All Memories Great & Small
A companion guidebook to the classic BBC drama "All Creatures Great & Small", told through memories from 75 cast and crew. Beloved stars Christopher Timothy, Peter Davison, Carol Drinkwater and the late great Robert Hardy are joined by dozens of guest actors and members of the production team, sharing fascinating insight into how this iconic series was made. Originally published in 2016 for James Herriot's centenary celebrations, this greatly expanded edition features fifteen new interviews, dozens more previously unpublished photographs and extensive material from the archives, enhancing production notes for multiple episodes, listing previously uncredited cast and crew, locations and dates for filming, rehearsals and studio recordings. This edition also features an updated foreword by Rosie Page, daughter of Alf Wight, the real James Herriot.
Ironman vs. Gladiator
Asa Hoffmann and Jay Bonin are very talented people who could have become very successful in other fields than chess. They give a part of their soul to every chess game and every analysis session. Chess to them is not just the 32 pieces and 64 squares, but life itself. Without Asa Hoffmann and Jay Bonin, the game would be poorer. Their devotion to chess showcases the elastic bands that have drawn an ancient game through history, and they inspire new generations to appreciate one of the finest human endeavors.
Spy Movie
Through the magic of cinema, you are about towitness The Greatest Spy Movie (n)Ever Made! Agent Blonde has 24 hours to save the world.The only things standing in her way aredastardly villains, an outrageous plot, and...a lack of funding. When Hollywood rejects her script, a frustrated screenwriter invites you, an audience of producers, to a one-night-only presentation of SPY MOVIE: The Play! From two of the minds behind The New Musketeers (Trinity Theatre) and stars of The Play That Goes Wrong and Peter Pan Goes Wrong, Spy Movie: The Play! is a new hilarious homage to espionage movies. This edition was published to coincide with the production run at Edinburgh Festival Fringe in July 2025.
Why I Stuck a Flare Up My Arse for England
Football. It's what defined my happiness. It's what filled my soul with joy and occasionally... despair. It's the EURO 2020 Final at Wembley and Billy's gone viral for sticking a flare up his arse! Billy and his best pal Adam are die-hard football fans. It's how they spend every weekend, without fail. It's their escape, their religion and their life. But when they encounter a new group of mates, they start to take their support one step further. Why I Stuck a Flare Up My Arse for England is a blisteringly funny play which debuted to both audience and critical acclaim at the Edinburgh Festival Fringe in 2023. In 2024 it won the prestigious Holden Street TheatreEdinburgh Fringe Award and ran at Australia's Adelaide Fringe Festival in 2025. Written and originally performed by Alex Hill, the play asks what it means for young men to find belonging and the lengths to which it might drive them. This edition was published to coincide with the run at Underbelly's Cowbarn, Edinburgh Fringe Festival in July 2025.
Choir
Morgan runs a community choir who meet weekly in a room above the local pub to sing great pop songs, chat and drink. There's Paul, a former West End performer who now does local radio voiceovers; Esther and Joy, best friends who can't stand each other; Anna, whose seemingly perfect life hides a secret; Ken, good egg and perennial loser; and Sheila, dark horse and pathological liar. The choir are busy rehearsing a concert to raise money for young Freddie to go to music college. And when a TV producer invites them to perform on national television, Morgan seizes her opportunity to hit the big time.But - are her eccentric group up to it? And what is Morgan prepared to sacrifice to get the acclaim she so desires? Home truths are revealed and secrets laid bare in this feelgood comedy with music, which explores loneliness and connection while celebrating the joy and power of community art. This edition of Choir was published to coincide with the production at Chichester Festival Theatre in August 2025.
A Gambler's Guide to Dying
See that feeling that you might have won? Why wouldn't you want that to last for as long as possible. That's best bit! What are the odds of living an extraordinary life? This is the story of one boy's granddad who won a fortune betting on the 1966 World Cup and, when diagnosed with cancer, gambled it all on living to see the year 2000. An intergenerational tale of what we live for and what we leave behind. This edition of A Gambler's Guide to Dying was published to coincide with the run at the Traverse Festival in August 2025.
Neuroaesthetic Stage Lighting Design
Neuroaesthetic Stage Lighting Design redefines stage lighting through the lens of neuroaesthetics, exploring how light shapes human perception, emotion, and experience. Interweaving science, philosophy, and art, it reveals the power of lighting to enhance beauty and meaning on the stage.
#Byop: Be Your Own Producer
Written by Broadway actress and award-winning indie film and music producer Ashley Kate Adams, #BYOP: Grief and Productivity for the Artist guides artists through loss, creative transformation, and healing.In her second book, Adams shares that through grief, artists might find themselves more awake and creating more authentically than ever before. In this memoir-fueled, how-to guide filled with personal stories of loss and transformation, both in the entertainment industry and in her own life, she seeks to assist creatives through the most challenging times of their lives by focusing on the duality of creativity.Through interviews, poems, and lyrics, she also celebrates the productivity of artistry when people dare to create through their sorrow and pain. Adams believes that grief allows the opportunity for true realignment and gives artists the understanding to live more boldly than ever before.
3000 Facts about Animated Shows
The Simpsons is banned in Burma because "the show has too much yellow." In South Park, Stan's dog is voiced by George Clooney. Scrooge McDuck is the world's richest fictional character. In Family Guy, Meg's heart is in her head. Betty Boop was a dog in her first appearance. James Avery voiced Shredder in Teenage Mutant Ninja Turtles. He also played Uncle Phil in The Fresh Prince of Bel-Air. Ukraine's government believes Spongebob SquarePants is "a real threat to children." The Road Runner Show was created to mock the absurd violence in Tom and Jerry. Bugs Bunny isn't a rabbit. In Scooby-Doo, Shaggy's real name is Norville. Mister Freeze's backstory was created in Batman: The Animated Series and was then incorporated into the comics. Simpsons toys are banned in Iran. Fans can't decide whether Avatar: The Last Airbender is an anime or not. Four actors died while working on the show Spider-Man.
[programmes For Theatrical Performances At Various Theatres In Ontario, And In Detroit, Mich., 1900-1902
A fascinating collection of theatrical programmes from various theatres in Ontario and Detroit, Michigan, spanning the years 1900-1902. This compilation offers a glimpse into the entertainment landscape of the early 20th century, showcasing the plays, actors, and venues that captivated audiences during this period. Compiled by J.A. McNeil, these programmes serve as a valuable historical record, providing insight into popular culture and theatrical trends.Researchers, historians, and theater enthusiasts will find this collection a rich resource for understanding the social and cultural context of the era. From popular plays to emerging talents, these programmes offer a detailed snapshot of a vibrant and evolving theatrical scene. Explore the performances that delighted theatergoers over a century ago and discover the enduring appeal of live entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
People Powered Radio
For fifty years, 4ZZZ has been more than just a broadcaster - it's been a movement, a megaphone, and a meeting place for radicals, musicians, punks and radio nerds alike. People Powered Radio captures the oral and archival histories of one of Australia's oldest and most unique community radio stations. From the station's subversive roots in the 1970s to its present-day digital renaissance, this rich and deeply researched book documents the lasting contributions made by 4ZZZ; promoting independent music, producing alternative news and fostering authentic community collaborations. People Powered Radio is not just a story about radio. It's an insider's perspective on what happens when people build something together and refuse to let it go. It's a celebration of everything that 4ZZZ has offered over the last half a century and what the future might hold for the station.
[programmes For Theatrical Performances At Various Theatres In Ontario, And In Detroit, Mich., 1900-1902
A fascinating collection of theatrical programmes from various theatres in Ontario and Detroit, Michigan, spanning the years 1900-1902. This compilation offers a glimpse into the entertainment landscape of the early 20th century, showcasing the plays, actors, and venues that captivated audiences during this period. Compiled by J.A. McNeil, these programmes serve as a valuable historical record, providing insight into popular culture and theatrical trends.Researchers, historians, and theater enthusiasts will find this collection a rich resource for understanding the social and cultural context of the era. From popular plays to emerging talents, these programmes offer a detailed snapshot of a vibrant and evolving theatrical scene. Explore the performances that delighted theatergoers over a century ago and discover the enduring appeal of live entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
TV-Philosophy
This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell's work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. 'Series-philosophy' is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education-in sometimes surprising ways.
Lightning In a Bottle
The Dire Strait's album, Love Over Gold, saw songwriter, lead singer & guitarist Mark Knopfler take full control over not only his band but the finished product as well, as he added the title of Producer to his credits. The result? The #16 Most Important Album of all time! From beginning to end, Knopfler created another masterpiece, to follow up Dire Strait's previous gem, Making Movies. And while Knopfler continued his new style of massive soundscapes on "Gold", lyrically he directed his genius wit towards the controlling elements of society, scathing the status quo over five, unforgettable songs that represented perhaps the finest songwriting in the history of Rock music. Knopfler took the listener on a moving journey across society's landscape pointing out how the masses were being controlled & by whom. At times the album was intense & moving, suspenseful, painfully truthful, hysterically funny, caustic & severe & painstakingly tender & honest, it was unforgettable & taught us the value of Love Over Gold!
TV-Philosophy in Action
TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier's monthly columns published in the French journal Lib矇ration. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Lib矇ration, as well as longer pieces, to demonstrate 'TV-Philosophy in action': Laugier's response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes-relating to politics, identity, and the stories we tell ourselves about our world-the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.
Semi-Well-Adjusted Despite Literally Everything
*AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER* Actor-dancer Alyson Stoner's revelatory and incisive memoir--from family violence and betrayal, to eating disorders and religious trauma--may begin in Hollywood, but its chilling relatability will resonate with anyone navigating identity, privacy, purpose, and mental health in a digital age. Raised on soundstages and studio lots from the age of six, shuffling between auditions for Disney Channel, Cheaper by the Dozen, or Missy Elliott music videos, Alyson Stoner experienced many of the defining moments of childhood inside the bizarre fishbowl of Hollywood. From working eighty hours a week at eight years old, to learning how to distinguish fan mail from kidnapping plots, to TV execs saying they weren't "anorexic enough" to stop working and get help, Alyson struggled to find stability and sanity in a chaotic world. In Semi-Well-Adjusted Despite Literally Everything, Alyson shares their powerful story for the first time, detailing a turbulent home life fractured by substance abuse, harrowing accounts from rehab, the messy process of discovering their sexuality in church, rebuilding a life after an early professional peak, and charting a path of self-discovery and advocacy. With striking introspection, Alyson connects the dots across the entertainment industry ecosystem, child development, and media culture, exposing the "toddler to trainwreck pipeline" of child stars and sparking timely conversations about success and society's enchantment with fame. Bold, entertaining, warm, and galvanizing all at once, Semi-Well-Adjusted Despite Literally Everything is more than a personal memoir: it's a beacon for industry reform, a road map for breaking the bonds of generational trauma, and a testament to the freedom and strength that come from finally trusting your own voice and power.
So Gay for You
*AN INSTANT NEW YORK TIMES BESTSELLER* An intimate, hilarious memoir of art, friendship, queerness, and found family by Kate Moennig and Leisha Hailey, stars of The L Word--including never-before-shared stories and photos from behind the scenes of the show and their personal lives. "Are you comfortable with nudity?" my manager asked. In the early 2000s, Kate Moennig and Leisha Hailey--both young artists trying to figure it all out--met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there--that is, if it even got picked up. Then, one million people watched the premiere. The show, which came to be called The L Word, turned into a trailblazing phenomenon. Its influence on pop culture, in the political arena, and in the lives of viewers has been lasting, impactful, even life-saving. And in addition to changing the course of television history, The L Word changed Kate and Leisha's lives forever. Suddenly, they were the faces of lesbian culture in a society still hostile to queerness. And one of them wasn't even out yet. Luckily, they had each other. From their first day on set, Kate and Leisha were so inseparable that the cast joked they were like a pair of pants--you couldn't have one leg without the other. Hence the name for their branded partnership and podcast, PANTS, launched in 2020 and downloaded over twenty million times. This friendship has seen Kate and Leisha through their greatest triumphs and most painful moments, stumbling from closeted queer kids to LGBTQ+ activists, actors, podcasters, and business owners. Full of never-before-shared glimpses into the making of The L Word, Kate and Leisha's real-life loves and losses, and their experiences as queer icons, So Gay for You is a heartfelt, inspiring love letter to a ride or die friendship over the decades, and a testament to the liberating power of chosen family.
Movable Londons
In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of London's most famous architects, but also transformed Londoners' relationship to their city by underscoring the ways that people could shape a city's spaces--and the ways that a city's spaces could shape its people. Movable Londons looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London's public theaters, inviting audiences to observe how the performers--many of them hailing from the same communities as their characters--navigated the stage.
Dear Annie, I Hate You
You're one of the lucky ones. Most peopledon't catch an Annie until it's too late. At twenty, Sam's life is all forward motion-until the arrival of an unexpected companion changes everything. What begins as a normal day unravels into something stranger, darker, and impossible to ignore. Years later, Sam reconstructs the story: rewiring memories, retracing her past, and trying to find the place where everything fell apart. But Annie, her unwelcome counterpart, has another plan in mind. Dear Annie, I Hate You is a bold, darkly funny exploration of memory, survival, and the slow, imperfect return to oneself-told through the messy process of reconstructing a life interrupted. This edition was published to coincide with the run at the Pleasance Courtyard, Edinburgh Festival Fringe in July 2025.
Why Can't I Just Enjoy Things?
Comedian Pierre Novellie was on stage when a heckler suggested he was autistic. Usually, this disruption would be water off a duck's back but two things made this heckler different: first, he was himself autistic. Second, he turned out to be absolutely right. This random encounter led to a diagnosis of autism at the age of 31 that unraveled his world, explained his struggles and answered questions that had bothered him for his entire life: why were the other kids obsessed with Britney Spears instead of The Goon Show? Why don't people ever say what they mean? Why is everyone chewing so loudly? At once a hilarious and insightful journey through autism and neurodivergence, an entertaining explainer for the uninitiated and observational comedy for the neurodiverse, this is the perfect read for anyone who has ever asked themselves: why can't I just enjoy things?
Millennium Girls
I love my estate. I thought it was so run down when we first came here, but I'd actually hate to live on a road again. No 40-40 run outs, no water fights, no park, no astro. It's always buzzing - cars blasting music, kidsplaying. We've kinda made the wall by the entrance our spot. And we know - we get A LOT of attention. Spanning three decades, we join Jessica, Chanel and Latisha as they navigate first kisses, free yards, bullies and breakdowns. And some things you don't talk about. Ever. Sophia Leonie's debut play, MILLENNIUM GIRLS, set against a musical backdrop of UK Garage and 90s classics, is a joyful and achingly honest coming-of-age story exploring identity, girlhood and consent. This edition of MILLENNIUM GIRLS was published to coincide with the run, produced by Zoe Gibbons Productions, at Brixton House in May 2025.
Lost Lear
Winner of a Scotsman Fringe First Award 2025 You have to look at me now and tell me I'mgood, that this is good . . . That the bits ofyou that I can't see are changed, charged, churned by the bits of me that you can't see. A moving and darkly comic remix of Shakespeare's play told from the point of view of Joy, a person with dementia, who is living in an old memory of rehearsing King Lear. Joy's delicately maintained reality is upended by the arrival of her estranged son who, being cast as Cordelia, must find a way to speak his piece from within the limited role he's given. Using puppetry, projection and live video effects, the audience are landed in Joy's world as layers of her past and present, fiction and reality, overlap and distort. Lost Lear is a thought provoking meditation on theatre, artifice and the possibility of communicating across the chasms between us. This edition of Lost Lear was published to coincide with the production at Traverse Theatre, Edinburgh Festival Fringe in July 2025.
The Theatrical 'world' Of 1895
Explore the vibrant theatrical landscape of 1895 through the eyes of William Archer, a prominent drama critic of his time. "The Theatrical 'world' Of 1895" offers a detailed and insightful look into the plays, performances, and personalities that defined the stage. Archer's keen observations and critical analysis provide a valuable historical record of the era's dramatic arts. This volume captures the essence of late 19th-century theater, examining its cultural significance and artistic trends. Readers interested in theater history, dramatic criticism, and the social context of Victorian entertainment will find this book a rich and engaging resource. Discover the enduring appeal of the theater world as it stood at the cusp of a new century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Herrmann the Great - A Journey through Media
Lithe of build, graceful of tongue and carriage, dark, piercing eyes, and facial features cast from a prince of the underworld, Alexander Herrmann embodied the word "magician." His persona permeated the popular culture of his day, and his image still holds power in our present societal subconscious as the archetypal conjurer. A mesmeric personality both on and off the stage, he was ever the theatrical magician, ever the exhibitor of his craft. The book is intended to be a journey of Herrmann through the lens of his audience, as projected through the newsprint of the day. It does not seek to delve behind the scenes, but to hopefully paint a picture on the canvas of the goal of his craft - mystifying vast audiences of theatrical patrons. A fascinating progression of Herrmann's art and influence, as well as a glimpse of the ubiquitous theater and its value in bygone American culture.
Beyond Borders - Sinir Boylarinda
Beyond Borders is the result of K璽zım Altan's decades-long experience as a playwright.Set in different geographies, involving different peoples, the plays in this collection share a common thread. In all, the characters linger on the borders of life or at borderland.The stories depict marginal lives, the setting a city, a no man's land, a prison cell, or a village left in ruins. In all, Kazim wields his pen to speak truths that, for some, are hard to face...Sınır Boylarında, K璽zım Altan'ın onlarca yıla yayılan tiyatro yazım birikimini i癟erir.Karakterler farklı coğrafyalardan farklı insanlar olsa da, t羹m羹, hayatın ya da bir coğrafyanın sınırlarında dolaşır: bir şehir hayatı, bir hapishane h羹cresi, yıkılmış bir k繹y... Altan, nereyi anlatırsa kalemini ger癟ekleri dile getirmek i癟in kullanır;Bunları işitmek kimileri i癟in zor olsa da...
Your Favorite Scary Movie
INSTANT NEW YORK TIMES BESTSELLER The ultimate story of the Scream movie franchise, featuring interviews from more than eighty key players and an in-depth exploration of the creation and legacy of the films that revived a dying genre In Your Favorite Scary Movie, entertainment journalist Ashley Cullins examines the making and impact of the Scream films with behind-the-scenes insight from cast, creators, and crew, as well as sharp analysis on how the movies' special blend of gruesome violence and humorous self-awareness rewrote the horror playbook. This intimate and thorough history includes brand-new interviews from Neve Campbell, Courteney Cox, David Arquette, Kevin Williamson, Skeet Ulrich, Matthew Lillard, Jack Quaid, Parker Posey, Hayden Panettiere, Jasmin Savoy Brown, Mason Gooding, Radio Silence, Roger L. Jackson, and so many more. Perfect for fans of Scream, horror lovers, and cinephiles, this is the story of how a little movie about a ghost-faced killer terrorizing high schoolers overcame countless obstacles to become an historic success that still has audiences screaming to this day.
Schechner Plays
A collection of performance texts ranging from orthodox plays to group-devised texts. The book traces from most recent to earliest Schechner's work as a "writer" and a "wrighter" -- the author of plays and the conceptualizer and leader of teams of artists. The book includes several never before published early texts as well as updated versions of well-known productions such as "Dionysus in 69," "YokastaS," "Makbeth," and "Imagining O." The earliest texts are from the 1950s the most recent from 2014. This book brings together for the first time Schechner's original plays and adaptations: Imagining O, YokastaS, Faust/gastronome, The Prometheus Project, Richard's Lear, Commune, Makbeth, Dionysus in 69, The Blessing of the Fleet, Briseis and the Sergeant, "Lot's Daughters," and "The Last Day of FK." The scripts engage with perennial canonical themes, such as Oedipus and Faust, and topical issues of our times. They embody Schechner's world-famous environmental theatre approach. Marta Minier's general introduction and Schechner's introductions to each play, set the scripts in their intellectual and production context. The book complements Schechner's other books which include, Performance Studies: An Introduction (now in its 4th ed.), Performance Theory, Between Theater and Anthropology, The Future of Ritual, and Performed Imaginaries.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.
Creativity in Theatre-Making
Creativity in Theatre-Making identifies and explores relationships between theatre-makers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation.
The Princess and the Toad
These four hour-long short plays, with songs, are set around the court of the amiable muffin-loving King Horace, his twin brother Tiresias who is the Royal Soothsayer, Horace's formidable second wife Queen Beatrice, and the Queen's sister, the even more formidable Bertha, who is a witch.In each play, traditional fairy tales receive an unexpected and amusing re-working.The plays are: The Princess and the ToadBeastRumplestiltskin and the Sleeping BeautySnow white and the Big Bad Wolf
Silver Screen Cities Tokyo & London
Tokyo and London are two of the world's most exciting cities for cinema-going.David Kintore explores Tokyo by visiting cinemas from Asagaya to Roppongi, Shibuya to Shinagawa, and Ebisu to Yurakucho.In London he visits cinemas in Notting Hill, Soho, Islington, Leicester Square, Clapham, Shaftesbury Avenue, Brixton, Dalston, West India Quay, and East Finchley - plus many other enticing London destinations for the avid cinema-goer.Written by a filmgoer who loves wandering around cities as much as he enjoys sitting in cinemas watching films, the Silver Screen Cities books spring from the notion that visiting cinemas and their neighbourhoods is a wonderful way of getting to know different cities.The books in the Silver Screen Cities series are a celebration of city cinema-going.Unlike conventional collections of film reviews, the Silver Screen Cities books are about the whole experience surrounding cinema-going rather than just a series of film reviews.The film reviews in the Silver Screen Cities books sometimes take up only one or two paragraphs in a chapter.That's because city cinema-going is about much more than just the film that is being shown.It's about the cinema itself and the audience watching the film.It's about the unique vibe of different cities with their varied array of bars, caf矇s, restaurants and art museums.And it's about the feeling of freedom that comes from wandering a city's streets before or after seeing a film.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.Written by Black writers working in and around the British performative industries, this book offers practical and theoretical tools to take into the classroom, studio, rehearsal room, mind, body and heart, focalised unapologetically through being Black in Britain. Structured across three acts, it covers themes present on the road to drama school such as youth theatre, the texts studied and early experiences in theatre spaces; drama school training with practical suggestions to encourage and embolden Black actors; and the world of the profession, ensuring that mental health, making work and a sense of what can be offered by Black actors is made clear.This book is a call to action and a challenge to all those who teach, lecture, direct, parent, produce, cast and/or train Black performers in Britain - and those performers themselves, to listen more, ask more, feel more and be more.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.
Circus for Social Change
In this volume Social Circus is explored in depth by three Circus Studies scholars working with the aim of creating new ways of engaging with the field. Lavers, Burtt, and Bochud investigate the way that Social Circus transforms in response to its immediate environment, and particularly its social, political, and cultural context.
Circus for Social Change
In this volume Social Circus is explored in depth by three Circus Studies scholars working with the aim of creating new ways of engaging with the field.Lavers, Burtt, and Bochud investigate the way that Social Circus transforms in response to its immediate environment, and particularly its social, political, and cultural context. Extensively illustrated, with photos of different Social Circuses around the world, and extensively annotated, Circus for Social Change: Social Circus in Context provides a portal into ways of seeing today's Social Circus and is of interest to practitioners and scholars. Social Circuses explored in this volume include Cirqiniq in far North Canada; Galway Community Circus in the Republic of Ireland; Zip Zap Circus in Cape Town, South Africa; Circus Harmony in St. Louis, Missouri; Circus Laheto in Central Brazil; Women's Circus in Melbourne, Australia; the Mobile Mini Children's Circus (the MMCC) in various locations across Afghanistan; Cirque Hors Piste in Montreal, Canada; Sencirk in Dakar, Senegal; the Slow Circus Academy in Yokohama, JDS/Juggling de Shinshu, and the Moon Night Project in Nagano, Japan; Ponleu Selpak's Performing Arts School and Phare Circus in Cambodia; Sirkus Magenta in Helsinki, Finland; and Le Plus Petit Cirque du Monde in Bagneux in the outskirts of Paris, France.This book will be of great interest to the general reader, to practitioners working within Social Circus or arts for social change, and to scholars, teachers, and students in schools, colleges, and universities.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.
Aesthetics of Dalit Theatre
Since Dalit theatre has not garnered as much recognition as the other genres of Dalit literature have, this book, being one of the pioneering works in the field, aims to highlight the genre within the framework of Dalit literature and the Dalit Movement in India. The discussion extensively delves into the historical background, context and aesthetics of Dalit drama and theatre from epistemological viewpoints. To illustrate the subtleties of caste, class and gender in the pan-Indian scenario, the book includes textual understandings of specific Dalit plays, available in English translation, originally written in Marathi, Tamil, Telugu, and Bengali, covering diverse regions of India. The inclusion of full-length interviews, conducted by the author, of all the living playwrights whose texts have been taken up for analysis, is another substantial facet of this study.
Star Wars Dad Jokes Strike Back
The cringe is strong with this one. An all-new collection of Star Wars-inspired dad jokes, perfect for geeky fathers, pun lovers, and sci-fi fans of any age. What is Lando Calrissian's fashion philosophy? "Cape it simple." How did Han Solo get out of his prison cell? With a Wook-key. What do you call a famous Mon Calamari? A star fish. So dad they're good, the hokey and wholesome jokes in this sensational sequel to Star Wars Dad Jokes finds the fun in the Star Wars galaxy. From silly Sith knee-slappers to jokey Jedi jests, behold the groan-inducing power of this fully armed and operational dad joke collection. Featuring more than 150 new Star Wars puns and gags by author Kelly Knox, irresistibly illustrated by artist Johnny Sampson, these are the laughs you are looking for. (c) & TM 2025 Lucasfilm Ltd. FAMILY FUN: Star Wars is nothing if not a family drama--after all, it boasts one of the most famous dads in movie history. This wholesome, light-hearted book taps into the same family-friendly appeal as Jeffrey Brown's Darth Vader and Son series, with jokes that will delight parents and Star Wars fans of all ages. UNIVERSAL HUMOR: Like your old man's trusty baseball cap, dad jokes never go out of style. Jokes and puns continue to be a universal crowd-pleaser. This unique blend of clever and groan-inducing humor is guaranteed to make anyone laugh or, at the very least, shake their head in intergalactic wonder. STAR WARS GIFTS: Star Wars is the fandom that never sleeps. With frequent releases on Disney+ and a full calendar of social media holidays, including the annual "May the 4th Be with You" and "I am Your Father's Day" celebrations, you don't have to travel to a galaxy far, far away to find the perfect gifting moment for a Star Wars fan in your life. Perfect for: Fans of Star Wars movies, books, and gifts Jokesters and pun lovers Father's Day gifts for dads, granddads, uncles, and parental figures Baby shower or new baby gift
The Atheist's Prayer
After a solar eclipse, nineteen people were found dead in a remote area of the California National Forest. They were lying in a circle, holding hands and wearing plastic fairy wings. Years later, on the other side of the country, no one in the southern city of Jefferson is concerned about fairies or fairy-worshiping suicide cults. Except for Candy. She might not have proof, but she's damn sure it's going to happen again. The problem is, Candy is a coke-dealing stripper and the only person who will listen to her is an alcoholic mall Santa named Hank, who's only listening because, well...she's hot. There are seven days until the next eclipse.,
Hollywood Femmes Fatales and Ladies of Film Noir. Volume 3
3rd Edition. Volume 3 from a set of 4 volumes. The set contains approximately 1,100 photographs of a rare beauty; vintage, and of an extreme historical importance. Hundreds upon hundreds of photos are full page size of a large format 8.5" by 11". Lavishly printed. It is a massive and a major publication unmatched in the abundance of its materials, photos, and information. Enter the world of glamour, beauty, magic, nostalgia and human drama of Hollywood's greatest stars, the divas, the legends, and the forgotten. Unquestionably, this is the alpha and omega, and the bible of the Femmes Fatales from the dawn of the silver screen to the present day. If there is a bona fide femme fatale in the world, around the globe, you will find her here in this book. Written by the legendary Maximillien de Lafayette, who has to his credits more than 750 books and encyclopedias, 80 of them are in this field. The author brings to the table his 50 years of experience, as a historian, a critic and showbiz producer.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Book of Horror
"... the definitive guide to what properly messes us up." ― SFX Magazine "Glasby anatomises horror's scare tactics with keen, lucid clarity across 34 carefully selected main films - classic and pleasingly obscure. 4 Stars."― Total Film​ The Book of Horror introduces the scariest movies ever made and examines what makes them so frightening. Horror movies have never been more critically or commercially successful, but there's only one metric that matters: are they scary? Back in the silent era, viewers thrilled at Frankenstein and Dracula. Today, the monsters may have changed, but the instinct remains the same: to seek out the unspeakable, ride the adrenaline rush and play out our fears in the safety of the cinema. The Book of Horror focuses on the most frightening films of the post-war era - from Psycho (1960) to Longlegs (2024) - examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than 100 classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don't Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019), Host (2020), Talk to Me (2022), Longlegs (2024)
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
