![Grand Opera House, London, Ont., Programme [microform]](https://cdn.kingstone.com.tw/english/images/product/9612/9781014599612.webp "Grand Opera House, London, Ont., Programme [microform]")
The Pop Musical
After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical--except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop. Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains--disco, rock 'n' roll, doo-wop, glam, and hip-hop--renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes--such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)--to explore why the Hollywood musical has found renewed relevance.
Equipment for Stage Production; a Manual of Scene Building
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She Persisted
She Persisted: One Hundred Monologues from Plays by Women over Forty is a collection of monologues from plays by members of Honor Roll!, an advocacy group of women over forty. About Honor Roll!: "Honor Roll! is an advocacy and action group of women+ playwrights over forty--and our allies--whose goal is our inclusion in theater. The term "women+" refers to a spectrum of gender identification that includes women, non-binary identifiers, and trans. We are the generation excluded at the outset of our careers because of sexism, now overlooked because of ageism. We celebrate diversity in theater, and work to call attention to the negative impact of age discrimination alongside gender, race, ethnicity, faith, socioeconomic status, disability, and sexual orientation in the American Theatre and beyond.""These women are in their forties and fifties and sixties, and they have been writing a long time, and they are at the height of their craft. These are tight, complex, nuanced pieces of writing, which no one has seen because for too long they weren't looking. These are important writers, and important plays." --Theresa Rebeck, from the introduction
Royal Performance
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Ah There!
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The Drama in Utah
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The Fugitive Art; Dramatic Commentaries, 1947-1951
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Leopards
You know I'm in pain, you know you can help relieve it, still you actively withhold, you withhold in case it compromises your moral compass?Two strangers meet in a hotel bar for the first time under false pretenses. Flattery, adulation and mutual admiration allows their friendship to kindle as the night progresses. As these disparate and opposing characters joust and jostle for the upper-hand, tensions build and the power dynamic continually shifts, resulting in history coming to the forefront and unknown feelings rising to the surface, with surprising consequences. Leopards is Alys Metcalf's debut play and is published to coincide with the world premiere at Rose Theatre, Kingston, in September 2021.
Disruptions
A collection of fantasy, horror, and science-fiction plays about the little interruptions that change everything. "In these gripping plays time is slippery and settings, even when they appear normal, never really are. Characters must confront and sometimes do battle with ghosts, aliens, AIs and monsters (of every sort), while reconciling themselves with past and present losses. The plots are wonderfully compelling, but the moral dilemmas the characters face are even more so and it's in that space of reckoning that David L. Williams' vast talents are most profoundly felt." - Teri Youmans, author of Becoming Lyla Dore "With each of David L. Williams' Disruptions, he skillfully crafts moments that grab the heart, and the throat, beckoning readers and audiences into the recesses of our minds, particularly those places we don't want to admit, most especially to ourselves, that we long to embrace." - Charlene Donaghy, Playwright, Producer, Educator "In David L. Williams' new play collection, Disruptions, there's a multitude of worlds to explore - each highlighted with Williams' fearless approach and impressive craft towards stories both outrageous and everyday. ... Throughout the collection, Williams' shows a dexterity as he navigates through worlds of alien abduction, time travel, and encounters withdeath - executing them with the precision of a writer who has taken theten minute play to the next level." - Michael Weems, author of Five Fears of Fatherhood "These are heady days. And the times call for smart original voices that cannot be easily categorized or contained. Enter David L. Williams. With the ferocity of a flame thrower, his writing has emerged onto the literary landscape just in the nick of time. In Disruptions, David L. Williams seamlessly melds the absurd with the profound, using sharp, witty dialog to re-define loss and human longing. ... short powerful stories that speak to the heart of what makes theater great." - Michael Oatman, author of The King of Cage Street
Twenty-one Years With Children's Theatre
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A Distant Relative
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Town Talk; 38
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The Mysterious Death of Dag Hammarskjold
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A Few More Memories
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The Restoration Theatre
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The Films of Greta Garbo
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Vaudeville Trails Thru the West
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Women in the Theatre of Gregorio Mart穩nez Sierra
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Seymour Hicks
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Entertaining the World P. T. Barnum
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The Memoirs of Sarah Barnum; no. 259
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Easy-to-make Colorful Costumes of Dennison Crepe Paper
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The Spanish Stage in the Time of Lope De Vega. --
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Old Vic Drama; a Twelve Years' Study of Plays and Players
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Equipment for Stage Production; a Manual of Scene Building
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Oberammergau and Its Passion Play
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Taking the Stage
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Works by the Late Horace Hayman Wilson. Vol. XI. Select Speciments of the Theatre of the Hindus
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![Authorized Edition of the Life of Sarah Bernhardt [microform]](https://cdn.kingstone.com.tw/english/images/product/7503/9781013667503.webp "Authorized Edition of the Life of Sarah Bernhardt [microform]")
Authorized Edition of the Life of Sarah Bernhardt [microform]
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The Mysterious Death of Dag Hammarskjold
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The Technique of Pantomime
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The Spanish Stage in the Time of Lope De Vega. --
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Plays and Creative Ways With Children
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America's First Hamlet
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Pleasures of London
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Scenes and Machines on the English Stage During the Renaissance; a Classical Revival
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Edwin Forrest
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Harry Lauder
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The Itinerant; or, Memoirs of an Actor ..; 9
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Guide to Oberammergau. Oberammergau and Its Passion Play
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The Tulane Drama Review
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Pleasures of London
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Charlie Chaplin, His Life and Art,
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The Theatre in Germany
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sights and Spectacles, 1937-1958
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A History of Late Nineteenth Century Drama, Etc; 1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From Phelps to Gielgud;
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Box Office
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