The Lost Beatles Photographs
Larry Marion's The Lost Beatles Photographs is a milestone for rock and roll collecting: the largest trove of never-before-seen rock photographs ever uncovered reveals the Fab Four on their earliest American tours during the 1960s. Selected from a cache of intimate, behind-the-scenes snapshots taken by Bob Bonis--the US tour manager for the boys from Liverpool as well as the Rolling Stones and other British Invasion bands--The Lost Beatles Photographs reveals the casual, human side of a young John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Presented by Larry Marion, owner of New York's Not Fade Away Gallery and curator of the acclaimed exhibit "The British Are Coming: The Beatles and The Rolling Stones 1964-66," this one-of-a-kind book gives a priceless window into the off-stage personalities of the world's greatest rock band.
Sixty Etudes for Violin, Opus 45 Book 1
(LKM Music). Former Strad magazine Editor-in-Chief Eric Wen re-examines these classics with consideration for today's violinist with the first new, modern edition in almost 100 years meticulously re-engraved and attractively designed for years of use.
Soul of the Man
Bobby "Blue" Bland's silky smooth vocal style and captivating live performances helped propel the blues out of Delta juke joints and into urban clubs and upscale theaters. Until now, his story has never been told in a book-length biography.Soul of the Man: Bobby "Blue" Bland relates how Bland, along with longtime friend B. B. King, and other members of the loosely knit group who called themselves the Beale Streeters, forged a new electrified blues style in Memphis in the early 1950s. Combining elements of Delta blues, southern gospel, big-band jazz, and country and western music, Bland and the Beale Streeters were at the heart of a revolution. This biography traces Bland's life and recording career, from his earliest work through his first big hit in 1957, "Farther Up the Road." It goes on to tell the story of how Bland scored hit after hit, placing more than sixty songs on the R&B charts throughout the 1960s, '70s, and '80s.While more than two-thirds of his hits crossed over onto pop charts, Bland is surprisingly not widely known outside the African American community. Nevertheless, many of his recordings are standards, and he has created scores of hit albums such as his classic 1961 Two Steps from the Blues, widely considered one of the best blues albums of all time. Soul of the Man contains a select discography of the most significant recordings made by Bland, as well as a list of all his major awards. A four-time Grammy nominee, he received Lifetime Achievement Awards from the National Academy of Recording Arts and Sciences and the Blues Foundation, as well as the Rhythm & Blues Foundation's Pioneer Award. He was also inducted into the Rock and Roll Hall of Fame and the Blues Foundation's Hall of Fame. This biography at last heralds one of America's great music makers.
I Am Ozzy
Heavy metal legend Ozzy Osbourne shares his unbelievable story for the first time in this tell-all memoir of sex, drugs, and rock-and-roll. Take what you thought was "rock and roll excess" and double it-you still wouldn't be anywhere near the dizzying life of Ozzy Osbourne. Born into a life so poor that the whole family slept in one room, music was his salvation, and his band Black Sabbath went on to change the musical landscape forever. But along with the rock and roll came the inevitable sex and drugs, and Ozzy soon fell into an epic relationship with booze and chemicals. The stories of Ozzy's days on the road are now those of legend-biting the head off a live bat, the tragic plane crash that took the life of his best friend and writing partner Randy Rhoades-but few know of the real heartbreak he suffered during those days of hard living. In the end, it was the love of his family that saved him. Told for the first time in the rocker's hilarious and inimitable voice, Ozzy finally comes clean.
Nacht und Traume / Night and Dreams / Nuit et reves
(Piano). Selected works from the 19th century to the present, around the subject of "night and dreams." Includes: Reverie (Debussy) * Fantastic Duet of Two Trees at the Window, Op. 15 (Hindemith) * Lullaby, Op. 124 (Schumann) * Sweet Reverie, Op. 39 (Tchaikovsky) * and more. Late Intermediate to Advanced Level.
Kids of the Black Hole
Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold.As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he reveals in this book the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a "mass subculture" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history.Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore.With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.
I Slept With Joey Ramone
A "powerful" (Rolling Stone) memoir of the punk icons Ramones from front man Joey Ramone's brother Mickey Leigh. When the Ramones recorded their debut album in 1976, it heralded the true birth of punk rock. Legendary front man Joey Ramone gave voice to the disaffected youth of the seventies and eighties, and the band influenced the counterculture for decades to come. With honesty, humor, and grace, Joey's brother, Mickey Leigh, shares a fascinating, intimate look at the turbulent life of one of America's greatest--and unlikeliest--music icons. While the music lives on for new generations to discover, I Slept with Joey Ramone is the enduring portrait of a man who struggled to find his voice and of the brother who loved him.
Phish
The definitive biography of the jam band based on original interviews, by a veteran music journalist Drawing upon nearly fifteen years of exclusive interviews with the members of Phish, veteran music journalist Parke Puterbaugh examines the colorful chemistry that inspired the wildly popular rock group to push their four-man experiment to the limit. An intimate and fascinating portrait, Phish: The Biography is the definitive story of these Vermont jam-band legends.
SPIN Greatest Hits
The official book celebrating the 25th anniversary of SPIN magazineFrom its first issue in 1985, SPIN has cultivated a reputation for brilliant writing and broad musical coverage, including genres and artists long abandoned by its competitors. From punk to electronica, goth to gangsta rap, emo to garage rock, and hip-hop to indie rock, SPIN has covered it all and featured interviews with leading artists through every musical wave of the last 25 years. SPIN: Greatest Hits brings together some of the classic stories that have appeared in the magazine, each with a new introduction by the author offering historical perspective on the article.Compiles the best articles from well-known writers such as Chuck Klosterman, Jonathan Ames, Elizabeth Gilbert, and David Hajdu Features the best SPIN interviews with Lou Reed, Noel Gallagher, Chuck D, and other influential musiciansIncludes hilarious sidebars such as ""Six Extreme Metal Bands That Could Be Mistaken for Flavors of Herbal Tea,"" ""Six Misguided Attempts to Falsify Rock History,"" and morePacked with great writing and information spanning a quarter-century of iconic music and musicians, SPIN: Greatest Hits is an essential keepsake for music fans and lovers of pop culture.
Ain't Too Proud to Beg
The first and only definitive biography of legendary Motown group, the TemptationsThe Temptations are an incomparable soul group, with dozens of chart-topping hits such as My Girl and Papa Was a Rollin Stone. From the sharp suits, stylish choreography, and distinctive vocals that epitomized their onstage triumphs to the personal failings and psycho-dramas that played out behind the scenes, Ain't Too Proud to Beg tells the complete story of this most popular-and tragic--of all Motown super groups.Based on in-depth research and interviews with founding Temptations member Otis Williams and many others, the book reveals the highly individual, even mutually antagonistic, nature of the group's members. Venturing beyond the money and the fame, it shares the compelling tale of these sometime allies, sometime rivals and reveals the unique dynamic of push and pull and give and take that resulted in musical genius.The first book to tell the whole story of Motown's greatest group, with all-new interviews and previously undiscovered sources and photographsGives the last word on enduring Motown mysteries, including the deaths of Paul Williams and David Ruffin and the truth behind Ruffin's tumultuous romance with Tammi TerrellReveals the secret ""can't miss"" formula behind the Temptations' thirty-seven chart hitsDraws on more than one hundred interviews with the group's associates, industry figures, family members, and most importantly, founding Temptation Otis WilliamsAin't Too Proud to Beg takes a cohesive and penetrating look at the life and enduring legacy of one of the greatest groups in popular music. It is essential reading for fans of the Temptations, music lovers, and anyone interested in the history of American popular culture over the last fifty years.
Becoming Jimi Hendrix
Becoming Jimi Hendrix traces "Jimmy's" early musical roots, from a harrowing, hand-to-mouth upbringing in a poverty-stricken, broken Seattle home to his early discovery of the blues to his stint as a reluctant recruit of the 101st Airborne who was magnetically drawn to the rhythm and blues scene in Nashville. As a sideman, Hendrix played with the likes of Little Richard, Ike and Tina Turner, the Isley Brothers, and Sam & Dave--but none knew what to make of his spotlight-stealing rock guitar experimentation, the likes of which had never been heard before. From 1962 to 1966, on the rough and tumble club circuit, Hendrix learned to please a crowd, deal with racism, and navigate shady music industry characters, all while evolving his own astonishing style. Finally, in New York's Greenwich Village, two key women helped him survive, and his discovery in a tiny basement club in 1966 led to Hendrix instantly being heralded as a major act in Europe before he returned to America, appeared at the Monterey Pop Festival, and entered the pantheon of rock's greatest musicians. Becoming Jimi Hendrix is based on over one hundred interviews with those who knew Hendrix best during his lean years, more than half of whom have never spoken about him on the record. Utilizing court transcripts, FBI files, private letters, unpublished photos, and U.S. Army documents, this is the story of a young musician who overcame enormous odds, a past that drove him to outbursts of violence, and terrible professional and personal decisions that complicated his life before his untimely demise.
Britney
Britney Spears - the princess of pop - is making a comeback, and there isn't a person out there who hasn't heard about it. In this fully up-to-date and authoritative biography, Steve Dennis reveals all there is to know about the much-loved star. Hitting our radios for the first time in 1998 with '...Baby One More Time', Britney Spears quickly became a pop idol. Now, at just 27 years of age, she has racked up five number one albums, seven top-ten singles and seven sell-out world tours, as well having performed on stage with both Madonna and Michael Jackson. Just a decade after breaking onto to scene, she has become nothing short of a pop legend. Her private life, however, has not been so easy. In 2004 Britney famously married a childhood friend at The Little White Wedding Chapel in Las Vegas; since then her personal life has seemingly been thrown into turmoil. In the last five years she has had numerous failed relationships and endured a very public divorce and custody battle - all in the full glare of the international media. Drawing on exclusive interviews with those closest to the superstar, Britney: Inside the Dream is a engrossing portrait of fascinating star. A frank biography, with no detail spared, it reveals the real Britney Spears, like you've never known her before.
Ginger Baker: Hellraiser
The music, the marriages, the polo, the drugs, the trans-Saharan trucking scheme--the drummer best-known for his work in Cream and his contributions to World Music tells his whole fascinating story Peter "Ginger" Baker is a legend. A pioneering drummer who has transcended genres, he did much to popularize world music with his fierce passion for the rhythms of Africa. He is that rare thing, a critically-acclaimed musician who has enjoyed global success with not one but several supergroups to his name, including Cream and Blind Faith. Here, Ginger tells his story for the first time and without any self-censorship. It's an often harrowing, but honest journey from his humble beginnings in war-torn south London to his adopted home in South Africa's beautiful Western Cape--complete with polo club. He tells of his life-long love of jazz, how he discovered the drums and African music, and life on the road. He also confesses to the heroin use that should have killed him in his colorful 1960s prime, working and playing with the biggest names of the time. In the 1970s, he came up with a trans-Saharan trucking scheme, was a successful rally driver, built an ill-fated recording studio, and discovered a consuming passion for playing polo. He talks candidly of the loss and recovery of his fortune, his three marriages, Cream's 1993 induction into the rock'n'roll hall of fame, their subsequent successful reunion in 2005, and his hopes for the future.
The Thing Is . . .
Described as the Irish John Peel, Dave Fanning has been a major player in the Irish and global music scene for over 30 years. In this compelling memoir, RTE Radio 2 DJ Dave Fanning will give the behind-the-scenes story of all the international musicians he has met, including The Rolling Stones, The Beatles, David Bowie, The Who and many, many more. Dave's story starts in the 60s, when he discovered his love for Bob Dylan, Joni Mitchell, Leonard Cohen and of course, The Beatles through the family subscription to the NME. This was to be his first glimpse of a world he would soon become an important part of. Graduating from pirate radio and a stint as Editor of Scene magazine, Dave joined RTE radio 2 when it launched in 1973, and quickly became the voice of a generation. Billboard magazine hailed him as the man solely responsible for the growth of Ireland's music industry. Renowned for supporting young, new Irish talent, Dave Fanning will detail the unique story of his role in the launch of U2 and his ongoing friendship with the band, delving into their humble beginnings and rise to fame. Including never-before-seen photographs and images from Dave's huge personal collection, this is an absolute must-have for any music fan and will be a significant contribution to the history of music.
Fado and the Place of Longing
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
The Blue Moment
In the tradition of Alex Ross and Greil Marcus, the "effortlessly versatile" Williams (The Times) "connects these seemingly disparate phenomena with purpose, finesse and journalistic flair" (Financial Times), making masterly connections to painting, literature, philosophy, and poetry while identifying the qualities that make the album so uniquely appealing and surprisingly universal.
Pink Noises
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, "performance novels," sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Let's Talk About Pep
From Sandy "Pepa" Denton--rap legend and outspoken reality TV star--comes the juicy tell-all in which she talks about sex, music, life, love, fame, and so much more. The spiciest ingredient in the legendary rap group Salt-N-Pepa, fans know Sandy Denton as Pep, or Pepa, the fun-loving half of Salt-N-Pepa. But behind the laughs and the smiles is a whole lot of pain, and for the first time in Let's talk About Pep, she candidly talks about her troubled childhood, surviving abuse, her first encounters with Cheryl "Salt" James, instant success, her failed marriages and escape from domestic abuse, and her triumphant comeback on reality shows like The Surreal Life and The Salt-N-Pepa Show. Filled with surprising insights, outrageous anecdotes, and celebrity cameos--including Queen Latifah, Martin Lawrence, Janice Dickinson, Missy Elliott, L.L. Cool J, Ron Jeremy, Lisa "Left Eye" Lopez, and many others--Let's Talk About Pep offers a fascinating glimpse behind the fame, family, failures, and success...and into the faithful heart of a woman who will always treasure the good friends she found along the way. Every bit as captivating and provocative as her Grammy Award-winning music, this story reveals the real Pepa--upfront, uncensored, unstoppable--a true pioneer, survivor, and inspiration to women everywhere.
Girl Power
In the early nineties, riot grrrl exploded onto the underground music scene, inspiring girls to pick up an instrument, create fanzines, and become politically active. Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics. The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers. Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.
The Cambridge Companion to the Beatles
From Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles - the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. - Traces the group's creative output from their earliest recordings through their career - Pays particular attention to the social and historical factors which contributed to the creation of the band - Investigates the Beatles' unique enduring musical legacy and cultural power - Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans
Born to Use Mics
At the age of nineteen, Nasir "Nas" Jones began recording tracks for his debut album -- and changed the music world forever. Released in 1994, Illmatic was hailed as an instant masterpiece and has proven one of the most influential albums in hip-hop history. With its close attention to beats and lyricism, and riveting first-person explorations of the isolation and desolation of urban poverty, Illmatic was pivotal in the evolution of the genre. In Born to Use Mics, Michael Eric Dyson and Sohail Daulatzai have brought together the best and brightest writers of the hip hop generation to confront Illmatic song by song, with each scholar assessing an individual track from the album. The result is a brilliant engagement with and commentary upon one of the most incisive sets of songs ever laid down on wax. Featuring: Adilifu Nama - Guthrie P. Ramsey Jr. - James Braxton Peterson - Marc Lamont Hill - Mark Anthony Neal - Kyra D. Gaunt - Eddie S. Glaude Jr. - Imani Perry - Jon Shecter - Matt Life - Bobbito the Barber - Greg Tate - Dream Hampton - Adam Mansbach - Kevin Coval - Jon Caramanica - Charlie Ahearn - Suheir Hammad
How to Rap
Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, will.i.am--these are just some of the acclaimed artists offering tips and advice in this compelling how-to. Delivering countless candid and exclusive first-person insights from interviews with more than one hundred of the most innovative artists, author Paul Edwards examines the dynamics of rap from every region and in every form--mainstream and underground, current and classic--and covers everything from content and flow to rhythm and delivery. A first-of-its-kind guide, How to Rap provides a wealth of insight and rapping lore that will benefit beginners and pros alike.
Michael Jackson: King of Pop: 1958-2009 魔力與瘋狂:麥可傑克森完整傳記1958-2009
On 25th July, breaking news revealed that Michael Jackson, King of Pop, was dead. Fans and the media watched in shock as the story unfolded: doctors had lost the battle to save him after he had collapsed from a heart attack. In a cruel twist of fate, he had passed away before he got the chance to make his final curtain call in the form of 50 planned sell-out shows at London's O2 Arena. From a very young age, Michael's exceptional music talent was clear. He stood apart from his four brothers when they performed together as the Jackson 5 and, in 1974, he embarked upon what was to become a monumental solo career. A string of chart-busting albums and singles followed, with the Thriller album selling 47 million copies worldwide and yielding seven top-ten singles. It is belived that, in his lifetime, he sold around 750 million records, making him one of the most successful entertainers ever. This in-depth and affectionate biography traces the rise of the man, from child prodigy to tortured megastar. It is the definitive portrait of a pop legend whose strange and brilliant life will never be forgotten.
The Way I Am
Chart topping-and headline-making-rap artist Eminem shares his private reflections, drawings, handwritten lyrics, and photographs in his New York Times bestseller The Way I Am Fiercely intelligent, relentlessly provocative, and prodigiously gifted, Eminem is known as much for his enigmatic persona as for being the fastest-selling rap artist and the first rapper to ever win an Oscar. Everyone wants to know what Eminem is really like-after the curtains go down. In The Way I Am, Eminem writes candidly, about how he sees the world. About family and friends; about hip-hop and rap battles and his searing rhymes; about the conflicts and challenges that have made him who he is today. Illustrated with more than 200 full-color and black-and-white photographs-including family snapshots and personal Polaroids, it is a visual self-portrait that spans the rapper's entire life and career, from his early childhood in Missouri to the basement home studio he records in today, from Detroit's famous Hip Hop Shop to sold-out arenas around the globe. Readers who have wondered at Em's intricate, eye- opening rhyme patterns can also see, first-hand, the way his mind works in dozens of reproductions of his original lyric sheets, written in pen, on hotel stationary, on whatever scrap of paper was at hand. These lyric sheets, published for the first time here, show uncut genius at work. Taking readers deep inside his creative process, Eminem reckons with the way that chaos and controversy have fueled his music and helped to give birth to some of his most famous songs (including "Stan," "Without Me," and "Lose Yourself"). Providing a personal tour of Eminem's creative process, The Way I Am has been hailed as "fascinating," "compelling," and "candid."
The Jazz Ear
"The Jazz Ear will be a permanent part of learning how to listen inside the musicians playing."--Nat Hentoff, Jazz Times Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece Kind of Blue. Musicians often avoid discussing their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In The Jazz Ear, acclaimed music critic Ben Ratliff discusses with jazz greats the recordings that most influenced them and skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz--from horn blare to drum riff--is conceptualized. Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation and attitude that define their music. Playful and keenly insightful, The Jazz Ear is a revelatory exploration of a unique way of making and hearing music.
Rush, Rock Music, and the Middle Class
Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band's impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush's critique of suburban life--and its strategies for escape--reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band's reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush's music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.
Hip Hop World
A fascinating look at hip hop, the world's most popular music, and what it means to young people all over the globe, written by an acclaimed pop-culture critic. An excellent introduction to hip hop for young adults. Hip hop is arguably the predominant global youth subculture of this generation. In this book Dalton Higgins takes vivid snapshots of the hip hop scenes in Europe, North America, Asia, Africa and more. American hip hop has gone through growing pains, and is questioned for being too commercialized to articulate the hopes, concerns and dreams of marginal youth and community members. Outside the US, hip hop culture is often a political tool to mobilize disenfranchised communities around hard issues, with little support from mainstream corporations or sponsors. Higgins taps into his own powers of pop culture prognostication to predict the future of the genre and the youth culture that spawned it, as hip hop spreads its tentacles to the furthest reaches of humanity. "[The Groundwork Guides] are excellent books, mandatory for school libraries and the increasing body of young people prepared to take ownership of the situations and problems previous generations have left them." -- Globe and Mail Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. CCSS.ELA-LITERACY.RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RI.6.3 Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes). CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.
Dark Side of the Tune
This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human rights.
By the Time We Got to Woodstock
BY THE TIME WE GOT TO WOODSTOCK 瓣 THE GREAT ROCK 'N' ROLL REVOLUTION OF1969
The Cambridge Companion to Eighteenth-Century Opera
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
The Mostly Mozart Guide to Mozart
A fresh, accessible guide to Mozart's life and worksOver a period of roughly twenty years, Wolfgang Amadeus Mozart composed more than 600 finished pieces of music. If you were the director of a major symphony orchestra, you could program only works by Mozart for an entire year-and still you would barely have scratched the surface of the composer's immense, and immensely moving, body of work.The Mostly Mozart Guide to Mozart is an accessible, insightful, and entertaining resource for music lovers looking for a deeper understanding of the genius of Mozart. It combines a brief and revealing account of his life and times with a comprehensive survey of his major compositions. You'll also discover accounts of major performances, fascinating anecdotes about Mozart and his works, comments from artists past and present, and tips on what to listen for when you listen to Mozart. And, a selected discography will help you develop a fantastic collection of recordings by the finest modern musicians playing Mozart's greatest music.Filled with insightful quotes from fellow composers, critics, and Mozart admirers, as well as informative illustrations, The Mostly Mozart Guide to Mozart answers all of your questions about this transcendent genius and his music, and probably some you never thought to ask.
Precious Metal
Decibel magazine is regarded as the best extreme music magazine around. Precious Metal gathers pieces from Decibel's most popular feature, the monthly "Hall of Fame" which documents the making of landmark metal albums via candid, hilarious, and fascinating interviews with every participating band member. Decibel's editor-in-chief Albert Mudrian, has selected and expanded the best of these features, creating a definitive collection of stories behind the greatest extreme metal albums of all time.
35 Exercises for Flute, Op. 33
(LKM Music). These delightful etudes by Ernesto Koehler (Op. 33) have endless benefits for an intermediate player. Each one succinctly addresses a particular idea be it articulation, phrasing, or an expressive gesture consistently throughout the etude. Thus their instruction is focused and, due to their brevity, a student can be assigned two to four a week. Consequently, the rewards are great! Book 2 includes 12 Medium Difficult Exercises .
In Search of Wagner
Written in exile from Germany, this potent study of Europe's most controversial composer explodes the frontiers of musical and cultural analysis. Measuring key elements of Wagner's oeuvre with patent musical dexterity, Adorno sheds light on a nineteenth-century bourgeois figure whose operas betray the social gestures and high-culture fantasies that helped plant the seeds of the modern Culture Industry. A foreword by Slavoj Žižek situates Adorno's reflections within present debates over Wagner's anti-Semitism and the moral status of his work, proving why this book remains one of the most important character studies of the twentieth century.
Brian Jones
In this definitive biography of Brian Jones, Laura Jackson - the first to insist that Jones was murdered and the first to identify his killer - rejects the stereotype of a narcissistic rock star who was doomed to self-destruct. Instead, she spoke to the people who knew him best: his family and friends, girlfriends and confidantes, the musicians and friends who lived and worked with him right up until his death in 1969. Jones emerges as a man of immense talent, energy and humour, but crippled by insecurities and shyness - a portrayal greatly at odds with the sordid rumours that plagued him throughout his life, which continue to this day. Jackson provides new testimony on the rivalries within the Rolling Stones and the bitter final split, together with telling details from the pathology and coroner's reports, to tell the story behind the headlines and get to the heart of the mysterious death of Brian Jones.
Texan Jazz
Texas musicians and jazz share a history that goes all the way back to the origins of jazz in ragtime, blues, and boogie-woogie. Texans have left their mark on all of jazz's major movements, including hot jazz, swing, bebop, the birth of the cool, hard bop, and free jazz. Yet these musicians are seldom identified as Texans because their careers often took them to the leading jazz centers in New Orleans, Chicago, New York, Kansas City, and Los Angeles.In Texan Jazz, Dave Oliphant reclaims these musicians for Texas and explores the vibrant musical culture that brought them forth. Working through the major movements of jazz, he describes the lives, careers, and recordings of such musicians as Scott Joplin, Hersal Thomas, Blind Lemon Jefferson, Sippie Wallace, Jack Teagarden, Buster Smith, Hot Lips Page, Eddie Durham, Herschel Evans, Charlie Christian, Red Garland, Kenny Dorham, Jimmy Giuffre, Ornette Coleman, John Carter, and many others.The great strength of Texan Jazz is its record of the contributions to jazz made by African-American Texans. The first major book on this topic ever published, it will be fascinating reading for everyone who loves jazz.
When We Get to Surf City
Includes a bonus excerpt from Bob Greene's forthcoming Late Edition: A Love Story "There is something absolutely magical about Bob Greene's voice."--Jeffrey Zaslow, coauthor, The Last Lecture Running away to join the circus is a dream we're told to put away once we're no longer young. But for the last fifteen summers, Bob Greene has stepped into a universe that is hiding in plain sight: the touring world of the great early rock bands who gave America the car-radio-and-jukebox music it still loves best. Singing backup with the legendary Jan and Dean as they endlessly crisscross the nation, in the company of Chuck Berry, the Everly Brothers, Jerry Lee Lewis, Martha and the Vandellas, and the Beach Boys, Greene takes us to football stadiums and minor-league ballparks, to no-name ice cream stands and midnight diners. Along the way he tells a riveting story of great fame and lingering sorrow, of unexpected friendship and lasting dreams, of the things that keep us going in the face of all the things that threaten to stop us. Hilarious and heartbreaking, moving and brilliant, this is the trip of a lifetime, a travelogue of the heart, accompanied by a thundering guitar chorus of Fender Stratocasters.
Sonic Boom
In this epic exploration of the Pacific Northwest's esteemed garage rock traditions, Peter Blecha, Seattle's "rock 'n' roll archaeologist " skillfully weaves together the untold tales behind the rise of the region's early dance halls, recording studios, record labels, radio stations, and 1950s rockabilly, R&B, and doo-wop groups. The result is a compelling saga about an isolated region of America that, against all odds, managed to win global acclaim by stubbornly making music merely to satisfy its own provincial pop needs. Illuminating the creative continuum that arcs between the earliest rockin' pioneers and more recent demigods, Sonic Boom! reveals how one backwater music scene could produce such disparate mega-talents as the Ventures, Jimi Hendrix, Heart, Robert Cray, QueensrYche, Sir Mix-a-Lot, Nirvana, and of course the legendary garage stompers, the Sonics. The culmination of over two decades of research, Sonic Boom! benefits from the 500-plus exclusive interviews that Blecha conducted with trailblazing DJs, sound engineers, label founders, and the leading luminaries of Northwest rock, including such hitmakers as the Kingsmen, the Ventures, the Frantics, the Sonics, the Wailers, Paul Revere and the Raiders, Dave Lewis, Ron Holden, Merrilee Rush, Larry Coryell, Heart, Sir Mix-a-Lot, Nirvana, and Pearl Jam.
Elliott Smith's XO
Many albums could be cited to support the claim that great suffering yields great art. Elliott Smith's XO should not be one of them. Smith's 1998 major label debut defies the "tortured singer-songwriter" stereotype, and takes up this defiance as a central theme. At a time when Smith was being groomed for a particular (and particularly condescending) brand of stardom, he produced a record that eviscerated one of the central assumptions of singersongwriterdom: that pain is beautiful. XO insists that romanticizing personal tragedy can only leave you "deaf and dumb and done." And it backs up this claim with some of the most artful and intelligent music of its day. Matthew LeMay writes an original take on a widely beloved album, steering clear of the sensationalist suicide angles that have dogged most analysis of Elliott Smith's extraordinary work.
On the Record
In the three decades since Kool Herc first put the same record on two side-by-side turntables, DJs have moved out of city parks, house and block parties, and the darkened booths of nightclubs, and onto center stage, performing before admiring crowds of thousands. They have not only given rise to hip-hop and house--DJs have influenced fashion, film, TV, and more. With On the Record, Scratch DJ Academy, the premiere institution for DJ education, brings together years of training and expertise to create an authoritative guide to the dynamic art of DJing. More than just a "how-to," this is a sonic adventure, guiding you through forty years of music, creativity, and culture. From beat matching to body tricks, Grandmaster Flash to Fatboy Slim, the Bronx to Ibiza, On the Record is an all-in-one guide. So whether you're learning the ropes, considering going pro, or just want insight into a broader range of music, this book is for you.
Memories, Dreams and Reflections
This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes.A decade after the publication of 'Faithfull', one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening.A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den.Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer.Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and... Well, the rest is the subject of this book.'
Ritual and Music of North China
This second volume of Stephen Jones' work on ritual and musical life in north China, again with accompanying downloadable resources, gives an impression of music-making in daily life in the poor mountainous region of Shaanbei, northwest China. It conveys some of the diverse musical activities there around 2000, from the barrage of pop music blaring from speakers in the bustling county-towns to the life-cycle and calendrical ceremonies of poor mountain villages. Based on the practice of grass-roots music-making in daily life, not merely on official images, the main theme is the painful maintenance of ritual and its music under Maoism, its revival with the market reforms of the 1980s, and its modification under the assaults of TV, pop music, and migration since the 1990s. The text is in four parts. Part One gives background to the area and music-making in society. Parts Two and Three discuss the lives of bards and shawm bands respectively, describing modifications in their ceremonial activities through the twentieth century. Part Four acclimatizes us to the modern world with glimpses of various types of musical life in Yulin city, the regional capital, illustrating the contrast with the surrounding countryside. The 44-minute downloadable resources, with its informative commentary, is intended both to illuminate the text and to stand on its own. It shows bards performing at a temple fair and to bless a family in distress, and shawm bands performing at a wedding, at funerals, and a shop opening - including their pop repertory with the 'big band'. Also featuring as part of these events are opera troupes, geomancers, and performing beggars; by contrast, the film shows a glimpse of the official image of Shaanbei culture as presented by a state ensemble in the regional capital. The publication will appeal to ethnomusicologists, anthropologists, and all those interested in modern Chinese history and society.
The Horn Collection
(Brass Solo). These collections from G. Schirmer are designed for high school and college players, with particular attention paid to various state contest repertory lists. The literature is organized by difficulty, with historical information about each piece. Master composers are well-represented, as is standard literature. Includes beautiful companion recordings of all the pieces, as well as recorded piano accompaniments. Audio is accessed online using the unique code inside each book and can be downloaded or streamed according to personal preference.
The Wagner Clan
An Economist Best Book of 2007, Jonathan Carr's The Wagner Clan proves, with the sweeping scope of a Wagnerian opera, that the history of Europe and that of the infamous composer's family are inextricably intertwined. Carr presents not only Richard Wagner himself-- musician, philosopher, philanderer, failed revolutionary, and virulent anti-Semite--but also a colorful cast of historical figures who feature in Wagner's story: Franz Liszt (whose illegitimate daughter Cosima married Wagner); Friedrich Nietzsche; Arthur Schopenhauer; Richard Strauss; Gustav Mahler; Arturo Toscanini; Joseph Goebbels; Hermann G繹ouml;ring; and the "Wolf " himself, Adolf Hitler, a passionate fan of the Master's music and an adopted uncle to Wagner's grandchildren. Wagner's British-born daughter-in-law, Winifred, was a close friend of Hitler's and seemed momentarily positioned to marry him after the death of her husband. All through the war the Bayreuth Festival, begun by the Master himself, was supported by Hitler, who had to fill the audience with fighting men and SS officers. After the war's devastation, the festival was dark for a decade until Wagner's offspring--with characteristic ambition and cunning-- revived it. The Wagner Clan is a riveting chronicle of the ascent, decline, and rehabilitation of the German nation and its most infamous family.
Storms
A consummate insider as the girlfriend of Lindsey Buckingham, Fleetwood Mac singer and guitarist, Carol Ann Harris leads fans into the very heart of the band's storms between 1976 and 1984. From interactions between the band and other stars--Mick Jagger, Eric Clapton, and Dennis Wilson--to the chaotic animosity between band members, this memoir combines the sensational account of some of the world's most famous musicians with a thrilling love story. The parties, fights, drug use, shenanigans, and sex lives of Fleetwood Mac are presented in intimate detail and illustrated with never-before-seen photographs. With the exception of one brief interview, Carol Ann Harris has never before spoken about her time with Fleetwood Mac.
L’industrie Musicale Au Senegal
Driven by different actors evolving between both a structured framework and a relative autonomy, music in Senegal is based on different logics and dimensions. The musical industry is impacted by entrenched socio-cultural and socio-economic mutations defined by a problematic co-habitation between "informal music" and the process of "formalization" itself. As a result, the only alternative left to the growing musical industry is to structure itself within a formal framework, leading instantly to issues of copyright and royalty settlements, their implementation. Concurrently, the state's policies toward culture along with the linkages between the musical sphere and politics, which are based on various modalities, are also put under review. This study attempts to pose a certain number of questions and ultimately presents itself as an invitation to reflection and action. Saliou Ndour holds a Ph.D in Sociology and teaches at the University Gaston Berger in Saint Louis, Senegal. He is a specialist in cultural industries in Africa and has written several articles which he presented in Africa, Europe and Canada. Ndour wears different hats in the musical industry, among which are as Manager of a group called Black Masters of Kaolack, Adviser to several bands, former President of the AMS section of Saint Louis, Representative of Escalier F in Senegal (a Canadian organisation) and President of Afrique Chante Afrique (ACApella).
