Anne Frank on the Postwar Dutch Stage
This book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness.
Acting and Stage Movement
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Becoming Dracula (hardback)
The cobwebs of time and space are finally cleared. Drawing on years of researchacross four countries, excavating and analyzing thousands of yellowed documentsin archives as well as every digitized source, Gary D. Rhodes and Bill Kaffenbergershine light from their candelabrum onto a long-forgotten past, onto the creationof a legend. Becoming Dracula is a two-volume biography covering Bela Lugosi's lifefrom his birth to 1930, when he first played the famous vampire on screen. "By presenting a staggering wealth of well researched details, Gary D. Rhodes and BillKaffenberger create not only the context but the humanity of Lugosi becoming Dracula. Theirportrait-in-words is nuanced, revealing and sympathetic, but still preserves the mystery andmajesty of this most charismatic of actors. They introduce the reader to the Hungarian-Americansubculture in which Lugosi found himself when he arrived on the shores of the United States.Lugosi was initially the big fish in that small pond, but the authors portray his emergence intothe vast ocean of Broadway and Hollywood and the fascination Lugosi created with his uniquepresence there." - Steve Haberman, screenwriter of Dracula: Dead and Loving It (1995) and author of Silent Screams: The History of the Silent Horror Film (Midnight Marquee, 2010)
Matinee Tomorrow; Fifty Years of Our Theater
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The Play of Brahma; an Essay on the Drama in National Revival
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Becoming Dracula
The cobwebs of time and space are finally cleared. Drawing on years of researchacross four countries, excavating and analyzing thousands of yellowed documentsin archives as well as every digitized source, Gary D. Rhodes and Bill Kaffenbergershine light from their candelabrum onto a long-forgotten past, onto the creationof a legend. Becoming Dracula is a two-volume biography covering Bela Lugosi's lifefrom his birth to 1930, when he first played the famous vampire on screen. "By presenting a staggering wealth of well researched details, Gary D. Rhodes and BillKaffenberger create not only the context but the humanity of Lugosi becoming Dracula. Theirportrait-in-words is nuanced, revealing and sympathetic, but still preserves the mystery andmajesty of this most charismatic of actors. They introduce the reader to the Hungarian-Americansubculture in which Lugosi found himself when he arrived on the shores of the United States.Lugosi was initially the big fish in that small pond, but the authors portray his emergence intothe vast ocean of Broadway and Hollywood and the fascination Lugosi created with his uniquepresence there." - Steve Haberman, screenwriter of Dracula: Dead and Loving It (1995) and author of Silent Screams: The History of the Silent Horror Film (Midnight Marquee, 2010)
Scenery Simplified
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Theatre Royal, Drury Lane
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The History of the Boston Theatre, 1854-1901; v.1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dementia, Narrative and Performance
Focusing mainly on case studies from Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in 'theatre of the real' productions and care home interventions, assessing the extent to which the 'right kind' of dementia story is being affirmed or challenged. It argues that this type of story -- one of tragedy, loss of personhood, biomedical deficit, and socio-economic 'crisis -- produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the 'gaze' of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on 'theatre of the real'. Scanning contemporary critical studies about and practices of 'theatre of the real' performances and applied theatre interventions, the book probes what it means when certain 'theatre of the real' practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be 'unreliable narrators'. It also explores whether autobiographical theatre is useful in reinforcing a sense of 'self' for those deemed no longer to have one. With a focus on the relationship between stories and selves, the book investigates how selves might be rethought so that they are not contingent on the production of lucid self-narratives, consistent language, and truthful memories.
The Passion Play House and the Local Museum
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Mrs. Sarah Siddons; 1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of the Vieux Colombier
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Drama. With an Introd. by Tyrone Guthrie
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Assistant Lighting Designer's Toolkit
This ground-breaking text returns in its second edition, unlocking the insider secrets and proven, time-tested methods to succeed as a professional assistant lighting designer.This definitive guide outlines, step-by-step, the daily challenges that assistant lighting designers face during every phase of production, and the solutions for overcoming them. Furthermore, intermingled among the highly detailed paperwork techniques and essential procedures, top industry professionals reveal tips for success in this challenging career. This fully updated second edition features: All new advice, real-world stories, and current paperwork examples from over 120 working professionals. Updated industry practices with case studies from the professionals themselves, such as how to create a video network to record previews for the lighting department; how much printing is done in an increasingly paperless world; how to produce a set electrics package; and how the industry interfaces with cutting-edge technology like remote followspots and pre-visualization software. New lifestyle tips for traveling abroad, negotiating contracts, and dealing with stressful situations. The Assistant Lighting Designer's Toolkit, the most trusted authority on assisting in the lighting world, equips budding assistant lighting designers and students studying lighting design with the insider knowledge they need to achieve the successful career that they have always wanted--whether choosing assisting as a career or as a stepping-stone toward design. Within these pages are the industry secrets rarely taught in school!
Vaudeville Trails Thru the West
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The Theatre Guild, the First Ten Years
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Oberammergau and Its Passion Play
Travel back in time to the small Bavarian village of Oberammergau, where every ten years, the Passion Play is performed in tribute to a promise made after the village was spared from the Black Plague. Elisabethe H. Corathiel paints a vivid picture of the history and traditions of this unique event, from its early origins to the modern day. Complete with photographs and maps, this book is a must-read for anyone interested in European history or theater.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Do You Sleep in the Nude?
For over two decades, the art of the interview was very nearly the sole province of Rex Reed, the Master of the Celebrity Profile. While still in his twenties Rex Reed became a widely-syndicated film critic for The New York Daily News and from that vantage point began to interview everyone in the film and theater worlds who mattered. In Do You Sleep in the Nude?, the first of his four best-selling celebrity profile collections, he captures the ego and zany personality of soon-to-be-superstar Barbra Streisand, the elusive Warren Beatty just finishing Bonnie and Clyde, the last ever interview with legend Buster Keaton, and a classic and much reprinted portrait of Ava Gardner in her waning years. Writer Tom Wolfe has said about Reed: "Rex Reed...raised the celebrity interview to a new level through his frankness and his eye for social detail. He has also been a master at capturing a story line in the interview situation itself."Along with Wolfe, Truman Capote, Kenneth Tynan, and Harry Crews, Rex Reed achieved a literary reputation for a genre, the celebrity profile, once relegated to gossip journalists who as often as not wrote studio-approved fantasies of the lives of the stars.Devault Graves Books has reissued Rex Reed's quartet of best-selling profile anthologies in ebook form: Do You Sleep In the Nude?, Conversations in the Raw, Valentines & Vitriol, and People Are Crazy Here. Devault Graves Books has also released Do You Sleep in the Nude? in trade paperback. Virtually anyone who was anyone during the 1960s, '70s, and early '80s in the movie and theater world are captured for the ages in these books. When asked why he no longer writes celebrity profiles, Mr. Reed answered simply: "The movie stars of today are no longer interesting."But when they were, Rex Reed was there to file them away for history. It is to the reader's pleasure to rediscover them.Included in Do You Sleep in the Nude? are profiles of: Barbra Streisand, Warren Beatty, Carson McCullers, Lucille Ball, Ava Gardner, Lotte Lenya, Michaelangelo Antonioni, James Mason, Bill Cosby, Marlene Dietrich, and many more.
The Theatre in Germany
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Samuel Pepys as a Restoration Critic of Drama
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Drama in Performance
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mel. B. Spurr
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Town Talk; 16, pt.2
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Sights and Spectacles, 1937-1958
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ah There!
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The Ways of the Circus; Being the Memories and Adventures of George Conklin, Tamer of Lions
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Year's Work in the Theatre
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Broadway's Best
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Home Alone: The Official Aaaaaadvent Calendar (2021 Advent Calendar)
Celebrate the holidays with this interactive advent calendar inspired by the holiday classic, Home Alone. Eight-year old Kevin has the house all to himself when his family accidentally leaves him home alone for the holidays. But when two bumbling burglars knock on his door, Kevin has to devise a series of traps to defend his home! Re-discover this charming holiday classic with this interactive advent calendar featuring a pop-up tree, 24 paper ornaments recalling the film's most memorable moments, and a bonus booklet of Kevin's misadventures. This official Home Alone advent calendar is the perfect gift for fans of this classic film and is durable enough to last for many years to come! Create your own holiday centerpiece. Decorate the pop-up tree with the 24 hidden ornaments to create your own unique holiday centerpiece. Countdown to Christmas. Reveal a new ornament each day of December and watch your pop-up tree come to life! Each collectible ornament is inspired by an iconic moment from the film, from the McCallister's lawn jockey statue to Harry's gold tooth! The ultimate stocking stocker for Home Alone fans. Keep the holiday spirit alive all year long with this fun collectible!
The Elizabethan Stage; 4
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Molly and Me
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The Itinerant; or, Memoirs of an Actor ..; 7
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Epitome Theatre Orbis Terrarum
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Ava, a Portrait of a Star
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Town Talk; 35
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Dramatic Criticism, 1895-98; a Selection
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Can You Dig It (hardback)
CAN YOU DIG ITWalter Hill's The Warriors was not just a motion picture-it was a social phenomenon on every level.The tale of a Coney Island street gang who, framed for murder, have to make the perilous journey back to home turf across the terrain of rival crews out for revenge, it caused a sensation when it hit the theaters in early 1979. Despite a low budget, an absence of marquee names, and minimal promotion, it proceeded to lead the box office, devoured by an urban youth that had never before been represented non-judgmentally on screen. Within weeks, though, the glory was tarnished when deaths at and around screenings created an unparalleled controversy about imitation of on-screen violence. The Warriors never recovered commercial momentum. However, it never lost its critical kudos, partly deriving from its plot's unlikely origin-courtesy of the 1965 source novel by Sol Yurick-in Greek classic Anabasis. It now enjoys cult-classic status. "Can you dig it?"-the call to arms against the Man dramatically enunciated by rival gang leader Cyrus-is now one of cinema's immortal catchphrases. Sean Egan has spoken in depth to the people who made The Warriors, including its director-screenwriter, producers, stunt coordinator, costume designer, soundtrack composer, and starring actors. He details how its shoot was engulfed in acrimony and strife, including a spiraling budget, the leading lady breaking her arm, and intimidation from loitering real-life gang members. Then there was the astonishing decision taken halfway through shooting to fire the leading man. He explains how the controversy surrounding the movie caused Paramount Pictures to take the devastating decision to pull it from theaters. He then explores the way public affection and critical goodwill ultimately saw The Warriors and its cast and crew rehabilitated and vindicated.Can You Dig It is the full story of the rollercoaster journey of a remarkable film.
Entrevistas Con Creadoras del Cine Espa簽ol Contempor獺neo
Este libro recoge una serie de entrevistas y encuentros con mujeres cineastas del siglo XXI cuyas voces est獺n redibujando la cinematograf穩a nacional, a menudo, desde los m獺rgenes de la industria. La introducci籀n perfila el contexto de esta emergencia y las principales l穩neas discursivas, subrayando el surgimiento de redes m獺s o menos formales que permiten pensarse de manera colectiva. Las entrevistas, realizadas por especialistas en cine espa簽ol y acompa簽adas de retratos ex profeso, exploran sus trayectorias laborales y vitales, sus aportaciones art穩sticas y las particularidades del quehacer f穩lmico en clave de g矇nero. Las experiencias de creadoras diversas --cuya obra se adscribe a la ficci籀n, el documental y la animaci籀n-- ofrecen una mirada poli矇drica y descentrada al cine contempor獺neo.
The Jeremy Collier Stage Controversy, 1698-1726 ... by Sister Rose Anthony, S.C
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The Itinerant; or, Memoirs of an Actor ..; 4
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre In My Time
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Fabulous Tom Mix
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Can You Dig It
CAN YOU DIG ITWalter Hill's The Warriors was not just a motion picture-it was a social phenomenon on every level.The tale of a Coney Island street gang who, framed for murder, have to make the perilous journey back to home turf across the terrain of rival crews out for revenge, it caused a sensation when it hit the theaters in early 1979. Despite a low budget, an absence of marquee names, and minimal promotion, it proceeded to lead the box office, devoured by an urban youth that had never before been represented non-judgmentally on screen. Within weeks, though, the glory was tarnished when deaths at and around screenings created an unparalleled controversy about imitation of on-screen violence. The Warriors never recovered commercial momentum. However, it never lost its critical kudos, partly deriving from its plot's unlikely origin-courtesy of the 1965 source novel by Sol Yurick-in Greek classic Anabasis. It now enjoys cult-classic status. "Can you dig it?"-the call to arms against the Man dramatically enunciated by rival gang leader Cyrus-is now one of cinema's immortal catchphrases. Sean Egan has spoken in depth to the people who made The Warriors, including its director-screenwriter, producers, stunt coordinator, costume designer, soundtrack composer, and starring actors. He details how its shoot was engulfed in acrimony and strife, including a spiraling budget, the leading lady breaking her arm, and intimidation from loitering real-life gang members. Then there was the astonishing decision taken halfway through shooting to fire the leading man. He explains how the controversy surrounding the movie caused Paramount Pictures to take the devastating decision to pull it from theaters. He then explores the way public affection and critical goodwill ultimately saw The Warriors and its cast and crew rehabilitated and vindicated.Can You Dig It is the full story of the rollercoaster journey of a remarkable film.
![Program Athen疆um Nation Show [microform]](https://cdn.kingstone.com.tw/english/images/product/3037/9781015133037.webp "Program Athen疆um Nation Show [microform]")
Program Athen疆um Nation Show [microform]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Cinema of Orson Welles
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Amateur and Flirt
Amateur is the unsettling story of a poor young woman who, recently released from her vows as a Catholic nun, tries to earn a living writing pornography. She meets and assists a helpless and kind man with amnesia who is gradually revealed to be a sadistic, murderous pornographer himself, though he cannot remember any of this. In Flirt three young people of different genders, race, sexual orientation, and in different cultures, face the same dilemma: trying to decide to commit to their lover or to continue exploring possible affairs with others.
The Tudor Interlude
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
