friends and fans of Texas musicians. She also includes a brief biography and discography of each songwriter.
Alberto Ginastera - Suite de Danzas Crio
(BH Piano). A newly researched and engraved edition with extensive performance notes and a composer biography. The price of the publication includes access to companion recorded performances online for download or streaming by the editor. Online audio is accessed at halleonard.com/mylibrary "This new edition is a welcome and impressive contribution to the piano repertoire...Piano students and their teachers will find great value in the sixteen pages of performance notes about Ginastera and his keyboard music...This edition is much easier to read than the original, and Mizrahi's fingerings are welcome additions."-- Clavier Companion
From Idomeneo To Die Zauberflote
This is the first book by an experienced conductor to explore the orchestras contribution to Mozarts greatest operatic works: Idomeneo, Die Entfuhrung aus dem Serail, Die Schauspieldirektor, Le nozze di Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito, and Die Zauberflote. It is written for the concert and opera going public who are interested in enlarging their knowledge and appreciation of these masterpieces, but also contains many practical suggestions for aspiring conductors.
Ethnomusicology
Ethnomusicologists believe that all humans, not just those we call musicians, are musical, and that musicality is one of the essential touchstones of the human experience. This insight raises big questions about the nature of music and the nature of humankind, and ethnomusicologists argue that to properly address these questions, we must study music in all its geographical and historical diversity. In this Very Short Introduction, one of the foremost ethnomusicologists, Timothy Rice, offers a compact and illuminating account of this growing discipline, showing how modern researchers go about studying music from around the world, looking for insights into both music and humanity. The reader discovers that ethnomusicologists today not only examine traditional forms of music-such as Japanese gagaku, Bulgarian folk music, Javanese gamelan, or Native American drumming and singing-but also explore more contemporary musical forms, from rap and reggae to Tex-Mex, Serbian turbofolk, and even the piped-in music at the Mall of America. To investigate these diverse musical forms, Rice shows, ethnomusicologists typically live in a community, participate in and observe and record musical events, interview the musicians, their patrons, and the audience, and learn to sing, play, and dance. It's important to establish rapport with musicians and community members, and obtain the permission of those they will work with closely over the course of many months and years. We see how the researcher analyzes the data to understand how a particular musical tradition works, what is distinctive about it, and how it bears the personal, social, and cultural meanings attributed to it. Rice also discusses how researchers may apply theories from anthropology and other social sciences, to shed further light on the nature of music as a human behavior and cultural practice. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.
Saturday Night Live FAQ
Television history was made on Saturday, October 11, 1975, at 11:30pm (ET), when Chevy Chase welcomed America to the first episode of a new late-night comedy series. With its cutting edge satire and cast of young, talented performers, Saturday Night Live set a new standard for television comedy while launching the careers of such comedy greats as John Belushi, Chevy Chase, Dan Aykroyd, Eddie Murphy, Mike Myers, Dana Carvey, Will Ferrell, Amy Poehler, and Tina Fey. Saturday Night Live FAQ is the first book to offer the show's generations of fans everything they ever wanted to know (and may have forgotten) about SNL. Beginning with the show's creation in the mid-1970s by Lorne Michaels and the Not Ready for Prime Time Players, SNL FAQ takes you through the show's history with an in-depth look at all thirty-eight seasons. It's all here - the comedic highlights and low points, memorable hosts and musical guests, controversial moments, and, of course, the recurring characters and sketches, catch phrases, and film shorts that have made SNL the epicenter of American comedy for nearly four decades. SNL FAQ also examines the show's influence on American culture and includes profiles of over 100 SNL cast members, along with a comprehensive guide detailing every episode.
