Creole Slave Songs
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The Acoustics of the Social on Page and Screen
Sound positions individuals as social subjects. The presence of human beings, animals, objects, or technologies reverberates into the spaces we inhabit and produces distinct soundscapes that render social practices, group associations, and socio-cultural tensions audible. The Acoustics of the Social on Page and Screen unites interdisciplinary perspectives on the social dimensions of sound in audiovisual and literary environments. The essays in the collection discuss soundtracks for shared values, group membership, and collective agency, and engage with the subversive functions of sound and sonic forms of resistance in American literature, film, and TV.
Chords of Love
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Bilhorn's Male Chorus
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Christy's Panorama Songster
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Songs and Ballads of the West
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Songs by-- Cole Porter
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Tranent and Its Surroundings
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Old Time Revival
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Russians; a Cycle of Songs for Baritone and Piano. Op. 18; 5 v. in 1
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Songs of Matchless Love
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Church Harmonies New and Old
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Little Songs for Me to Sing
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Unity Song Selections
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Golden Songs
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Rodeheaver Chorus Collection
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Easy Trumpet Solos; 15
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The Church Psalter and Hymn Book
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Social Hymn and Tune Book for the Vestry and the Home
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Collection of Orange Songs [microform]
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Songs of Happy Life
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Red Feather
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Singing Through the Ages
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Monthly Bulletin of the State Board of Health of Massachusetts; 4
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Rosina
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Unsung Americans Sung
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Master's Praise
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Gospel Jewels for Sabbath Schools
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Hymn, Tune, and Service Book for Sunday Schools.
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Belshazzar's Feast
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The Jubilate
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Hymns for the Use of Sunday Schools [microform]
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Sacred Songs [microform]
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Miracle Melodies
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Songs of Zion
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Can-can
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Great Revival Hymns No. 2
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A Book of Children's Songs
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The Gospel Way
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Baby's Lullaby Book
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Thirty-Eighth Massachusetts Life Insurance Report, 1893
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Songs of Redeeming Love
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Bible School Hymns and Sacred Songs
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Carols for Use in Church During Christmas and Epiphany
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Glorious Things in Sacred Song
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Songs by Thirty Americans. For Low Voice
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sacred Songs and Solos
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Songs for Service, for the Church, Sunday School and Evangelistic Services;
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.