Musical Portraits
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Riley Child-Rhymes
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Reliquary of English Song
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Musical Portraits
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Tertium Quid
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Order of Exercises in Elocution
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The American History and Encyclopedia of Music
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The Four Temperaments
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Pidgin-English Sing-song; or, Songs and Stories in the China-English Dialect
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Music And Manners In France And Germany
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A Dictionary of English Rhymes
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Old English Ballads and Folk Songs
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Lieder Eines Fahrenden Gesellen
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Old English Ballads and Folk Songs
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Early Scottish Melodies
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Reliquary of English Song
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The Jubilee Rhythm of St. Bernard of Clairvaux On the Name of Jesus and Other Hymns
The Victrola Book of the Opera
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Ancient Ballads and Songs of the North of Scotland
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Music in the Church
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Pidgin-English Sing-song; or, Songs and Stories in the China-English Dialect
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Accompanying Harmonies to the Hymnal Noted
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Anthology of Italian Song of the Seventeenth and Eighteenth Centuries
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The Books of Psalms, Proverbs, Ecclesiastes and the Song of Solomon According to Wycliffite Version
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Ancient Ballads and Songs of the North of Scotland
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We Sing While There S Voice Left
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The Pied Piper of Hamelin
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The Art and Science of Change-Ringing
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Gluck and the Opera
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Suor Angelica
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The Pied Piper of Hamelin
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The Music of Stravinsky
The most celebrated of Western composers in the twentieth century, Igor Stravinsky may have been the greatest as well. Stretching across forty or so years, the essays in this volume address the dynamics of Igor Stravinsky's music from a variety of analytical, critical, and aesthetic angles. Underscored are the features of melody, harmony, rhythm, and form that would remain consistently a part of Stravinsky's oeuvre regardless of the changes in orientation from the Russian period to the neoclassical and the early serial. The Rite of Spring (1913), Les Noces (1917-23), the Symphony of Psalms (1930), and the Symphony in Three Movements (1945) are discussed in detail, as are many of the circumstances attending their conception. Other concerns include the composer's "formalist" aesthetics and the strict performing style he pursued as an interpreter and conductor of his music.
The Growth of Music
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Sir Charles V. Stanford
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We Sing While There S Voice Left
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Suor Angelica
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The Organ in France
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