A Tender Light
(Music Sales America). A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor, including the Ubi caritas, made famous by its inclusion in the Royal Wedding Ceremony of Prince William and Catherine Middleton at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA, UK, Australia, France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor, this book also contains the luminous She Walks in Beauty, the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire.
John Mayer Live
(Play It Like It Is). Here's a stand-out collection of 14 tracks featured on all three of John Mayer's live albums: Any Given Thursday, As/Is, Where the Light Is . The songbook features note-for-note guitar transcriptions with tablature for: Belief * Come When I Call * Comfortable * Every Day I Have the Blues * Gravity * Neon * Vultures * Who Did You Think I Was * Why Georgia * and more Mayer favorites.
Best Music Writing 2011
Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort--novelists, poets, journalists, musicians-- are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
The Big Payback
"There has never been a better book about hip-hop...a record-biz portrait that jumps off the page."--A.V. Club The perfect read for music lovers and business aficionados alike, The Big Payback reveals the secret histories of the early long-shot successes of Sugar Hill Records and Grandmaster Flash, Run DMC's crossover breakthrough on MTV, the marketing of gangsta rap, and the rise of artist/entrepreneurs like Jay-Z.THE INSPIRATION FOR THE VH1 SERIES THE BREAKS The Big Payback takes readers from the first $15 made by a "rapping DJ" in 1970s New York to the multi-million-dollar sales of the Phat Farm and Roc-a-Wear clothing companies in 2004 and 2007. On this four-decade-long journey from the studios where the first rap records were made to the boardrooms where the big deals were inked, The Big Payback tallies the list of who lost and who won. 300 industry giants like Def Jam founders Rick Rubin and Russell Simmons gave their stories to renowned hip-hop journalist Dan Charnas, who provides a compelling, never-before-seen, myth-debunking view into the victories, defeats, corporate clashes, and street battles along the 40-year road to hip-hop's dominance. INCLUDES PHOTOGRAPHS
Memphis Boys
Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings. She reveals how the personalities of the core group meshed, how they regarded newcomers, and how their personal and musical philosophies blended with Moman's vision to create timeless music based on themes of suffering and sorrow. Recording sessions with Elvis Presley, the Gentrys, Aretha Franklin, Wilson Pickett, the Box Tops, Joe Tex, Neil Diamond, B. J. Thomas, Dionne Warwick, and many others come alive in this book. Jones provides the stories behind memorable songs composed by group writers, such as "The Letter," "Dark End of the Street," "Do Right Woman," "Breakfast in Bed," and "You Were Always on My Mind." Featuring photographs, personal profiles, and a suggested listening section, Memphis Boys details a significant phase of American music and the impact of one amazing studio. Roben Jones of Gallipolis, Ohio, has published poetry in various magazines and in Wild Sweet Notes: Fifty Years of West Virginia Poetry, 1950-1999.
Listen to This
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history--from Renaissance dances to Led Zeppelin--through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Bj繹rk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
The Music of the Spheres; Music, Science, and the Natural Order of the Universe
The parallel histories of music and science - from celestial harmony to cosmic dissonance. For centuries, scientists and philosophers believed that the universe was a stately, ordered mechanism, mathematical and musical. The perceived distances between objects in the sky mirrored (and were mirrored by) the spaces between notes that formed chords and scales. The smooth operation of the cosmos created a divine harmony that composers sought to capture. With The Music of the Spheres, readers will see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent it survives today. From Pythagoras to Newton, Bach to Beethoven, and on into the twentieth century of Einstein, Schoenberg, Stravinsky, Cage, and Glass, this is a spellbinding examination of the interwoven fates of science and music throughout history.
Aretha Franklin’s Amazing Grace
This is a fascinating and thoroughly researched exploration of the best-selling gospel album of all time. For two days in January 1972, Aretha Franklin sang at the New Temple Missionary Baptist Church in Los Angeles while tape recorders and film cameras rolled. Everyone there knew the event had the potential to be historic: five years after ascending to soul royalty and commercial success, Franklin was publicly returning to her religious roots. Her influential minister father stood by her on the pulpit. Her mentor, Clara Ward, sat in the pews. Franklin responded to the occasion with the performance of her life and the resulting double album became a multi-million seller - even without any trademark hit singles. But that was just one part of the story. Franklin's warm inimitable voice, virtuoso jazz-soul instrumental group and Rev. James Cleveland's inventive choral arrangements transformed the course of gospel. Through new interviews, musical and theological analyses as well as archival discoveries, this book sets the scene, traces the recording's traditional origins and pop infusions and describes the album's enduring impact.
How the Beatles Destroyed Rock 'n' Roll
"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hip hop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times. Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.
The Doors FAQ
THE DOORS FAQ: ALL THAT'S LEFT TO KNOW ABOUT THE KINGS OF ACID ROCK
Pop Song Piracy
The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.
Record Collecting for Girls
"Record Collecting for Girls is an invitation for all of you stereophiles (who happen to be female), to make your own top-five lists, and then, armed and ready with the book's fun facts, to argue their merits to the ever-present boys' club of music snobs in your life." --Sarahbeth Purcell, author of Love Is the Drug and This Is Not a Love Song You never leave home without your iPod. You're always on the lookout for new bands, and you have strong opinions when it comes to music debates, like Beatles vs. Stones. For years, you've listened to guys talk about all things music, but the female perspective has been missing. Until now. Drawing on her personal life as a music enthusiast, as well as her experience working at MTV and in radio, Courtney E. Smith explores what music can tell women about themselves--and the men in their lives. She takes on a range of topics, from the romantic soundtracks of Romeo and Juliet to the evolution of girl bands. She shares stories from her own life that shed light on the phenomenon of guilty pleasures and the incredible power of an Our Song. Along the way, she evaluates the essential role that music plays as we navigate life's glorious victories and its soul-crushing defeats. Finally, here is a voice that speaks to women--because girls get their hearts broken and make mix tapes about it, too. "Courtney Smith has smarts and sass in spades. Her insights are as hilarious as they are thoughtful, and when you finish reading this book, you'll feel like you just got home from a perfect night out with your best friend. And you'll want to listen to Prince. At full volume." --Megan Jasper, Executive Vice President, Sub Pop Records
Have Yourself a Merry Little Christmas
(Brass Ensemble). A beautiful arrangement of this holiday classic as performed by the Canadian Brass.
The Beach Boys FAQ
A half-century after their first single release, "Surfin' " the Beach Boys continue to define California popular culture and the sunshine-infused sound that will forever be its living soundtrack. But beyond innocent harmonies touting the delights of catching waves and cruising to the drive-in, the Beach Boys are responsible for some of the most sophisticated pop/rock music ever made. Brian Wilson's acclaimed production, the 1966 LP Pet Sounds, was both a creative triumph that inspired The Beatles' best work, and a commercial disappointment that was widely misunderstood by the band's U.S. fans. The Beach Boys followed that with perhaps the greatest three-minute rock single ever, "Good Vibrations " which wowed the critics, was a worldwide number one hit, and ushered Brian Wilson down the path of substance abuse and mental illness. Brian then leapt into the abstract madness of Smile, his epic psychedelic masterpiece that was ultimately scrapped in a 1967 sea of paranoia that nearly drowned the Beach Boys as an act. As the 1970s dawned, the endless summer of nostalgia designated the Beach Boys as its favorite sons. They recorded a critically lauded string of albums even while coping with the knowledge that their creative leader, Brian Wilson, had become a semipermanent recluse and a casualty of his own excess. Still, the Beach Boys continued through controversy, conflict, and death, rising again and again to find more popularity and more commercial peaks into the 1980s and beyond. As the new millennium unfolds, the Beach Boys are still here and continue to be a popular concert attraction and one of rock's most compelling and important stories. In The Beach Boys FAQ, Jon Stebbins explains how the band impacted music and pop culture. This entertaining, fast-moving tome is accompanied by dozens of rare images, making this volume a must-have for fans.
Music-Study in Germany
In this series of letters written between November 1869 and May 1875, a young American pianist, Amy Fay, recounts the thrilling experience of studying piano with such great teachers as Liszt, Tausig, and Kullak. Printed 21 times in America, published also in London, and translated into French and German, this book has clearly established its wide appeal to music students.The author describes the customs and mores, the place of interest, and the people she encountered during her stay in Germany, then the music capital of the world. In a vivid style and with youthful exuberance, she imparts to the reader her impressions of performances by Anton Rubinstein, Clara Schumann, Tausig, Liszt, the great violinist Joachim, Wagner (as conductor), and other notables of music history. Her account of a reception and concert in honor of Wagner is especially fascinating.But the sections of this entirely engaging work that are of primary importance to music students, particularly to students and teachers of the piano, are the author's detailed accounts of the teaching methods of the great piano virtuosi. Interesting pictures of lessons of Tausig's conservatory, of Kullak's teaching techniques, and, above all, a unique portrait of Liszt the man, the teacher, and the performer emerge from these letters. So valued are Amy Fay's impressions of Liszt, in fact, that these sections alone are regarded as a miniature classic. For this Dover edition, Professor Frances Dillon of the Mannes College of Music contributed an informative introduction.Because of her position as a student working closely with Liszt, Tausig, Kullak, and Deppe, Amy Fay was able to reveal many little-known facets of their work and their teaching techniques. Her obvious enthusiasm and serious attitude towards her study make this a work of great liveliness and rare insight. Not only students of the piano, but all musicologists will find her comments and descriptions invaluable. And the general reader should enjoy the many anecdotes and personal glimpses of these famous names in music.
Deep in a Dream
This first major biography of the most romanticized icon in jazz thrillingly recounts his wild ride. From his emergence in the 1950s--when an uncannily beautiful young man from Oklahoma appeared on the West Coast to become, seemingly overnight, the prince of "cool" jazz--until his violent, drug-related death in Amsterdam in 1988, Chet Baker lived a life that has become an American myth. Here, drawing on hundreds of interviews and previously untapped sources, James Gavin gives a hair-raising account of the trumpeter's dark journey.
Television’s Marquee Moon
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for "Country Bluegrass and Blues & Other Music for Uplifting Gormandizers." That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.
Some Girls
It's October 1977, and the Rolling Stones are in a Paris recording studio. They're under siege. Keith Richards's legal troubles after his arrest for heroin possession threaten the band's future, and the broad consensus among rock aficionados is that the band will never again reach the heights of Exile on Main Street. But Mick Jagger is writing lyrics inspired by the year he has just spent in New York City, where he was hanging out with the punks at CBGB and with the glitterati at Studio 54. And new bandmember Ron Wood is helping Richards recapture the two-guitar groove that the band had been missing since the Brian Jones era. The result? Some Girls, the band's response both to punk rock and to disco, an album that crackles with all the energy, decadence, and violence of New York in the 1970s. Weaving together the history of the band and the city, Cyrus R. K. Patell traces the genesis and legacy of the album that Jagger would later call the band's best since Let It Bleed.
Glee: The Music
(Piano/Vocal/Guitar Songbook). New Directions' rivals, the Dalton Academy Warblers, debuted with a bang in the second season of Glee; their version of Katy Perry's "Teenage Dream" became the fastest-selling single in the history of the show! This beloved male a cappella group starring Darren Criss and Chris Colfer now has its own release, Glee: The Music Presents the Warblers . This collection features their versions of 13 hit tunes: Animal * Bills, Bills, Bills * Blackbird * Candles * Da Ya Think I'm Sexy * Hey, Soul Sister * Misery * Raise Your Glass * Silly Love Songs * Somewhere Only We Know * Teenage Dream * What Kind of Fool * When I Get You Alone.
A Guide to Musical Styles
This book transports the reader into the spirit of great music, so that when he encounters an unfamiliar composition he will feel at home in its style and will have some idea of what to expect. It examines five great periods--the Renaissance, Baroque, Classic, Romantic, and Modern--and teaches him the technique of listening so that he can identify the style and form of a piece of music and place it in its proper period. For unless our ears can tell us the difference between a fugue and a sonata, the study of names, dates and historical trends will be futile.
Puccini Companion
What forces helped shape the output of this high-living, often arrogant, but immensely talented composer? This fascinating collection includes Simonetta Puccini's essay full of intimate details about her family, as well as writings by experts on the racist politics behind the creation of Madama Butterfly; Puccini's fascination with American culture as exemplified in Fanciulla del West; his grappling with twentieth-century musical practices in Trittico and Turandot; and the changes that early recording technology sparked in turn-of-the-century operatic performance style.
Mozart and the Enlightenment
In this fascinating study of Mozart's operas, Nicholas Till shows that the composer was not a "divine idiot" but an artist whose work was informed by the ideas and discoveries of the Enlightenment. Examining the dramatic emergence of a modern society in eighteenth-century Austria, the author draws on such famous writers and thinkers of the time as Richardson, Voltaire, Rousseau, Kant, Goethe, Schiller, and Blake to reappraise the history and meaning of the Enlightenment and of Mozart's role within it. He evokes for us the Vienna of the 1780s, a world of intense intellectual argument, political debate, and religious inquiry, which deeply influenced the philosophical content of Mozart's operas. From the early La Finta Giardiniera, based on Richardson's Pamela, to Die Entfuhrung aus dem Serail, designed to support the political aims of Emperor Joseph II; from Le nozze di Figaro, a profound exploration of marriage as a human and social institution, to the post-Enlightenment Zauberflote, the operas bear witness to the era's changing views and to Mozart's own quest for personal and artistic identity.
Beethoven on Beethoven
In this provocative new study, William Newman presents to the reader "whatever intentions on Beethoven's part can be documented or can be supported by reasoning and analysis in the primary sources for his music." His aim, in brief, is to get as close as possible to the performance practices Beethoven himself had in mind for his piano music, both solo and ensemble works.
The Monteverdi Companion
This book is not meant to be a comprehensive account of Monteverdi's life and works. What it sets out to do is to study certain aspects of his music and environment which have been insufficiently stressed in most of the existing books about him and to offer fresh views about some of his more familiar works. In "The Man as seen through his Letters," Denis Arnold and Nigel Fortune provide translations of some forty letters, linked by interpretive commentary, in which the composer's ideas, methods, and approach to composition and other musical matters are clearly revealed. Two chapters on "The Musical Environment" discuss Monteverdi in relation to his teachers, colleagues, and pupils. Monteverdi as thinker and musician is discussed in chapters on the Artusi-Monteverdi controversy, the prima prattica and the seconda prattica, and the madrigal guerrieri, et amorosi. Two further chapters treat Monteverdi as operatic composer, dealing with his first opera and the opera orchestra of his time. The book has a comprehensive bibliography, including a guide to the available editions of the music.
Copland on Music
Whose fault is it that the artist counts for so little in the public mind? Has it always been thus? Is there something wrong, perhaps, with the nature of the art work being created in America? Is our system of education lacking in its attitude toward the art product? Should our state and federal governments take a more positive stand toward the cultural development of their citizens?These are some of the provocative questions which Aaron Copland raises and answers in Copland on Music.
Electric Eden
A Kirkus Reviews Best Nonfiction of 2011 title In the late 1960s, with popular culture hurtling forward on the sounds of rock music, some brave musicians looked back instead, trying to recover the lost treasures of English roots music and update them for the new age. The records of Fairport Convention, Pentangle, Steeleye Span, and Nick Drake are known as "folk rock" today, but Rob Young's epic, electrifying book makes clear that those musicians led a decades-long quest to recover English music-and with it, the ancient ardor for mysticism and paganism, for craftsmanship and communal living. It is a commonplace that rock and R&B came out of the folk and blues revivals of the early 1960s, and Young shows, through enchanting storytelling and brilliant commentary, that a similar revival in England inspired the Beatles and Pink Floyd, Led Zeppelin and Traffic, Kate Bush and Talk Talk. Folklorists notated old songs and dances. Marxists put folk music forward as the true voice of the people. Composers like Benjamin Britten and Ralph Vaughan Williams devised rich neo-traditional pageantry. Today, the pioneers of the "acid folk" movement see this music as a model for their own. Electric Eden is that rare book which has something truly new to say about popular music, and like Greil Marcus's Lipstick Traces, it uses music to connect the dots in a thrilling story of art and society, of tradition and wild, idiosyncratic creativity.
Chicken Soup for the Soul Country Music
You'll love reading these inspirational and entertaining stories behind 101 of your favorite country songs. You'll laugh, cry, and be amazed as you read the personal stories behind 101 of your favorite country hits, told by the performers and the songwriters.
Black Sabbath FAQ
BLACK SABBATH FAQ: ALL THAT'S LEFT TO KNOW ON THE FIRST NAME IN METAL
How to Listen to Great Music
The perfect music gift from one of the most trusted names in continuing education. Learn how to better appreciate music in this guide that will unlock the knowledge you need to understand "the most abstract and sublime of all the arts." Whether you're listening in a concert hall or on your iPod, concert music has the power to move you. The right knowledge can deepen the ability of this music to edify, enlighten, and stir the soul. In How to Listen to Great Music, Professor Robert Greenberg, a composer and music historian, presents a comprehensive, accessible guide to how music has mirrored Western history, that will transform the experience of listening for novice and long-time listeners alike. You will learn how to listen for key elements in different genres of music--from madrigals to minuets and from sonatas to symphonies--along with the enthralling history of great music from ancient Greece to the 20th century. You'll get answers to such questions as Why was Beethoven so important? How did the Enlightenment change music? And what's so great about opera anyway? How to Listen to Great Music will let you finally hear what you've been missing.
Uke 'an Play Radiohead
Weird but true: This book contains all of Radiohead's best songs with the core guitar parts arranged for ukulele. This is a must-have for all fans of the band and the ukulele. Uke 'an play Radiohead! Titles: 15 Step * Anyone Can Play Guitar * Black Star * Bodysnatchers * Creep * Fake Plastic Trees * High and Dry * Just * Karma Police * Knives Out * My Iron Lung * No Surprises * Nude * Street Spirit (Fade Out) * There There * Weird Fishes/Arpeggi.
Blue Notes
Music, like romance, is the language of the soul. Music allows us to express ourselves, and in so doing makes us feel alive. Jazz music, the only art form created by Americans, reminds us that the genius of America is improvisation; a good beat, a contagious rhythm, an emotional ballad, creative improvisation, jazz has it all. Jazz is the story of extraordinary human beings, black and white, male and female, children of privilege and children of despair, who were able to do what most of us only dream of doing: create art on the spot. Their stories are told in Blue Notes. Blue Notes contains profiles of 365 jazz personalities, one for each day of the year. Each vignette tells a story, some heartwarming, others tragic, but all memorable. The daily entries also provide valuable information on jazz styles, jazz history, instruments and instrumentalists, and such related topics as jazz and religion, women in jazz, drug and alcohol abuse, and racism. These topics can be referenced through an extensive set of indexes. The book's appendix includes helpful background information, a concise overview of jazz music, and even a quiz on jazz biography. While Blue Notes is written for jazz fans in general, experts will value its comprehensive nature. So whether you are curious about jazz or simply love and appreciate music, Blue Notes will provide daily moments of discovery and help you recognize what the rest of the world already has, a music so compelling that it can be said to define the human being in the twentieth century.
33 Revolutions Per Minute
From one of the most prominent music critics writing today, a page-turning and wonderfully researched history of protest music in the twentieth century and beyondNowhere does pop music collide more dramatically with the wider world than in the protest song, which forces its way into the news and prompts conversations from Washington to Westminster. Rather than being merely a worthy adjunct to the business of pop, protest music is woven into its DNA. When you listen to Bob Dylan, Stevie Wonder, Public Enemy, or the Clash, you are not sitting down to a dusty seminar; you are hearing pop music at its most thrillingly alive. 33 Revolutions Per Minute is the story of protest music told in 33 songs. An incisive history of a wide and shape-shifting genre, Dorian Lynskey's authoritative book takes us from the days of Billie Holliday crooning "Strange Fruit" before shocked audiences to Vietnam-era crowds voicing their resentment at the sounds of Bob Dylan to the fracas over the Dixie Chicks' comments against George W. Bush during the Iraq War.For anyone who enjoyed Alex Ross's The Rest is Noise, Bob Dylan's Chronicles, or Simon Reynolds' Rip It Up and Start Again, 33 Revolutions Per Minute is an absorbing and moving portrait of a century when music was the people's truest voice.
Chocolate and Cheese
Ween now seems like a permanent fixture on the pop-cultural landscape, but when the band first hit MTV in the early '90s, their longevity wasn't so secure. Nearly two decades on, though, Aaron "Gene Ween" Freeman and Mickey "Dean Ween" Melchiondo preside over one of the most devoted cult fan bases in American music. So how exactly did Ween manage to transcend joke-band oblivion? One answer is that, in the years following their MTV breakthrough, Ween gradually polished their output, turning their staunchly primitive musical sketches into hi-fi paintings. Chocolate and Cheese, released in 1994, marked Freeman and Melchiondo's first crucial steps in this direction. Based on new, in-depth interviews with both members of Ween, as well as producer Andrew Weiss and associates ranging from Josh Homme (Queens of the Stone Age) to Spike Jonze, this book explores the song-by-song creation of Chocolate and Cheese and how the album served as a bridge between Ween's original two-guys-and-a-4-track incarnation and the rich, virtuosic rock & roll force they would later become.
Musical Theatre for Classical Singers
(Vocal Collection). These CDs feature piano accompaniments to all the songs included in the corresponding songbook. 48 songs. Contents: Beautiful Girls (Follies) * Boy for Sale (Oliver!) * The Breeze Kissed Your Hair (The Cat and the Fiddle) * Bring Him Home (Les Miserables) * Come with Me (The Boys from Syracuse) * The Contest (Sweeney Todd) * Fanny (Fanny) * Finishing the Hat (Sunday in the Park with George) * Geraniums in the Winder (Carousel) * Giants in the Sky (Into the Woods) * I Am Aldolpho (The Drowsy Chaperone) * I Will Follow You (Milk and Honey) * Il mondo era vuoto (The Light in the Piazza) * Johanna (Sweeney Todd) * Ladies in Their Sensitivities (Sweeney Todd) * Later (A Little Night Music) * Lonely House (Street Scene) * Love to Me (The Light inthe Piazza) * A Man Could Go Quite Mad (The Mystery of Edwin Drood) * Many Moons Ago (Once Upon a Mattress) * Maria (West Side Story) * The Music of the Night (The Phantom of the Opera) * A New Love Is Old (The Cat and the Fiddle) * Night of My Nights (Kismet) * No Moon (Titanic) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) * The Only Home I Know (Shenandoah) * Passeggiata (The Light in the Piazza) * The Proposal (Titanic) * She Wasn't You (On a Clear Day You Can See Forever) * Someone Is Waiting (Company) * Something's Coming (West Side Story) * Springtime for Hitler (The Producers) * Stay (Do I Hear a Waltz?) * Stranger in Paradise (Kismet) * Take the Moment (Do I Hear a Waltz?) * Tonight at Eight (She Loves Me) * Tschaikowsky (And Other Russians) (Lady in the Dark) * The Wild Justice (Lost in the Stars) * Wish You Were Here (Wish You Were Here) * You Are Beautiful (Flower Drum Song) * You Are Never Away (Allegro) * You Walk with Me (The Full Monty) * You're Devastating (Roberta) * You've Got to Be Carefully Taught (South Pacific) * Younger Than Springtime (South Pacific).
What to Listen for in Music
A superb analysis of how to listen to music intelligently Legendary composer Aaron Copland raises two basic questions: Are you hearing everything that is going on? Are you really being sensitive to it? If you cannot answer yes to both questions, you owe it to yourself to read this book. Whether you listen to Mozart or Duke Ellington, Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms. This classic work, the only book of its kind written by an eminent American composer, features: - Chapters on contemporary music and film music- Recommended recordings for each chapter- A selected list of books for further reading and reference In this edition, leading music critic Alan Rich continues Copland's discussion of contemporary music for today's listeners and traces the composer's success in bringing music lovers "closer to the magical mysteries of the music we can hear and want to hear better."
Machers and Rockers
A tour-de-force history of Jews, blues, and the birth of a new industry. On the south side of Chicago in the late 1940s, two immigrants, one a Jew born in Russia, the other a black blues singer from Mississippi met and changed the course of musical history. Muddy Waters electrified the blues, and Leonard Chess recorded it. Soon Bo Diddly and Chuck Berry added a dose of pulsating rhythm, and Chess Records captured that, too. Rock & roll had arrived, and an industry was born. In a book as vibrantly and exuberantly written as the music and people it portrays, Rich Cohen tells the engrossing story of how Leonard Chess, with the other record men, made this new sound into a multi-billion-dollar business aggressively acquiring artists, hard-selling distributors, riding the crest of a wave that would crash over a whole generation. Full of absorbing lore and animated by a deep love for popular music, Machers and Rockers is a smash hit.
World Grooves
(Music Express Books). Capture the spirit of calypso, zydeco, bossa nova, gospel, jigs, jazz and more with this unique collection of global rhythm styles. Each ensemble includes 3 to 4 rhythm parts for classroom percussion instruments, and one part is always the pulse, so even your youngest students can join in! There are also body percussion parts to help learn the rhythms before the instruments are distributed, and when there aren't enough instruments to go around. Optional Orff instrument parts and piano are also included for additional layers of tone color! The enclosed CD offers two recorded tracks for each groove: an instructional track and a play-along track without the percussion instruments for the flexibility of adding any number of performers. PDFs of all the parts are also included on the Enhanced CD. All parts are 4 to 8 measures, and once they are secure, the parts can be layered in one-at-a-time, in different orders. You decide! Then add your new world groove accompaniments to different songs in these styles from your music library! There is even an overall theme song called "The Beat of the World" for your students to experience. Let the spirit groove you! Music grooves include: Calypso, South African, Hora, Gospel, Irish Jig, Zydeco, Rock and Roll, Bossa Nova, American Jazz, Irish Reel. Available: Book/Enhanced CD. Suggested for grades 3-6.
The Beethoven Song Companion
This is the first full-length, published study of Beethoven's songs. All the composer's songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven's compositional methods. An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven's choice of texts, his crucial role in the development of German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven's life and music. It is anticipated that this book, like its predecessor The Schubert Song Companion, will encourage the performance and study of an important but comparatively neglected aspect of the work of the world's most celebrated composer.
Canadian Brass Dixieland Classics
(Brass Ensemble). Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society . Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.
Dixieland Classics
(Brass Ensemble). Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society . Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.
Dixieland Classics
(Brass Ensemble). Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society . Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.
Dixieland Classics
(Brass Ensemble). Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society . Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.
Kid A
An exploration of Radiohead's game-changing album. Rather than simply reinforcing Kid A's canonical status, it situates the album in the temporal, examining it from various philosophical and cultural interpretations of time in order to arrive at its political and social stakes
Joan Jett
"While it's a look into the life of a rock and roll goddess, it's simultaneously a celebration of women, and not in that Indigo-girls-drum-circle, revolutionize-your-life-by-abandoning-crucial-habits-of-personal-hygiene kind of way." --Juxtapoz Magazine Rock-and-roll goddess Joan Jett holds a beloved place in the world of music. She started her first band, The Runaways, at age fifteen and has blazed a trail that has inspired and thrilled her fans to this day. AMMO Books is proud to release this authorized, loving tribute conceived and authored by designer Todd Oldham. The book chronicles all aspects of her career and passions through images--from forming The Runaways to her years of touring with her band, Joan Jett and the Blackhearts. Joan Jett features many never-before-seen photos, ephemera, and excerpts from thirty years worth of interviews, carefully curated with Joan herself, covering the multi-decade career of a real rock-and-roll icon. A thoughtful introduction written by renowned indie rocker and Riot Grrrl Kathleen Hanna brings context to this exciting title.Joan Jett is a revered songwriter, musician, and American icon. In keeping with her pioneering spirit, she went on to be the first woman to start her own independent rock label, Blackheart Records. The Joan Jett and the Blackhearts Greatest Hits compilation was released in March 2010, and a film based on The Runaways starring Dakota Fanning, and Kristen Stewart as Joan Jett was released on DVD in July 2010.
U2 FAQ
Few would dispute U2's position as the biggest rock band in the world. Active and relevant for nearly thirty-five years, Bono, the Edge, Adam Clayton, and Larry Mullen, Jr. have been masters of reinvention, thriving artistically while continuing to sell out concerts across the globe. From their start at Dublin's Mount Temple School in 1976 up to the 2009 Rose Bowl show that shattered a U.S. concert attendance record (previously set by the group in 1987), U2's members have experienced some amazing collective highs. But in its ascent, the band has seen its share of personal, artistic, and commercial setbacks. These are just some of the topics U2 FAQ explores: How did Bono recover his cherished suitcase of lyrics 23 years after its 1981 disappearance? What movie dialogue is sampled in the middle of "Seconds"? What effect did bull's blood have on Larry's drumming? How did Bono's visit to Central America inform The Joshua Tree? What are the details of Adam's 1989 marijuana bust? How did Mick Jagger wind up on All That You Can't Leave Behind? Award-winning music journalist John D. Luerssen goes beyond the essential facts, delving into the legendary fables and unique anecdotes that make U2 FAQ an indispensable read for all U2 disciples.
Music, Money & You...Managing the Business
Are you a talented performer? Would you like to forge a successful career in the music industry? Do you want to earn the money and receive the accolades that you deserve? Music, Money and You... Managing the Business will put you on the road to making your dreams come true! Award-winning, internationally acclaimed entertainer Greta Pope has created this comprehensive guide to the entertainment business. Whether you're an artist or artist manager...whether you're an instrumentalist or vocalist...whether your genre is gospel, jazz, classical, country, rock or pop... this book is for you! Learn how to market your product for maximum benefit. Learn about social networking, recording, material selection and so much more. Greta Pope has enjoyed a two decade career as an in-demand entertainer for corporate events, as well as public and private events of all types. She has delighted audiences throughout Europe, the Far East, South America and the Caribbean, as well as the United States and Canada. Sit back, relax and enjoy. It's all about... Music, Money and You!
The Cambridge Companion to Schoenberg
Arnold Schoenberg - composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.
