A Perfect Harmony
From the earliest of civilisations, humans have found ways to make music, whether through makeshift drums or artfully drilled bone flutes. But how did music - effectively little more than a series of certain tones and rhythms - become so integral to the human experience? Untangling the curious links between notes and number, musical perception, psychology and physics, David Darling examines the fascinating science behind music, from its Palaeolithic origins to the present. Revealing surprising connections and busting pervasive myths, A Perfect Harmony asks: Why do musicians tend to be better at maths than non-musicians? Why do we find some pieces sad and others happy? Will playing Mozart to babies predispose them to genius? Could an AI write the perfect symphony?
Music and the Performing Arts in the Anthropocene
Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies.
Irish Sketches, for the Pianoforte Volume v.1-3
10 Studies or Caprices for Violin, Opus 9
Das Schicksal meinte es nicht immer gut mit ihm, und dennoch leistete B矇riot Bedeutendes in mehreren Bereichen. Sind heute seine Werke vornehmlich in der P瓣dagogik in Verwendung, wo sie als ideale Vorbereitung f羹r "gr繹?ere" romantische Literatur f羹r Violine gerne zur Hand genommen werden, so sollte man sich vor Augen halten, dass B矇riot mit diesen "nicht ganz so kleinen" Konzertet羹den und anderen selbst komponierten St羹cken das Publikum auf seinen Tourneen durch ganz Europa zu begeistern wusste. Die Originalit瓣t der Komposition kann gewiss Lust darauf machen, die "Studi Capricci" auch im Konzertsaal zu Geh繹r zu bringen. ---------- Fate was not always kind to him and yet B矇riot contributed significantly in many different fields. Today his works are mainly used in education, and are often treated as a stepping stone to approach the "greater" works of romantic literature for violin. It is quite interesting to consider, though, that B矇riot was able to arouse the enthusiasm of the audience on his tours throughout Europe performing almost entirely his own compositions, among them many of dimensions "not quite so small." The originality and freshness of the composition will surely entice any artist technically skilled enough to handle performing the difficult passages of the "Studi Capricci" on stage.
How to Form 1,200 Barre Chords Yourself for Guitarists Who Can Read Sheet Music
Barre chords for guitarists who can read a bit of music are easily able to form 1,200 and more barre chords themselves. This phenomenon does not yet exist anywhere in the world.
First Music Reader
First Music Reader, published in 1906, is a comprehensive introductory text designed to provide students with a solid foundation in music theory and vocal performance. Authored by James Matthew McLaughlin, George A. Veazie, and William Wallace Gilchrist, this reader emphasizes practical exercises in sight-reading, vocal technique, and elementary musical concepts. Intended for use in schools and music academies, the book carefully progresses through scales, rhythms, and simple melodies, fostering an understanding of musical notation and expression. With a focus on both theoretical knowledge and practical application, First Music Reader remains a valuable resource for anyone seeking to develop fundamental musical skills. Its systematic approach and clear explanations make it an accessible and enduring classic in music education.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Grand Potpourri Brillant de l’Opera ”La Muette de Portici” par Auber, Op. 98
Der Schauspieler, S瓣nger, Regisseur, Librettist und Komponist Charles Blum verwandte die Grand Opera Themen aus Aubers Oper 'Die Stumme von Portici' als Grundlage f羹r das erweiterte Melodien-Medley in diesem 'Grand Potpourri Brillant' f羹r Gitarre solo. Es ist, von mittlerer Schwierigkeit, ein umfangreiches Werk von gro?em Charme und immenser Sch繹nheit, das die F瓣higkeiten eines Gitarristen von mittlerem bis fortgeschrittenen Niveau auf die Probe stellen wird. ------------ Actor, singer, director, librettist and composer Charles Blum took the Grand Opera themes of Auber's 'La Muette de Portici' as the basis of this extended medley of tunes from the opera in this 'Grand Potpourri Brillant' for guitar solo. Listed as being of moderate difficulty it is a substantial work of immense charm and beauty that will test the skills of the guitarist up to an intermediate advanced level.
Hungarian Dances
This is Volume 2 of the "Hungarian Dances" for piano, a collection of lively and spirited pieces composed by Johannes Brahms and arranged for solo piano. These dances, inspired by Hungarian folk melodies, showcase Brahms' masterful ability to capture the energy and emotion of traditional music. This edition, edited by Wm Scharfenberg, provides pianists with accessible and engaging arrangements suitable for intermediate to advanced players.The "Hungarian Dances" are a beloved part of the classical repertoire, known for their captivating rhythms and memorable tunes. This volume offers a selection of dances that will delight both performers and listeners, bringing the vibrant spirit of Hungarian music to the piano.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.