Das Grosse Disney Songbuch
A group of resourceful kids start solution-seekers.com, a website where cybervisitors can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of S words that reveal a spectacular story! With creative characters, humorous dialogue and great music, The S Files is a children's Christmas musical your kids will love performing.
Musical Ekphrasis in Rilke's Marien-Leben
In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke's poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary.This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ("a representation in one artistic medium of a message originally composed in another medium"), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke's poetry, as well as for readers interested in the interartistic relationships of music and literature.
Music and Cinema
A wide-ranging look at the role of music in film.Music and Cinema brings together leading scholars from musicology, music theory, film studies, and cultural studies to explore the importance of music in the cinematic construction of ideologies. The 15 essays include "Songlines: Alternative Journeys in Contemporary European Cinema" by Wendy Everett; "Strategies of Remembrance: Music and History in the New German Cinema" by Caryl Flinn; "Designing Women: Art Deco, the Musical, and the Female Body" by Lucy Fischer; "Kansas City Dreamin': Robert Altman's Jazz History Lesson" by Krin Gabbard; "Disciplining Josephine Baker: Gender, Race, and the Limits of Disciplinarity" by Kathryn Kalinak; "Finding Release: Storm Clouds and The Man Who Knew Too Much" by Murray Pomerance, and many more.
A Most Remarkable Fella
MOST REMARKABLE FELLA FRANK LOESSER PORTRAIT BY HIS DAUGHTER
The Essential Bach Choir
Discussion of original performance conventions of Bach's sacred works - cantatas, Passions, masses - by practising musician and director of Taverner choir. What type of choir did Bach have in mind as he created his cantatas, Passions and Masses? How many singers were at his disposal in Leipzig, and in what ways did he deploy them in his own music? Seeking to understand the verymedium of Bach's incomparable choral output, Andrew Parrott investigates a wide range of sources: Bach's own writings, and the scores and parts he used in performance, but also a variety of theoretical, pictorial and archival documents, together with the musical testimony of the composer's forerunners and contemporaries. Many of the findings shed a surprising, even disturbing, light on conventions we have long taken for granted. A whole world away from, say, the typical oratorio choir of Handel's London with which we are reasonably familiar, the essential Bach choir was in fact an expert vocal quartet (or quintet), whose members were also responsible for all solos and duets. (In a mere handful of Bach's works, this solo team was selectively supported by a second rank of singers - also one per part - whose contribution was all but optional). Parrott shows that this use of aone-per-part choir was mainstream practice in the Lutheran Germany of Bach's time: Bach chose to use single voices not because a larger group was unavailable, but because they were the natural vehicle of elaborate concerted music. As one of several valuable appendices, this book includes the text of Joshua Rifkin's explosive 1981 lecture, never before published, which first set out this line of thinking and launched a controversy that is long overduefor resolution. ANDREW PARROTT has made a close study of historical performing practices in the music of six centuries, and for over twenty-five years he has been putting research into practice with his own professional ensembles, the Taverner Consort, Taverner Players and Taverner Choir.
The Music of Time
The Music of Time blends music with time travel as Preston Nichols reveals his hidden role in the music industry where he worked as an expert sound engineer and recorded hundreds of hit records during the Golden Era of Rock 'N Roll.Beginning with his early work for Time Records, Preston chronicles his innovations in sound engineering and tells how he constructed the premier music studio in the world for Phil Spector at Bell Sound. Having created a Mecca for talented musicians, Preston soon found himself surrounded by and interfacing with the likes of the Beatles, Beach Boys, Rolling Stones, and many more such popular acts. For the first time, Preston reveals his employment at Brookhaven Labs and how his connections in the music industry were used for mind control and manipulation of the masses.Ultimately, Preston's real life adventures lead to time travel, his own role in the future, and the efforts of his adversaries to arrest him and put him permanently out of commission. This includes the bone chilling story of John Ford, Preston's colleague, who is locked up without a trial for his own efforts to expose the truth. In a remarkable twist of fate, mysterious forces rescue Preston and begin a documented investigation and eventual conviction of the most politically powerful man on Long Island. The Music of Time unravels more layers of mystery in Mankind's epic quest to understand the paradox of time and the imprisonment of consciousness.
The Cambridge Companion to Beethoven
This Companion provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases on Beethoven studies while incorporating some of the most recent developments in musicology and theory.
Swing
SWING: THE ESSENTIAL LISTENING COMPANION THIRD EAR GREAT MUSICIAN
Trans-siberian Orchestra - the Christmas Attic
This is the sequel to the highly successful Christmas Eve and Other Stories. The Lord sends his youngest angel on a mission to Earth to leave something special behind. This is a songbook with a story line, lyrics, and color photos. Titles: * An Angel's Share * Boughs of Holly * Christmas Canon * Dream Child * Ghosts of Christmas Eve * Angels We Have Heard on High * Music Box Blues * The Snow Came Down * and many more.
Arcana
Answering a need for critical attention towards experimental and avant-garde music, Arcana is a ground-breaking work--as far-ranging and dynamic as the current generation of musicians. Through manifestoes, scores, interviews, notes and critical papers, performer/composers address composing, playing, improvising, teaching and thinking in and through music, Rather than an attempt to distill or define musicans' work, Arcana is a remarkable book--challenging and original--essential for composers, musicians, theorists and fans alike. Edited by John Zorn, it includes contributions from Bill Frisell, Marc Ribot (on earplugs), Ikue Mori (on drum machines), Bob Ostertag (on a string quartet) There's a discussion on plunderphonics with John Oswald, an overview from Elliott Sharp on his group Carbon, and David Mahler expounds his responses to a set of nine questions posed by Pauline Oliveros. The writings range from brief 2 or 3 page entries (Mike Patton's "How We Eat Our Young," Marilyn Crispell's "Elements of Improvisation") to long and elaborate essays (Scott Johnson's "Counterpoint," David Rosenboom's "Propositional Music"). Some of the contributions are more unusual, such as Zorn's "Treatment for a Film in Fifteen Scenes," Fred Frith's notebook extracts, or Peter Garland's journal of his trip to Australia's Northern Territory. All of them provide for inspiring and thought-provoking reading, making this an invaluable book for both fans of these artists and aspiring musicians of the avant garde. An appendix of brief bios for each artist ends the book, along with short lists of recommended listenings.
Harmonicas, Harps, and Heavy Breathers
The harmonica is one of the most important, yet overlooked, instruments in music. This definitive volume celebrates the history of the world's most popular musical device, its impact on various forms of music, folk, country, blues, rock, jazz and classical music. The author traces the development of the harmonica from the ancient Chinese sheng to futuristic harmonica sythesizers. Nearly seventy harmonica masters are profiled including Stevie Wonder, Little Walter, Bob Dylan, Jimmy Reed, Charlie McCoy, Sonny Terry, and John Popper. This updated edition includes an extensive new afterword, an expanded discography of the finest harmonica recordings, and a listing of the best harmonica resources on the internet.
Talking Music
Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators.
Singing Archaeology
Illuminates the aesthetics of a major American composer.While Philip Glass's operas, film scores, symphonies, and popular works have made him America's best-known classical composer, almost no analysis of his compositional techniques grounded in current cultural theory has yet been published. John Richardson's in-depth examination shows how the third opera of Glass's famous trilogy, the story of an adrogynous monarch who authored radical social and religious reforms, encapsulates Glass's ideational orientation at the time, both in terms of his unique conception of music theater and with regard to broader social questions. Glass's nontraditional musical syntax, his experimental, minimalist approach, and his highly ambiguous tonality have resisted interpretation, but Richardson overcomes those difficulties by developing new theoretical models through which to analyze both the work and its genesis.In Akhnaten, Richardson says, the composer's concepts of sound and dramatic context, cultural theory, and gender construction intersect, providing perhaps the best demonstration of "the very nature of Glass's aesthetic, which places a strong emphasis on implicit levels of signification and steers clear of conventional 'story telling' narrative strategies." Careful explanations of theory and compositional strategies, close readings of the work itself, consideration of the collaborative aspects of the opera's evolution, and incorporation of previously unpublished interviews with Glass himself combine to illuminate both a landmark work of contemporary musical theater and a dominant figure on the American musical landscape.
Contemporary Composers on Contemporary Music
This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music--from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?"; and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, Gy繹rgy Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces--many out of print and some newly written for this volume--which serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.
The Four Voices of Man
Distinguished Metropolitan Opera basso Jerome Hines provides a wealth of information and advice for all those who have embarked on or plan to embark upon a serious singing career. From basic information on how the head and body combine to produce vocal sound, he goes on to analyze the "four voices" encompassed by the singer's one voice, always explaining how through proper technique and training the voice can achieve its ultimate in power, grace and beauty. The book also guides the singer through the labyrinth of choosing the right teacher, shows how physical and emotional health and care of the body relate to the vocal apparatus and considers such diverse matters as stage fright, dealing with conductors and managers and that final challenge - facing the critics.
Le Monde Miniscule
(Brass Solo). For unaccompanied French Horn
Marvin Gaye
(Piano/Vocal/Guitar Artist Songbook). 14 of the best songs from this R&B superstar. Includes: Ain't Nothing Like the Real Thing * I Heard It Through the Grapevine * Let's Get It On * Mercy Mercy Me (The Ecology) * Sexual Healing * What's Going On * more.
The American Reed Organ and the Harmonium
Covers the history, construction, manufacturing, tuning, restoration, and music of these classic American and European parlor instruments.
Encyclopedia of Automatic Musical Instruments
This book is truly the bible on automatic music machines.
Roy Smeck’s New Original Ukulele Method
(Music Sales America). Learn to play the ukulele with the secrets revealed by the renowned radio, TV, and recording star Roy Smeck! Includes simplified chords, solos, and songs.
Comp to 20th Cent Music PB
Twentieth century music has been remarkable for its pluralism. The various styles--atonality, neo-classicism, nationalism, serialism, jazz, computer music, minimalism, electronics, folklorism, "happenings," sheer chance--have been far from monolithic, and experimentation has been, perhaps, the century's only defining feature. With over 2500 entries, The Companion to 20th-Century Music is the first book to comprehensively define and applaud this diversity. Norman Lebrecht celebrates variety and innovation, assessing composers and musicians according to artistic merit rather than ideological or institutional eminence. He states that his purpose is "to demythologize, to enlighten, and to entertain," so he writes in a readable, narrative style, free of jargon and abbreviations. The end result is the perfect companion to the music of our time.
Slave Songs of the United States
First published in 1867, this landmark book represented the first systematic effort to collect and preserve the songs sung by the plantation slaves of the Old South. To ensure authenticity, the editors notated most of the melodies and words directly from the singers themselves. The result was a rare musical treasury containing complete music and lyrics for over 130 songs, arranged by geographical region. Among them are: Roll, Jordan, Roll; Jehovah, Hallelujah; I hear from Heaven to-day; Michael, row the boat ashore; Turn sinner, turn O; Nobody knows the trouble I've had; No Man can hinder me; Heave away; Charleston Gals; I'm gwine to Alabamy; I want to die like-a Lazarus die; Belle Layotte; On to Glory Jacob's Ladder; My Father, how long?; Musieu Bainjo; Lean on the Lord's side; God got plenty o' room.The book presents the melody lone and all the known verses to each song. The editors also include directions for singing, along with a commentary on each song's history, its possible variations, what some of its key references mean and other pertinent details. A new preface to the Dover edition by Harold Courlander appraises the book's importance in American musical and cultural history.
Metal Lead Guitar
(Stylistic Method). This intense metal method teaches you the elements of lead guitar technique with an easy to understand, player-oriented approach. The metal concepts, theory, and musical principles are all applied to real metal licks, runs and full compositions. Learn at your own pace through 12 fully transcribed heavy metal solos from simple to truly terrifying! "One of the most thorough" and "one of the best rock series currently available" - Guitar Player magazine. Music and examples demonstrated through the online audio available using the unique code printed in the book.
Stranger Music
In the decades since he recorded his first album, Leonard Cohen has evolved into an international cult figure--and one of the most literate, daring, and affecting poet-songwriters in the world. Stranger Music presents a magnificent cross-section of Cohen's work--including the legendary songs "Suzanne," "Sisters of Mercy," "Bird on a Wire," "Famous Blue Raincoat," "I'm Your Man," and "The Future"; selections from such books as Flowers for Hitler, Beautiful Losers, and Death of a Lady's Man, and eleven previously unpublished poems. This volume demonstrates definitively that Cohen is a writer of dazzling intelligence and a force that transcends genres.
American Ballads and Folk Songs
"A book to cherish permanently." -- The New York Times.With this ample collection of authentic ballads and songs, you can immerse yourself in the rich tradition and heritage of American folk music. Discover the diversity, spontaneity, free-flowing melody, and sheer invention of scores of songs sung by cowboys and convicts, lumberjacks, hobos, miners, plantation slaves, mountaineers, soldiers, and many others.One of the remarkable features of this collection is its authenticity. Many of the songs were recorded "on location" by noted folklorist John A. Lomax and his even more famous son, Alan, as they traveled around the United States. The results are firsthand versions of music and lyrics for over 200 railroad songs, chain-gang songs, mountain songs, Creole songs, cocaine and whisky songs, "reels," minstrel songs, songs of childhood, and a host of others. Among them are such time-honored favorites as "John Henry," "Goin' Home," "Frankie and Albert," "Down in the Valley," "Little Brown Jug," "Alabama-Bound," "Shortenin' Bread," "Skip to My Lou," "Frog Went a-Courtin'," and a host of others. An excellent introduction, notes on each song, a bibliography, and an index round out this extensive and valuable collection.Musician, musicologists, folklorists, singers -- anyone interested in American folk music -- will welcome this treasury of timeless song gathered in one handy, inexpensive volume.
The Collected Works of Paddy Chayefsky
A collection of six television plays by this brilliant writer: Holiday Song, Printer's Measure, The Big Deal, Marty, The Mother, and The Bachelor Party. Includes an introduction and notes for each play by the author.
Sassy PB
"A deeply felt portrait of an artist whose influence on a generation of vocalists was profound." -- New York Times Book Review Sarah Vaughan possessed the most spectacular voice in jazz history. In Sassy, Leslie Gourse, the acclaimed biographer of Nat King Cole and Joe Williams, defines and celebrates Vaughan's vital musical legacy and offers a detailed portrait of the woman as well as the singer. Revealed here is "The Divine One" as only her closest friends and musical associates knew her. By her early twenties Sarah Vaughan was singining with Dizzy Gillespie, Charlie Parker, and Billy Eckstine, helping them invent bebop. For forty-five years thereafter, she reigned supreme in both pop and jazz, with several million-selling hits (among them "Broken Hearted Melody," "Make Yourself Comfortable," and "Misty"). But life offstage was never smooth for Sarah Vaughan. Her voluptuous voice was matched by her exuberant appetite for excess: three failed marriages, financial difficulties through many changes in management, late-night jam sessions, liquor, and cocaine. In Sassy, though, we also see the feisty and unpretentious woman who worked hard all her life to support her parents and adopted daughter, and who came to savor the hard-won independence and worldwide acclaim she achieved as the greatest jazz singer of her generation.
Straight Life
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life, is much more than a jazz book--it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
The Mister Roger’s Songbook
(Easy Piano Personality). Easy piano arrangements of 25 fun and creative songs from "You're Growing" and "Bedtime." Includes: It's Such a Good Feeling * Please Don't Think It's Funny * There Are Many Ways to Say I Love You * Won't You Be My Neighbor? * You Can Never Go Down the Drain * You're Growing * more.
John Mayall with Eric Clapton - Blues Breakers
(Guitar Recorded Versions). Guitar tab for the legendary 1966 British blues album featuring Eric Clapton on guitar and future Fleetwood Mac founder John McVie on bass. Songs: All Your Love (I Miss Loving) * Another Man * Double Crossing Time * Have You Heard * Hide Away * It Ain't Right * Key to Love * Little Girl * Parchman Farm * Ramblin' on My Mind * Steppin' Out * What'd I Say.
Irish Favorites
(E-Z Play Today). Features 31 of the most popular Irish songs of all time, including: Danny Boy * Galway Piper * Has Anybody Here Seen Kelly * If I Knock the 'L' out of Kelly * A Little Bit of Heaven * McNamara's Band * Molly Malone * and more.
Aladdin
(Easy Piano Songbook). Matching folio to Disney's animated film featuring songs from Alan Menken, Howard Ashman and Tim Rice. 7 songs in all, including: One Jump Ahead * Prince Ali * Friend Like Me * A Whole New World * and more. Complete with full-color art from the movie.
The Muppet Christmas Carol
(Piano/Vocal/Guitar Songbook). Matching folio featuring 11 new Muppet carols and 8 pages of color photos!
How to Play Country and Western Harmonica
This book covers it all, from the easiest beginner's cowboy songs to the most advanced country lead bending techniques.
Schaum's Outline of Introduction to Music
Presents a comprehensive review of the material covered in Introduction to Music courses in colleges and universities. In keeping with the courses' content, this review book covers the elements of music and provides a historical survey of music.
His Eye Is on the Sparrow
"Here is a remarkable chronicle of the life and career of an extraordinary woman who had a major impact on American entertainment. With astonishing candor, Ethel Waters tells her dramatic and dazzling story: from a childhood of abject poverty, to her early success in Black vaudeville, to her rise into the top ranks of stardom with her memorable performances in Cabin in the Sky, Pinky, and The Member of the Wedding. Hers is both an engrossing record of a topsy-turvy career and, just as importantly, an invaluable social document that traces the changing landscape for African American entertainers in the first half of the twentieth century. One of our very best show-business memoirs, brimming with insights, humor, and an unbreakable spirit, His Eye Is on the Sparrow was a significant groundbreaker when first published in 1951--and remains an authentic American classic today."--Donald Bogle Ethel Waters's His Eye Is on the Sparrow stands as perhaps the greatest autobiography of a black female performer, capturing both the horror and the joy of the African American woman's experience through the often bitter yet always forgiving voice of an indomitable spirit. This edition is supplemented with a new historical preface and over a dozen photographs.
Evenings With the Orchestra
This companion to the orchestral concert includes background, biographies, and discussions of 200 masterpieces.
Trio Por Piano - Hautbois Et Basson / Trio for Piano, Oboe & Bassoon
(Music Sales America). A Manuel de Falla.
Caruso’s Method of Voice Production
He was the greatest tenor of his day and probably of all time. Trained naturally in singing Neapolitan ballads, Enrico Caruso (1873-1921) achieved a vocal quality often described as "celestial" or "golden." His breath control was such that he could deliver the longest phrase without any suggestion of difficulty, while his superb enunciation and an intense quality of pathos in his voice enabled him to reach and affect audiences on the deepest level.This historic volume, dedicated to the great tenor and published shortly after his death, explains clearly and scientifically how Caruso achieved his phenomenal voice production. Written by a noted laryngologist and student of voice who devoted much of his career to working with Caruso and other singers, the book proposes a method of voice culture based on well-defined physiological laws. According to Dr. Marafioti, these is only one right way to sing -- a method based on the scientific principles of voice culture. Although Caruso instinctively sang that way, the methods can be learned by any singer.Since singing, in essence, is merely speaking in musical rhythm, the first requirements for correct singing is a correctly produced speaking voice. This involves using the minimum tension of breath and vocal cords required for each tone; insuring that laryngeal sounds are transmitted to the mouth free of any interference; developing the quality of resonance, and so on. To help singers achieve these goals, the author prescribes exercises for correct voice production, vocal exercises to insure correct enunciation, methods to avoid (taking a breath before starting, singing double vowels, accentuating top tunes, etc.), and more.Replete with practical instructions and advice for aspiring singers, this book is also a fascinating document of musical history -- an intimate revelation of the natural gifts that underlay Caruso's artistry, his passionate dedication to his art, and the immortal legacy of song he left behind.
Great Contemporary Pianists Speak for Themselves
"Mach has produced a book of uncommon interest." -- Washington Post"Mach's interviews will enhance the pleasure of any concertgoer." -- PeopleIn this rich collection of fascinating interviews with 25 of the world's greatest pianists of the contemporary era, Elyse Mach has chosen to let the artists speak freely and develop their thoughts about music, their lives, and their careers with a minimum of interruption. The result is a treasury of reminiscences and reflections that are not only remarkably candid and revealing but entertaining and thought-provoking as well. Through the eyes of these inspired musicians, we get an intimate look at the concert scene and the life of the concert pianist, as well as insights into the artists' feelings about their art, their performance anxieties, the music they play, and many other topics. Enhanced with 50 photographs, this book will be welcomed by anyone with an interest in serious music and piano artistry.Pianists interviewed in this volume include Claudio Arrau, Vladimir Ashkenazy, Alfred Brendel, John Browning, Alicia de Larrocha, Misha Dichter, Rudolf Firkusn羸, Glenn Gould, Vladimir Horowitz, Byron Janis, Lili Kraus, Rosalyn Tureck, Andr矇 Watts, Paul Badura-Skoda, Jorge Bolet, Youri Egorov, Janina Fialkowsha, Leon Fleischer, Emil Gilels, Stephen Hough, Zolt獺n Kocsis, Garrick Ohlsson, C矇cile Ousset, Murray Perahia, and Ivo Pogorelich."The fascinating world behind the glamour of the concert platform comes alive in very fluid and readable style." -- Rosalyn TurecK
Symphony No. 3
(Study Score). Critical Edition. Revision approved by The Ives Society, 2001.
Christmas in Song
(Instrumental). A treasury of 108 traditional songs, favorite hymns, and choice carols. 6 x 9 size is convenient for caroling! Arranged for mixed voices (S.A.T.B.) or unison singing.
Lyrics of the Middle Ages
This anthology features nearly 300 works in 14 linguistic areas: Latin hymns and lyrics from 800 to 1300...Carmina Burana...Proven al lyrics...Italian lyrics...North French lyrics...German lyrics...lyrics of Iberia, including Arabic, Hebrew, Mozarabic, Galician-Portuguese, Castilian, and Catalan...lyrics of Great Britain, including Irish, Welsh, Old English, Middle English, and Scottish-English ballads. More than 100 authors are represented, including Chaucer, Dante, Petrarch, the major troubadours and trouv res, Walther von der Vogelweide, St. Thomas Aquinas, Peter Abelard, The Countess of Dia, The Queen of Mallorca, Hildegard of Bingen, Ibn Hazm, Mozarabic kharja writers, Denis I of Portugal, Alfonso X of Castile, Sordello, Fran ois Villon, Charles d'Orl ans, and many who are anonymous. There are indexes of authors, opening lines, and genres, and 12 photographs represent scenes that are related to the poems. SPECIAL FEATURES inclusion of the widest possible range of texts from the western Middle Ages allows comparative, cross-cultural approaches; fresh translations by an authoritative team of scholars were prepared especially for this volume; tape or CD information is provided for medieval lyrics that have been given modern recordings; apparatus includes a selection of texts in their original languages and indices of authors, titles/first lines, and genres Suitable for Courses in Medieval Literature in Translation; Comparative Literature; The Lyric
Dexter Gordon
Described by Leonard Feather as "one of the most influential saxophonists of the bop era," Dexter Gordon has been a recognized master for over four decades. This new biography traces his career from his early stints with Lionel Hampton and Louis Armstrong, through his time with the bop big band of Billy Eckstine and his sparring partnership with fellow tenor-player Wardell Gray in Los Angeles, to his self-exile in Denmark, and his triumphant return to New York in 1976, an event that decisively shaped the still strong bebop revival. Stan Britt devotes chapters to Gordon's acclaimed performance in the movie 'Round Midnight, for which he received an Academy Award nomination, along with extended discussions of his recording legacy and an analysis of his unmistakable tenor sound and style. With a notated discography and a keen appreciation of Dexter's warm, ironic personality, this biography adds another dimension to our understanding of one of the coolest--and tallest--figures of jazz.
The Big Band Almanac
With more than 500 pictures, and extensive entries on more than 350 orchestras, this complete coverage of black and white bands--from the almost-forgotten to Basie, Ellington, Miller, Shaw, and Dorsey--will prompt memories and establish important facts about a glorious era of jazz and popular music. Forewords by Les Brown and Harry James and an index with more than 6,000 names bracket a book that should be part of any music library.
Soloist Folio
(Rubank Solo Collection). Contents: Carnival of Venice * Waltz from Coppelia (Delibes) * Flight of the Bumble Bee * Hungarian Dance No. 5 (Brahms) * Hymn to the Sun (Rimsky-Korsakov) * Le Secret (Gautier) * Narcissus (Nevin) * Nimble Fingers (Rehl) * Saxopeal (Dunn) * Badine (Gabriel-Marie) * Tiptoes (Fisher).
Yardbird Suite
A comprehensive study of jazz great Charlie Parker, including details of record dates, more than 200 musical illustrations, and biographical material arranged chronologically and linked with Parker's recordings. The "Bird Stories" are all here, from Parker's Kansas City roots to his untimely death, as well as the seminal journal article on Parker's music, "Ornithology" that appeared in the Journal of Jazz Studies.
