Do Not Sell at Any Price
"A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records" (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art.Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they're found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren't lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78--from its heyday to its near extinction--and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men--including Joe Bussard, Chris King, John Tefteller, and others--who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. "Whether you're already a 78 aficionado, a casual record collector, a crate-digger, or just someone...who enjoys listening to music, you're going to love this book" (Slate).
The Beatles for Solo Mandolin
(Mandolin). Named one of the "Best Mandolin Books of All Time" by BookAuthority.org! 20 favorite Beatles tunes in chord melody arrangements for mandolin including: All You Need Is Love * Blackbird * Can't Buy Me Love * Eight Days a Week * Here Comes the Sun * Hey Jude * In My Life * Let It Be * Michelle * Strawberry Fields Forever * Twist and Shout * We Can Work It Out * Yesterday * and more.
Pajama Party!
(ExpressiveArts). It's time for bed - time to pick up our toys, take a bath time, brush our teeth and put our PJs on to end the day. But wait! What's that noise I hear under my bed? Where's my teddy bear? See how bedtime can really be a blast in this creative and cozy 20-minute musical play for little ones in Grades K-2. The all-in-one performance package includes a Teacher Book with piano/vocal arrangements, simple movement ideas and a helpful production guide. The included audio offers performance and accompaniment-only recordings with a melody instrument to help guide these young singers for a variety of rehearsal and performance options. Teach the songs by rote or, for additional reading challenge, use the reproducible & projectable song and lyric sheet PDFs also found on the enclosed disc. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. ScorePlay - click to view score with recording.
Goodnight Moon
(Vocal). From the composer Eric Whitacre: "Over the past six years I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but we contacted the publisher to see if they would allow the text to be set to music. To my surprise and delight they agreed the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. It has become one of my son's favourite songs; now Hila sings it to him before bed nearly every night." This arrangement is for high voice and piano accompaniment.
Bowie on Bowie
Over the Rainbow Selection 2016 David Bowie has been one of pop music's greatest interviewees since January 1972, when he famously risked career death by asserting to Melody Maker that he was gay. Although he wasn't yet a big star, it was a groundbreaking moment. And over the years, Bowie has failed to give an uninteresting interview. It might be said that he has habitually used the media for his own ends, but he has paradoxically also been searingly honest, declining to ever be coy about his ambitions, his private life, and even his occasional ennui. Bowie on Bowie presents some of the best interviews Bowie has granted in his near five-decade career. Each interview traces a new step in his unique journey, successively freezing him in time as young novelty hit-maker, hairy hippie, Ziggy Stardust, Aladdin Sane, the Thin White Duke, plastic soul man, fragile Germanic exile, godfather of the New Romantics, eighties sellout, Tin Machinist, and, finally, permanently, artistically reborn beloved elder statesman of challenging popular music. In all of these iterations he is remarkably articulate. He is also preternaturally polite--almost every interviewer remarks upon his charm. The features in this book come from outlets both prestigious (MelodyMaker, Mojo, New Musical Express, Q, Rolling Stone) and less well-known (The Drummer, Guitar, Ikon, Mr. Showbiz). In all cases, Bowie enables the reader to approach the nerve center of his ferociously creative and prolific output.
Ubiquitous Musics
Ubiquitous Musics offers a multidisciplinary approach to the pervasive presence of music in everyday life. The essays address a variety of situations in which music is present alongside other activities and does not demand focused attention from (sometimes involuntary) listeners. The contributors present different theoretical perspectives on the increasing ubiquity of music and its implications for the experience of listening.
Rebel Rebel
David Bowie: every single song. Everything you want to know, everything you didn't know. David Bowie remains mysterious and unknowable, despite 45 years of recording and performing. His legacy is roughly 600 songs, which range from psychedelia to glam rock to Philadelphia soul, from avant-garde instrumentals to global pop anthems. Rebel Rebel catalogs Bowie's songs from 1964 to 1976, examines them in the order of their composition and recording, and digs into what makes them work. Rebel Rebel is an in-depth look at Bowie's early singles and album tracks, unreleased demos, session outtakes and cover songs. The book traces Bowie's literary, film and musical influences and the evolution of his songwriting. It also shows how Bowie exploited studio innovations, and the roles of his producers and supporting musicians, especially major collaborators like Brian Eno, Iggy Pop and Mick Ronson. This book places Bowie's music in the context of its era. Readers will discover the links between Kubrick's 2001 and "Space Oddity"; how A Clockwork Orange inspired "Suffragette City". The pages are a trip through Bowie's various lives as a young man in Swinging London, a Tibetan Buddhist, a disillusioned hippie, a rock god, and a Hollywood recluse. With a cast of thousands, including John Lennon, William S. Burroughs, Andy Warhol and Cher.
Networks of Sound, Style and Subversion
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.
Networks of Sound, Style and Subversion
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.
The Cambridge Companion to Duke Ellington
Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy.
We Rock! Music Lab
Finally! A hip, fun and culturally relevant series of music appreciation books, perfect for modern music-loving families who want to take advantage of this era of exploding musical access! Get a personal guided tour through an amazing historical back-catalog of music that was previously unavailable. We Rock!: A Fun Family Guide for Exploring Rock Music History is a guided tour through thrilling corners of the musical universe that should not be missed! This book highlights great songs in rock history, shares insights and stories on the artists, details the social and historical influences at play, and offers fun activities for families to do together. Detailed listening guides help music fans understand song structure, lyrics, and instrumentation. Related listening lists introduce readers to other exciting artists in similar genres. Set into 52 "music labs," these stories can be explored at will by individuals and families or used as a curriculum for community groups and educators. There really are no other books out there like this - that are music appreciation books for a general audience that focus on popular music - so pick up yours today and you will have your whole family singing along with We Rock.
1989
(Piano/Vocal/Guitar Artist Songbook). When Taylor Swift's first official "pop" album, 1989 was released in October 2014, it quickly achieved record-breaking sales. According to Billboard, it sold almost 1.3 million copies in its debut week, the largest sales week for an album since 2002 and made Taylor the first artist ever to have three albums top $1 million in sales in a week. Our songbook features all 13 songs from the album, including the mega-hit "Shake It Off," plus: All You Had to Do Was Stay * Bad Blood * Blank Space * How You Get the Girl * I Know Places * I Wish You Would * Out of the Woods * Welcome to New York * and more.
Music and Musical Composition at the American Academy in Rome
Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, this volume provides a history of the AAR's Rome Prize in Composition. The American Academy in Rome launched its Rome Prize in Musical Composition in 1921, a time in the United States of rapidly changing ideas about national identity, musical values, and the significance of international artistic exchange. Music and Musical Composition at the American Academy in Rome tells the story of this prestigious fellowship. Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, the book offers new perspectives on a wide range of critical topics: patronage and urban culture, institutions and professional networks, musical aesthetics, American cultural diplomacy, and the maturation ofa concert-music repertory in the United States during the twentieth century. Contributors: Martin Brody, Elliott Carter, John Harbison, Christina Huemer, Carol J. Oja, Andrea Olmstead, Vivian Perlis, Judith Tick, Richard Trythall Martin Brody is the Catherine Mills Davis Professor of Music at Wellesley College, and served as the Andrew Heiskell Arts Director at the American Academy in Rome from 2007 to 2010.
Arcana VII
John Zorn's acclaimed Arcana series, now in its seventh installment, is a major source on new music theory and practice in the twenty-first century. The most varied collection to date, Arcana VII includes personal essays by New Music luminaries Pat Metheny, Bryce Dessner, Irvine Arditti, Thurston Moore, Kenny Werner, Eugene Chadbourne and David Krakauer alongside articles on musical theory and practice by veterans Joe Morris, Matt Shipp, Ben Goldberg, Ches Smith, George Steel, Billy Martin, Hilda Paredes and Gloria Coates and insightful new views by younger musicians Chris Otto, James Moore, Theresa Wong, Shanir Blumenkranz, Jay Campbell, Du Yun, James Ilgenfritz, Chuck Bettis, Aya Nishina and many others. A kaleidoscope of manifestoes, scores, interviews, critical papers, musical studies, rants and more, Arcana VII is a fascinating compendium from first word to last.
Bach, Beethoven and the Boys
David W. Barber has delighted readers around the world with Accidentals on Purpose, When the Fat Lady Sings, and other internationally best-selling books of musical humor. His best-selling Bach, Beethoven and the Boys chronicles the lives of the great (and not-so-great) composers as you've never read them before--exploring their sex lives, exposing their foibles and expanding on our understanding of these all-too-human creatures. Filled with information, interesting facts, and trivia, this hilarious history covers music from Gregorian chant to the mess we're in now. From Bach's laundry lists to Beethoven's bowel problems, from Gesualdo's kinky fetishes to Cage's mushroom madness, Barber tells tales out of school that ought to be put back there (think how much more fun it would be if they taught this stuff). As always, Dave Donald had provided witty and clever cartoon illustrations to accompany the text. My heartiest commendation for an admirable work of scholarship . . . I will not say again that it is funny, since this will compel you to set your jaw and dare Barber to make you laugh." ---Anthony Burgess, on Bach, Beethoven and the Boys."
Getting a Handel on Messiah
David. W. Barber has delighted readers all around the world with the quirky definitions of Accidentals on Purpose, the irreverent history of Bach, Beethoven and the Boys, a hilariously offbeat history of dance and ballet in Tutus, Tights and Tiptoes, and a host of other internationally best-selling books of musical humor and literature. Chances are you've heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, works in the standard repertoire. But if you think you know all there is to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: * Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. * The very first performance of Messiah took place not in London, but in Dublin---and not with a huge choir and orchestra, but with only a relative handful of musicians. * Although church groups and clergy members now praise Messiah as an example of religious music at its best, Handel had to disguise his oratorio for its first performance in London, in order to sneak it past the prissy church authorities. * The Hallelujah chorus wasn't originally called that at all, but had a different (and much longer!) name. * Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio was one that hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true!) facts await your discovery as internationally best-selling author David W. Barber takes you on another delightful romp through the pages of music history---as it ought to be taught!
Accidentals on Purpose
A hilarious collection of musical definitions by David W. Barber, the internationally best-selling author of Bach, Beethoven and the Boys, When the Fat Lady Sings, and other internationally best-selling books of musical humor. An offbeat and irreverent compendium, from Aida to Zzzz. With a preface by Yehudi Menuhin and with illustrations by Dave Donald.
Sing the Songs of Cole Porter
(Music Minus One). Eight more Cole Porter favorites are presented in this package which is designed to provide the at-home singer with an actual professional setting. The CD features orchestral interludes and instrumental solos typical of a live club performance, retaining the natural performance flow of an actual performance with an accompanying rhythm section or orchestra. Includes the songs: You're the Top * Easy to Love * Friendship * Anything Goes * Blow, Gabriel, Blow * You're the Top * I Get a Kick Out of You * Anything Goes.
Beyond 2.0
The music industry, as with most other media forms, is in the middle of a period of enormous transformation. Digital technologies have empowered producers and consumers of music - traditional ways of making and distributing music are under threat as musicians and their audiences embrace new opportunities, many of which bypass the incumbent middlemen. Whilst it is clear that the music industry is thriving, the traditional recording industry, dominated by a handful of multinational corporations is struggling to stay relevant.The changes are so dramatic that the term "Music 2.0" has become commonly used to delineate old and new business models and approaches. But the demise of the traditional music industry is overstating things - the reality is that (whilst their profits may be diminishing) they still dominate a multi-billion dollar marketplace and exercise unprecedented control over the star-making process. And, of course, they have the resources to be able to reinvent themselves.The actual future of music is a complex and contested one. This book aims to unpack that complexity, map the changes and explain the causes and motivations surrounding an industry undergoing change. It explores the world of popular music from three distinct perspectives. Firstly, it examines the new opportunities available to consumers of music - interrogating how the lines between production and consumption are blurring, creating fans who do much more than just listen to music. Secondly, it draws on interviews with a diverse range of musicians explaining their place in the brave new world and trying to articulate their newly defined roles. Finally, it examines the industry itself, and unpack the responses to current challenges from new and old players alike.
Music 109
An engaging inside view of experimental musicComposer and performer Alvin Lucier brings clarity to the world of experimental music as he takes the reader through more than a hundred groundbreaking musical works, including those of Robert Ashley, John Cage, Charles Ives, Morton Feldman, Philip Glass, Pauline Oliveros, Steve Reich, Christian Wolff, and La Monte Young. Lucier explains in detail how each piece is made, unlocking secrets of the composers' style and technique. The book as a whole charts the progress of American experimental music from the 1950s to the present, covering such topics as indeterminacy, electronics, and minimalism, as well as radical innovations in music for the piano, string quartet, and opera. Clear, approachable and lively, Music 109 is Lucier's indispensable guide to late 20th-century composition. No previous musical knowledge is required, and all readers are welcome.
The Prs Electric Guitar Book
PRS guitars today appeal to a growing number of musicians, from Carlos Santana to Al Di Meola, from Zach Myers to Mark Tremonti. This book examines every part of PRS history, with an in-depth story, beautiful photographs, and detailed collector's info. Paul Reed Smith set up his first PRS factory in 1985 in Maryland and has devised guitars from the regular Custom and McCarty models, through the outrageously decorated Dragon specials and the controversial Singlecut, and on to recent achievements such as the Mira, Dave Grissom DGT, JA-15, and the S2 models. Dozens of guitars are pictured inside along with players, ads, catalogs, and rare memorabilia. A detailed reference section helps musicians and collectors identify and date PRS instruments, making this revised and updated edition of The PRS Electric Guitar Book a must for all guitar fans.
First We Sing! Teaching Strategies Primary Grades
(ExpressiveArts). First, We Start with Teaching Strategies Are you a music teacher new to the Kodaly approach? Perhaps you're an experienced teacher looking for new ways to supplement your materials? Whether you're seeking guidance to the Kodaly style or an alternative perspective, First We Sing! Teaching Strategies Rhythmic and Melodic Elements for Primary Grades is an excellent place to start. The teaching materials in this book include a sample Kodaly-inspired curriculum guide, which can be adapted for a variety of school settings. Brought to you by arranger Susan Brumfield, the First We Sing! collection is full of fresh ideas and engaging lessons for music class. Totally Kodaly Ideal for primary grades (K-2), new and experienced teachers alike will find an abundance of strategies within this practical and flexible resource. The strategies are printed on 3-hole punched loose-leaf paper so teachers can easily tailor the lessons to their curriculum plan. Each strategy includes a list of activities to prepare for: new elements; a scripted, step-by-step procedure for presenting them; and ways to practice using the new elements in each skill area.
A History of Singing
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context - from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
Singing Bronze
The carillon, the world's largest musical instrument, originated in the sixteenth century when inhabitants of the Low Countries started to produce music on bells in church and city towers. Today, carillon music still fills the soundscape of cities in Belgium and the Netherlands. Since World War I, carillon music has become popular in the United States, where it adds a spiritual dimension to public parks and university campuses.Singing Bronze opens up the fascinating world of the carillon to the reader. It tells the great stories of European and American carillon history: the quest for the perfect musical bell, the fate of carillons in times of revolt and war, the role of patrons such as John D. Rockefeller Jr. and Herbert Hoover in the development of American carillon culture, and the battle between singing bronze and carillon electronics. Richly illustrated with original photographs and etchings, Singing Bronze tells how people developed, played, and enjoyed bell music. With this book, a fascinating history that is yet little known is made available for a wide public.
Yoruba Music in the Twentieth Century
Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yor羅b獺 genres of music. From the primeval age of Ay?n?gal繳 (the Yor羅b獺 pioneer-drummer-turned-deity-of-drumming) to the modern era, Yor羅b獺 musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yor羅b獺 Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network. Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yor羅b獺 genres such as b?t獺 and d羅nd繳n drumming as well as more contemporary genres such as Yor羅b獺 popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yor羅b獺 musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yor羅b獺 musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yor羅b獺 musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment. Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology. Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.
Last Night a Dj Saved My Life
Last Night a DJ Saved My Life was the first comprehensive history of the disc jockey, a figure who has become a powerful force shaping the music industry--and since its original publication, the book has become a cult classic. Now, with five new chapters and over a hundred pages of additional material, this updated and revised edition of Last Night a DJ Saved My Life reasserts itself as the definitive account of DJ culture, from the first record played over airwaves to house, hip hop, techno, and beyond. From the early development of recorded and transmitted sound, DJs have been shaping the way we listen to music and the record industry. Bill Brewster and Frank Broughton have tracked down the inside story on some of music's most memorable moments. Focusing on the club DJ, the book gets first-hand accounts of the births of disco, hip hop, house, and techno. Visiting legendary clubs like the Peppermint Lounge, Cheetah, the Loft, Sound Factory, and Ministry of Sound, and with interviews with legendary DJs, Last Night a DJ Saved My Life is a lively and entertaining account of musical history and some of the most legendary parties of the century.
Twelve-Tone Music in America
Most histories of American music have ignored the presence of twelve-tone music before and during the Second World War, and virtually all have ignored its presence after 1970, even though so many major composers continued (and continue) to compose serially. This book provides a comprehensive history of twelve-tone music in America, and compels a revised picture of American music since 1925 as a dynamic steady-state within which twelve-tone serialism has long been, and still remains, a persistent presence: a vigorous and unbroken tradition for more than eighty years. Straus outlines how, instead of a rigid orthodoxy, American twelve-tone music is actually a flexible, loosely-knit cultural practice. The book provides close readings of thirty-seven American twelve-tone works by composers including Copland, Babbitt, Stravinsky and Carter, among many others, who represent a typically American diversity of background and life circumstances, and strips away the many myths surrounding twelve-tone music in America.
Falco and Beyond
Falco and Beyond is devoted to the most popular Austrian song-writer, singer and rapper of the twentieth century and one of the most successful European singers of all time. Falco was born in 1957, reached the peak of his popularity in the 1980s with songs such as Der Kommissar, Rock Me Amadeus and Jeanny, with mixed luck attempted to revive his career in the 1990s and died in a car crash in 1998. He sold over 30 million records worldwide and remains a successful posthumous artist.The book attempts to identify the most salient and contradictory features of Falco's art, such as linguistic inventiveness and dexterity, rapping and adopting a posture of a romantic artist. It argues that Falco's songs betray an apocalyptic imagination, picturing the image of an exhausted and unhappy world. It looks at Falco's career and his phenomenon in the context of international and Austrian music business and politics, and investigates how his popularity has been maintained after his death, by means such as records released posthumously, cover versions of his songs, mashup songs and videos, biographies and Falco fandom.
Falco and Beyond
Falco and Beyond is devoted to the most popular Austrian song-writer, singer and rapper of the twentieth century and one of the most successful European singers of all time. Falco was born in 1957, reached the peak of his popularity in the 1980s with songs such as "Der Kommissar", "Rock Me Amadeus" and "Jeanny", with mixed luck attempted to revive his career in the 1990s and died in a car crash in 1998. He sold over 30 million records worldwide and remains a successful posthumous artist. The book attempts to identify the most salient and contradictory features of Falco's art, such as linguistic inventiveness and dexterity, rapping and adopting a posture of a romantic artist. It argues that Falco's songs betray an apocalyptic imagination, picturing the image of an exhausted and unhappy world. It looks at Falco's career and his phenomenon in the context of international and Austrian music business and politics, and investigates how his popularity has been maintained after his death, by means such as records released posthumously, cover versions of his songs, mashup songs and videos, biographies and Falco fandom.
Official Truth, 101 Proof
Few heavy metal acts survived the turmoil of the early 1990s music scene. Pantera was different. Instead of humoring the market, the band instead demanded that the audience come to them by releasing a series of fiercely uncompromising, platinum albums, including Vulgar Display of Power and Far Beyond Driven -- two #1 albums that, like Metallica's And Justice for All, sold millions of copies despite minimal airplay. Rex Brown's memoir is the definitive account of life inside one of rock's biggest bands, which succeeded against all odds but ultimately ended in tragedy when iconic lead guitarist Darrell "Dimebag" Abbott was murdered mid-performance by a deranged fan. This is a lucid account of the previously untold story behind one of the most influential bands in heavy metal history, written by the man best qualified to tell the truth about those incredible and often difficult years of fame and excess.
Huey "Piano" Smith and the Rocking Pneumonia Blues
Huey "Piano" Smith's musical legacy stands alongside that of fellow New Orleans legends Dr. John, Fats Domino, Ernie K-Doe, and Allen Toussaint. His 1957 classic, "Rocking Pneumonia and the Boogie Woogie Flu," made Billboard's top R&B singles chart, and hundreds of artists including Aerosmith, the Grateful Dead, the Beach Boys, Johnny Rivers, and Chubby Checker have recorded his songs. The first biography of the artist responsible for hits "Don't You Just Know It," "High Blood Pressure," and "Sea Cruise," Huey "Piano" Smith and the Rocking Pneumonia Blues follows the musician's extraordinary life from his Depression-era childhood to his teen years as a pianist for blues star Guitar Slim to his mainstream success in the 1950s and '60s. Drawing from extensive interviews and court records, author and journalist John Wirt also provides new insights on Smith's professional disappointments and financial struggles in the 1980s and '90s as he battled over royalties from his most successful and profitable work. An enigmatic and guarded personality in a profession of extroverted performers, Smith made farreaching contributions to the New Orleans music scene as a songwriter, pianist, and producer. Wirt reveals that Smith's numerous collaborations with other artists--including the Clowns, the Pitter Pats, the Hueys, and Shindig Smith and the Soul Shakers--served as vehicles for his creative vision rather than simply as an anonymous backup for a leading front man.Throughout this intimate account, Wirt details Smith's significant impact on rock and roll history and underscores both the longevity of his music--which has entertained and inspired for over five decades--and the musician's personal endurance in the face of hardship and opposition.
I.W.W. Songs to Fan the Flames of Discontent
A RADICAL LABOR CLASSIC Undoubtedly the most popular book in American labor history, the I.W.W.'s Little Red Song Book has been a staple item on picket lines and at other workers' gatherings for generations, and has gone through numerous editions. As a result of I.W.W. efforts to keep up with the times, however, recent versions of the songbook have omitted most of the old-time favorites, especially the raucous lyrics of the free-spirited hoboes who made up such a large portion of the union's membership in its heyday. For example, recent versions have left out all but a few of the celebrated songs of Joe Hill, T-Bone Slim, Ralph Chaplin, and other pioneer bards of the One Big Union--and many of the few remaining older songs have been abridged or otherwise modified. The steadily mounting interest in Wobbly history and culture warrants this facsimile edition of a classic Little Red Song Book from the union's Golden Age. Reprinted here is the Nineteenth Edition, originally issued in 1923, the year the I.W.W. reached its peak membership. Of the fifty-two songs in this book, the overwhelming majority have not been included in the I.W.W.'s own songbooks for many years. Here are such classics as Joe Hill's "John Golden and the Lawrence Strike," "We Will Sing One Song," "Scissor Bill," "The Tramp," and others; T-Bone Slim's "I'm Too Old to Be a Scab," "Mysteries of a Hobo's Life," "I Wanna Free Miss Liberty," and others; Ralph Chaplin's "All Hell Can't Stop Us," "Up from Your Knees," "May Day Song," and more; and other songs by C.G. Allen, Richard Brazier, Pat Brennan, James Connolly, Laura Payne Emerson, and many others. Ninety years ago these songs were sung with gusto in Wobbly halls and hobo jungles from Brooklyn to San Pedro. And they're still fun to sing today!
Music Sociology
Introduces the sociology of music to those who may not be familiar with it and provides a historical perspective on popular music.
The Cambridge Companion to Vaughan Williams
An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been misunderstood as much as he had been revered; his international impact and enduring influence on areas as diverse as church music, film scores and popular music has been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composer's output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composer's relationship with the BBC and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola Lefanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.
This Land That I Love
February, 1940: After a decade of worldwide depression, World War II had begun in Europe and Asia. With Germany on the march, and Japan at war with China, the global crisis was in a crescendo. America's top songwriter, Irving Berlin, had captured the nation's mood a little more than a year before with his patriotic hymn, "God Bless America." Woody Guthrie was having none of it. Near-starving and penniless, he was traveling from Texas to New York to make a new start. As he eked his way across the country by bus and by thumb, he couldn't avoid Berlin's song. Some people say that it was when he was freezing by the side of the road in a Pennsylvania snowstorm that he conceived of a rebuttal. It would encompass the dark realities of the Dust Bowl and Great Depression, and it would begin with the lines: "This land is your land, this land is my land." In This Land That I Love, John Shaw writes the dual biography of these beloved American songs. Examining the lives of their authors, he finds that Guthrie and Berlin had more in common than either could have guessed. Though Guthrie's image was defined by train-hopping, Irving Berlin had also risen from homelessness, having worked his way up from the streets of New York. At the same time, This Land That I Love sheds new light on our patriotic musical heritage, from "Yankee Doodle" and "The Star-Spangled Banner" to Martin Luther King's recitation from "My Country 'Tis of Thee" on the steps of the Lincoln Memorial in August 1963. Delving into the deeper history of war songs, minstrelsy, ragtime, country music, folk music, and African American spirituals, Shaw unearths a rich vein of half-forgotten musical traditions. With the aid of archival research, he uncovers new details about the songs, including a never-before-printed verse for "This Land Is Your Land." The result is a fascinating narrative that refracts and re-envisions America's tumultuous history through the prism of two unforgettable anthems.
Two Part Inventions and Other Masterworks by Bach for Two Trumpets
(Music Minus One). A new approach to Bach drawn from his compositions! With this collection that was conceived, adapted and performed by Bob Zottola on the provided audio, you can play first or second parts for: Two-Part Invention 4 in D minor * Minuet in F major * Minuet 3 in D minor * Little Prelude in C major * Gavotte in G minor * Minuet in A minor * Minuet in D minor * Gavotte in E-flat major * Minuet in E major * Minuet in C minor * Two-Part Invention 1 in C Major. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
The New York Composers' Forum Concerts, 1935-1940
The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
All the Songs
In this lively and fully-illustrated work, two music historians break down every album and every song ever released by the Beatles, from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970). All the Songs delves deep into the history and origins of the Beatles and their music. This first-of-its-kind book draws upon decades of research, as music historians Margotin and Guesdon recount the circumstances that led to the composition of every song, the recording process, and the instruments used. Here, we learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for 瞿100 in 1960 in Hamburg, Germany. We also learn that "Love Me Do," recorded in Abbey Road Studios in September 1962, took 18 takes to get right, even though it was one of the first songs John and Paul ever wrote together. The authors also reveal that when the Beatles performed "I Want to Hold Your Hand" on The Ed Sullivan Show in 1964, John's microphone wasn't turned on, so viewers only heard Paul singing. There are hundreds of photographs throughout the book, including rare black-and-white publicity stills, images of the Beatles' instruments, and engaging shots of the musicians at work in the recording studio. All the Songs is the must-have book for the any true Beatles fan.
Reinventing Bach
The story of a revolution in classical music and technology, told through a century of recordings of the music of Johann Sebastian Bach In Reinventing Bach, his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives. As a musician in eighteenth-century Germany, Bach was on the technological frontier--restoring organs, inventing instruments, and perfecting the tuning system still in use today. Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach's music the sound of modern transcendence. The sainted organist Albert Schweitzer played to a mobile recording unit set up at London's Church of All Hallows in order to spread Bach's organ works to the world beyond the churches. Pablo Casals, recording at Abbey Road Studios, made Bach's cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with Fantasia, made Bach the sound of children's playtime and Hollywood grandeur alike. Glenn Gould's Goldberg Variations opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist. Reinventing Bach is a gorgeously written story of music, invention, and human passion--and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.
Christmas Time Is Here
(Brass Ensemble). Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here . Includes: "Angel Choir and the Trumpeter," "Bach's Bells," "Hark, the Herald Angels Sing," "My Little Drum," "O Tannenbaum," "Skating," and "What Child Is This?" There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462).
Christmas Time Is Here
(Brass Ensemble). Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here . Includes: "Angel Choir and the Trumpeter," "Bach's Bells," "Hark, the Herald Angels Sing," "My Little Drum," "O Tannenbaum," "Skating," and "What Child Is This?" There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462).
Christmas Time Is Here
(Brass Ensemble). Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here . Includes: "Angel Choir and the Trumpeter," "Bach's Bells," "Hark, the Herald Angels Sing," "My Little Drum," "O Tannenbaum," "Skating," and "What Child Is This?" There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462).
Christmas Time Is Here
(Brass Ensemble). Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here . Includes: "Angel Choir and the Trumpeter," "Bach's Bells," "Hark, the Herald Angels Sing," "My Little Drum," "O Tannenbaum," "Skating," and "What Child Is This?" There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462).
Christmas Time Is Here
(Brass Ensemble). Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here . Includes: "Angel Choir and the Trumpeter," "Bach's Bells," "Hark, the Herald Angels Sing," "My Little Drum," "O Tannenbaum," "Skating," and "What Child Is This?" There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462).
Bowie
David Bowie is a shape-shifting, genre-twisting genius whose 27 albums over 40 years reveal a creative bigamist marrying pop and art, theatre and rock, fashion and film, sound and style. Bowie: Album by Album is the ultimate celebration of the entire career of the icon. Longtime fans and new followers alike can explore in detail every album and every track--from his eponymous 1967 debut album, through his unbeatable rise of seventies classics including The Rise and Fall of Ziggy Stardust, Aladdin Sane, Station to Station, Low, and Heroes, to rare gems like The Buddha of Suburbia and his critically acclaimed 2003 album Reality. The illustrations present a galaxy of rare and iconic images from the world's leading photographers. Fans will love iconic images from album covers and performances, of Bowie wearing outrageous outfits and surrealist makeup from across the decades. These are combined with more intimate, behind-the-scenes images that reveal the musician at work. Written by acclaimed music critic Paolo Hewitt, the text assesses the writing and recording of each release, and reflects on their impact and influence on the art of popular music. Featuring a discography of studio albums, live albums, notable compilations and soundtracks, this is the essential companion to David Bowie's legendary achievements.
