Die Achtzig Kirchenlieder Der Drei Preussischen Regulative Vom 1., 2. Und 3. Oct. 1854 Im Urtext
God and Music
In "God and Music," John Harrington Edwards explores the profound relationship between the divine and the art of music. This book delves into theological and philosophical perspectives, examining how music has been used throughout history to express faith, devotion, and spiritual experiences. Edwards investigates the power of music to connect humanity with the transcendent, offering insights into the ways in which musical harmony and melody reflect the nature of God. With thoughtful analysis, "God and Music" provides a fascinating study for anyone interested in the intersection of religion and the arts, inviting readers to consider the spiritual dimensions of musical expression and its enduring influence on human understanding of the divine.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Woman of Samaria; a Sacred Cantata
璽€œThe Woman of Samaria; a Sacred Cantata璽€ by William Sterndale Bennett is a timeless work of choral music. This cantata, scored for voices and orchestra, recounts the biblical story of Jesus' encounter with the Samaritan woman at Jacob's well. Bennett's composition captures the drama and spiritual depth of the narrative, blending lyrical melodies with rich harmonies. The work showcases Bennett's skill as a composer and his ability to convey profound emotional and religious themes through music.This edition offers musicians and enthusiasts the opportunity to experience and perform this beautiful and significant work. 璽€œThe Woman of Samaria璽€ remains a valued contribution to the repertoire of sacred choral music and continues to inspire audiences and performers alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Junior Carols
Junior Carols: A Collection of Sacred Songs for Junior Societies, Sunday Schools, and the Home Circle is a carefully curated compilation of hymns and spiritual songs designed to uplift and inspire young hearts. Published in 1906 by the United Society of Christian Endeavor, this collection reflects the enduring tradition of sacred music within Christian education. The book offers a blend of familiar tunes and new compositions, each selected to resonate with junior societies, Sunday schools, and family worship settings.This collection provides a valuable resource for educators, church leaders, and parents seeking to nurture faith through music. "Junior Carols" serves as a testament to the power of song in shaping spiritual growth and fostering a sense of community among young believers. Rediscover these timeless melodies and introduce a new generation to the beauty of sacred song.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Chant and Service Book
"The Chant and Service Book," compiled by Charles Lewis Hutchins, is a comprehensive collection of liturgical music and choral services designed for use in Christian worship. This volume contains the choral service for Morning and Evening Prayer, chants for the canticles, with the pointing set forth by the General Convention, music for the Communion Service, and chants and anthems for the Burial Office. It serves as an essential resource for clergy, musicians, and congregations seeking to enrich their worship experience with traditional and reverent musical settings. Originally published in 1894, this book offers a window into the musical practices of late 19th-century Christian churches and remains valuable for its historical significance and enduring musical arrangements. "The Chant and Service Book" preserves a rich tradition of sacred music and provides a foundation for continued appreciation and performance.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Chant and Service Book
"The Chant and Service Book," compiled by Charles Lewis Hutchins, is a comprehensive collection of liturgical music and choral services designed for use in Christian worship. This volume contains the choral service for Morning and Evening Prayer, chants for the canticles, with the pointing set forth by the General Convention, music for the Communion Service, and chants and anthems for the Burial Office. It serves as an essential resource for clergy, musicians, and congregations seeking to enrich their worship experience with traditional and reverent musical settings. Originally published in 1894, this book offers a window into the musical practices of late 19th-century Christian churches and remains valuable for its historical significance and enduring musical arrangements. "The Chant and Service Book" preserves a rich tradition of sacred music and provides a foundation for continued appreciation and performance.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Junior Carols
Junior Carols: A Collection of Sacred Songs for Junior Societies, Sunday Schools, and the Home Circle is a carefully curated compilation of hymns and spiritual songs designed to uplift and inspire young hearts. Published in 1906 by the United Society of Christian Endeavor, this collection reflects the enduring tradition of sacred music within Christian education. The book offers a blend of familiar tunes and new compositions, each selected to resonate with junior societies, Sunday schools, and family worship settings.This collection provides a valuable resource for educators, church leaders, and parents seeking to nurture faith through music. "Junior Carols" serves as a testament to the power of song in shaping spiritual growth and fostering a sense of community among young believers. Rediscover these timeless melodies and introduce a new generation to the beauty of sacred song.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
God and Music
In "God and Music," John Harrington Edwards explores the profound relationship between the divine and the art of music. This book delves into theological and philosophical perspectives, examining how music has been used throughout history to express faith, devotion, and spiritual experiences. Edwards investigates the power of music to connect humanity with the transcendent, offering insights into the ways in which musical harmony and melody reflect the nature of God. With thoughtful analysis, "God and Music" provides a fascinating study for anyone interested in the intersection of religion and the arts, inviting readers to consider the spiritual dimensions of musical expression and its enduring influence on human understanding of the divine.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Crown Of Sunday School Songs
"The Crown Of Sunday School Songs," subtitled "Consisting Principally Of The Works Of G.f. Root And P.p. Bliss," is a collection of songs intended for use in Sunday Schools and other religious settings. This volume primarily features the works of George Frederick Root and Philip Paul Bliss, two prolific composers of gospel hymns and popular songs during the 19th century. Root was renowned for his patriotic and sentimental songs, while Bliss was celebrated for his gospel hymns, many of which remain popular today. This collection provides a glimpse into the musical and religious landscape of the late 19th century, offering a valuable resource for those interested in the history of American religious music and Sunday School traditions. The songs reflect the values and beliefs of the era, making this a significant historical and cultural artifact.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Vision
璽€œThe Vision璽€ is a choral tone poem for solo, chorus, and organ or orchestra, composed by Joseph Waddell Clokey and designated as Op. 20. The work draws its text directly from the Book of Isaiah, creating a powerful and evocative musical experience. Suitable for performance in religious settings or concert halls, 璽€œThe Vision璽€ offers a compelling blend of classical musical structure with profound spiritual themes. This composition stands as a testament to Clokey's skill in weaving together vocal and instrumental forces to create a deeply moving artistic statement, ensuring its enduring appeal to both performers and audiences.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Organ And Church Music
"The Organ And Church Music" presents two discourses delivered by George Edward Ellis at Harvard Church, Charlestown, in September 1852. These discourses offer a glimpse into the role and perception of organ and church music during the mid-19th century. Ellis delves into the historical context and significance of music within religious settings, reflecting on its impact on worship and the congregation. This volume provides valuable insights into the musical practices and theological considerations of the time, making it a significant resource for scholars and enthusiasts interested in the history of church music and the cultural landscape of 19th-century America. The text captures a moment in the evolution of religious music and its integration into the spiritual lives of communities.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Few Notes on the Temple Organ
"A Few Notes on the Temple Organ" explores the history and construction of the organ at the Temple Church in London. Edmund Macrory details the instrument's evolution, from its early builders like Renatus Harris and Father Smith to later modifications and notable organists. The book delves into the specifications of the organ, including stops like the Open Diapason, Dulciana, and Vox Humana, along with discussions of the Choir Organs and Pedal Organ. Macrory also includes historical context, referencing figures such as Roger North and Charles Holloway, and examining the organ's place within the architectural setting of the Temple Church. With detailed descriptions and historical insights, this work provides a fascinating glimpse into the world of organ building and its significance within a prominent London landmark.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Regina Coeli (1619)
璽€œRegina Coeli (1619)璽€ presents a collection of musical works associated with Jan Pieterszoon Sweelinck and his contemporaries. This volume includes settings of psalms, chansons, and other pieces reflective of the musical practices of the early 17th century. The compositions showcase Sweelinck's profound influence on organ music and his engagement with both sacred and secular musical forms.Readers will find works related to figures such as Samuel Scheidt, Heinrich Scheidemann, and the broader context of the Muiderkring, highlighting the exchange of musical ideas during this period. The collection also touches upon the use of texts by Clement Marot and Th?(c)odore de B癡ze, underscoring the intersection of religious and musical expression. This edition provides valuable insights into the musical landscape of the time, capturing the essence of Sweelinck's contributions and the artistic environment in which he worked.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Temple Anthems for General use by all Church Choirs
Temple Anthems for General Use by all Church Choirs, compiled by Evan Stephens, is a timeless collection of choral arrangements intended for use in religious services. Published in 1913, this volume offers a range of musical pieces suitable for various occasions within the church calendar. This book preserves a valuable repertoire of sacred music, reflecting the musical tastes and spiritual practices of the early 20th century.Ideal for church musicians, choir directors, and anyone interested in the history of religious choral music, "Temple Anthems" remains a relevant resource for enriching worship services and understanding the cultural context of sacred musical traditions.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Regina Coeli (1619)
璽€œRegina Coeli (1619)璽€ presents a collection of musical works associated with Jan Pieterszoon Sweelinck and his contemporaries. This volume includes settings of psalms, chansons, and other pieces reflective of the musical practices of the early 17th century. The compositions showcase Sweelinck's profound influence on organ music and his engagement with both sacred and secular musical forms.Readers will find works related to figures such as Samuel Scheidt, Heinrich Scheidemann, and the broader context of the Muiderkring, highlighting the exchange of musical ideas during this period. The collection also touches upon the use of texts by Clement Marot and Th?(c)odore de B癡ze, underscoring the intersection of religious and musical expression. This edition provides valuable insights into the musical landscape of the time, capturing the essence of Sweelinck's contributions and the artistic environment in which he worked.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Temple Anthems for General use by all Church Choirs
Temple Anthems for General Use by all Church Choirs, compiled by Evan Stephens, is a timeless collection of choral arrangements intended for use in religious services. Published in 1913, this volume offers a range of musical pieces suitable for various occasions within the church calendar. This book preserves a valuable repertoire of sacred music, reflecting the musical tastes and spiritual practices of the early 20th century.Ideal for church musicians, choir directors, and anyone interested in the history of religious choral music, "Temple Anthems" remains a relevant resource for enriching worship services and understanding the cultural context of sacred musical traditions.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Few Notes on the Temple Organ
"A Few Notes on the Temple Organ" explores the history and construction of the organ at the Temple Church in London. Edmund Macrory details the instrument's evolution, from its early builders like Renatus Harris and Father Smith to later modifications and notable organists. The book delves into the specifications of the organ, including stops like the Open Diapason, Dulciana, and Vox Humana, along with discussions of the Choir Organs and Pedal Organ. Macrory also includes historical context, referencing figures such as Roger North and Charles Holloway, and examining the organ's place within the architectural setting of the Temple Church. With detailed descriptions and historical insights, this work provides a fascinating glimpse into the world of organ building and its significance within a prominent London landmark.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
One Hundred Saris And Servants Galore
ne Hundred Saris and Servants Galore: My Life in Lahore by Lillian Greene is a captivating memoir that chronicles the author's unexpected journey from East London to the vibrant city of Lahore. The narrative begins with Lillian's departure from her grammar school in London, filled with optimism and a sense of direction. However, a chance encounter sets her on a path she could never have anticipated, leading to a life immersed in the rich tapestry of Pakistani culture.Through 228 pages of engaging prose, Greene shares her experiences navigating the complexities of a new environment, from adapting to local customs to managing a household with numerous servants. Her story offers a unique perspective on cross-cultural integration, personal growth, and the unexpected turns life can take.Published by AuthorHouse UK in 2021, this memoir provides readers with an intimate look at the challenges and joys of embracing a life far removed from one's origins. It's a testament to resilience, adaptability, and the enriching experiences that come from stepping outside one's comfort zone.
The Use and Abuse of Church Bells; With Practical Suggestions Concerning Them
Traditional Tunes and Lived Religion in the Protestant Church on the Central Moluccas, Indonesia
In the southeast of Indonesia, on the Moluccas, theologians are developing contextual theologies for the Moluccan Protestant church. The Moluccas were colonized by the Dutch for more than three centuries. As an effort of religious decolonization, Moluccan theologians aim to better connect Christianity with the cultural realities of congregants. This book is about the contextualization of church music. Christian Izaac Tamaela proposed and instigated the transposition of Moluccan traditional music to the Moluccan Protestant church. In the book, the author asks how traditional music, as framed within contextual Moluccan theology, is interrelated with lived religion. Vivid descriptions of liturgical practices, music traditions, and personal encounters map the entanglements between Moluccan culture, Moluccan Protestantism, and Moluccan music. The author traces the theological idea of traditional church music to lived religious practices and attitudes among ministers, musicians, and congregants. The resonances and dissonances of this process show the continuous transformation of Moluccan traditional music. For a selection of the audio-visual material, visit the website www.jiplensink.nl/tt.
Re-Reading the Beethoven Violin Sonatas
New readings of the ten Beethoven sonatas for piano and violin, embracing both the performer's interpretation and the analyst's rigour. This book provides new readings of the ten Beethoven sonatas for piano and violin, many of which have been given surprisingly little attention by scholars to date. This may be because nine of the sonatas are relatively early works, written between 1797-1803, with only the final sonata, Op.96 (1812) standing apart. However, within these ten works, Beethoven demonstrates numerous aspects of his musical personality and compositional style. The analyses in this book engage with postmodern concerns such as hermeneutics, intertextuality, gender, humour, narratology and human interest, revealing characteristics within these sonatas that have been slow to come to light. Here are examples of the Beethovenian narrative that do not always encapsulate heroic struggle and triumph; in many of the sonatas we find a witty, smiling composer, at odds with the growling Beethoven iconography. Works within the violin sonata cycle interrogate the hypermasculine Beethoven trope, before the last sonata is explored via a host of intertextual relationships with a body of early Romantic repertoire that emerged after Beethoven's death. Embracing both the performer's interpretation and the analyst's rigour (or vice versa), this work offers methodologies for performer's analysis whilst acknowledging that both disciplines are essential to any project that seeks to address the nature of music as it is experienced in time.
Music and Liturgy for the Benedicamus Domino C.800-1650
For more than a millenium, singers in churches, monasteries, and private chapels across Europe have closed their worship with the joyful musical exclamation Benedicamus Domino ('Let us Bless the Lord'). This moment has sounded in song many times a day: at the end of the Mass, the Office hours, outside the church walls in celebratory processions, as well as in informal sacred, devotional, and festive contexts. Benedicamus Domino was uniquely associated with an unprecedented amount of creative freedom in the sacred rituals of the Christian West: plainchant melodies could be adopted at will from other parts of the liturgy, and this moment inspired a proliferation of poetic and polyphonic elaborations from the eleventh century on. This collection of essays brings together interdisciplinary contributions from eighteen scholars, illuminating the wide range of ritual, musical, poetic, manuscript, and generic contexts for the Benedicamus Domino versicle in the period c.800-1650. Individual chapters engage with the evidence of liturgical commentaries and Patristic texts, Ordines, and hagiographies. They present and analyse musical and textual embellishments of the Benedicamus Domino, as well as their written traces and material contexts, with several sources discovered or discussed in detail here for the first time. Encompassing a wide geographical and generic scope, this volume reveals unsuspected continuities and contrasts in the history of the Benedicamus Domino versicle in medieval and early modern Europe.
